I have seen many different DRACULA films since I could ride a bike, and I have to say that this movie, was by far, the best of them all.
Okay, call me a sensitive, (lusting) hopeless romantic - if you will. But Frank Langella's exquisite performance was a new twist on the horrid, vengeful, bloodsucker from the classic Stoker novel.
For over two decades, women have found Langella's portrayal to be the most erotic, sexy and desirable by comparison, because of his physique, masculinity, voice, and natural charisma. In fact, to me - Frank Langella IS/WAS Dracula, not just an actor who played the role.
But, I wholly credit the film makers for opting to steer THIS film into a more romantic, passionate, sexual approach. With the dozens of DRACULA films produced---the flavor does begin to stagnate. After all, how many other (Dracula) films have flopped? Not just due to the poor casting, bad direction or writing either. A film goer can only stand to see exact or similar performances for so long---(remember the "FRIDAY THE 13TH" series?)
Also, the special effects used in this film were very impressive, for 1979. Most of the Dracula/wolf morph scenes were pulled off convincing, as was the Dracula/bat changes during the VAN-HELSING / HARKER / DRACULA scene at Carfax Abbey. I was duly impressed by the 'invisible man' door opening effect (after Lucy's seduction) when DRACULA pays VAN-HELSING a "surprise" visit -
"...I did not hear you come in, Count..."
In addition, Frank Langella's natural astigmatism or "dancing eyes" only completed an intensifying, dramatic effect, that no effort of modern technology could possibly recreate.
MOVING ON TO THE FILM: what woman doesn't dream of being kissed as Dracula kisses Lucy during (you know what scene I'm talking about). At first, they are standing atop the balcony, commenting about "the children of the night". Well, Dracula would have swept me off my feet too! And then, later in the bedroom scene, when Dracula seduces Lucy---well, what more can I say?
Stepping backward, if you please, to the intermediate `Seward Dinner', following the opening scene; when Count Dracula finally makes his first bold appearance. I felt as though I were actually watching the drama unfold on a live stage, in front of me!
Yes, Hollywood has been producing DRACULA films for nearly a century. However, the film producers really put the monster in a whole new, more human perspective - as only Frank Langella could do - with perfection.
In fact, it was Langella's stunning Off-Broadway performance that sparked the film maker's idea to adapt this script to the big screen.
Alongside a stellar cast of fine performances from Nelligan and veterans Olivier and Sutherland, this film deeply portrays DRACULA; at first as an alluring, romantic, sexy, suave Monarch. But then, gradually untwists to reveal the true lusting, hideous, destructive 'creature of the night'.
That's my say [for now]
Peanut
Okay, call me a sensitive, (lusting) hopeless romantic - if you will. But Frank Langella's exquisite performance was a new twist on the horrid, vengeful, bloodsucker from the classic Stoker novel.
For over two decades, women have found Langella's portrayal to be the most erotic, sexy and desirable by comparison, because of his physique, masculinity, voice, and natural charisma. In fact, to me - Frank Langella IS/WAS Dracula, not just an actor who played the role.
But, I wholly credit the film makers for opting to steer THIS film into a more romantic, passionate, sexual approach. With the dozens of DRACULA films produced---the flavor does begin to stagnate. After all, how many other (Dracula) films have flopped? Not just due to the poor casting, bad direction or writing either. A film goer can only stand to see exact or similar performances for so long---(remember the "FRIDAY THE 13TH" series?)
Also, the special effects used in this film were very impressive, for 1979. Most of the Dracula/wolf morph scenes were pulled off convincing, as was the Dracula/bat changes during the VAN-HELSING / HARKER / DRACULA scene at Carfax Abbey. I was duly impressed by the 'invisible man' door opening effect (after Lucy's seduction) when DRACULA pays VAN-HELSING a "surprise" visit -
"...I did not hear you come in, Count..."
In addition, Frank Langella's natural astigmatism or "dancing eyes" only completed an intensifying, dramatic effect, that no effort of modern technology could possibly recreate.
MOVING ON TO THE FILM: what woman doesn't dream of being kissed as Dracula kisses Lucy during (you know what scene I'm talking about). At first, they are standing atop the balcony, commenting about "the children of the night". Well, Dracula would have swept me off my feet too! And then, later in the bedroom scene, when Dracula seduces Lucy---well, what more can I say?
Stepping backward, if you please, to the intermediate `Seward Dinner', following the opening scene; when Count Dracula finally makes his first bold appearance. I felt as though I were actually watching the drama unfold on a live stage, in front of me!
Yes, Hollywood has been producing DRACULA films for nearly a century. However, the film producers really put the monster in a whole new, more human perspective - as only Frank Langella could do - with perfection.
In fact, it was Langella's stunning Off-Broadway performance that sparked the film maker's idea to adapt this script to the big screen.
Alongside a stellar cast of fine performances from Nelligan and veterans Olivier and Sutherland, this film deeply portrays DRACULA; at first as an alluring, romantic, sexy, suave Monarch. But then, gradually untwists to reveal the true lusting, hideous, destructive 'creature of the night'.
That's my say [for now]
Peanut