IMDb RATING
7.0/10
3.5K
YOUR RATING
The inspirational life story of Australian swimmer Tony Fingleton.The inspirational life story of Australian swimmer Tony Fingleton.The inspirational life story of Australian swimmer Tony Fingleton.
- Awards
- 4 wins & 15 nominations
Storyline
Did you know
- TriviaIn the movie, Tony competes in the 100-meter backstroke, winning a silver medal at the Empire Games in 1962. In 1962, the Empire Games swimming events were measured in yards, and Tony won silver behind another Australian in the 220-yard event. When he is later told that "your event was today" in reference to the 1964 Olympics, it refers to the 200-meter backstroke - the 100 wasn't contested in Tokyo.
- Quotes
Tony Fingleton: [narrating] It's funny how the stumbling blocks of life can help make us better people. I never had the support of my father, but in the end that's what gave me the strength to seek something more than I could've ever imagined. Something in another world.
- Alternate versionsThe United States release has several scenes cut or shortened compared to the Australian release. These have been included in the extras on the DVD's. The ending of the US version is very different from the Australian version. The Australian version has Tony's dad appearing at the pool in the end scene, whereas the US version it is his coach.
- ConnectionsFeatured in Swimming Upstream: The Making of a Champion (2005)
- SoundtracksAdagio for Strings
Written by Samuel Barber
Featured review
A real winner!
This true story of Australian swimmer Tony Fingleton is not your typical "inspirational" tale of rising above the odds to become a champion, it is rather a tale about the real meaning of success. Success is about realising yourself, not the deeds you do or the medals you win. For Tony this was a tough lesson to learn.
The film is brilliantly directed by Russell Mulcahy, who shows unusual restraint, without losing his dynamic and unique style. Some of his direction here reminded me of his work on "Queer As Folk", as he manages to stylise the action without sacrificing the emotional integrity of the screenplay (which was written by Fingleton himself). Although the film is set in the 1950s and 1960s, Mulcahy refuses to become a slave to the period, instead he utilises 21st century editing styles, including the truly thrilling use of split-screens for the race sequences, and a terrific electronic music score, to make this period tale utterly contemporary.
The performances are nothing short of spectacular. Jesse Spencer, who plays Tony, seems set for international stardom. With the face of an angel, and the body of a god, he can hardly fail to make an impression - but he can really act as well! He is ably supported by two of the greatest actors in the world today, and they're both Aussies - Judy Davis and Geoffrey Rush, who play Tony's parents. The story focuses on Tony's relationship with his father, a very strained and complex relationship. Rush's performance is probably his best screen work to date (yes, even better than "Shine"!), as he creates a multi-dimensional being out of what could have been a cliched villain. And Davis just keeps getting better and better as an actress. As the long-suffering mother, she completely avoids cliche, and invests the character with zest, warmth, love and anger. She is dynamite! Tim Draxl is also impressive as Tony's brother John - at once jealous and proud, and Mitchell Dellevergin is perfect as the young Tony. All the performances are excellent, although I could have done without the comic cameo by Dawn Fraser, which harms the emotional intensity of one very important scene.
Perhaps the film hammers its themes a little too relentlessly, but it's easy to forgive a film that has this much heart. Given the right distribution I think this film will go on to great international acclaim, and strong box-office. Another Aussie classic to treasure!
The film is brilliantly directed by Russell Mulcahy, who shows unusual restraint, without losing his dynamic and unique style. Some of his direction here reminded me of his work on "Queer As Folk", as he manages to stylise the action without sacrificing the emotional integrity of the screenplay (which was written by Fingleton himself). Although the film is set in the 1950s and 1960s, Mulcahy refuses to become a slave to the period, instead he utilises 21st century editing styles, including the truly thrilling use of split-screens for the race sequences, and a terrific electronic music score, to make this period tale utterly contemporary.
The performances are nothing short of spectacular. Jesse Spencer, who plays Tony, seems set for international stardom. With the face of an angel, and the body of a god, he can hardly fail to make an impression - but he can really act as well! He is ably supported by two of the greatest actors in the world today, and they're both Aussies - Judy Davis and Geoffrey Rush, who play Tony's parents. The story focuses on Tony's relationship with his father, a very strained and complex relationship. Rush's performance is probably his best screen work to date (yes, even better than "Shine"!), as he creates a multi-dimensional being out of what could have been a cliched villain. And Davis just keeps getting better and better as an actress. As the long-suffering mother, she completely avoids cliche, and invests the character with zest, warmth, love and anger. She is dynamite! Tim Draxl is also impressive as Tony's brother John - at once jealous and proud, and Mitchell Dellevergin is perfect as the young Tony. All the performances are excellent, although I could have done without the comic cameo by Dawn Fraser, which harms the emotional intensity of one very important scene.
Perhaps the film hammers its themes a little too relentlessly, but it's easy to forgive a film that has this much heart. Given the right distribution I think this film will go on to great international acclaim, and strong box-office. Another Aussie classic to treasure!
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Details
- Release date
- Countries of origen
- Official site
- Languages
- Also known as
- 泳往直前
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $54,965
- Opening weekend US & Canada
- $24,520
- Feb 6, 2005
- Gross worldwide
- $791,154
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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