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Arthur Marks - IMDb
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Arthur Marks(1927-2019)

  • Producer
  • Director
  • Second Unit Director or Assistant Director
IMDbProStarmeterSee rank
Arthur Marks
Writer/director/producer Arthur Marks was born on August 2, 1927 in Los Angeles, California. His grandparents acted in silent pictures and his father, Dave Marks, was an assistant director and production manager at MGM whose credits include The Wizard of Oz (1939) and Easter Parade (1948).

Arthur began his film career as a young boy working as both an extra and bit actor in movies in the 1930s. He attended the University of Southern California and got a job working in the production department at MGM. However, it was in the 1950s that his career really took off: He was an assistant director for the TV shows Broken Arrow (1956), The 20th Century-Fox Hour (1955) and Treasury Men in Action (1950) and worked on the immensely popular Perry Mason (1957) TV series as both a producer and director. He eventually began directing enjoyably trashy low-budget drive-in exploitation features in the 1970s; he made his theatrical film debut with the 1970 movie Togetherness (1970). He truly hit his stride, though, with several hugely entertaining blaxploitation outings: The rousing crime thriller Detroit 9000 (1973) (this particular picture was re-released in theaters in 1998 by Quentin Tarantino), the delightfully breezy Pam Grier vehicle Friday Foster (1975), the bang-up Fred Williamson action flick Bucktown (1975), the atmospheric horror winner J.D.'s Revenge (1976), and the amusingly goofy comedy The Monkey Hu$tle (1976). His other films as director include the gritty film noir Bonnie's Kids (1972), the sleazy serial killer opus The Roommates (1973), and the silly soft-core romp Class of '74 (1972). In addition, he served as production manager on The Centerfold Girls (1974) and Wonder Women (1973). He often produced the films he directed.

Marks ran the independent outfit General Film Corp. in the 1970s, which picked up pictures like William Girdler's The Get-Man (1974) and the notorious cult exploitation gem The Candy Snatchers (1973) for theatrical distribution. Outside of his movie work, he has directed episodes of such TV shows as The Dukes of Hazzard (1979), Starsky and Hutch (1975) and I Spy (1965)

He and his wife Phyllis Marie Lehman had four children; his sons Beau Marks and Paul Marks are both successful film and television producers. Marks died at age 92 at his home in Woodland Hills, California on November 13, 2019.
BornAugust 2, 1927
DiedNovember 13, 2019(92)
BornAugust 2, 1927
DiedNovember 13, 2019(92)
IMDbProStarmeterSee rank

Known for

Friday Foster (1975)
Friday Foster
6.0
  • Producer(produced by)
  • 1975
Raymond Burr in Perry Mason (1957)
Perry Mason
8.3
TV Series
  • Producer
Tiffany Bolling and Robin Mattson in Bonnie's Kids (1972)
Bonnie's Kids
6.2
  • Director
  • 1972
George Hamilton, Peter Lawford, and Olga Schoberová in Togetherness (1970)
Togetherness
5.5
  • Producer
  • 1970

Credits

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IMDbPro

Producer

  • The Monkey Hu$tle (1976)
    The Monkey Hu$tle
    5.2
    • producer
    • 1976
  • J.D.'s Revenge (1976)
    J.D.'s Revenge
    6.0
    • producer
    • 1976
  • Friday Foster (1975)
    Friday Foster
    6.0
    • producer (produced by)
    • 1975
  • Linda Lovelace for President (1975)
    Linda Lovelace for President
    4.2
    • executive producer
    • 1975
  • The Get-Man (1974)
    The Get-Man
    5.5
    • executive producer
    • 1974
  • Detroit 9000 (1973)
    Detroit 9000
    6.3
    • producer
    • 1973
  • George Hamilton, Peter Lawford, and Olga Schoberová in Togetherness (1970)
    Togetherness
    5.5
    • producer
    • 1970
  • James Arness, Amanda Blake, Milburn Stone, and Dennis Weaver in Gunsmoke (1955)
    Gunsmoke
    8.1
    TV Series
    • producer (uncredited)
    • 1967
  • Raymond Burr in Perry Mason (1957)
    Perry Mason
    8.3
    TV Series
    • producer
    • associate producer
    • 1959–1966

Director

  • Solar Crisis (1990)
    Solar Crisis
    4.1
    • Director (uncredited)
    • 1990
  • Catherine Bach, Ben Jones, Denver Pyle, John Schneider, and Tom Wopat in The Dukes of Hazzard (1979)
    The Dukes of Hazzard
    7.1
    TV Series
    • Director
    • 1980
  • Starsky and Hutch (1975)
    Starsky and Hutch
    7.0
    TV Series
    • Director
    • 1978
  • John Joseph Thomas in Young Dan'l Boone (1977)
    Young Dan'l Boone
    6.8
    TV Series
    • Director
    • 1978
  • The Monkey Hu$tle (1976)
    The Monkey Hu$tle
    5.2
    • Director
    • 1976
  • J.D.'s Revenge (1976)
    J.D.'s Revenge
    6.0
    • Director
    • 1976
  • Friday Foster (1975)
    Friday Foster
    6.0
    • Director
    • 1975
  • Judith Brown in A Woman for All Men (1975)
    A Woman for All Men
    5.0
    • Director
    • 1975
  • Pam Grier, Fred Williamson, Tony King, and Thalmus Rasulala in Bucktown (1975)
    Bucktown
    6.2
    • Director
    • 1975
  • Linda Lovelace for President (1975)
    Linda Lovelace for President
    4.2
    • Director (uncredited)
    • 1975
  • Monte Markham in The New Perry Mason (1973)
    The New Perry Mason
    5.1
    TV Series
    • Director
    • 1973
  • Detroit 9000 (1973)
    Detroit 9000
    6.3
    • Director
    • 1973
  • The Roommates (1973)
    The Roommates
    5.3
    • Director
    • 1973
  • Mike Connors in Mannix (1967)
    Mannix
    7.4
    TV Series
    • Director
    • 1972
  • Tiffany Bolling and Robin Mattson in Bonnie's Kids (1972)
    Bonnie's Kids
    6.2
    • Director
    • 1972

Second Unit or Assistant Director

  • Raymond Burr in Perry Mason (1957)
    Perry Mason
    8.3
    TV Series
    • assistant director (as Art Marks)
    • 1957–1958
  • Michael Ansara and John Lupton in Broken Arrow (1956)
    Broken Arrow
    7.5
    TV Series
    • assistant director (as Art Marks)
    • 1956
  • The 20th Century-Fox Hour (1955)
    The 20th Century-Fox Hour
    7.1
    TV Series
    • assistant director
    • 1956
  • Karin Booth and Charles McGraw in Casablanca (1955)
    Casablanca
    6.3
    TV Series
    • assistant director
    • 1955–1956
  • Natalie Wood and Jacques Sernas in Warner Brothers Presents (1955)
    Warner Brothers Presents
    7.6
    TV Series
    • assistant director
    • 1955
  • The Man Behind the Badge (1953)
    The Man Behind the Badge
    7.2
    TV Series
    • assistant director
    • 1955
  • Treasury Men in Action (1950)
    Treasury Men in Action
    7.1
    TV Series
    • assistant director
    • 1955
  • June Allyson and José Ferrer in The Shrike (1955)
    The Shrike
    6.6
    • assistant director (uncredited)
    • 1955
  • Karin Booth, Johnny Weissmuller, and Tamba in Jungle Man-Eaters (1954)
    Jungle Man-Eaters
    5.6
    • assistant director
    • 1954
  • Drums of Tahiti (1953)
    Drums of Tahiti
    4.9
    • assistant director (uncredited)
    • 1953
  • Natalie Wood, Paul Hartman, Robert Hyatt, and Fay Wray in The Pride of the Family (1953)
    The Pride of the Family
    7.2
    TV Series
    • assistant director
    • 1953
  • The Pepsi-Cola Playhouse (1953)
    The Pepsi-Cola Playhouse
    7.7
    TV Series
    • assistant director
    • 1953
  • John Crawford in The Great Adventures of Captain Kidd (1953)
    The Great Adventures of Captain Kidd
    6.7
    • assistant director: second unit (uncredited)
    • 1953
  • Buster Crabbe and Gloria Dea in King of the Congo (1952)
    King of the Congo
    6.5
    • assistant director (uncredited)
    • 1952
  • Lita Baron and Johnny Weissmuller in Jungle Jim (1948)
    Jungle Jim
    5.6
    • assistant director (uncredited)
    • 1948

Personal details

Edit
  • Alternative name
    • Art Marks
  • Born
    • August 2, 1927
    • Los Angeles, California, USA
  • Died
    • November 13, 2019
    • Woodland Hills, California, USA(undisclosed)
  • Spouse
    • Phyllis Marie LehmanMay 14, 1948 - March 15, 2016 (her death, 4 children)
  • Publicity listings
    • 1 Biographical Movie
    • 1 Interview

Did you know

Edit
  • Trivia
    Son of Dave Marks.
  • Quotes
    [on his blaxploitation movies] I believe that good filmmaking was what got all these movies made and good filmmaking is what drew the audiences. They were attracted by good films and I still think that good films make audiences come to theaters. I don't think there has ever been a change. Bad films will drive audiences away. You can sell them with an idea of Black, but once they're in there, what happens? Do you play a second week and drop off 50 percent and never get a third week? That wasn't my aim. My aim was to make a good picture. That was the key, to make a picture as good as you know how.

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