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) Making Info
The Wayback Machine - https://web.archive.org/web/20180712103649/http://www.lost-world.com/Site_B/making_compi.html

Of the nine different dinosaur species featured in The Lost World: Jurassic Park, two characters in particular embody the artful combination of animatronic and computer generated technology that has dazzled audiences around the world: the compsognathus (shown below attacking hunter Dieter Stark) and the T-rex, the film's smallest and largest dinosaurs, respectively.

Compy AttackThe compsognathus make their big screen debut in the opening encounter with the little girl, setting in motion a series of events that leads Ian Malcolm and the others to Site B. But later in the film there is a much more graphic depiction of the less than 3-feet long compy - with their long necks, flexible forearms and razor-sharp teeth - as the "land piranha" they really are: light, fast, deadly predators that take no prisoners.

In the scene, the compys attack Dieter Stark (Peter Stormare), a cold South African second-in-command big game hunter, who earlier in the film had chastised the chicken-size creatures with an electric prod. It begins with a few compys teasing Stark when he gets separated from the group. Frustrated and confused, Stark wanders further and further from his comrades as the compys follow him in increasing numbers. Soon, completely lost, Stark is surrounded by a swarm of the tiny creatures, observing him with their ritualistic head-bobbing. Rightfully fearing for his life, Stark panics and begins running. When he trips over a log in his path, he is attacked and killed by the dozens of tri-finger clawed hunters who have payback on their minds.


Stan Winston had concerns about the mechanization of the small, dynamic creatures. "It was so different than what was required for the large creatures that it was like going from building an 19,000-pound T-rex to building a watch," Winston recalls.

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SKETCHES

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Winston's primary challenge was to capture movement of the lively creatures -especially the desired quick, birdlike, attack movement. Fortunately, mechanical designer Chris Cowan put Winston's concerns regarding the compys movement to rest when he devised a way to actuate the agile creatures through a combination of cable-controlled servo mechanisms and pneumatics.

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STAN WINSTON
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To shoot the scene, the Stan Winston Studio's dozen mechanized compys were attached to actor Peter Stormare, then puppeteered from off camera. Full-motion versions of the compys would be inserted by the ILM team through computer animation.

ILM DIGITAL
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Working with a large number of small, agile dinosaurs moving around each other within a live-action scene, the ILM team of animators essentially drew a path through the live-action scene on their monitors for each specific CG character, and that character would automatically move along that course. After reviewing the shot, the animator could then adjust the creature's course simply by redrawing the path.

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