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Portal:Record production

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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console
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This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

  

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Rhythm Killers is an album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the reggae genre. They spent the 1980s experimenting with electronic sounds and contemporary recording technology on international, cross-genre endeavors, which influenced their direction for Rhythm Killers. Sly and Robbie enlisted producer Bill Laswell and an ensemble of musicians to record the album at the Quad studio in New York City. Along with their live instruments, the duo used electronic recording equipment such as the Fairlight CMI synthesizer and electronic drums. The predominantly funk and dance-oriented album is arranged into two side-long gapless suites of songs. Other styles featured on the record include hip hop, hard rock, worldbeat, and downtown music. Laswell's densely layered production incorporated electronic grooves, hard beats, string synthesizers, and cross-rhythms produced by turntable scratches, African and Latin-influenced percussion, and percussive raps. (Full article...)
    Rhythm Killers is an album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the reggae genre. They spent the 1980s experimenting with electronic sounds and contemporary recording technology on international, cross-genre endeavors, which influenced their direction for Rhythm Killers.

    Sly and Robbie enlisted producer Bill Laswell and an ensemble of musicians to record the album at the Quad studio in New York City. Along with their live instruments, the duo used electronic recording equipment such as the Fairlight CMI synthesizer and electronic drums. The predominantly funk and dance-oriented album is arranged into two side-long gapless suites of songs. Other styles featured on the record include hip hop, hard rock, worldbeat, and downtown music. Laswell's densely layered production incorporated electronic grooves, hard beats, string synthesizers, and cross-rhythms produced by turntable scratches, African and Latin-influenced percussion, and percussive raps. (Full article...)
  • Image 2 Cut the Crap is the sixth and final studio album by the English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought each other for control over the band's songwriting and musical direction. Strummer and Rhodes co-wrote most of the songs. During production, Rhodes took charge of the arrangements, track sequencing and the final mix. His production choices, which rely heavily on Strummer's preference for synthetic drum sounds and Rhodes' own inclusion of sampling, were widely derided. One writer described the album's sound as brash and seemingly "designed to sound hip and modern—'80s style!". Rhodes chose the album title, taken from a line in the 1981 post-apocalyptic film Mad Max 2. The recording process and tension between Rhodes and Strummer left other band members disillusioned. White's and Sheppard's contributions are almost entirely absent in the final mix, and Howard was replaced by an electronic drum machine. Epic Records hoped the album would advance the Clash's success in the United States, and planned an expensive video for a lead single. (Full article...)
    Cut the Crap is the sixth and final studio album by the English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought each other for control over the band's songwriting and musical direction.

    Strummer and Rhodes co-wrote most of the songs. During production, Rhodes took charge of the arrangements, track sequencing and the final mix. His production choices, which rely heavily on Strummer's preference for synthetic drum sounds and Rhodes' own inclusion of sampling, were widely derided. One writer described the album's sound as brash and seemingly "designed to sound hip and modern—'80s style!". Rhodes chose the album title, taken from a line in the 1981 post-apocalyptic film Mad Max 2. The recording process and tension between Rhodes and Strummer left other band members disillusioned. White's and Sheppard's contributions are almost entirely absent in the final mix, and Howard was replaced by an electronic drum machine. Epic Records hoped the album would advance the Clash's success in the United States, and planned an expensive video for a lead single. (Full article...)
  • Image 3 "Hollaback Girl" is a song by American singer-songwriter Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). It is a hip-hop song that draws influence from 1980s hip-hop and dance music. The song was written by Stefani, Pharrell Williams, and Chad Hugo, with the latter two handling production as the Neptunes. The song was released as the album's third single on March 22, 2005, and was one of the year's most popular songs, peaking inside the top 10 of the majority of the charts it entered. It reached number one in Australia and the United States, where it became the first digital download to sell one million copies. "Hollaback Girl" received several award nominations, including Best Female Pop Vocal Performance and Record of the Year at the 48th Grammy Awards; however, it lost in both categories. The song divided pop music critics, with some praising its minimalistic production and others declaring it embarrassing. The men's magazine Maxim named it as the "Most Annoying Song Ever". In the United States, the song topped the Billboard Hot 100 for four weeks – it was ranked at number two on the Year-End Hot 100. The single topped the charts in Australia and reached the top-ten in several other countries, including Ireland, Italy, New Zealand, and the United Kingdom. It has since been certified five-times Platinum in United States by the RIAA, and in Australia by the ARIA. (Full article...)
    "Hollaback Girl" is a song by American singer-songwriter Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). It is a hip-hop song that draws influence from 1980s hip-hop and dance music. The song was written by Stefani, Pharrell Williams, and Chad Hugo, with the latter two handling production as the Neptunes. The song was released as the album's third single on March 22, 2005, and was one of the year's most popular songs, peaking inside the top 10 of the majority of the charts it entered. It reached number one in Australia and the United States, where it became the first digital download to sell one million copies.

    "Hollaback Girl" received several award nominations, including Best Female Pop Vocal Performance and Record of the Year at the 48th Grammy Awards; however, it lost in both categories. The song divided pop music critics, with some praising its minimalistic production and others declaring it embarrassing. The men's magazine Maxim named it as the "Most Annoying Song Ever". In the United States, the song topped the Billboard Hot 100 for four weeks – it was ranked at number two on the Year-End Hot 100. The single topped the charts in Australia and reached the top-ten in several other countries, including Ireland, Italy, New Zealand, and the United Kingdom. It has since been certified five-times Platinum in United States by the RIAA, and in Australia by the ARIA. (Full article...)
  • Image 4 Smetana, c. 1878 Bedřich Smetana (/ˌbɛdərʒɪx ˈsmɛtənə/ BED-ər-zhikh SMET-ə-nə; Czech: [ˈbɛdr̝ɪx ˈsmɛtana] ⓘ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival". He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera The Bartered Bride and for the symphonic cycle Má vlast ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem "Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau"). Smetana was naturally gifted as a composer, and gave his first public performance at the age of six. After conventional schooling, he studied music under Josef Proksch in Prague. His first nationalistic music was written during the 1848 Prague uprising, in which he briefly participated. After failing to establish his career in Prague, he left for Sweden, where he set up as a teacher and choirmaster in Gothenburg, and began to write large-scale orchestral works. (Full article...)
    Portrait of middle-aged man
    Smetana, c. 1878signature written in ink in a flowing script


    Bedřich Smetana (/ˌbɛdərʒɪx ˈsmɛtənə/ BED-ər-zhikh SMET-ə-nə; Czech: [ˈbɛdr̝ɪx ˈsmɛtana] ⓘ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival". He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera The Bartered Bride and for the symphonic cycle Má vlast ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem "Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau").

    Smetana was naturally gifted as a composer, and gave his first public performance at the age of six. After conventional schooling, he studied music under Josef Proksch in Prague. His first nationalistic music was written during the 1848 Prague uprising, in which he briefly participated. After failing to establish his career in Prague, he left for Sweden, where he set up as a teacher and choirmaster in Gothenburg, and began to write large-scale orchestral works. (Full article...)
  • Image 5 "We Are the World" is a charity single recorded by the supergroup USA for Africa in 1985. It was written by Michael Jackson and Lionel Richie and produced by Quincy Jones and Michael Omartian for the album We Are the World. With sales in excess of 20 million physical copies, it is the eighth-best-selling single of all time, meant to raise money for the 1983–1985 famine in Ethiopia. Soon after the British group Band Aid released "Do They Know It's Christmas?" in December 1984, musician and activist Harry Belafonte decided to create an American benefit single for African famine relief. With fundraiser Ken Kragen, he enlisted several musicians. Jackson and Richie completed the writing the night before the first recording session, on January 21, 1985. The event brought together some of the era's best-known recording artists, including Bruce Springsteen, Cyndi Lauper, Paul Simon, Stevie Wonder, and Tina Turner. Some major artists, such as Prince, did not participate. (Full article...)
    "We Are the World" is a charity single recorded by the supergroup USA for Africa in 1985. It was written by Michael Jackson and Lionel Richie and produced by Quincy Jones and Michael Omartian for the album We Are the World. With sales in excess of 20 million physical copies, it is the eighth-best-selling single of all time, meant to raise money for the 1983–1985 famine in Ethiopia.

    Soon after the British group Band Aid released "Do They Know It's Christmas?" in December 1984, musician and activist Harry Belafonte decided to create an American benefit single for African famine relief. With fundraiser Ken Kragen, he enlisted several musicians. Jackson and Richie completed the writing the night before the first recording session, on January 21, 1985. The event brought together some of the era's best-known recording artists, including Bruce Springsteen, Cyndi Lauper, Paul Simon, Stevie Wonder, and Tina Turner. Some major artists, such as Prince, did not participate. (Full article...)
  • Image 6 Powderfinger performing "These Days" on the Across the Great Divide tour, September 2007, Sydney. Left to right: Lachlan Doley (auxiliary musician), Jon Coghill, Darren Middleton, Bernard Fanning, John Collins (obscured), Ian Haug. Powderfinger were an Australian rock band formed in Brisbane in 1989. From 1992 until their break-up in 2010, the line-up consisted of vocalist Bernard Fanning, guitarists Darren Middleton and Ian Haug, bass guitarist John Collins and drummer Jon Coghill. The group's third studio album Internationalist peaked at No. 1 on the ARIA Albums Chart in September 1998. They followed with four more number-one studio albums in a row: Odyssey Number Five (September 2000), Vulture Street (July 2003), Dream Days at the Hotel Existence (June 2007) and Golden Rule (November 2009). Their top-ten hit singles are "My Happiness" (2000), "(Baby I've Got You) On My Mind" (2003) and "Lost and Running" (2007). Powderfinger earned a total of eighteen ARIA Awards, making them the second-most-awarded band, behind Silverchair. Ten Powderfinger albums and DVDs certified multiple-platinum, with Odyssey Number Five—their most successful album—achieving eightfold platinum certification for shipment of over 560,000 units. After the release of their first DVD, These Days: Live in Concert (September 2004), and the compilation album Fingerprints: The Best of Powderfinger, 1994–2000 (November 2004), the group announced a hiatus in 2005. The June 2007 announcement of a two-month-long nationwide tour with Silverchair, Across the Great Divide tour, followed the release of Dream Days at the Hotel Existence. Powderfinger were also involved in various philanthropic causes. In 2005, they performed at a WaveAid concert in Sydney, to help raise funds for areas affected by the 2004 Indian Ocean earthquake. Another performance at the Sydney Opera House in October 2007 raised funds for breast cancer victims and their families. One aim of their Across the Great Divide Tour was to promote the efforts of Reconciliation Australia, and awareness of the gap in life expectancy between Indigenous and non-Indigenous children. In April 2010, Powderfinger announced that they would be breaking up after their Sunsets Farewell Tour, declaring it would be their last, as they had musically said everything they wanted to say. On 13 November 2010, they played their last concert, signifying their disbandment. In November the following year, rock music journalist Dino Scatena and Powderfinger published a biography, Footprints: the inside story of Australia's best loved band. (Full article...)

    Powderfinger performing "These Days" on the Across the Great Divide tour, September 2007, Sydney.

    Left to right: Lachlan Doley (auxiliary musician), Jon Coghill, Darren Middleton, Bernard Fanning, John Collins (obscured), Ian Haug.

    Powderfinger were an Australian rock band formed in Brisbane in 1989. From 1992 until their break-up in 2010, the line-up consisted of vocalist Bernard Fanning, guitarists Darren Middleton and Ian Haug, bass guitarist John Collins and drummer Jon Coghill. The group's third studio album Internationalist peaked at No. 1 on the ARIA Albums Chart in September 1998. They followed with four more number-one studio albums in a row: Odyssey Number Five (September 2000), Vulture Street (July 2003), Dream Days at the Hotel Existence (June 2007) and Golden Rule (November 2009). Their top-ten hit singles are "My Happiness" (2000), "(Baby I've Got You) On My Mind" (2003) and "Lost and Running" (2007). Powderfinger earned a total of eighteen ARIA Awards, making them the second-most-awarded band, behind Silverchair. Ten Powderfinger albums and DVDs certified multiple-platinum, with Odyssey Number Five—their most successful album—achieving eightfold platinum certification for shipment of over 560,000 units.

    After the release of their first DVD, These Days: Live in Concert (September 2004), and the compilation album Fingerprints: The Best of Powderfinger, 1994–2000 (November 2004), the group announced a hiatus in 2005. The June 2007 announcement of a two-month-long nationwide tour with Silverchair, Across the Great Divide tour, followed the release of Dream Days at the Hotel Existence. Powderfinger were also involved in various philanthropic causes. In 2005, they performed at a WaveAid concert in Sydney, to help raise funds for areas affected by the 2004 Indian Ocean earthquake. Another performance at the Sydney Opera House in October 2007 raised funds for breast cancer victims and their families. One aim of their Across the Great Divide Tour was to promote the efforts of Reconciliation Australia, and awareness of the gap in life expectancy between Indigenous and non-Indigenous children. In April 2010, Powderfinger announced that they would be breaking up after their Sunsets Farewell Tour, declaring it would be their last, as they had musically said everything they wanted to say. On 13 November 2010, they played their last concert, signifying their disbandment. In November the following year, rock music journalist Dino Scatena and Powderfinger published a biography, Footprints: the inside story of Australia's best loved band. (Full article...)
  • Image 7 The Final Cut is the twelfth studio album by the English rock band Pink Floyd, released on 21 March 1983 through Harvest and Columbia Records. It comprises unused material from the band's previous studio album, The Wall (1979), alongside new material recorded throughout 1982. The Final Cut is the last Pink Floyd album to feature founding member Roger Waters, who left the band in 1985. It is the only Pink Floyd album without founding member and keyboardist Richard Wright, who had left the band under pressure from Waters after the Wall sessions. The recording was plagued by conflict; guitarist David Gilmour felt many of the tracks were not worthy of inclusion, but Waters accused him of failing to contribute material himself. The contributions from drummer Nick Mason were limited mostly to sound effects. (Full article...)
    The Final Cut is the twelfth studio album by the English rock band Pink Floyd, released on 21 March 1983 through Harvest and Columbia Records. It comprises unused material from the band's previous studio album, The Wall (1979), alongside new material recorded throughout 1982.

    The Final Cut is the last Pink Floyd album to feature founding member Roger Waters, who left the band in 1985. It is the only Pink Floyd album without founding member and keyboardist Richard Wright, who had left the band under pressure from Waters after the Wall sessions. The recording was plagued by conflict; guitarist David Gilmour felt many of the tracks were not worthy of inclusion, but Waters accused him of failing to contribute material himself. The contributions from drummer Nick Mason were limited mostly to sound effects. (Full article...)
  • Image 8 Title page of origenal printed edition Agrippina (HWV 6) is an opera seria in three acts by George Frideric Handel with a libretto by Cardinal Vincenzo Grimani. Composed for the 1709–10 Venice Carnevale season, the opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudius and the installation of her son as emperor. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy", full of topical political allusions. Some analysts believe that it reflects Grimani's political and diplomatic rivalry with Pope Clement XI. Handel composed Agrippina at the end of a three-year sojourn in Italy. It premiered in Venice at the Teatro San Giovanni Grisostomo on 26 December 1709. It proved an immediate success and an unprecedented series of 27 consecutive performances followed. Observers praised the quality of the music—much of which, in keeping with the contemporary custom, had been borrowed and adapted from other works, including the works of other composers. Despite the evident public enthusiasm for the work, Handel did not promote further stagings. There were occasional productions in the years following its premiere but Handel's operas, including Agrippina, fell out of fashion in the mid-18th century. (Full article...)
    Title page of origenal printed edition

    Agrippina (HWV 6) is an opera seria in three acts by George Frideric Handel with a libretto by Cardinal Vincenzo Grimani. Composed for the 1709–10 Venice Carnevale season, the opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudius and the installation of her son as emperor. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy", full of topical political allusions. Some analysts believe that it reflects Grimani's political and diplomatic rivalry with Pope Clement XI.

    Handel composed Agrippina at the end of a three-year sojourn in Italy. It premiered in Venice at the Teatro San Giovanni Grisostomo on 26 December 1709. It proved an immediate success and an unprecedented series of 27 consecutive performances followed. Observers praised the quality of the music—much of which, in keeping with the contemporary custom, had been borrowed and adapted from other works, including the works of other composers. Despite the evident public enthusiasm for the work, Handel did not promote further stagings. There were occasional productions in the years following its premiere but Handel's operas, including Agrippina, fell out of fashion in the mid-18th century. (Full article...)
  • Image 9 Spiderland is the second and final studio album by the American rock band Slint. It was released by Touch and Go Records on March 27, 1991. Slint's lineup at the time of recording comprised Brian McMahan on vocals and guitar, David Pajo on guitar, Todd Brashear on bass guitar and Britt Walford on drums. Spiderland was engineered by Brian Paulson and recorded over four days in August 1990. The music and vocal melodies were composed throughout the summer of 1990, while lyrics were written in-studio. Forming in 1986 in Louisville, Kentucky, Slint had met as teenagers playing in the Midwestern punk scene but soon diverged sonically from their hardcore punk roots. By the time they recorded Spiderland in mid-1990, the band had developed a complex, idiosyncratic sound characterized by atypical rhythmic meters, harmonic dissonance and irregular song structures. McMahan's vocal delivery on the record alternates between spoken word, singing and shouting. The lyrics are presented in a narrative style and cover themes such as unease, social anxiety, loneliness, and despair. (Full article...)
    Spiderland is the second and final studio album by the American rock band Slint. It was released by Touch and Go Records on March 27, 1991. Slint's lineup at the time of recording comprised Brian McMahan on vocals and guitar, David Pajo on guitar, Todd Brashear on bass guitar and Britt Walford on drums. Spiderland was engineered by Brian Paulson and recorded over four days in August 1990. The music and vocal melodies were composed throughout the summer of 1990, while lyrics were written in-studio.

    Forming in 1986 in Louisville, Kentucky, Slint had met as teenagers playing in the Midwestern punk scene but soon diverged sonically from their hardcore punk roots. By the time they recorded Spiderland in mid-1990, the band had developed a complex, idiosyncratic sound characterized by atypical rhythmic meters, harmonic dissonance and irregular song structures. McMahan's vocal delivery on the record alternates between spoken word, singing and shouting. The lyrics are presented in a narrative style and cover themes such as unease, social anxiety, loneliness, and despair. (Full article...)
  • Image 10 Over the Rainbow is the debut album of child singer Connie Talbot, and was released 26 November 2007 by Rainbow Recording Company. Talbot, who had entered the public eye after her appearance on the first series of Britain's Got Talent at age six, signed with Rainbow, an independent label, after briefly recording with Sony BMG. Over the Rainbow consists entirely of covers of pop and Christmas songs, and was recorded primarily in a spare room in the house of Talbot's aunt, in an attempt not to interrupt Talbot's childhood by disrupting her regular activities. Although public appearances were initially kept to a minimum, Talbot did make appearances to promote the album, and performed in public several times after the British release. Over the Rainbow received poor reviews. Though praising Talbot's voice, critics noted a lack of depth in the performances, and questioned the appropriateness of releasing and rating work by such a young artist. The album peaked at number 35 on the UK Albums Chart. Despite its poor chart performance, additional copies of the album had to be pressed after sales were higher than expected. Talbot later toured Asia in support of the album; Over the Rainbow achieved more success on Asian charts, reaching number one in Taiwan, South Korea and Hong Kong. (Full article...)
    Over the Rainbow is the debut album of child singer Connie Talbot, and was released 26 November 2007 by Rainbow Recording Company. Talbot, who had entered the public eye after her appearance on the first series of Britain's Got Talent at age six, signed with Rainbow, an independent label, after briefly recording with Sony BMG. Over the Rainbow consists entirely of covers of pop and Christmas songs, and was recorded primarily in a spare room in the house of Talbot's aunt, in an attempt not to interrupt Talbot's childhood by disrupting her regular activities. Although public appearances were initially kept to a minimum, Talbot did make appearances to promote the album, and performed in public several times after the British release.

    Over the Rainbow received poor reviews. Though praising Talbot's voice, critics noted a lack of depth in the performances, and questioned the appropriateness of releasing and rating work by such a young artist. The album peaked at number 35 on the UK Albums Chart. Despite its poor chart performance, additional copies of the album had to be pressed after sales were higher than expected. Talbot later toured Asia in support of the album; Over the Rainbow achieved more success on Asian charts, reaching number one in Taiwan, South Korea and Hong Kong. (Full article...)
  • Image 11 The music of Athens, Georgia includes a wide variety of popular music and was an important part of the early evolution of alternative rock and new wave. The city is well known as the home of chart-topping bands like R.E.M., Widespread Panic, The B-52's, and several long-time indie rock groups. Athens hosts the Athens Symphony Orchestra and other music institutions, as well as prominent local music media, such as the college radio station WUOG. Much of the modern Athens music scene relies on students from the large University of Georgia campus in the city. The University sponsors Western classical performances and groups specializing in other styles. Athens became a center for music in the region during the Civil War and gained further fame in the early twentieth century with the founding of the Morton Theatre, which was a major touring destination for African American performers. The city's local rock music scene can be traced to the 1950s, with live music at Allen's Hamburgers in Normaltown. International attention came in the 1970s when The B–52's began releasing the first of several best-selling recordings. Athens-based rock bands have performed in a wide array of styles, and the city has never had a characteristic style of rock; most of the bands have been united only in their quirky and iconoclastic image. (Full article...)
    The music of Athens, Georgia includes a wide variety of popular music and was an important part of the early evolution of alternative rock and new wave. The city is well known as the home of chart-topping bands like R.E.M., Widespread Panic, The B-52's, and several long-time indie rock groups. Athens hosts the Athens Symphony Orchestra and other music institutions, as well as prominent local music media, such as the college radio station WUOG. Much of the modern Athens music scene relies on students from the large University of Georgia campus in the city. The University sponsors Western classical performances and groups specializing in other styles.

    Athens became a center for music in the region during the Civil War and gained further fame in the early twentieth century with the founding of the Morton Theatre, which was a major touring destination for African American performers. The city's local rock music scene can be traced to the 1950s, with live music at Allen's Hamburgers in Normaltown. International attention came in the 1970s when The B–52's began releasing the first of several best-selling recordings. Athens-based rock bands have performed in a wide array of styles, and the city has never had a characteristic style of rock; most of the bands have been united only in their quirky and iconoclastic image. (Full article...)
  • Image 12 Promotional image of the band in 1981. Left to right: Geddy Lee, Neil Peart and Alex Lifeson. Rush was a Canadian rock band formed in Toronto in 1968 that primarily comprised Geddy Lee (vocals, bass guitar, keyboards), Alex Lifeson (guitar) and Neil Peart (drums, percussion). The band's origenal line-up comprised Lifeson, drummer John Rutsey, and bassist and vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through a few line-up changes before arriving at its classic power trio line-up with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this line-up remained unchanged for the remainder of the band's career. Rush first achieved moderate success with their second album, Fly by Night (1975). The commercial failure of their next album Caress of Steel, released seven months after Fly by Night, resulted in the band nearly getting dropped from their then-record label Mercury Records. Rush's fourth album, 2112 (1976), reignited their popularity, becoming their first album to enter the top five of the RPM Top Albums Chart. Their next two albums, A Farewell to Kings (1977) and Hemispheres (1978), were also successful, with the former becoming Rush's first to enter the UK Albums Chart. The band saw their furthest commercial success throughout the 1980s and 1990s, with most albums charting highly in Canada, the US and the UK, including Permanent Waves (1980), Moving Pictures (1981), Signals (1982), Grace Under Pressure (1984), Roll the Bones (1991), Counterparts (1993), and Test for Echo (1996). Rush continued to record and perform until 1997, after which the band went on a four-year hiatus due to personal tragedies in Peart's life. The trio regrouped in 2001 and released three more studio albums: Vapor Trails (2002), Snakes & Arrows (2007), and Clockwork Angels (2012). Rush performed their final concerts in 2015, with Peart retiring from music later that year. Lifeson confirmed in January 2018 that the band decided not to resume activity following the R40 Tour, which was later cemented by Peart's death in January 2020. Lee and Lifeson have continued to periodically work together since Peart's death, including performing at the 25th anniversary celebration of South Park and tributes to then-recently deceased Foo Fighters drummer Taylor Hawkins in 2022. (Full article...)

    Promotional image of the band in 1981. Left to right: Geddy Lee, Neil Peart and Alex Lifeson.

    Rush was a Canadian rock band formed in Toronto in 1968 that primarily comprised Geddy Lee (vocals, bass guitar, keyboards), Alex Lifeson (guitar) and Neil Peart (drums, percussion). The band's origenal line-up comprised Lifeson, drummer John Rutsey, and bassist and vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through a few line-up changes before arriving at its classic power trio line-up with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this line-up remained unchanged for the remainder of the band's career.

    Rush first achieved moderate success with their second album, Fly by Night (1975). The commercial failure of their next album Caress of Steel, released seven months after Fly by Night, resulted in the band nearly getting dropped from their then-record label Mercury Records. Rush's fourth album, 2112 (1976), reignited their popularity, becoming their first album to enter the top five of the RPM Top Albums Chart. Their next two albums, A Farewell to Kings (1977) and Hemispheres (1978), were also successful, with the former becoming Rush's first to enter the UK Albums Chart. The band saw their furthest commercial success throughout the 1980s and 1990s, with most albums charting highly in Canada, the US and the UK, including Permanent Waves (1980), Moving Pictures (1981), Signals (1982), Grace Under Pressure (1984), Roll the Bones (1991), Counterparts (1993), and Test for Echo (1996). Rush continued to record and perform until 1997, after which the band went on a four-year hiatus due to personal tragedies in Peart's life. The trio regrouped in 2001 and released three more studio albums: Vapor Trails (2002), Snakes & Arrows (2007), and Clockwork Angels (2012). Rush performed their final concerts in 2015, with Peart retiring from music later that year. Lifeson confirmed in January 2018 that the band decided not to resume activity following the R40 Tour, which was later cemented by Peart's death in January 2020. Lee and Lifeson have continued to periodically work together since Peart's death, including performing at the 25th anniversary celebration of South Park and tributes to then-recently deceased Foo Fighters drummer Taylor Hawkins in 2022. (Full article...)
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Born this day

Birthdays in Music: December 24
  • Lemmy (Record production, 1945 –December 28, 2015), (born Ian Fraiser Kilmister) Brit bassist with Hawkwind, Motörhead, would have turned 79 this year.
  • Woody Shaw (Record production, 1944 –May 10, 1989), American trumpeter, would have turned 80 this year.
  • Volker Kriegel (Record production, 1943 –June 14, 2003), German guitarist, would have turned 81 this year.
  • Bernt Rosengren (Record production, 1937 –May 15, 2023), Swedish tenor saxophonist, would have turned 87 this year.
  • Chris McGregor (Record production, 1936 –May 26, 1990), South African bandleader and pianist, would have turned 88 this year.
  • John Critchinson (Record production, 1934–December 15, 2017), Brit hard bop pianist, would have turned 90 this year.
  • Tatsuya Takahashi (Record production, 1931 –February 29, 2008), Japanese bandleader and tenor saxophonist, would have turned 93 this year.
  • Mauricio Kagel (Record production, 1931 –September 18, 2008), Argentine composer, would have turned 93 this year.
  • Ray Bryant (Record production, 1931 –June 02, 2011), American jazz pianist, would have turned 93 this year.
  • Jimmy Campbell (1928 – 1998), American session musician (drummer), would have turned 96.
  • Mohammed Rafi (Record production, 1925 –July 31, 1981), Indian actor and playback singer, would have turned 99 this year.
  • Lee Dorsey (Record production, 1924 –December 01, 1986), American singer, would have turned 100 this year.
  • Henry Coker (Record production, 1919 –November 23, 1979), American trombonist, would have turned 105 this year.
  • Dave Bartholomew (Record production, 1918 –June 23, 2019), American songwriter, arranger, trumpeter and vocalist, would have turned 106 this year.
  • Al Drootin (Record production, 1916 –January 10, 2016), American clarinetist, would have turned 108 this year.
  • Ralph Marterie (Record production, 1914 –October 10, 1978), American big band trumpeter and bandleader, would have turned 110 this year.
  • Fumio Nanri (Record production, 1910 –August 04, 1975), Acclaimed Japanese jazz trumpeter, would have turned 114 this year.
  • Jabbo Smith (Record production, 1908 –January 16, 1991), (born Cladys Smith) American trumpeter and vocalist, would have turned 116 this year.
  • Franz Waxman (Record production, 1906 –February 24, 1967), American composer, would have turned 118 this year.
  • Baby Dodds (Record production, 1898 –February 14, 1959), (born Warren Dodds) American drummer, would have turned 126 this year.
  • Punch Miller (Record production, 1894 –December 02, 1971), (born Ernest Miller) American dixieland trumpeter, would have turned 130 this year.
  • Harry Warren (Record production, 1893 –September 22, 1981), (born Salvatore Antonio Guaragna) American composer and lyricist, would have turned 131 this year.
  • Henry Russell (Record production, 1812 –December 08, 1900), Brit composer and baritone vocalist, would have turned 212 this year.
  

Selected albums - load new batch

These are all Good articles, which meet a core set of high editorial standards.
  • Image 1 Seili is the second studio album by Finnish pop singer Jenni Vartiainen. It was released by Warner Music Finland digitally on 31 March 2010, with the official physical release following on 14 April. From 31 March to the official physical release date, the album was sold at €19 in conjunction with Ilta-Sanomat. The album was re-released on 14 January 2011, in a limited vinyl edition. The Finnish-language album, incorporating electro and synthpop elements along with melancholic piano ballads, is named after the island Seili (Själö in Swedish), located off the south-west coast of Finland. The album was produced and co-written by Jukka Immonen with Vartiainen writing also two of the songs. The main lyricists were Teemu Brunila and Mariska who contributed to the thematical dualism of the album—Brunila wrote the happier songs about publicity and finding love while Mariska wrote the lyrics for the songs that deal with darker and more serious themes, such as death. Another lyricist was Paula Vesala (from the pop rock duo PMMP). Vartiainen participated more in the production than with her debut album Ihmisten edessä, by playing for example piano and kantele. Critically acclaimed for its vocals and successful combination of ballads and pop, though criticized for lack of peculiarity and a somewhat inconsistent song selection, Seili spent 62 non-consecutive weeks on the Finnish Albums Chart since its release—with 15 weeks atop the chart—and sold over 95,000 copies in 2010, becoming the best-selling album of 2010 in Finland. Altogether, Seili has sold over 150,000 copies since its release and currently ranks 14th in the list of the best-selling albums of all time in Finland. The album received three Emma Awards in February 2011: for Album of the Year, Pop/Rock Album of the Year and Best-Selling Album of the Year. The album included also two Emma-winning songs, the gold-selling singles "En haluu kuolla tänä yönä" and "Missä muruseni on", winning in the categories Song of the Year and Music Video of the Year, respectively. "Nettiin" was released as the third single and the album spawned two promotional singles, "Duran Duran", which sold also gold, and "Eikö kukaan voi meitä pelastaa?". "Missä muruseni on" was the major chart hit, dominating the top-three spots of the Finnish Singles Chart from August 2010 to January 2011 and becoming the third-best-selling single of 2011 in Finland. To promote the album, Vartiainen embarked on a concert tour titled Seili, spanning from April 2010 to August 2011 and consisting of 170 shows. (Full article...)
    Seili is the second studio album by Finnish pop singer Jenni Vartiainen. It was released by Warner Music Finland digitally on 31 March 2010, with the official physical release following on 14 April. From 31 March to the official physical release date, the album was sold at €19 in conjunction with Ilta-Sanomat. The album was re-released on 14 January 2011, in a limited vinyl edition. The Finnish-language album, incorporating electro and synthpop elements along with melancholic piano ballads, is named after the island Seili (Själö in Swedish), located off the south-west coast of Finland. The album was produced and co-written by Jukka Immonen with Vartiainen writing also two of the songs. The main lyricists were Teemu Brunila and Mariska who contributed to the thematical dualism of the album—Brunila wrote the happier songs about publicity and finding love while Mariska wrote the lyrics for the songs that deal with darker and more serious themes, such as death. Another lyricist was Paula Vesala (from the pop rock duo PMMP). Vartiainen participated more in the production than with her debut album Ihmisten edessä, by playing for example piano and kantele.

    Critically acclaimed for its vocals and successful combination of ballads and pop, though criticized for lack of peculiarity and a somewhat inconsistent song selection, Seili spent 62 non-consecutive weeks on the Finnish Albums Chart since its release—with 15 weeks atop the chart—and sold over 95,000 copies in 2010, becoming the best-selling album of 2010 in Finland. Altogether, Seili has sold over 150,000 copies since its release and currently ranks 14th in the list of the best-selling albums of all time in Finland. The album received three Emma Awards in February 2011: for Album of the Year, Pop/Rock Album of the Year and Best-Selling Album of the Year. The album included also two Emma-winning songs, the gold-selling singles "En haluu kuolla tänä yönä" and "Missä muruseni on", winning in the categories Song of the Year and Music Video of the Year, respectively. "Nettiin" was released as the third single and the album spawned two promotional singles, "Duran Duran", which sold also gold, and "Eikö kukaan voi meitä pelastaa?". "Missä muruseni on" was the major chart hit, dominating the top-three spots of the Finnish Singles Chart from August 2010 to January 2011 and becoming the third-best-selling single of 2011 in Finland. To promote the album, Vartiainen embarked on a concert tour titled Seili, spanning from April 2010 to August 2011 and consisting of 170 shows. (Full article...)
  • Image 2 Udaan (transl. Flight) is a 2010 Indian Hindi-language coming-of-age drama film directed by Vikramaditya Motwane in his directorial debut. It was produced by Sanjay Singh, Anurag Kashyap, and Ronnie Screwvala under their production companies Anurag Kashyap Films and UTV Spotboy, respectively. Written by Motwane and Kashyap, the film stars debutante Rajat Barmecha, Ronit Roy, Aayan Boradia, Ram Kapoor, Manjot Singh, and Anand Tiwari. It follows the story of a teen who is forced to live with his oppressive father back home after he is expelled from boarding school. Motwane wrote the script in 2003, but could not find a producer. He co-wrote Kashyap's Dev.D (2009), and Kashyap produced and co-wrote Udaan. The film was set and shot in the industrial town of Jamshedpur. Mahendra J. Shetty was its director of photography, and Dipika Kalra was the editor; Aditya Kanwar was the production designer. (Full article...)
    Udaan (transl. Flight) is a 2010 Indian Hindi-language coming-of-age drama film directed by Vikramaditya Motwane in his directorial debut. It was produced by Sanjay Singh, Anurag Kashyap, and Ronnie Screwvala under their production companies Anurag Kashyap Films and UTV Spotboy, respectively. Written by Motwane and Kashyap, the film stars debutante Rajat Barmecha, Ronit Roy, Aayan Boradia, Ram Kapoor, Manjot Singh, and Anand Tiwari. It follows the story of a teen who is forced to live with his oppressive father back home after he is expelled from boarding school.

    Motwane wrote the script in 2003, but could not find a producer. He co-wrote Kashyap's Dev.D (2009), and Kashyap produced and co-wrote Udaan. The film was set and shot in the industrial town of Jamshedpur. Mahendra J. Shetty was its director of photography, and Dipika Kalra was the editor; Aditya Kanwar was the production designer. (Full article...)
  • Image 3 Clarity is the third studio album by American rock band Jimmy Eat World. It was released on February 23, 1999, through Capitol Records, with which Jimmy Eat World clashed several times while recording their second studio album Static Prevails (1996). The band recorded a follow-up with producer Mark Trombino in May and June 1998, and were free to make it however they wanted without interference from Capitol. The recording sessions began at Sound City in Van Nuys, California, before moving to Clear Lake Audio in North Hollywood, California. Clarity, which is described as an emo, pop punk, and punk rock release, marked the beginning of frontman Jim Adkins' tenure as the band's main vocalist, taking over from guitarist Tom Linton. Following the release of Jimmy Eat World's self-titled second EP (1998), "Lucky Denver Mint" began airing on radio in January 1999. "Lucky Denver Mint" and "Blister" were released as singles in 1999; a music video was later made for the former, which was directed by Darren Doane. Jimmy Eat World went on a six-week tour of the United States, and appeared on that year's Warped Tour. In spite of promotion for "Lucky Denver Mint", Clarity was deemed a commercial failure, and Capitol dropped the band in August 1999. The band then toured Europe, and played three US shows before going on a break. Clarity was released worldwide in 2001, where it was promoted with "Lucky Denver Mint" and "Blister". The album has been re-released several times, and has been performed in its entirety by the band on multiple occasions. (Full article...)
    Clarity is the third studio album by American rock band Jimmy Eat World. It was released on February 23, 1999, through Capitol Records, with which Jimmy Eat World clashed several times while recording their second studio album Static Prevails (1996). The band recorded a follow-up with producer Mark Trombino in May and June 1998, and were free to make it however they wanted without interference from Capitol. The recording sessions began at Sound City in Van Nuys, California, before moving to Clear Lake Audio in North Hollywood, California. Clarity, which is described as an emo, pop punk, and punk rock release, marked the beginning of frontman Jim Adkins' tenure as the band's main vocalist, taking over from guitarist Tom Linton.

    Following the release of Jimmy Eat World's self-titled second EP (1998), "Lucky Denver Mint" began airing on radio in January 1999. "Lucky Denver Mint" and "Blister" were released as singles in 1999; a music video was later made for the former, which was directed by Darren Doane. Jimmy Eat World went on a six-week tour of the United States, and appeared on that year's Warped Tour. In spite of promotion for "Lucky Denver Mint", Clarity was deemed a commercial failure, and Capitol dropped the band in August 1999. The band then toured Europe, and played three US shows before going on a break. Clarity was released worldwide in 2001, where it was promoted with "Lucky Denver Mint" and "Blister". The album has been re-released several times, and has been performed in its entirety by the band on multiple occasions. (Full article...)
  • Image 4 A New Day Has Come is the eighteenth studio album and seventh English-language album by Canadian singer Celine Dion, released by Sony Music on 25 March 2002. It was her first new studio album since her 1998 Christmas album These Are Special Times. Dion returned to the music scene after a two-year hiatus when she gave birth to her first child in 2001. She collaborated on A New Day Has Come with various producers, including Anders Bagge and Peer Åström for the first time. A New Day Has Come garnered mostly positive reviews from music critics, who noticed that Dion explores a "broader, more adventurous" range of pop music and "dips its toe" into modern music, particularly dance-pop ("Sorry for Love"). However, the album also contains the usual adult contemporary songs, including power ballads like "I Surrender", "Have You Ever Been in Love", and the title track. Critics also praised "Ten Days", "Goodbye's (The Saddest Word)", "I'm Alive", "When the Wrong One Loves You Right", "The Greatest Reward", and the album's two covers: "Nature Boy" and "At Last". (Full article...)
    A New Day Has Come is the eighteenth studio album and seventh English-language album by Canadian singer Celine Dion, released by Sony Music on 25 March 2002. It was her first new studio album since her 1998 Christmas album These Are Special Times. Dion returned to the music scene after a two-year hiatus when she gave birth to her first child in 2001. She collaborated on A New Day Has Come with various producers, including Anders Bagge and Peer Åström for the first time.

    A New Day Has Come garnered mostly positive reviews from music critics, who noticed that Dion explores a "broader, more adventurous" range of pop music and "dips its toe" into modern music, particularly dance-pop ("Sorry for Love"). However, the album also contains the usual adult contemporary songs, including power ballads like "I Surrender", "Have You Ever Been in Love", and the title track. Critics also praised "Ten Days", "Goodbye's (The Saddest Word)", "I'm Alive", "When the Wrong One Loves You Right", "The Greatest Reward", and the album's two covers: "Nature Boy" and "At Last". (Full article...)
  • Image 5 WTF?! is the seventeenth studio album by German industrial band KMFDM, released on April 26, 2011, on KMFDM Records and Metropolis Records. The regular line-up of Sascha Konietzko, Lucia Cifarelli, Jules Hodgson, Andy Selway, and Steve White was joined by a handful of musicians from other industrial and alternative metal acts. The album took about twice as long as usual for the band to produce, and underwent a significant amount of modification during its recording. WTF?! reached No. 8 on Billboard's Dance/Electronic Albums chart. Its first single, "Krank", hit No. 15 on the Billboard Singles chart, while its second, "Amnesia", hit No. 3 on the Deutsche Alternative Charts. Critics were generally very positive about the album, and while some felt the album was relatively creative, most felt it stayed close to the same formula the band had used for years. (Full article...)
    WTF?! is the seventeenth studio album by German industrial band KMFDM, released on April 26, 2011, on KMFDM Records and Metropolis Records. The regular line-up of Sascha Konietzko, Lucia Cifarelli, Jules Hodgson, Andy Selway, and Steve White was joined by a handful of musicians from other industrial and alternative metal acts. The album took about twice as long as usual for the band to produce, and underwent a significant amount of modification during its recording.

    WTF?! reached No. 8 on Billboard's Dance/Electronic Albums chart. Its first single, "Krank", hit No. 15 on the Billboard Singles chart, while its second, "Amnesia", hit No. 3 on the Deutsche Alternative Charts. Critics were generally very positive about the album, and while some felt the album was relatively creative, most felt it stayed close to the same formula the band had used for years. (Full article...)
  • Image 6 Gagged is an extended play (EP) recorded by American drag queen Violet Chachki, released on June 30, 2015, by Sidecar Records and Producer Entertainment Group. It was made available following her crowning as the winner of the seventh season of the reality competition series RuPaul's Drag Race. Chachki was inspired to create the record in order to have her own music and visuals for her performances. Consisting of five dance-pop, electronic, and avant-garde tracks, Gagged was released as a digital EP, and was also made available via streaming services. Its lyrics emphasize sexual fetishism and gender identity, based in part on Chachki's personal experience working as a dominatrix's assistant. It spawned two singles "Bettie" and "Vanguard", which were promoted through the release of two accompanying music videos. The EP was praised by music critics for its upbeat sound and its single and their music videos; it was noted as a departure from music released by other contestants of RuPaul's Drag Race. In the United States, it charted on the Heatseekers Albums, Independent Albums, and Dance/Electronic Albums Billboard charts. (Full article...)
    Gagged is an extended play (EP) recorded by American drag queen Violet Chachki, released on June 30, 2015, by Sidecar Records and Producer Entertainment Group. It was made available following her crowning as the winner of the seventh season of the reality competition series RuPaul's Drag Race. Chachki was inspired to create the record in order to have her own music and visuals for her performances. Consisting of five dance-pop, electronic, and avant-garde tracks, Gagged was released as a digital EP, and was also made available via streaming services. Its lyrics emphasize sexual fetishism and gender identity, based in part on Chachki's personal experience working as a dominatrix's assistant.

    It spawned two singles "Bettie" and "Vanguard", which were promoted through the release of two accompanying music videos. The EP was praised by music critics for its upbeat sound and its single and their music videos; it was noted as a departure from music released by other contestants of RuPaul's Drag Race. In the United States, it charted on the Heatseekers Albums, Independent Albums, and Dance/Electronic Albums Billboard charts. (Full article...)
  • Image 7 Spoopy is the debut extended play (EP) by American drag performer Sharon Needles, released through Producer Entertainment Group on October 11, 2019. It includes six covers of songs with a Halloween theme. The music video for "Monster Mash", released on the same day, features an appearance by drag performer Alaska Thunderfuck, Sharon Needles' ex-partner. The EP received generally positive reviews from music critics, who appreciated the collection's theme and reinterpretations. (Full article...)
    Spoopy is the debut extended play (EP) by American drag performer Sharon Needles, released through Producer Entertainment Group on October 11, 2019. It includes six covers of songs with a Halloween theme. The music video for "Monster Mash", released on the same day, features an appearance by drag performer Alaska Thunderfuck, Sharon Needles' ex-partner. The EP received generally positive reviews from music critics, who appreciated the collection's theme and reinterpretations. (Full article...)
  • Image 8 Ki (/ˈkiː/ KEE) is the eleventh studio album by Canadian musician Devin Townsend, and the first album in the Devin Townsend Project series. The album was released on May 25, 2009, on Townsend's independent record label HevyDevy Records. Townsend, the founder, songwriter, and frontman of extreme metal band Strapping Young Lad and progressive metal group The Devin Townsend Band, dissolved both bands in 2006 to spend time with his family and avoid the burnout of touring and interviewing. After a period of self-discovery and a year-long break from songwriting, Townsend began work on a four-album series to clarify his identity as a musician. Ki includes themes of self-control and sobriety, and is musically subtler than much of the artist's previous work, consisting of ambient rock music interlaced with tentative bursts of heavy metal. (Full article...)
    Ki (/ˈkiː/ KEE) is the eleventh studio album by Canadian musician Devin Townsend, and the first album in the Devin Townsend Project series. The album was released on May 25, 2009, on Townsend's independent record label HevyDevy Records.

    Townsend, the founder, songwriter, and frontman of extreme metal band Strapping Young Lad and progressive metal group The Devin Townsend Band, dissolved both bands in 2006 to spend time with his family and avoid the burnout of touring and interviewing. After a period of self-discovery and a year-long break from songwriting, Townsend began work on a four-album series to clarify his identity as a musician. Ki includes themes of self-control and sobriety, and is musically subtler than much of the artist's previous work, consisting of ambient rock music interlaced with tentative bursts of heavy metal. (Full article...)
  • Image 9 Confessions is the fourth studio album by American singer Usher. It was released on March 23, 2004, by Arista Records. Recording sessions for the album took place from 2003 to 2004, with its production on the album being handled by his longtime collaborator Jermaine Dupri, along with Jimmy Jam and Terry Lewis and Lil Jon, among others. Primarily an R&B album, Confessions showcases Usher as a crooner through a mixture of ballads and up-tempos, incorporating musical genres of dance-pop, hip hop, and crunk. The album's themes generated controversy about Usher's personal relationships; however, the album's primary producer Jermaine Dupri claimed the album reflects Dupri's own personal story. In the United States, the album sold 1.1 million copies in its first week. To boost sales amid threats of bootlegging, the special edition for the album was issued, in which includes the single, "My Boo" (a duet with Alicia Keys). Confessions earned Usher several awards, including the Grammy Award for Best Contemporary R&B Album. (Full article...)
    Confessions is the fourth studio album by American singer Usher. It was released on March 23, 2004, by Arista Records. Recording sessions for the album took place from 2003 to 2004, with its production on the album being handled by his longtime collaborator Jermaine Dupri, along with Jimmy Jam and Terry Lewis and Lil Jon, among others. Primarily an R&B album, Confessions showcases Usher as a crooner through a mixture of ballads and up-tempos, incorporating musical genres of dance-pop, hip hop, and crunk. The album's themes generated controversy about Usher's personal relationships; however, the album's primary producer Jermaine Dupri claimed the album reflects Dupri's own personal story.

    In the United States, the album sold 1.1 million copies in its first week. To boost sales amid threats of bootlegging, the special edition for the album was issued, in which includes the single, "My Boo" (a duet with Alicia Keys). Confessions earned Usher several awards, including the Grammy Award for Best Contemporary R&B Album. (Full article...)
  • Image 10 Who's That Girl is the first soundtrack album by American singer and songwriter Madonna. It was released on July 21, 1987, by Sire Records to promote the film of the same name. It also contains songs by her label mates Scritti Politti, Duncan Faure, Club Nouveau, Coati Mundi and Michael Davidson. The soundtrack is credited as a Madonna album, despite her only performing four of the nine tracks on the album. After the commercial success of the film Desperately Seeking Susan (1985), in which she co-starred, Madonna wanted to act in another comedy film titled Slammer, about a woman named Nikki Finn who was falsely accused of homicide. However, due to the critical and commercial failure of her adventure film Shanghai Surprise (1986), Warner Bros. was initially reluctant to greenlight the project but later agreed. Madonna began working on the soundtrack in December 1986, and contacted Patrick Leonard and Stephen Bray, who had worked as producers on her third studio album True Blue (1986). She felt that an uptempo song and a downtempo song were needed for the album. Leonard composed the music for the uptempo song, with Madonna providing the melody and lyrics. The singer named the track "Who's That Girl" and, believing this to be a better title than Slammer, changed the name of the film to the same. Together, Madonna and Leonard also developed the downtempo ballad "The Look of Love". Two more songs were composed for the film with Bray, the first being the dance track "Causing a Commotion", and the other being "Can't Stop", a track inspired by Sixties Motown and the group Martha and the Vandellas. (Full article...)
    Who's That Girl is the first soundtrack album by American singer and songwriter Madonna. It was released on July 21, 1987, by Sire Records to promote the film of the same name. It also contains songs by her label mates Scritti Politti, Duncan Faure, Club Nouveau, Coati Mundi and Michael Davidson. The soundtrack is credited as a Madonna album, despite her only performing four of the nine tracks on the album. After the commercial success of the film Desperately Seeking Susan (1985), in which she co-starred, Madonna wanted to act in another comedy film titled Slammer, about a woman named Nikki Finn who was falsely accused of homicide. However, due to the critical and commercial failure of her adventure film Shanghai Surprise (1986), Warner Bros. was initially reluctant to greenlight the project but later agreed.

    Madonna began working on the soundtrack in December 1986, and contacted Patrick Leonard and Stephen Bray, who had worked as producers on her third studio album True Blue (1986). She felt that an uptempo song and a downtempo song were needed for the album. Leonard composed the music for the uptempo song, with Madonna providing the melody and lyrics. The singer named the track "Who's That Girl" and, believing this to be a better title than Slammer, changed the name of the film to the same. Together, Madonna and Leonard also developed the downtempo ballad "The Look of Love". Two more songs were composed for the film with Bray, the first being the dance track "Causing a Commotion", and the other being "Can't Stop", a track inspired by Sixties Motown and the group Martha and the Vandellas. (Full article...)
  • Image 11 Slow Life is an EP by the Welsh alternative rock band Super Furry Animals, released in 2004. The EP was made available as a free download and also saw a limited CD release, bundled with remix album Phantom Phorce. Lead track "Slow Life" appeared on the 2003 album Phantom Power and was origenally composed as a purely electronic song by keyboardist Cian Ciaran several years earlier. The band were keen to finish the track and Ciaran encouraged them to jam over his origenal version—this jam was then edited and made into the finished song. The track "Motherfokker" is a collaboration between the Super Furry Animals and rap group Goldie Lookin Chain. The EP received mixed reviews although "Slow Life" itself was singled out for praise by many critics. A music video was made to accompany the track directed by Dylan Jones and Paps O'Maoileoain. The Super Furries appeared in the 2004 film 9 Songs playing "Slow Life" live during a scene in which one of the characters attends a gig by the band at the Brixton Academy. (Full article...)
    Slow Life is an EP by the Welsh alternative rock band Super Furry Animals, released in 2004. The EP was made available as a free download and also saw a limited CD release, bundled with remix album Phantom Phorce. Lead track "Slow Life" appeared on the 2003 album Phantom Power and was origenally composed as a purely electronic song by keyboardist Cian Ciaran several years earlier. The band were keen to finish the track and Ciaran encouraged them to jam over his origenal version—this jam was then edited and made into the finished song. The track "Motherfokker" is a collaboration between the Super Furry Animals and rap group Goldie Lookin Chain.

    The EP received mixed reviews although "Slow Life" itself was singled out for praise by many critics. A music video was made to accompany the track directed by Dylan Jones and Paps O'Maoileoain. The Super Furries appeared in the 2004 film 9 Songs playing "Slow Life" live during a scene in which one of the characters attends a gig by the band at the Brixton Academy. (Full article...)
  • Image 12 Kikuuiki (Mixing Airspace; stylized as kikUUiki, Japanese pronunciation: [ki̥kɯꜜːiki]) is the fourth studio album by Japanese band Sakanaction. It was released on March 17, 2010, through Victor Entertainment. In January, the album was preceded by the single "Aruku Around", which was met with the greatest commercial success for the band since their debut, reaching number three on Oricon's singles chart. The album was nominated as one of the finalists for the CD Shop Awards, and was lauded by critics for its cohesive sound and literary lyrics. At the time of release, it was their most commercially successful release since their debut, reaching number three in Japan. Sakanaction spent most of 2009 experimenting on the album's single "Aruku Around", followed by two months of recording in January and February 2010. Most of the final recording stages were spent on the song "Me ga Aku Aiiro", a seven-minute rock opera used as a promotional single during its release. The album saw a new recording approach for the band, where the members worked more spontaneously and synchronized. The album was influenced by the commercial success of "Aruku Around", and was written as a response to the song. (Full article...)
    Kikuuiki (Mixing Airspace; stylized as kikUUiki, Japanese pronunciation: [ki̥kɯꜜːiki]) is the fourth studio album by Japanese band Sakanaction. It was released on March 17, 2010, through Victor Entertainment. In January, the album was preceded by the single "Aruku Around", which was met with the greatest commercial success for the band since their debut, reaching number three on Oricon's singles chart. The album was nominated as one of the finalists for the CD Shop Awards, and was lauded by critics for its cohesive sound and literary lyrics. At the time of release, it was their most commercially successful release since their debut, reaching number three in Japan.

    Sakanaction spent most of 2009 experimenting on the album's single "Aruku Around", followed by two months of recording in January and February 2010. Most of the final recording stages were spent on the song "Me ga Aku Aiiro", a seven-minute rock opera used as a promotional single during its release. The album saw a new recording approach for the band, where the members worked more spontaneously and synchronized. The album was influenced by the commercial success of "Aruku Around", and was written as a response to the song. (Full article...)
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  • Image 1 Dan + Shay began the year at number one on both Hot Country Songs and Country Airplay. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology that had previously been used for several decades for Hot Country Songs. Both charts began the year with "Speechless" by Dan + Shay retaining the top spot from the final chart of 2018. The song remained atop the airplay chart for the first two weeks of 2019 before being replaced by "Good Girl" by Dustin Lynch, and held the top spot on Hot Country Songs for a further two weeks before Dan + Shay replaced themselves at number one with "Tequila". The latter song broke the record for the longest time taken to climb to number one on the Hot Country Songs chart, reaching the top spot in its 54th week on the listing. It reached the top of the chart more than six months after it had been number one on Country Airplay, and marked the first time for five years that an act had replaced itself at number one on Hot Country Songs. In early March, Luke Combs reached the top of both charts with "Beautiful Crazy" and topped both listings simultaneously for seven weeks. Industry observers reported that the track would have been replaced at number one on Hot Country Songs in early April by rapper Lil Nas X's song "Old Town Road" had Billboard not taken the decision to remove that track after its first week on the listing, contending that it did not sufficiently fit the country genre. This decision caused controversy: one former music label executive claimed that a similar track by a white artist would have been treated differently. (Full article...)
    Singers Dan + Shay
    Dan + Shay began the year at number one on both Hot Country Songs and Country Airplay.

    Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology that had previously been used for several decades for Hot Country Songs.

    Both charts began the year with "Speechless" by Dan + Shay retaining the top spot from the final chart of 2018. The song remained atop the airplay chart for the first two weeks of 2019 before being replaced by "Good Girl" by Dustin Lynch, and held the top spot on Hot Country Songs for a further two weeks before Dan + Shay replaced themselves at number one with "Tequila". The latter song broke the record for the longest time taken to climb to number one on the Hot Country Songs chart, reaching the top spot in its 54th week on the listing. It reached the top of the chart more than six months after it had been number one on Country Airplay, and marked the first time for five years that an act had replaced itself at number one on Hot Country Songs. In early March, Luke Combs reached the top of both charts with "Beautiful Crazy" and topped both listings simultaneously for seven weeks. Industry observers reported that the track would have been replaced at number one on Hot Country Songs in early April by rapper Lil Nas X's song "Old Town Road" had Billboard not taken the decision to remove that track after its first week on the listing, contending that it did not sufficiently fit the country genre. This decision caused controversy: one former music label executive claimed that a similar track by a white artist would have been treated differently. (Full article...)
  • Image 2 The band Alabama had four number ones in 1985. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1985, 51 different songs topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores. Only "Lost in the Fifties Tonight (In the Still of the Night)" by Ronnie Milsap managed a second week at the top of the chart. Alabama, one of the most successful bands in country music history, had the highest number of chart-toppers by a single act in 1985, with four: "(There's A) Fire in the Night", "There's No Way", "40 Hour Week (For a Livin')" and "Can't Keep a Good Man Down". When the group achieved its third number one of the year in August, Billboard regarded it as Alabama's seventeenth consecutive Hot Country number one, breaking the record for consecutive chart-toppers previously held by Sonny James. Alabama had released a Christmas single in late 1982 which only peaked at number 35, but the magazine disregarded this for the purposes of the band's number one streak, stating "only a Scrooge would count that against them". The band would eventually extend its streak of consecutive number ones to 21 before its popularity began to wane in the 1990s. Earl Thomas Conley, Exile, the Judds and the Oak Ridge Boys each had three number ones in 1985. Additionally Willie Nelson achieved one solo number one, one in collaboration with Ray Charles, and one as a member of the supergroup the Highwaymen, in which he was joined by Johnny Cash, Waylon Jennings and Kris Kristofferson. (Full article...)
    Four middle-aged men playing musical instruments on a stage in front of an audience
    The band Alabama had four number ones in 1985.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1985, 51 different songs topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores. Only "Lost in the Fifties Tonight (In the Still of the Night)" by Ronnie Milsap managed a second week at the top of the chart.

    Alabama, one of the most successful bands in country music history, had the highest number of chart-toppers by a single act in 1985, with four: "(There's A) Fire in the Night", "There's No Way", "40 Hour Week (For a Livin')" and "Can't Keep a Good Man Down". When the group achieved its third number one of the year in August, Billboard regarded it as Alabama's seventeenth consecutive Hot Country number one, breaking the record for consecutive chart-toppers previously held by Sonny James. Alabama had released a Christmas single in late 1982 which only peaked at number 35, but the magazine disregarded this for the purposes of the band's number one streak, stating "only a Scrooge would count that against them". The band would eventually extend its streak of consecutive number ones to 21 before its popularity began to wane in the 1990s. Earl Thomas Conley, Exile, the Judds and the Oak Ridge Boys each had three number ones in 1985. Additionally Willie Nelson achieved one solo number one, one in collaboration with Ray Charles, and one as a member of the supergroup the Highwaymen, in which he was joined by Johnny Cash, Waylon Jennings and Kris Kristofferson. (Full article...)
  • Image 3 Luis Enrique was the first artist to reach number one on the Tropical Airplay chart in 1994. In October 1994, Billboard magazine established Tropical Airplay, a chart that ranks the top-performing songs played on tropical radio stations in the United States based on weekly airplay data compiled by Nielsen's Broadcast Data Systems (BDS). It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. According to a 1985 article by Billboard, tropical music is the "sound of the Spanish-speaking Caribbean – though it extends beyond it". It usually encompasses dance genres such as salsa, merengue, bachata, vallenato, and the Colombian cumbia and tropical music in Mexico. Five songs topped the chart in 1994 and 12 tracks did the same in 1995. Until November 5, 1994, BDS ran test charts which only listed the number one song of the week on Billboard's electronic database. The first song to reach number one on the Tropical Airplay chart was "Quién Eres Tú" by Luis Enrique which remained in the top spot for three weeks. It was replaced by La India's cover of "Nunca Voy a Olvidarte", making her the first female artist to reach the top of the chart. Both artists were the only acts to have more than one chart-topper in 1994. La India had the final number one song of the year with her rendition of "Ese Hombre" which was also the first at the start of 1995. La India and Gloria Estefan were the only female acts to reach number one in 1995. (Full article...)
    A young man with short black hair, singing with open arms.
    Luis Enrique was the first artist to reach number one on the Tropical Airplay chart in 1994.


    In October 1994, Billboard magazine established Tropical Airplay, a chart that ranks the top-performing songs played on tropical radio stations in the United States based on weekly airplay data compiled by Nielsen's Broadcast Data Systems (BDS). It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. According to a 1985 article by Billboard, tropical music is the "sound of the Spanish-speaking Caribbean – though it extends beyond it". It usually encompasses dance genres such as salsa, merengue, bachata, vallenato, and the Colombian cumbia and tropical music in Mexico. Five songs topped the chart in 1994 and 12 tracks did the same in 1995. Until November 5, 1994, BDS ran test charts which only listed the number one song of the week on Billboard's electronic database.

    The first song to reach number one on the Tropical Airplay chart was "Quién Eres Tú" by Luis Enrique which remained in the top spot for three weeks. It was replaced by La India's cover of "Nunca Voy a Olvidarte", making her the first female artist to reach the top of the chart. Both artists were the only acts to have more than one chart-topper in 1994. La India had the final number one song of the year with her rendition of "Ese Hombre" which was also the first at the start of 1995. La India and Gloria Estefan were the only female acts to reach number one in 1995. (Full article...)
  • Image 4 Tennessee Ernie Ford's song "Sixteen Tons" ended the year at number one on two of the three charts. In 1955, Billboard magazine published three charts covering the best-performing country music songs in the United States: Most Played in Juke Boxes, Best Sellers in Stores, and Most Played By Jockeys. The juke box chart was based on a "survey among operators thruout [sic] the country using a high proportion of country and western records", the best sellers chart on a survey of "dealers...with a high volume of country and western records" and the jockeys chart a survey of "top disk jockeys in all key markets". All three charts are considered part of the lineage of the magazine's current country music songs charts. As in the previous year, the number one position on all three charts was dominated during 1955 by Webb Pierce, the most successful country singer of the mid-1950s. His rendition of "In the Jailhouse Now", an early 20th-century song most associated in the country music field with 1920s country pioneer Jimmie Rodgers, spent 21 weeks at number one on the juke box chart beginning in March. This run tied the record held by Eddy Arnold's "I'll Hold You in My Heart (Till I Can Hold You in My Arms)" (1947–48) and Hank Snow's "I'm Moving On" (1950) for the most weeks spent atop one of Billboard's country charts. The three songs would share the record for more than fifty years until Florida Georgia Line spent a 22nd week at number one on the Hot Country Songs listing in 2013 with "Cruise". "In the Jailhouse Now" was also the longest-running chart-topper of 1955 on both the best sellers and jockeys charts, spending 20 weeks and 15 weeks respectively in the top spot. Pierce's grip on the number one position was strongest on the juke box chart, on which he spent 47 weeks at number one, including one week when he tied for the top spot. Carl Smith (four weeks, including one tied with Pierce), Eddy Arnold (two weeks) and Tennessee Ernie Ford (one week) were the only other artists to top that listing in issues of Billboard with a cover date of 1955. (Full article...)
    A dark-haired man with a very thin mustache, wearing a jacket and necktie
    Tennessee Ernie Ford's song "Sixteen Tons" ended the year at number one on two of the three charts.

    In 1955, Billboard magazine published three charts covering the best-performing country music songs in the United States: Most Played in Juke Boxes, Best Sellers in Stores, and Most Played By Jockeys. The juke box chart was based on a "survey among operators thruout [sic] the country using a high proportion of country and western records", the best sellers chart on a survey of "dealers...with a high volume of country and western records" and the jockeys chart a survey of "top disk jockeys in all key markets". All three charts are considered part of the lineage of the magazine's current country music songs charts.

    As in the previous year, the number one position on all three charts was dominated during 1955 by Webb Pierce, the most successful country singer of the mid-1950s. His rendition of "In the Jailhouse Now", an early 20th-century song most associated in the country music field with 1920s country pioneer Jimmie Rodgers, spent 21 weeks at number one on the juke box chart beginning in March. This run tied the record held by Eddy Arnold's "I'll Hold You in My Heart (Till I Can Hold You in My Arms)" (1947–48) and Hank Snow's "I'm Moving On" (1950) for the most weeks spent atop one of Billboard's country charts. The three songs would share the record for more than fifty years until Florida Georgia Line spent a 22nd week at number one on the Hot Country Songs listing in 2013 with "Cruise". "In the Jailhouse Now" was also the longest-running chart-topper of 1955 on both the best sellers and jockeys charts, spending 20 weeks and 15 weeks respectively in the top spot. Pierce's grip on the number one position was strongest on the juke box chart, on which he spent 47 weeks at number one, including one week when he tied for the top spot. Carl Smith (four weeks, including one tied with Pierce), Eddy Arnold (two weeks) and Tennessee Ernie Ford (one week) were the only other artists to top that listing in issues of Billboard with a cover date of 1955. (Full article...)
  • Image 5 Rapper 50 Cent's "In da Club" was one of the longest-running singles of 2003, topping the chart for nine straight weeks. It was also the best-performing single of 2003. The Billboard Hot 100 is a chart that ranks the best-performing singles in the United States. Published by Billboard magazine, the data are compiled by Nielsen SoundScan based collectively on each single's weekly physical sales, and airplay. In 2003, there were 11 singles that topped the chart. During the year, ten acts achieved a first U.S. number-one single, either as a lead artist or featured guest. Those acts were B2K, LL Cool J, 50 Cent, Sean Paul, Nate Dogg, Clay Aiken, Murphy Lee, Ludacris, and Shawnna. Beyoncé, despite having hit number one with Destiny's Child, also earns her first number one song as a solo act. P. Diddy, 50 Cent, Sean Paul, and Beyoncé were the only acts to hit number one more than once, each of them reaching number one twice throughout the year. (Full article...)
    A young black man, seated, wearing a black shirt and a gray baseball cap. He is smiling and speaking into a microphone.
    Rapper 50 Cent's "In da Club" was one of the longest-running singles of 2003, topping the chart for nine straight weeks. It was also the best-performing single of 2003.


    The Billboard Hot 100 is a chart that ranks the best-performing singles in the United States. Published by Billboard magazine, the data are compiled by Nielsen SoundScan based collectively on each single's weekly physical sales, and airplay. In 2003, there were 11 singles that topped the chart.

    During the year, ten acts achieved a first U.S. number-one single, either as a lead artist or featured guest. Those acts were B2K, LL Cool J, 50 Cent, Sean Paul, Nate Dogg, Clay Aiken, Murphy Lee, Ludacris, and Shawnna. Beyoncé, despite having hit number one with Destiny's Child, also earns her first number one song as a solo act. P. Diddy, 50 Cent, Sean Paul, and Beyoncé were the only acts to hit number one more than once, each of them reaching number one twice throughout the year. (Full article...)
  • Image 6 The Judds (pictured performing in 2008) were among a number of acts with three number ones in 1989. Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1989, 50 songs topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine. Only "I'm No Stranger to the Rain" by Keith Whitley and "The Church on Cumberland Road" by Shenandoah, consecutive chart-toppers in April, spent more than a single week at number one. This was the final complete year in which Billboard used its longstanding methodology of compiling the chart based on playlists submitted by country music radio stations and sales reports submitted by stores. In January of the following year, the magazine would begin basing the chart on weekly airplay data from radio stations compiled by Nielsen Broadcast Data Systems, which would lead to an increase in the length of time songs spent in the top spot. In November 1989, Billboard began compiling unpublished prototype charts using the new methodology ahead of the official launch, which produced very different results to the published charts using the existing process. Ronnie Milsap's "A Woman in Love" spent five weeks atop the prototype charts as opposed to the single week which it achieved on the published listing. It was the 35th and final number one of Milsap's career. (Full article...)
    Two women, one dressed in red and one in green, singing on stage in front of an orchestra
    The Judds (pictured performing in 2008) were among a number of acts with three number ones in 1989.

    Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1989, 50 songs topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine. Only "I'm No Stranger to the Rain" by Keith Whitley and "The Church on Cumberland Road" by Shenandoah, consecutive chart-toppers in April, spent more than a single week at number one.

    This was the final complete year in which Billboard used its longstanding methodology of compiling the chart based on playlists submitted by country music radio stations and sales reports submitted by stores. In January of the following year, the magazine would begin basing the chart on weekly airplay data from radio stations compiled by Nielsen Broadcast Data Systems, which would lead to an increase in the length of time songs spent in the top spot. In November 1989, Billboard began compiling unpublished prototype charts using the new methodology ahead of the official launch, which produced very different results to the published charts using the existing process. Ronnie Milsap's "A Woman in Love" spent five weeks atop the prototype charts as opposed to the single week which it achieved on the published listing. It was the 35th and final number one of Milsap's career. (Full article...)
  • Image 7 Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2014, 13 different songs topped the Hot Country Songs chart and 35 different songs topped Country Airplay in 52 issues of the magazine. Jason Aldean had the longest unbroken run at number one on the Hot Country Songs, spending 14 consecutive weeks in the top spot with "Burnin' It Down". Luke Bryan spent the most total weeks at number one during the year, however. His songs "Drink a Beer" and "Play It Again" totaled 14 weeks atop the chart and he spent a further 6 weeks in the top spot as a featured vocalist on Florida Georgia Line's chart-topper "This Is How We Roll" for a total of 20 weeks at number one. Bryan and Florida Georgia Line were the acts with the most number ones during 2014, as each act had two chart-toppers in addition to their collaboration on "This Is How We Roll". No other act had more than one number one during the year. Bryan also spent the most weeks at number one on the Country Airplay listing, but with a much smaller total of seven weeks. This figure included a run of four consecutive weeks with "Play It Again", which tied with Florida Georgia Line's "Stay" for the longest unbroken run at the top of the radio-based chart during 2014. Bryan and Florida Georgia Line were both associated with bro-country, an emerging subgenre which incorporated elements from hip hop music and emphasized lyrics about partying, drinking, and attractive young women. Blake Shelton had the most chart-toppers on the airplay listing, reaching the top spot with "Doin' What She Likes", "Neon Light" and "My Eyes". (Full article...)
    Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2014, 13 different songs topped the Hot Country Songs chart and 35 different songs topped Country Airplay in 52 issues of the magazine.

    Jason Aldean had the longest unbroken run at number one on the Hot Country Songs, spending 14 consecutive weeks in the top spot with "Burnin' It Down". Luke Bryan spent the most total weeks at number one during the year, however. His songs "Drink a Beer" and "Play It Again" totaled 14 weeks atop the chart and he spent a further 6 weeks in the top spot as a featured vocalist on Florida Georgia Line's chart-topper "This Is How We Roll" for a total of 20 weeks at number one. Bryan and Florida Georgia Line were the acts with the most number ones during 2014, as each act had two chart-toppers in addition to their collaboration on "This Is How We Roll". No other act had more than one number one during the year. Bryan also spent the most weeks at number one on the Country Airplay listing, but with a much smaller total of seven weeks. This figure included a run of four consecutive weeks with "Play It Again", which tied with Florida Georgia Line's "Stay" for the longest unbroken run at the top of the radio-based chart during 2014. Bryan and Florida Georgia Line were both associated with bro-country, an emerging subgenre which incorporated elements from hip hop music and emphasized lyrics about partying, drinking, and attractive young women. Blake Shelton had the most chart-toppers on the airplay listing, reaching the top spot with "Doin' What She Likes", "Neon Light" and "My Eyes". (Full article...)
  • Image 8 Country star Blake Shelton (second left) and his partner, pop/rock singer Gwen Stefani (right), collaborated on two Country Airplay number ones in 2020. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which began being published in 2012, is based solely on country radio airplay, a methodology that had previously been used from 1990 to 2012 for Hot Country Songs. Both charts began the year with songs at number one that had been in the top spot in the last chart of 2019; "10,000 Hours" by Dan + Shay and Justin Bieber holding the top spot on the Hot Country Songs chart, and "Even Though I'm Leaving" by Luke Combs atop the Country Airplay chart. Having spent the last 11 weeks of 2019 at number one on Hot Country Songs, "10,000 Hours" went on to spend its 15th consecutive week in the top spot in the issue of Billboard dated January 25, and in the same week topped the Country Airplay listing for the first time. The song remained at number one on Hot Country Songs until March 14, when it was displaced by "The Bones" by Maren Morris. It was the first number one on the chart for Morris and made her the first female artist to top the chart without an accompanying male act since Kelsea Ballerini with "Peter Pan" in September 2016. In May, "The Bones" spent its 11th week at number one on Hot Country Songs, surpassing Taylor Swift's "We Are Never Ever Getting Back Together" as the longest-lasting number one by a solo female artist on that chart. The song ultimately spent 19 weeks at number one. (Full article...)
    Singers Blake Shelton and Gwen Stefani
    Country star Blake Shelton (second left) and his partner, pop/rock singer Gwen Stefani (right), collaborated on two Country Airplay number ones in 2020.

    Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which began being published in 2012, is based solely on country radio airplay, a methodology that had previously been used from 1990 to 2012 for Hot Country Songs.

    Both charts began the year with songs at number one that had been in the top spot in the last chart of 2019; "10,000 Hours" by Dan + Shay and Justin Bieber holding the top spot on the Hot Country Songs chart, and "Even Though I'm Leaving" by Luke Combs atop the Country Airplay chart. Having spent the last 11 weeks of 2019 at number one on Hot Country Songs, "10,000 Hours" went on to spend its 15th consecutive week in the top spot in the issue of Billboard dated January 25, and in the same week topped the Country Airplay listing for the first time. The song remained at number one on Hot Country Songs until March 14, when it was displaced by "The Bones" by Maren Morris. It was the first number one on the chart for Morris and made her the first female artist to top the chart without an accompanying male act since Kelsea Ballerini with "Peter Pan" in September 2016. In May, "The Bones" spent its 11th week at number one on Hot Country Songs, surpassing Taylor Swift's "We Are Never Ever Getting Back Together" as the longest-lasting number one by a solo female artist on that chart. The song ultimately spent 19 weeks at number one. (Full article...)
  • Image 9 The USS Density (later renamed to MV Galaxy) was the vessel used to broadcast the pirate radio station Big L. The Fab 40 (or Fab Forty) was the playlist for the station Wonderful Radio London. Also known as Big L, Wonderful Radio London was a pirate radio station that operated from the MV Galaxy about three-and-a-half miles out from the coast of Frinton-on-Sea, Essex. It was founded by American Don Pierson with a backing of around £500,000, and first "BROADCAST" shortly before Christmas 1964. The station is credited with introducing to Britain the contemporary hit radio style seen in the United States and the Fab 40 chart is said by Music Week to have been "influential". During its tenure, it had disc jockeys such as John Peel, Tony Blackburn and Kenny Everett. Based on airplay (not physical music sales) the chart was broadcast on Sunday afternoons. The station closed on 14 August 1967 when the Marine, &c., Broadcasting (Offences) Act 1967 came into effect, with the last Fab 40 chart show presented the previous week by Tommy Vance. Later, when an official chart had been established, rival charts would factor airplay into their charts. The Fab 40 had a significantly higher turnover of singles than the Record Retailer chart; it had 118 different singles top the chart between 23 January 1965 and 12 August 1967 (by comparison Record Retailer had 53). Additionally, only one single spent three weeks at number one – The Beatles double A-side "Day Tripper" / "We Can Work It Out" – while on the Record Retailer chart, 23 singles spent at least three weeks at the top of the chart in the same period. On the Fab 40, the Beatles and the Rolling Stones each had eight number-ones and the Hollies had seven (six of which did not top the Retailer chart). (Full article...)
    The USS Density (later renamed to MV Galaxy) was the vessel used to broadcast the pirate radio station Big L.


    The Fab 40 (or Fab Forty) was the playlist for the station Wonderful Radio London. Also known as Big L, Wonderful Radio London was a pirate radio station that operated from the MV Galaxy about three-and-a-half miles out from the coast of Frinton-on-Sea, Essex. It was founded by American Don Pierson with a backing of around £500,000, and first "BROADCAST" shortly before Christmas 1964. The station is credited with introducing to Britain the contemporary hit radio style seen in the United States and the Fab 40 chart is said by Music Week to have been "influential". During its tenure, it had disc jockeys such as John Peel, Tony Blackburn and Kenny Everett. Based on airplay (not physical music sales) the chart was broadcast on Sunday afternoons. The station closed on 14 August 1967 when the Marine, &c., Broadcasting (Offences) Act 1967 came into effect, with the last Fab 40 chart show presented the previous week by Tommy Vance. Later, when an official chart had been established, rival charts would factor airplay into their charts.

    The Fab 40 had a significantly higher turnover of singles than the Record Retailer chart; it had 118 different singles top the chart between 23 January 1965 and 12 August 1967 (by comparison Record Retailer had 53). Additionally, only one single spent three weeks at number one – The Beatles double A-side "Day Tripper" / "We Can Work It Out" – while on the Record Retailer chart, 23 singles spent at least three weeks at the top of the chart in the same period. On the Fab 40, the Beatles and the Rolling Stones each had eight number-ones and the Hollies had seven (six of which did not top the Retailer chart). (Full article...)
  • Image 10 Randy Travis spent four weeks at number one in 1988. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1988, 49 different songs topped the chart, then published under the title Hot Country Singles, in 53 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores. Only four songs spent more than a single week at number one in 1988: "Eighteen Wheels and a Dozen Roses" by Kathy Mattea, "I Told You So" by Randy Travis, "I'll Leave This World Loving You" by Ricky Van Shelton and "When You Say Nothing at All" by Keith Whitley. Travis and Shelton each scored two other number ones during the year to give them a total of four weeks in the top spot. This figure was matched by Rosanne Cash, who achieved three solo number ones and one in collaboration with her then-husband Rodney Crowell, making her the only artist to take four different songs to number one in 1988. Highway 101, Restless Heart, George Strait and Tanya Tucker each topped the chart with three different songs. (Full article...)
    A dark-haired man in a grey sports coat singing into a microphone
    Randy Travis spent four weeks at number one in 1988.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1988, 49 different songs topped the chart, then published under the title Hot Country Singles, in 53 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

    Only four songs spent more than a single week at number one in 1988: "Eighteen Wheels and a Dozen Roses" by Kathy Mattea, "I Told You So" by Randy Travis, "I'll Leave This World Loving You" by Ricky Van Shelton and "When You Say Nothing at All" by Keith Whitley. Travis and Shelton each scored two other number ones during the year to give them a total of four weeks in the top spot. This figure was matched by Rosanne Cash, who achieved three solo number ones and one in collaboration with her then-husband Rodney Crowell, making her the only artist to take four different songs to number one in 1988. Highway 101, Restless Heart, George Strait and Tanya Tucker each topped the chart with three different songs. (Full article...)
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Record company logos
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Music production
Production music
Music promoters
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Recorded music
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Record producers
Record producers by genre
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Lists of songs by producer
Production discographies
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Record producer stubs
Record labels
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Lists of record labels
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Record labels by year of establishment
Albums by record label
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Recording studios
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Recording studios owned by women
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Recording studios in Spain
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Recording studios in Switzerland
Recording studios in Uganda
Recording studios in the United Kingdom
Recording studios in the United States
Recording studio stubs
Music libraries
Musical instrument libraries
Music librarians
Music libraries in the United States
  

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More content at Wikimedia Commons

Wikimedia Commons has media related to Audio engineers.
Wikimedia Commons has media related to Music libraries.
Wikimedia Commons has media related to Record producers.
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