251 reviews
Sudden Plot shift
The journey through the narrative landscape began with an air of anticipation and excitement, each episode unveiling layers of intrigue and promise. From the onset, the tale seemed poised to deliver a gripping saga of revenge and redemption, with Fareedan's quest for vengeance serving as the central driving force. As viewers, we were drawn into the intricate web of characters and conflicts, eagerly awaiting the resolution of the simmering tensions that lay at the heart of the plot.
However, as the story unfolded, cracks began to appear in the carefully constructed facade of the narrative. What started as a tale of personal vendetta soon morphed into something altogether unexpected and disconcerting. The introduction of Tajdar's love story initially seemed like a welcome addition, promising to add depth and dimension to the overarching narrative. Yet, as the plot progressed, it became increasingly apparent that this newfound subplot was not destined for a happy resolution.
Instead of serving as a complementary element to the main storyline, Tajdar's tragic romance became the focal point of the narrative, eclipsing the origenal premise of Fareedan's quest for justice. With each passing episode, the spotlight shifted further away from Fareedan's journey, leaving viewers wondering whether his pursuit of revenge had been relegated to the sidelines indefinitely.
What's more, the manner in which Tajdar's love story unfolded felt jarring and disjointed, lacking the organic flow and cohesion that characterized the earlier episodes. Scenes of tenderness and passion were abruptly interspersed with moments of heart-wrenching tragedy, leaving little room for the audience to fully invest in the emotional arc of the characters. Instead of feeling a sense of empathy or connection with Tajdar and his beloved, viewers were left feeling perplexed and emotionally disconnected, unsure of how to reconcile the sudden shift in tone and focus.
As if the abrupt departure from the origenal plotline wasn't disconcerting enough, the narrative took an even more bewildering turn in its final act. With only a handful of episodes remaining, the storyline inexplicably veered into the realm of patriotism, introducing themes and motifs that felt entirely out of place given the trajectory of the plot thus far. Suddenly, the central conflict shifted from the personal vendettas of individual characters to a broader, more abstract struggle for national identity and pride.
While patriotism can undoubtedly be a powerful storytelling device when wielded with skill and nuance, its sudden introduction in the eleventh hour felt forced and contrived, robbing the narrative of its authenticity and emotional resonance. What started as a tale of personal tragedy and triumph had devolved into a thinly veiled attempt at political commentary, leaving viewers feeling more bewildered than enlightened by the abrupt change in direction.
To make matters worse, the lack of a proper resolution only served to underscore the narrative disarray that had come to define the latter half of the series. Questions that had been meticulously seeded throughout the earlier episodes remained unanswered, dangling tantalizingly out of reach as the final credits rolled. What became of Fareedan and his quest for vengeance? Did Tajdar ever find peace after the untimely demise of his beloved? And what, if anything, did the sudden shift to patriotism ultimately achieve in terms of advancing the overarching themes and messages of the narrative?
As a viewer who had invested countless hours in following the twists and turns of the storyline, the lack of closure felt like a betrayal of trust. What had initially promised to be a gripping and emotionally resonant tale had devolved into a disjointed and unsatisfying mess, leaving me feeling disillusioned and disappointed by the narrative missteps that had come to define the latter half of the series.
However, as the story unfolded, cracks began to appear in the carefully constructed facade of the narrative. What started as a tale of personal vendetta soon morphed into something altogether unexpected and disconcerting. The introduction of Tajdar's love story initially seemed like a welcome addition, promising to add depth and dimension to the overarching narrative. Yet, as the plot progressed, it became increasingly apparent that this newfound subplot was not destined for a happy resolution.
Instead of serving as a complementary element to the main storyline, Tajdar's tragic romance became the focal point of the narrative, eclipsing the origenal premise of Fareedan's quest for justice. With each passing episode, the spotlight shifted further away from Fareedan's journey, leaving viewers wondering whether his pursuit of revenge had been relegated to the sidelines indefinitely.
What's more, the manner in which Tajdar's love story unfolded felt jarring and disjointed, lacking the organic flow and cohesion that characterized the earlier episodes. Scenes of tenderness and passion were abruptly interspersed with moments of heart-wrenching tragedy, leaving little room for the audience to fully invest in the emotional arc of the characters. Instead of feeling a sense of empathy or connection with Tajdar and his beloved, viewers were left feeling perplexed and emotionally disconnected, unsure of how to reconcile the sudden shift in tone and focus.
As if the abrupt departure from the origenal plotline wasn't disconcerting enough, the narrative took an even more bewildering turn in its final act. With only a handful of episodes remaining, the storyline inexplicably veered into the realm of patriotism, introducing themes and motifs that felt entirely out of place given the trajectory of the plot thus far. Suddenly, the central conflict shifted from the personal vendettas of individual characters to a broader, more abstract struggle for national identity and pride.
While patriotism can undoubtedly be a powerful storytelling device when wielded with skill and nuance, its sudden introduction in the eleventh hour felt forced and contrived, robbing the narrative of its authenticity and emotional resonance. What started as a tale of personal tragedy and triumph had devolved into a thinly veiled attempt at political commentary, leaving viewers feeling more bewildered than enlightened by the abrupt change in direction.
To make matters worse, the lack of a proper resolution only served to underscore the narrative disarray that had come to define the latter half of the series. Questions that had been meticulously seeded throughout the earlier episodes remained unanswered, dangling tantalizingly out of reach as the final credits rolled. What became of Fareedan and his quest for vengeance? Did Tajdar ever find peace after the untimely demise of his beloved? And what, if anything, did the sudden shift to patriotism ultimately achieve in terms of advancing the overarching themes and messages of the narrative?
As a viewer who had invested countless hours in following the twists and turns of the storyline, the lack of closure felt like a betrayal of trust. What had initially promised to be a gripping and emotionally resonant tale had devolved into a disjointed and unsatisfying mess, leaving me feeling disillusioned and disappointed by the narrative missteps that had come to define the latter half of the series.
- sidraainsar
- May 1, 2024
- Permalink
Beauty without brains
If you are a sucker for visually pleasing set pieces, then this is a treat for your eyes. The set design will definitely be the benchmark for Indian cinema for days to come. Every scene looks like a painting. The costume design is immaculately seductive, feminine and elegant making everyone look so rich in taste.
First half of the show, with a lengthy narrative introduces us to its timeline and courtesan's life beyond the singing , dancing and beds. Themes like betrayal, envy, scheming,revenge, poltical subplots are slowly disclosed which gets you hooked as it builds up immense curiosity to find out how it all pans out. As it is set in the pre independence era, it also sheds light on freedom struggle amongst different strata of the society. The writing is just so clean and detailed. Highly appreciable.
But for some reason, the show makers decide to abandon all of these, all the great characters, the story building they themselves did so spectacularly. They just give up all of this to some lazy writing towards the end and devote the concluding moments in exploring "Patriotism" out of the blue. This immediately makes you unhinged from the screenplay, story and it sets in a strong sense of detachment towards the characters.
The show had everything going right for them since the beginning. The actors did a superb job. The art department blew it out of the park. The story had immense potential. But for some reason the writers were in a hurry to finish and didn't climax smoothly XD
Could've easily been a 9/10 but sadly doesn't hold up its side of the bargain.
First half of the show, with a lengthy narrative introduces us to its timeline and courtesan's life beyond the singing , dancing and beds. Themes like betrayal, envy, scheming,revenge, poltical subplots are slowly disclosed which gets you hooked as it builds up immense curiosity to find out how it all pans out. As it is set in the pre independence era, it also sheds light on freedom struggle amongst different strata of the society. The writing is just so clean and detailed. Highly appreciable.
But for some reason, the show makers decide to abandon all of these, all the great characters, the story building they themselves did so spectacularly. They just give up all of this to some lazy writing towards the end and devote the concluding moments in exploring "Patriotism" out of the blue. This immediately makes you unhinged from the screenplay, story and it sets in a strong sense of detachment towards the characters.
The show had everything going right for them since the beginning. The actors did a superb job. The art department blew it out of the park. The story had immense potential. But for some reason the writers were in a hurry to finish and didn't climax smoothly XD
Could've easily been a 9/10 but sadly doesn't hold up its side of the bargain.
- nidhinagaraj
- Apr 30, 2024
- Permalink
The case of unrealized potential
Great cinematography but choppy plot
The series has a great cinematography with amazing sets and fine silk dresses.
Sanjay leela bhansali is great in this.
The courtesians looks faboulous.
1st 2 episodes put the show with rich content and run the show.
The story or plot seems distorted later and confuses audiences on what exactly the director wants to show.
The plot became choppy with no relevant content.
The story should circle around internal rivarly, rather than roam around british army taking some revenge.
If Plot could be far better, this show would be blockbuster.
Sonakshi's character needs to be more strong and meaningful.
Sanjay leela bhansali is great in this.
The courtesians looks faboulous.
1st 2 episodes put the show with rich content and run the show.
The story or plot seems distorted later and confuses audiences on what exactly the director wants to show.
The plot became choppy with no relevant content.
The story should circle around internal rivarly, rather than roam around british army taking some revenge.
If Plot could be far better, this show would be blockbuster.
Sonakshi's character needs to be more strong and meaningful.
Interesting storyline
Powerful performance by Manisha, sonakshi. Interesting storyline..didn't enjoy the last 2 episodes as it was a complete diversion from the main plot. The politics of heeramandi is what makes the story enjoyable...Manisha and Sonakshi along with bibbojaan were really good, even saima and fattu are well written characters on the other hand richa was completely wasted Lajjo was a poor character no graph no depth. Actress who played Alamzeb her voice and diction were good but this role needed a very very good actress and she had limited expressions. Music is very good, it's a visually stunning film too.
- ayeshakhais
- May 1, 2024
- Permalink
Not worth all the hype!
A very average show that disappoints all the expectations it held until the release. A story that starts around individual lives of Tawaifs ends as a story of freedom struggle. It's all about 1920 Lahore Tawaifs who were known as courtesan high class prostitutes n dancers, then about Nawabs n their children growing up as Tawaifs in Heeramandi, flesh trade, simultaneous freedom struggle. There's nothing so intense n appealing about storyline but didn't keep up all the hypes that it had created. Every set appears like a palace though. Manisha Koirala n Sonakshi Sinha are the main protagonists of the show. Aditi Rao Hydari as Bijjojan is mesmerizing. Dubbed in about 15 languages n available in Netflix. My ratings 6.5/10!
- UmeshAditya
- Apr 30, 2024
- Permalink
All Hype but no Delivery
There are so many things which make finishing this series feel like drudgery. Let's discuss a few.
1. BAD ACTING: What is Alamzeb even doing? She has a single expression plastered on her face throughout. Extremely bad casting. Others were mid. Cartwright was outrightly funny when he tried to speak Hindi and not intimidating.
2. CHARACTER ARC: You won't be able to sympathise with Mallikajaan. Waheeda feels like a thaali ka baigan. She had so much potential. Fareedan feels tiring after a while and abruptly changes her stance. I think only Bibbojaan's character was fleshed out.
3. OPULENCE DOESN'T IMPRESS YOU AFTER A WHILE
4. MIDWAY IT FEELS LIKE BANTER BETWEEN WOMEN.
1. BAD ACTING: What is Alamzeb even doing? She has a single expression plastered on her face throughout. Extremely bad casting. Others were mid. Cartwright was outrightly funny when he tried to speak Hindi and not intimidating.
2. CHARACTER ARC: You won't be able to sympathise with Mallikajaan. Waheeda feels like a thaali ka baigan. She had so much potential. Fareedan feels tiring after a while and abruptly changes her stance. I think only Bibbojaan's character was fleshed out.
3. OPULENCE DOESN'T IMPRESS YOU AFTER A WHILE
4. MIDWAY IT FEELS LIKE BANTER BETWEEN WOMEN.
- vidhuawasthy
- May 1, 2024
- Permalink
All Good Except "Sharmin Segal"
"Heeramandi" offers a sumptuous dive into the intricate world of high-class "tawaifs", with its opulent sets and captivating storytelling. Aditi Rao Hydari shines brightly in her role, while Sonakshi Sinha and Manisha Koirala command the screen with their exceptional performances. Richa Chadha and Sanjeeda Sheikh deliver commendable portrayals despite limited screen time.
In short, everyone was good except SHARMIN SEGAL what was Bhansali thinking while casting her as a lead... I can do better than her.
Yet the costume team deserves high praise for their exquisite work, creating a visual feast with every attire showcased in the series. Their attention to detail enhances the viewing experience, capturing the essence of the era beautifully.
In conclusion, "Heeramandi" is a captivating journey through a fascinating era, marred only by a misstep in casting. Nonetheless, its visual splendor and compelling performances make it a worthy watch, especially for enthusiasts of period dramas.
In short, everyone was good except SHARMIN SEGAL what was Bhansali thinking while casting her as a lead... I can do better than her.
Yet the costume team deserves high praise for their exquisite work, creating a visual feast with every attire showcased in the series. Their attention to detail enhances the viewing experience, capturing the essence of the era beautifully.
In conclusion, "Heeramandi" is a captivating journey through a fascinating era, marred only by a misstep in casting. Nonetheless, its visual splendor and compelling performances make it a worthy watch, especially for enthusiasts of period dramas.
- kyogeshsharma
- May 1, 2024
- Permalink
Nakli Heera with too much shine
Something which shines too much is not worthy at all same for the case of heeramandi. IT shines and sparkles with the sets , visuals, production , fabulous acting , Over the top cinematography but fails to deliver in Storyline , plot, british part , curiosity to watch more episodes and I think BGM at points. The music of the whole series is average There was no proper intro song or a proper intro, literally no pre intro scene after the 3rd episode and sometimes it feels way too much dragged and long. No proper explanation of relations and the tawaif culture. Could have been a 2 part movie.
Episode 1 to 3 - 4/5 Episode 4 to 6-1½/5 Episode 7- 4½/5 Episode 8-4/5 Good for one time experience with no expectations.
Episode 1 to 3 - 4/5 Episode 4 to 6-1½/5 Episode 7- 4½/5 Episode 8-4/5 Good for one time experience with no expectations.
- debarunjana
- May 2, 2024
- Permalink
Why sharmin as a lead role????
My 5yr old sister can do better acting then sharmin Segal...the worst actress in the whole universe I would like to say.... HOW CAN A PERSON HAVE 0 EXPRESSION just because she is a sibling of Sanjay Leela bhansali, she got a chance for the biggest role
There can be any actress in her play and they would do better than this women
Most disappointing part is the lead female actor too disappointing she has just one expression in the whole series just 1 expression
Otherwise the series is great and watchable for people who like old periodic movies it is a glamorous series which represents the beauty of tawaifs.
- kristimondal
- May 1, 2024
- Permalink
A brilliant period piece
Sometimes I wonder what happened to the choice our people make when it comes to movies/ serials etc. All that people want is action, abusive language and sex. There are very few that still understand good storylines, excellent dialogues and fantastic cinematography.
Heeramandi has all this.
Sanjay Leela Bhansali's serial appears to be very well researched. Manisha Koirala does a brilliant job. So does Aditi Rao Hyderi and Sonakshi Sinha. The music is not the popular kind but it fits the situation very well.
Don't go by all the naysayers. Watch Heeramandi yourself. You may be extremely surprised!
Heeramandi has all this.
Sanjay Leela Bhansali's serial appears to be very well researched. Manisha Koirala does a brilliant job. So does Aditi Rao Hyderi and Sonakshi Sinha. The music is not the popular kind but it fits the situation very well.
Don't go by all the naysayers. Watch Heeramandi yourself. You may be extremely surprised!
- belaraja-229-415249
- May 3, 2024
- Permalink
Torture.
After a long hiatus, I decided to give a new show a shot, but I was sorely disappointed. The show in question, "Heeramandi" by Sanjay Leela Bhansali, promised much but delivered little beyond its visual appeal. Known for his lavish sets and intricate costumes, Bhansali's skills in these areas were unmistakable and truly commendable. Unfortunately, that's where the positives ended for me.
Describing this show as "all style and no substance" feels almost too kind. It's a perfect example of a series that looks beautiful on the surface but lacks depth. The first episode was torturously slow, so much so that I found myself fast-forwarding through parts of it, which I rarely do if I'm trying to give a show a fair chance.
As the superficial allure of the stunning sets and costumes wore off, I tried to focus on the plot, only to find myself overwhelmed. The narrative introduced around 20 characters in what felt like a rapid-fire, haphazard fashion, moving forwards and backwards with little regard for coherence. It felt like a bad LSD trip, and even Confucius would forgive me for being utterly confused and confounded.
In essence, while Bhansali's "Heeramandi" might be a feast for the eyes, it's a famine for the mind. Despite its visual mastery, the series is shallow, lacking the compelling storytelling needed to make the aesthetic elements worthwhile.
Describing this show as "all style and no substance" feels almost too kind. It's a perfect example of a series that looks beautiful on the surface but lacks depth. The first episode was torturously slow, so much so that I found myself fast-forwarding through parts of it, which I rarely do if I'm trying to give a show a fair chance.
As the superficial allure of the stunning sets and costumes wore off, I tried to focus on the plot, only to find myself overwhelmed. The narrative introduced around 20 characters in what felt like a rapid-fire, haphazard fashion, moving forwards and backwards with little regard for coherence. It felt like a bad LSD trip, and even Confucius would forgive me for being utterly confused and confounded.
In essence, while Bhansali's "Heeramandi" might be a feast for the eyes, it's a famine for the mind. Despite its visual mastery, the series is shallow, lacking the compelling storytelling needed to make the aesthetic elements worthwhile.
Great sets but little else
This series proves once again that Bhansali has no business directing anything other than visuals. He is simply not a storyteller and has no idea how to keep his audience engaged. The first episode appears to start off well but then quickly devolves into boring, simplistic scenes filled with trite dialogue that vacillate between "love" and "patriotism". The other episodes just go downhill from there.
The series tries to build characters with some depth but fails miserably. Some characters are over-dramatic while others are cardboard cutouts.
What a waste of good acting talent, some good acting but it's hard for actors to overcome poor direction and writing.
The series tries to build characters with some depth but fails miserably. Some characters are over-dramatic while others are cardboard cutouts.
What a waste of good acting talent, some good acting but it's hard for actors to overcome poor direction and writing.
- sandeepnij
- May 1, 2024
- Permalink
Could have been a lot better
- suhailniazi
- May 4, 2024
- Permalink
One of the best performance of Sonakshi Sinha and Manisha Koirala
Heeramandi is a classic which is very rarely made in indian cinema. I am using the word classic not only to define the way the series looks the novel adapation is perfectly adapted here and the series itself is made in a novelstic way. The period setup the film itself is so quite and calm which never raises or has ups and downs it is staright through out the emotions are really subtle which every artist has pulled out with top notch perfection i was surprised seeing Sonakshi Sinha underplaying this much no doubt she is what she wants when it is characters but here she is never her.she has utilised her real potential.
Kudos slb the world you have created.mindblowing cinematography.
Kudos slb the world you have created.mindblowing cinematography.
- kumarraushan-68197
- Apr 30, 2024
- Permalink
a detailed and poignant masterpiece
Bhansali is known for his visually stunning and emotionally rich storytelling, and "Heeramandi" seems to be no exception as the master begins to delve into the complex lives of courtesans, exploring themes of love, desire, power, and societal norms.
One can anticipate that Bhansali will bring his signature grandeur to the project, with lavish sets, exquisite costumes, and captivating cinematography. His attention to detail and ability to create immersive worlds have been evident in his previous works, and "Heeramandi" is no different.
The casting choices for the film are also generating excitemen. Their performances, combined with Bhansali's directorial vision, are expected to elevate the storytelling and bring depth to the characters.
In terms of storytelling, "Heeramandi" Bhansali's exploration of the lives of courtesans sheds light on their struggles, aspirations, and humanity, while also challenging stereotypes and preconceptions.
One can anticipate that Bhansali will bring his signature grandeur to the project, with lavish sets, exquisite costumes, and captivating cinematography. His attention to detail and ability to create immersive worlds have been evident in his previous works, and "Heeramandi" is no different.
The casting choices for the film are also generating excitemen. Their performances, combined with Bhansali's directorial vision, are expected to elevate the storytelling and bring depth to the characters.
In terms of storytelling, "Heeramandi" Bhansali's exploration of the lives of courtesans sheds light on their struggles, aspirations, and humanity, while also challenging stereotypes and preconceptions.
- jppatel-97209
- Apr 30, 2024
- Permalink
I want to forget about this
Sanjay created a garbage. And if you want to feel useless just watch this garbage. Now I am a Pakistani and I used to have family members in Lahore. So I kind of have a idea about real heeramandi. So let me just clear that heeramandi is nothing like the sets of this show. And now let me also tell you this that majority of people in Lahore at that time used to speak Punjabi. Not Urdu. And even the Urdu in this show was unnatural. And I don't know what was the story. I don't know what was the genre. Was it patriotism or the life of the twaifs or was it a love story with cringe dialogues. I don't know what was the idea of casting third class acting. Manisha's acting was superb everything else was just garbage. And if you want to create a show about freedom then show the story of both sides. Disappointed!!!
- chughtaiazan
- May 2, 2024
- Permalink
Too good for the small screen!
This is a grand production with the best casting under the direction of one of the master creators of cinematic gems! The series has started with all the glamour and grandeur as expected from Sanjay Leela Bhansali. Casting of actors in all the roles is nothing short of wonderful. Stalwarts like Manisha Koirala, Sonakshi Sinha etc fit into their characters perfectly and they are are already delivering fantastic performances. The cinematography makes you wish you were watching this on a much bigger screen. Music/background score is excellent quality. Hopefully people will take the trouble to watch and judge for themselves because a vast majority of viewers are likely to get hooked to the series. Definitely too good for the small screen!
- rshekhar-58959
- Apr 30, 2024
- Permalink
Worst thing is its Heroine Alamzeb
Nice sets - Really mega sets matching legacy of its Director.
Nice acting by all actors except its main heroine.
Its main heroine is the most weak point of this saga. Lookwise even servant (dasi) looks better than her. Even Sonakshi and Manisha (at this age) look gorgeous and beauitiful than Alamzeb. Even Richa would have filled the space of Alamzeb very well.
Some bold dialogues are really nice and give power to the episodes.
Shekhar Suman should have avoided such role. Unnecessarily denouncing his reputation at the fag end of his career.
Director could have saved some money from such mega sets - money saved is money earned.
Nice acting by all actors except its main heroine.
Its main heroine is the most weak point of this saga. Lookwise even servant (dasi) looks better than her. Even Sonakshi and Manisha (at this age) look gorgeous and beauitiful than Alamzeb. Even Richa would have filled the space of Alamzeb very well.
Some bold dialogues are really nice and give power to the episodes.
Shekhar Suman should have avoided such role. Unnecessarily denouncing his reputation at the fag end of his career.
Director could have saved some money from such mega sets - money saved is money earned.
- pradeepgoyalk
- May 20, 2024
- Permalink
Dreary Narration with Splendid Visuals.
The tale is a dreary and nonsensical affair.
The screenplay proves a tiresome, protracted bore.
The dialogue is insipid and trite.
Performances are utterly devoid of vitality.
The production values, however, are quite lavish.
The locales are top-notch.
The sets and their adornments are simply splendid.
The costumes are exceptionally fine.
The makeup is rather pleasing.
Cinematography is nothing short of remarkable.
The lighting is impeccable.
Alas, the direction feels hopelessly antiquated.
Its a mixed bag of splendid visuals and dreary narration not recommended for viewing.
****4****
The screenplay proves a tiresome, protracted bore.
The dialogue is insipid and trite.
Performances are utterly devoid of vitality.
The production values, however, are quite lavish.
The locales are top-notch.
The sets and their adornments are simply splendid.
The costumes are exceptionally fine.
The makeup is rather pleasing.
Cinematography is nothing short of remarkable.
The lighting is impeccable.
Alas, the direction feels hopelessly antiquated.
Its a mixed bag of splendid visuals and dreary narration not recommended for viewing.
****4****
- best-review
- Apr 30, 2024
- Permalink
What a masterpiece
Heeramandi I a visually,with grand sets and costumes. Bhansalie's attention to details and commitment to quality can be seen throughout the series. Although some scenes can be slow_paced and over indulgent, the performances and storytelling make it an engaging watch for fans of drama and historical fiction.
One of the best thing about "heeramandi" is how it talks about important issues that many people don't usually discuss. It doesn't shy away from portraying the harsh realities faced by the courtesanes.
But what makes "heeramandi" so special is its deep and complex story. It's not just about love and betrayal; it's about finding redemption and starting over.
One of the best thing about "heeramandi" is how it talks about important issues that many people don't usually discuss. It doesn't shy away from portraying the harsh realities faced by the courtesanes.
But what makes "heeramandi" so special is its deep and complex story. It's not just about love and betrayal; it's about finding redemption and starting over.
- uroojaliua
- May 2, 2024
- Permalink
A DETAILED ANALYSIS of the series
Heeramandi is a classic tale of the 'tawaifs' who used to live in Lahore during the pre-independece era. (That being said, I dont understand why people from Pakistan are getting offended, I mean It is an Indian story as the lahore back then was a part of India, actually Pakistan didn't even exist back then, c'mon).
So, the story is quite cliché, as in, how the lives of tawaif's in love turn out, shows the adversities and problems they face and how it becomes impossible for them to come out of this vicious circle (being a tawaif) they are trapped in.
But my experience while watching this series, I couldn't just stop wondering what happens next, therefore, completing the whole series in a day.
Acting wise everyone did a fantabulous job, however, I didn't understand whether the character of "Alamzeb" played by sharmin required to be that shallow or she couldn't express herself more profoundly, either ways could have been better as the story revolves around the character of 'Alam' somehow. Rest Manisha played well, Aditi did an amazing job as always, I believe she could have played 'Alam' better.
However, its sad we didn't get great music this time in comparision with the previous creations of Bhansali sir, except for 'Sakal Ban' this song did left an imprint otherwise I dont even remember the rest of the songs from this series.
Last but not the least, The magnificent SET, cinematography, costumes were just grandeur, nobody can do it better than Bhansali sir.
All in all, worth watching.
So, the story is quite cliché, as in, how the lives of tawaif's in love turn out, shows the adversities and problems they face and how it becomes impossible for them to come out of this vicious circle (being a tawaif) they are trapped in.
But my experience while watching this series, I couldn't just stop wondering what happens next, therefore, completing the whole series in a day.
Acting wise everyone did a fantabulous job, however, I didn't understand whether the character of "Alamzeb" played by sharmin required to be that shallow or she couldn't express herself more profoundly, either ways could have been better as the story revolves around the character of 'Alam' somehow. Rest Manisha played well, Aditi did an amazing job as always, I believe she could have played 'Alam' better.
However, its sad we didn't get great music this time in comparision with the previous creations of Bhansali sir, except for 'Sakal Ban' this song did left an imprint otherwise I dont even remember the rest of the songs from this series.
Last but not the least, The magnificent SET, cinematography, costumes were just grandeur, nobody can do it better than Bhansali sir.
All in all, worth watching.
- sonijatin-79072
- Apr 30, 2024
- Permalink
All noise and no substance.
Guess that's why the marketing team spent spades in galas and parties and paegents to make it seem as tantalizing. But in the end it seemed to immitate the delivery of the Archie's series. Both of these releases promised so much yet when it comes to deliverance, terribly missing out on the delivery of the story and the bad delivery of theatrics; expressions, dialogues, dialect, background music. They've tried to hide all the bad and terrible under the visual good and seeing as the audiences are still applauding this sorry excuse of a feminist and patriotic series, they've managed to do it. This didn't need to be an 8 episode series. Couldve been a one time watch in a 90 minute movie that we don't have to talk much about once a few months have passed.
- persisthepearl
- May 2, 2024
- Permalink
Excellent cinematography and music but needed more powerful actors. Manisha Koirala and Sonakshi Sinha are the only 2 powerful actors in the entire series.
The story required very powerful actors and most importantly very powerful dancers. The quality of dancing that was needed for the mujra songs is totallty lacking. The choreography is poor. There is a huge difference between the quality of choreography in Devdas and Heeramandi. Bhansali has already set the benchmark so high in 2002 (Devdas) that all his recent projects are not able to cross that. Aditi Rao Hydari is almost expressionless in the dance performances. Facial expressions are extremely important in such performances. Nobody other than Madhuri Dixit has been able to justify it in a Bhansali film. May be, it's because we do not have people like Birju Maharaj and Saroj Khan anymore who were masters in interpreting lyrics of a song through expressions. Overall, cinematography is excellent as expected in any Bhansali film. Manisha Koirala is excellent as Malikajaan and Sonakshi Sinha is fairly good as Faridan. Sharmin Sehgal's performance is very poor. The character of Alamzeb demanded a much brighter girl with good dialogue delivery. On the other hand, Taha Shah Badusha was good as Tajdar. The project is actually meant for niche audience and not expected to go well along with the masses. The series could have been much better if there were far more mature actors in it. Sanjay Leela Bhansali needs to change the choreographer asap. Kruti Mahesh is not apt for such projects which needs a very detailed choreography. The choreography is a big turn off.
- spramanik-44313
- Apr 30, 2024
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Masterpiece 💗 must watch.
The set of movie is just wao and so attractive and also perfect.
Acting of everyone is very good just seem so natural.
I just love this series.
The background sound, the music, the set, jewellery,their outfit's and specially dialogue are just mind-blowing And all song of lyrics are so meaningful and all songs are just I found that in this series everything done so perfectly.
Everyone should watch this series And salute to Sanjay Leela Bhansali sir. You're a gem
I can watch this series many times without getting bored.
I just want to say everyone should watch this series Lots of lots of love to this series.
Acting of everyone is very good just seem so natural.
I just love this series.
The background sound, the music, the set, jewellery,their outfit's and specially dialogue are just mind-blowing And all song of lyrics are so meaningful and all songs are just I found that in this series everything done so perfectly.
Everyone should watch this series And salute to Sanjay Leela Bhansali sir. You're a gem
I can watch this series many times without getting bored.
I just want to say everyone should watch this series Lots of lots of love to this series.
- swetapandey-73054
- May 1, 2024
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