Amanda, an introverted 12 year-old swimming athlete, finds safety in her own world: underneath the water. Lacking attention from her parents, she spends most of the time at the swimming pool, training and trying to succeed in maybe the only thing she truly loves. Priscila, an amazing swimmer, becomes her opponent, not only in the pool also in life. A subtle power game begins.

Guigo (12) is in love for Sabrina (12). One day, he and his friend Tulio (12) traveling with his father, Roberto and his friend Paulo for a ranch. The fishery would have everything to be wonderful, if there was internet signal. Besides the internet, Guigo will face another situation: Paulo is boyfriend of his father.

A young man's surreal ability to speak with cars sparks a revolution that could save his community. However, he soon finds himself in a fight for survival when this inadvertently accelerates underlying problems.

A historical review of the military dictatorship in Brazil only trough images and sounds from films that belong to the pornochanchada genre, a kind of erotic film that was the most seen and most produced during that period.

Shelly, a young dancer, dreams of becoming a singer at Brega, a romantic and sensually appealing musical scene in the Brazilian outskirts. inserted in a world where everything is disposable, like success, love, and human relationships, Shelly lives a difficult, tumultuous trajectory toward her desire to be famous. Jaqueline, her bandmate, a decaying experienced singer, is her mirror.

Engineer Pablo Marcet, installed in Brazil, receives a call from Ana, his ex-wife, their son, Andres, is out of control, he brought a machete to school to cut the grass. Father and son travel to the city of Bolivar, chosen place to connect

In 1961, Gov. Leonel Brizola leads the unparalleled Legality movement, a first in the history of Brazil. Fighting for the Constitution, he mobilizes the resistance to ensure President João Goulart's coming to power. Amidst the impending military coup, a mysterious journalist could change the country's path.

Bethania Wanderley (Maeve Jinkings) has to return to the place where she was born, a decadent sugar cane mill, to prevent the former cane workers from taking over the land. She will have to deal with her past and her prejudices.

The covers of the newspaper "Meia Hora" always attract attention. They become successful in the internet and on the streets because of their unusual and humorous approaches. The documentary shows how this construction of news works from the perspective of the publishers of the publication.

Searching for Makunaima is a cultural and historical account of the most Brazilian character there is in fiction. The film begins with Makunaima, one of the founding myths of the native people from the border between Brazil-Venezuela-Guiana, first captured in the writings of the German ethnographer Koch-Grünberg at the beginning of the 1910s. With interviews in Portuguese, German, Spanish, and in the indigenous languages Macuxi and Taurepang, Searching for Macunaima reclaims this amazing character who represents Brazil in many ways (from literature to cinema to theatre) and remains relevant to date.

In Lunch Break, we witness the novelty of a rediscovered tradition: the formation of workers' class consciousness amid a clash which intersects shared sociability and the fissures imposed by a myriad of individual stories. Nina Kopko resumes the Brechtian tradition of modern Brazilian cinema, in her penchant for frontality and by bringing political discourse to the proscenium, while placing itself in a rare constellation, alongside films such as "Trabalhadoras metalúrgicas" e "Mariana, Paraná e Greve", which localize the female experience within the factory world.

A man struggles to overcome his nervousness with women in a bar when he stumbles upon words of wisdom in the bathroom.

At the blow of a whistle coming from the textile factory in Vila Isabel, the workers would go on for another day of work; meanwhile Noel Rosa was talking about love.

Bohemian. Provocative. Seductive. Revolutionary. Besides being the founder of the controversial tabloid O Pasquim, Tarso de Castro (1941-1991) was one of the greatest journalists in Brazil. By investigating his life, comes out the story of a country immersed in a dictatorship and censorship, where the dream of democracy was born of a libertarian generation.

Júlia and Pedro are a couple of robbers who run away to the countryside after a heist goes wrong. Once there, their lives end up taking irreconcilable paths.

The film portrays the life and work of Brazilian painter Glauco Rodrigues. Glauco is considered one of the leading painters of Pop Art in Latin America. His trajectory is told through a series of interviews, testimonies, archival footage and new images of the scenarios Glauco was inspired by.

A young boy recounts an event of his life when he decided to cheer for a different soccer team than the one his father is a fanatic for and one that he thinks must remain from generation to generation. Why the boy decided to become a fan for a different team? Blame it on popular phenomenon player Newmar.

Maria Eduarda, a cowgirl from the backwoods of Pernambuco, Adelino, a farmer from Pantanal, Mato Grosso do Sul, Augusto Leal Filho (Nico) and Pedro Costa (in memory), Marajoara cowboys, Pará, and Afonso, a cowboy from the Pampas Gaúchos. Among them, the relationship with the place, with the animals, with freedom and with the heritage of the craft that has been passed down for generations. The story of one of the oldest works in Brazil, based on the record of the daily bravery of working in the field.

The student trend Liberdade e Luta, Libelu, emerged in 1976 and gained fame for being the first group to resume the slogan "below the dictatorship" after the AI-5.