60
Metascore
36 reviews · Provided by Metacritic.com
- 75Christian Science MonitorDavid SterrittChristian Science MonitorDavid SterrittThe most refreshing aspect of Red Dragon is its reliance on old-fashioned acting instead of computer-aided gizmos. Hopkins overdoes his role at times -- his vocal tones are almost campy -- but his piercing eyes are as menacing as ever, and Ralph Fiennes is scarily good as his fellow lunatic.
- 75New York PostJonathan ForemanNew York PostJonathan ForemanIt's frightening enough, to be sure, but too often it feels like a well-executed but rote exercise.
- 75Miami HeraldRene RodriguezMiami HeraldRene RodriguezRatner is canny enough to close the movie with a devilish tease that will send the Lambs faithful out with a delirious smile. What Red Dragon won't do is haunt your nightmares. Who could have guessed Hannibal Lecter would ever become such a crack-up?
- 75Boston GlobeTy BurrBoston GlobeTy BurrAs Hopkins's Lecter is concerned, it's official: He's Freddy Krueger.
- 75Chicago TribuneMichael WilmingtonChicago TribuneMichael WilmingtonRed Dragon is very much a product, and a superior one, of our times. So is Anthony Hopkins' top-notch fiend, the bad doctor.
- 70L.A. WeeklyRon StringerL.A. WeeklyRon StringerWhat Ratner brings to the proceedings is an awareness that what worked for "Silence" -- namely screenwriter Ted Tally, production designer Kristi Zea and, of course, Anthony Hopkins as Lecter -- will work overtime here, to enhance the project at hand and provide a seamless connection back to Jonathan Demme's multiple-Oscar winner.
- 63The Globe and Mail (Toronto)Rick GroenThe Globe and Mail (Toronto)Rick GroenOur time is plagued with primitive directors toiling in the name of entertainment, and protected by an industry that rewards competence over excellence. They're the reason why this movie is simply average, and why all the Red Dragons look so uniformly beige.
- 63Philadelphia InquirerCarrie RickeyPhiladelphia InquirerCarrie RickeyFor all its brilliant touches, Dragon loses its fire midway, nearly flickering out by its perfunctory conclusion.
- 60The New YorkerAnthony LaneThe New YorkerAnthony LaneFor all the lunacies bared within this film, it has the tick and thrum of a solid studio machine, occasionally shocking but never surprising; it will be watched by everybody, but it feels as if it were made by nobody. [14 & 21 October 2002, p. 226]
- 50San Francisco ChronicleEdward GuthmannSan Francisco ChronicleEdward GuthmannIn Hollywood, where integrity is rapidly consumed and careers defined by market value, there's trash and there's trash with a pedigree.