default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDPerfecto Herrera
Perfecto Herrera-Boyer
Person information
Refine list
refinements active!
zoomed in on ?? of ?? records
view refined list in
export refined list as
showing all ?? records
2020 – today
- 2024
[j18]Daniel Gómez-Marín, Rafael Ospina-Caicedo, Javier Díaz-Cely, Jesús Paz, Sergi Jordà, Perfecto Herrera:
Salsa, a Dataset for Beat Estimation in Salsa Music. Trans. Int. Soc. Music. Inf. Retr. 7(1): 264-273 (2024)- 2023
- [j17]Juan Sebastián Gómez Cañón
, Nicolás Felipe Gutiérrez Páez, Lorenzo Porcaro, Alastair Porter, Estefanía Cano, Perfecto Herrera-Boyer, Aggelos Gkiokas, Patricia Santos, Davinia Hernández-Leo, Casper Karreman, Emilia Gómez:
TROMPA-MER: an open dataset for personalized music emotion recognition. J. Intell. Inf. Syst. 60(2): 549-570 (2023) - 2021
- [j16]Juan Sebastián Gómez Cañón, Estefanía Cano, Tuomas Eerola, Perfecto Herrera, Xiao Hu, Yi-Hsuan Yang, Emilia Gómez:
Music Emotion Recognition: Toward new, robust standards in personalized and context-sensitive applications. IEEE Signal Process. Mag. 38(6): 106-114 (2021) - [c64]Juan Sebastián Gómez Cañón, Estefanía Cano, Ana Gabriela Pandrea, Perfecto Herrera, Emilia Gómez:
Language-Sensitive Music Emotion Recognition Models: are We Really There Yet? ICASSP 2021: 576-580 - [c63]Juan Sebastián Gómez Cañón, Estefanía Cano, Yi-Hsuan Yang, Perfecto Herrera, Emilia Gómez:
Let's agree to disagree: Consensus Entropy Active Learning for Personalized Music Emotion Recognition. ISMIR 2021: 237-245 - [i4]Juan Sebastián Gómez Cañón, Perfecto Herrera, Estefanía Cano, Emilia Gómez:
Personalized musically induced emotions of not-so-popular Colombian music. CoRR abs/2112.04975 (2021) - 2020
- [c62]Juan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez:
Transfer learning from speech to music: towards language-sensitive emotion recognition models. EUSIPCO 2020: 136-140 - [c61]Juan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez:
Joyful for you and tender for us: the influence of individual characteristics and language on emotion labeling and classification. ISMIR 2020: 853-860
2010 – 2019
- 2019
- [i3]Juan Sebastián Gómez Cañón, Perfecto Herrera, Emilia Gómez, Estefanía Cano:
The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. CoRR abs/1909.05882 (2019) - 2018
- [b1]Perfecto Herrera-Boyer:
MIRages: an account of music audio extractors, semantic description and context-awareness, in the three ages of MIR. Pompeu Fabra University, Spain, 2018 - [j15]Gerard Roma, Perfecto Herrera, Waldo Nogueira:
Environmental sound recognition using short-time feature aggregation. J. Intell. Inf. Syst. 51(3): 457-475 (2018) - [i2]Emilia Gómez, Carlos Castillo, Vicky Charisi, Verónica Dahl, Gustavo Deco, Blagoj Delipetrev, Nicole Dewandre, Miguel Ángel González Ballester, Fabien Gouyon, José Hernández-Orallo, Perfecto Herrera, Anders Jonsson, Ansgar Koene, Martha A. Larson, Ramón López de Mántaras, Bertin Martens, Marius Miron, Rubén Moreno-Bote, Nuria Oliver, Antonio Puertas Gallardo, Heike Schweitzer, Núria Sebastián, Xavier Serra, Joan Serrà, Songül Tolan, Karina Vold:
Assessing the impact of machine intelligence on human behaviour: an interdisciplinary endeavour. CoRR abs/1806.03192 (2018) - 2017
- [j14]Cárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordà:
Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation. Comput. Music. J. 41(2): 21-37 (2017) - [j13]Markus Schedl, Yi-Hsuan Yang, Perfecto Herrera-Boyer:
Introduction to Intelligent Music Systems and Applications. ACM Trans. Intell. Syst. Technol. 8(2): 17:1-17:8 (2017) - [c60]Cárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordà:
k-Best Unit Selection Strategies for Musical Concatenative Synthesis. CMMR 2017: 76-97 - [c59]Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera:
Drum Rhythm Spaces: From Global Models to Style-Specific Maps. CMMR 2017: 123-134 - [c58]Ángel Faraldo, Sergi Jordà, Perfecto Herrera:
A Multi-Profile Method for Key Estimation in EDM. Semantic Audio 2017 - 2016
- [c57]Ángel Faraldo, Emilia Gómez, Sergi Jordà, Perfecto Herrera:
Key Estimation in Electronic Dance Music. ECIR 2016: 335-347 - [c56]Cárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordà:
An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis. ISMIR 2016: 67-72 - [c55]Dmitry Bogdanov, Alastair Porter, Perfecto Herrera, Xavier Serra:
Cross-Collection Evaluation for Music Classification Tasks. ISMIR 2016: 379-385 - [c54]Sergi Jordà, Daniel Gómez-Marín, Ángel Faraldo, Perfecto Herrera:
Drumming with style: From user needs to a working prototype. NIME 2016: 365-370 - [c53]Cárthach Ó Nuanáin, Sergi Jordà, Perfecto Herrera:
An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis. NIME 2016: 383-387 - 2015
- [c52]Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera:
Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception. CMMR 2015: 449-463 - [c51]Peter Knees, Ángel Faraldo, Perfecto Herrera, Richard Vogl, Sebastian Böck, Florian Hörschläger, Mickael Le Goff:
Two Data Sets for Tempo Estimation and Key Detection in Electronic Dance Music Annotated from User Corrections. ISMIR 2015: 364-370 - [c50]Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera:
PAD and SAD: Two Awareness-Weighted Rhythmic Similarity Distances. ISMIR 2015: 666-672 - 2014
- [c49]Julián Urbano, Dmitry Bogdanov, Perfecto Herrera, Emilia Gómez, Xavier Serra:
What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features? ISMIR 2014: 573-578 - 2013
- [j12]Dmitry Bogdanov, Martín Haro, Ferdinand Fuhrmann, Anna Xambó, Emilia Gómez, Perfecto Herrera:
Semantic audio content-based music recommendation and visualization based on user preference examples. Inf. Process. Manag. 49(1): 13-33 (2013) - [j11]Perfecto Herrera-Boyer, Fabien Gouyon:
MIRrors: Music Information Research reflects on its future - Special issue foreword. J. Intell. Inf. Syst. 41(3): 339-343 (2013) - [j10]Stefan Koelsch, Stavros Skouras, Thomas Fritz, Perfecto Herrera, Corinna E. Bonhage, Mats B. Küssner, Arthur M. Jacobs:
The roles of superficial amygdala and auditory cortex in music-evoked fear and joy. NeuroImage 81: 49-60 (2013) - [c48]Dmitry Bogdanov, Nicolas Wack, Emilia Gómez, Sankalp Gulati, Perfecto Herrera, Oscar Mayor, Gerard Roma, Justin Salamon, José Ricardo Zapata, Xavier Serra:
Essentia: An Audio Analysis Library for Music Information Retrieval. ISMIR 2013: 493-498 - [c47]Dmitry Bogdanov, Nicolas Wack, Emilia Gómez, Sankalp Gulati, Perfecto Herrera, Oscar Mayor, Gerard Roma, Justin Salamon, José Ricardo Zapata, Xavier Serra:
ESSENTIA: an open-source library for sound and music analysis. ACM Multimedia 2013: 855-858 - [c46]Gerard Roma, Waldo Nogueira, Perfecto Herrera:
Recurrence quantification analysis features for environmental sound recognition. WASPAA 2013: 1-4 - 2012
- [j9]Gerard Roma, Perfecto Herrera, Massimiliano Zanin, Sergio L. Toral Marín, Frederic Font, Xavier Serra:
Small world networks and creativity in audio clip sharing. Int. J. Soc. Netw. Min. 1(1): 112-127 (2012) - [j8]Joan Serrà, Massimiliano Zanin, Perfecto Herrera, Xavier Serra:
Characterization and exploitation of community structure in cover song networks. Pattern Recognit. Lett. 33(9): 1032-1041 (2012) - [c45]Frederic Font, Gerard Roma, Perfecto Herrera, Xavier Serra:
Characterization of the Freesound online community. CIP 2012: 1-6 - [c44]Juan J. Bosch, Jordi Janer, Ferdinand Fuhrmann, Perfecto Herrera:
A Comparison of Sound Segregation Techniques for Predominant Instrument Recognition in Musical Audio Signals. ISMIR 2012: 559-564 - [c43]Gerard Roma, Jordi Janer, Perfecto Herrera:
Active learning of custom sound taxonomies in unstructured audio data. ICMR 2012: 67 - [c42]Yi-Hsuan Yang, Dmitry Bogdanov, Perfecto Herrera, Mohamed Sordo:
Music retagging using label propagation and robust principal component analysis. WWW (Companion Volume) 2012: 869-876 - [c41]Martín Haro, Joan Serrà, Alvaro Corral, Perfecto Herrera:
Power-law distribution in encoded MFCC frames of speech, music, and environmental sound signals. WWW (Companion Volume) 2012: 895-902 - [e1]Fabien Gouyon, Perfecto Herrera, Luis Gustavo Martins, Meinard Müller:
Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012. FEUP Edições 2012, ISBN 978-972-752-144-9 [contents] - 2011
- [j7]Dmitry Bogdanov, Joan Serrà, Nicolas Wack, Perfecto Herrera, Xavier Serra:
Unifying Low-Level and High-Level Music Similarity Measures. IEEE Trans. Multim. 13(4): 687-701 (2011) - [c40]Leonidas Ioannidis, Emilia Gómez, Perfecto Herrera:
Tonal-based retrieval of Arabic and middle-east music by automatic makam description. CBMI 2011: 31-36 - [c39]Dmitry Bogdanov, Martín Haro, Ferdinand Fuhrmann, Anna Xambó, Emilia Gómez, Perfecto Herrera:
A content-based system for music recommendation and visualization of user preferences working on semantic notions. CBMI 2011: 249-252 - [c38]Waldo Nogueira, Martín Haro, Perfecto Herrera, Xavier Serra:
Music perception with current signal processing strategies for cochlear implants. ISABEL 2011: 183:1-183:5 - [c37]Dmitry Bogdanov, Perfecto Herrera:
How Much Metadata Do We Need in Music Recommendation? A Subjective Evaluation Using Preference Sets. ISMIR 2011: 97-102 - [c36]Ferdinand Fuhrmann, Perfecto Herrera:
Quantifying the Relevance of Locally Extracted Information for Musical Instrument Recognition from Entire Pieces of Music. ISMIR 2011: 239-244 - [i1]Joan Serrà, Massimiliano Zanin, Perfecto Herrera, Xavier Serra:
Characterization and exploitation of community structure in cover song networks. CoRR abs/1108.6003 (2011) - 2010
- [j6]Gerard Roma, Jordi Janer, Stefan Kersten, Mattia Schirosa, Perfecto Herrera, Xavier Serra:
Ecological Acoustics Perspective for Content-Based Retrieval of Environmental Sounds. EURASIP J. Audio Speech Music. Process. 2010 (2010) - [j5]Cyril Laurier, Owen Meyers, Joan Serrà, Martin Blech, Perfecto Herrera, Xavier Serra:
Indexing music by mood: design and integration of an automatic content-based annotator. Multim. Tools Appl. 48(1): 161-184 (2010) - [c35]Martín Haro, Anna Xambó, Ferdinand Fuhrmann, Dmitry Bogdanov, Emilia Gómez, Perfecto Herrera:
The Musical Avatar: a visualization of musical preferences by means of audio content description. Audio Mostly Conference 2010: 14 - [c34]Gerard Roma, Perfecto Herrera:
Graph grammar representation for collaborative sample-based music creation. Audio Mostly Conference 2010: 17 - [c33]Gerard Roma, Perfecto Herrera:
Community Structure in Audio Clip Sharing. INCoS 2010: 200-205 - [c32]Piotr Holonowicz, Perfecto Herrera:
Detection of polyphonic music note onsets by application of the Bayesian theory of surprise. SAPA@INTERSPEECH 2010: 37-42 - [p1]Joan Serrà, Emilia Gómez, Perfecto Herrera:
Audio Cover Song Identification and Similarity: Background, Approaches, Evaluation, and Beyond. Advances in Music Information Retrieval 2010: 307-332
2000 – 2009
- 2009
- [j4]Amaury Hazan, Ricard Marxer, Paul Brossier, Hendrik Purwins, Perfecto Herrera, Xavier Serra:
What/when causal expectation modelling applied to audio signals. Connect. Sci. 21(2&3): 119-143 (2009) - [c31]Cyril Laurier, Owen Meyers, Joan Serrà, Martin Blech, Perfecto Herrera:
Music Mood Annotator Design and Integration. CBMI 2009: 156-161 - [c30]Dmitry Bogdanov, Joan Serrà, Nicolas Wack, Perfecto Herrera:
From Low-Level to High-Level: Comparative Study of Music Similarity Measures. ISM 2009: 453-458 - [c29]Martín Haro, Perfecto Herrera:
From Low-Level to Song-Level Percussion Descriptors of Polyphonic Music. ISMIR 2009: 243-248 - [c28]Ferdinand Fuhrmann, Martín Haro, Perfecto Herrera:
Scalability, Generality and Temporal Aspects in Automatic Recognition of Predominant Musical Instruments in Polyphonic Music. ISMIR 2009: 321-326 - [c27]Cyril Laurier, Mohamed Sordo, Joan Serrà, Perfecto Herrera:
Music Mood Representations from Social Tags. ISMIR 2009: 381-386 - [c26]Emilia Gómez, Martín Haro, Perfecto Herrera:
Music and Geography: Content Description of Musical Audio from Different Parts of the World. ISMIR 2009: 753-758 - [c25]Tianjiang Wang, Gang Chen, Perfecto Herrera:
Music retrieval based on a multi-samples selection strategy for support vector machine active learning. SAC 2009: 1750-1751 - 2008
- [j3]Elias Pampalk, Perfecto Herrera, Masataka Goto:
Computational Models of Similarity for Drum Samples. IEEE Trans. Speech Audio Process. 16(2): 408-423 (2008) - [j2]Joan Serrà, Emilia Gómez, Perfecto Herrera, Xavier Serra:
Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification. IEEE Trans. Speech Audio Process. 16(6): 1138-1151 (2008) - [c24]Cyril Laurier, Jens Grivolla, Perfecto Herrera:
Multimodal Music Mood Classification Using Audio and Lyrics. ICMLA 2008: 688-693 - [c23]Òscar Celma, Perfecto Herrera:
A new approach to evaluating novel recommendations. RecSys 2008: 179-186 - 2007
- [c22]Amaury Hazan, Paul Brossier, Piotr Holonowicz, Perfecto Herrera, Hendrik Purwins:
Expectation along the beat: a Use Case for Music Expectation Models. ICMC 2007 - 2006
- [c21]Emilia Gómez, Perfecto Herrera:
The song remains the same: identifying versions of the same piece using tonal descriptors. ISMIR 2006: 180-185 - [c20]Vegard Sandvold, Thomas Aussenac, Òscar Celma, Perfecto Herrera:
Good Vibrations: Music Discovery through Personal Musical Concepts. ISMIR 2006: 322-323 - [c19]Òscar Celma, Pedro Cano, Perfecto Herrera:
Search Sounds: An audio crawler focused on weblogs. ISMIR 2006: 365-366 - [c18]Òscar Celma, Perfecto Herrera, Xavier Serra:
A Multimodal Approach to Bridge the Music Semantic Gap. SAMT (Posters and Demos) 2006 - 2005
- [j1]Pedro Cano, Markus Koppenberger, Sylvain Le Groux, Julien Ricard, Nicolas Wack, Perfecto Herrera:
Nearest-Neighbor Automatic Sound Annotation with a WordNet Taxonomy. J. Intell. Inf. Syst. 24(2-3): 99-111 (2005) - [c17]Enric Guaus, Perfecto Herrera:
The rhythm transform: towards a Generic rhythm Description. ICMC 2005 - [c16]Bee Suan Ong, Perfecto Herrera:
Semantic Segmentation of Music audio Contents. ICMC 2005 - [c15]Vegard Sandvold, Perfecto Herrera:
Towards a Semantic descriptor of subjective Intensity in Music. ICMC 2005 - [c14]Perfecto Herrera, Òscar Celma, Jordi Massaguer, Pedro Cano, Emilia Gómez, Fabien Gouyon, Markus Koppenberger:
MUCOSA: A Music Content Semantic Annotator. ISMIR 2005: 77-83 - [c13]Òscar Celma, Miquel Ramírez, Perfecto Herrera:
Foafing the Music: A Music Recommendation System based on RSS Feeds and User Preferences. ISMIR 2005: 464-467 - 2004
- [c12]Pedro Cano, Markus Koppenberger, Sylvain Le Groux, Perfecto Herrera, Julien Ricard, Nicolas Wack:
Knowledge and Content-Based Audio Retrieval Using Wordnet. ICETE (3) 2004: 301-308 - [c11]Emilia Gómez, Perfecto Herrera:
Estimating The Tonality Of Polyphonic Audio Files: Cognitive Versus Machine Learning Modelling Strategies. ISMIR 2004 - [c10]Vegard Sandvold, Fabien Gouyon, Perfecto Herrera:
Drum sound classification in polyphonic audio recordings using localized sound models. ISMIR 2004 - 2003
- [c9]Julien Ricard, Perfecto Herrera:
Using morphological description for generic sound retrieval. ISMIR 2003 - 2002
- [c8]Fabien Gouyon, Perfecto Herrera, Pedro Cano:
Pulse-dependent analyses of percussive music. ICASSP 2002: 4174 - [c7]Perfecto Herrera, Alexandre Yeterian, Fabien Gouyon:
Automatic Classification of Drum Sounds: A Comparison of Feature Selection Methods and Classification Techniques. ICMAI 2002: 69-80 - [c6]Hugues Vinet, Perfecto Herrera, François Pachet:
The CUIDADO Project: New Applications based on Audio and Music Content Description. ICMC 2002 - [c5]Hugues Vinet, Perfecto Herrera, François Pachet:
The CUIDADO Project. ISMIR 2002 - 2000
- [c4]Geoffroy Peeters, Stephen McAdams, Perfecto Herrera:
Instrument Sound Description in the Context of MPEG-7. ICMC 2000 - [c3]Perfecto Herrera-Boyer, Xavier Amatriain, Eloi Batlle, Xavier Serra:
Towards Instrument Segmentation for Music Content Description: a Critical Review of Instrument Classification Techniques. ISMIR 2000
1990 – 1999
- 1999
- [c2]Perfecto Herrera, Xavier Serra, Geoffroy Peeters:
Audio Descriptors and Descriptor Schemes in the Context of MPEG-7. ICMC 1999 - 1997
- [c1]Xavier Serra, Jordi Bonada, Perfecto Herrera, Ramon Loureiro:
Integrating complementary spectral models in the design of a musical synthesizer. ICMC 1997
Coauthor Index
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
Unpaywalled article links
Add open access links from 
to the list of external document links (if available).
Privacy notice: By enabling the option above, your browser will contact the API of unpaywall.org to load hyperlinks to open access articles. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Unpaywall privacy policy.
Archived links via Wayback Machine
For web page which are no longer available, try to retrieve content from the 
of the Internet Archive (if available).
Privacy notice: By enabling the option above, your browser will contact the API of archive.org to check for archived content of web pages that are no longer available. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Internet Archive privacy policy.
Reference lists
Add a list of references from 
, 
, and 
to record detail pages.
load references from crossref.org and opencitations.net
Privacy notice: By enabling the option above, your browser will contact the APIs of crossref.org, opencitations.net, and semanticscholar.org to load article reference information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Crossref privacy policy and the OpenCitations privacy policy, as well as the AI2 Privacy Policy covering Semantic Scholar.
Citation data
Add a list of citing articles from and to record detail pages.
load citations from opencitations.net
Privacy notice: By enabling the option above, your browser will contact the API of opencitations.net and semanticscholar.org to load citation information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the OpenCitations privacy policy as well as the AI2 Privacy Policy covering Semantic Scholar.
OpenAlex data
Load additional information about publications from 
.
Privacy notice: By enabling the option above, your browser will contact the API of openalex.org to load additional information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the information given by OpenAlex.
last updated on 2025-01-14 21:17 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
