Directed by
Michael Thornhill |
Writing Credits
Frank Moorhouse | ... | (written by) |
Frank Moorhouse | ... | (adaptation) |
Cast (in credits order) verified as complete
Produced by
Sue Carleton | ... | co-producer |
Antony I. Ginnane | ... | executive producer |
Michael Thornhill | ... | producer |
Music by
Tony Bremner |
Cinematography by
Julian Penney |
Editing by
Pamela Barnetta |
Casting By
Hilary Linstead |
Production Design by
Peta Lawson |
Art Direction by
Peta Lawson |
Costume Design by
Graham Purcell |
Makeup Department
Lynette Harding | ... | makeup department: associate |
Noriko Watanabe | ... | make-up and hair stylist (as Noriko Spencer) |
Production Management
Paul Fenton | ... | unit manager |
Elizabeth Symes | ... | production manager |
Second Unit Director or Assistant Director
Keith Heygate | ... | assistant director |
Linda Pavilack | ... | third assistant director |
John Titley | ... | second assistant director |
Art Department
Peter Collias | ... | scenic artist |
Judith Ditter | ... | art department administrator |
Cathy Finlay | ... | art department associate |
Brian Hocking | ... | construction manager |
Eugene Intas | ... | props buyer: and set dresser |
Karan Monkhouse | ... | standby props |
Tom Overton | ... | carpenter |
Rodney Pople | ... | paintings |
Anthony Reid | ... | carpenter |
Ian Smith | ... | paintings |
David Tuckwell | ... | set finisher |
Sound Department
Peter Fenton | ... | re-recording |
Phil Heywood | ... | re-recording |
Andrew Plain | ... | sound editor |
John Schiefelbein | ... | sound |
Grant Stuart | ... | sound |
Camera and Electrical Department
Lester Bishop | ... | grip |
Craig Bryant | ... | best boy |
Sally Eccleston | ... | first assistant camera: second camera |
Reg Garside | ... | gaffer |
Gary Hill | ... | electrician |
Gary Lincoln | ... | assistant grip |
Barry Peake | ... | stills photographer |
Garry Phillips | ... | focus puller |
Susan Stitt | ... | clapper loader (as Susi Stitt) |
Geoffrey Wharton | ... | steadicam operator |
Casting Department
Siobhan Hannan | ... | casting assistant |
Gabrielle Healy | ... | extras casting |
Costume and Wardrobe Department
Anthony Jones | ... | costumer: for Heather Mitchell and Beth Child |
Devina Maxwell | ... | standby wardrobe |
Heather McLaren | ... | wardrobe supervisor |
Editorial Department
Arthur Cambridge | ... | colour timer |
Miriam Cortes | ... | negative matching |
Liz Irwin | ... | assistant editor (as Elizabeth Irwin) |
Adrienne Parr | ... | dubbing editor: assistant |
Andrew Plain | ... | dubbing editor |
Duncan Taylor | ... | assistant editor |
Lynne Williams | ... | dubbing editor: assistant |
Location Management
Robin Clifton | ... | additional locations |
Paul Manos | ... | location manager |
Music Department
Barbara Albertini | ... | soprano soloist |
Neil McEwan | ... | choir director |
Ian McLoughlin | ... | music re-recordist |
Nina Veretnnikova | ... | choreographer |
Script and Continuity Department
Judy Whitehead | ... | continuity |
Additional Crew
Libby Blainey | ... | titles |
Lynn Gailey | ... | production consultant |
Stefan Laguna | ... | unit runner |
Perry Stapleton | ... | production coordinator |
Rosemary Stephenson | ... | production accountant |
Juliette Van Heyst | ... | production assistant |
Denise Wolfson | ... | liaison (as Denise Wolfsen) |
Gemma Rawsthorne | ... | production accountant (uncredited) |
Thanks
Ron Cobb | ... | special thanks |
Dorothy Dundas | ... | special thanks |
Lloyd Hart | ... | special thanks |
Anthony James | ... | special thanks |
Robin Love | ... | special thanks |
Malcolm Olivestone | ... | special thanks |