- Born
- Died
- Birth nameJane Alice Peters
- Nicknames
- The Profane Angel
- The Hoosier Tornado
- The Queen of Screwball Comedy
- Carol Lombard
- Height5′ 6″ (1.68 m)
- Carole Lombard was born Jane Alice Peters in Fort Wayne, Indiana, on October 6, 1908. Her parents divorced in 1916 and her mother took the family on a trip out West. While there they decided to settle down in the Los Angeles area. After being spotted playing baseball in the street with the neighborhood boys by a film director, Carole was signed to a one-picture contract in 1921 when she was 12. The film in question was A Perfect Crime (1921). Although she tried for other acting jobs, she would not be seen onscreen again for four years. She returned to a normal life, going to school and participating in athletics, excelling in track and field. By age 15 she had had enough of school, though, and quit. She joined a theater troupe and played in several stage shows, which were for the most part nothing to write home about. In 1925 she passed a screen test and was signed to a contract with Fox Films. Her first role as a Fox player was Hearts and Spurs (1925), in which she had the lead. Right after that film she appeared in a western called Durand of the Bad Lands (1925). She rounded out 1925 in the comedy Marriage in Transit (1925) (she also appeared in a number of two-reel shorts). In 1926 Carole was seriously injured in an automobile accident that resulted in the left side of her face being scarred. Once she had recovered, Fox canceled her contract. She did find work in a number of shorts during 1928 (13 of them, many for slapstick comedy director Mack Sennett), but did go back for a one-time shot with Fox called Me, Gangster (1928). By now the film industry was moving from the silent era to "talkies". While some stars' careers ended because of heavy accents, poor diction or a voice unsuitable to sound, Carole's light, breezy, sexy voice enabled her to transition smoothly during this period. Her first sound film was High Voltage (1929) at Pathe (her new studio) in 1929. In 1931 she was teamed with William Powell in Man of the World (1931). She and Powell hit it off and soon married, but the marriage didn't work out and they divorced in 1933. No Man of Her Own (1932) put Carole opposite Clark Gable for the first and only time (they married seven years later in 1939). By now she was with Paramount Pictures and was one of its top stars. However, it was Twentieth Century (1934) that showed her true comedic talents and proved to the world what a fine actress she really was. In 1936 Carole received her only Oscar nomination for Best Actress for My Man Godfrey (1936). She was superb as ditzy heiress Irene Bullock. Unfortunately, the coveted award went to Luise Rainer in The Great Ziegfeld (1936), which also won for Best Picture. Carole was now putting out about one film a year of her own choosing, because she wanted whatever role she picked to be a good one. She was adept at picking just the right part, which wasn't surprising as she was smart enough to see through the good-ol'-boy syndrome of the studio moguls. She commanded and received what was one of the top salaries in the business - at one time it was reported she was making $35,000 a week. She made but one film in 1941, Mr. & Mrs. Smith (1941). Her last film was in 1942, when she played Maria Tura opposite Jack Benny in To Be or Not to Be (1942). Tragically, she didn't live to see its release. The film was completed in 1941 just at the time the US entered World War II, and was subsequently held back for release until 1942. Meanwhile, Carole went home to Indiana for a war bond rally. On January 16, 1942, Carole, her mother, and 20 other people were flying back to California when the plane went down outside of Las Vegas, Nevada. All aboard perished. The highly acclaimed actress was dead at the age of 33 and few have been able to match her talents since.- IMDb Mini Biography By: Denny Jackson
- Born in Indiana, she was eight years old when her parents divorced, and her mother took her and her two older brothers to L.A. to start a new life. At age twelve she was spotted playing baseball in the street by director Allan Dwan who cast her as a tom-boy in "A Perfect Crime". Bitten by the movie bug, she went on to amateur theatre, small and then larger roles in Fox westerns and comedies. In 1926, an auto accident scarred the left side of her face, which was repaired by plastic surgery. After recuperating, she went to Max Sennett and made 13 two-reelers in 18 months. This was followed by full-length features at Pathe and then Paramount, where she became one of Hollywood's highest paid stars. In her personal life, she became noted for her coarse language, practical jokes, lavish parties and her genuine concern for all people, down to the lowliest crew members. She was returning from a War bond drive in her home state of Indiana, when her plane crashed outside of Las Vegas in 1942, killing her and her mother and 20 other passengers.- IMDb Mini Biography By: Herman Seifer < alagain@aol.com>
- Carole Lombard, the 5' 6" beauty was a comedy hit during the 1930s and 1940s. Born in Fort Wayne, Indiana on October 6, 1908 under the name of Jane Alice Peters, young Jane Alice loved the Friday night movie night with her family and would perform the previous night's show in the morning. Her mother and her father divorced in October of 1914. Jane Alice, her two older brothers, and their mother, Elizabeth Knight Peters moved to Los Angeles. When she was 12 she had a small part in a silent film called a Perfect Crime. An executive in 1925 from FOX PICTURES asked her to do a screen test, which was a success, but the film, which was to be her first spy film, Marriage in Transit (1925), wasn't. Carole Lombard, the actress, was born. In early 1927 she was tested by the Mack Sennet Studio, who put her under contract, only this time it was a comedy, not a spy film. Lombard became the top comedienne at the studio as she molded herself into the comedy life. Paul Stei, a Pathe director, saw her in a Sennet comedy and immediately put her under contract for $150 a week. Several films later she took a side step when director, Cecil B. DeMille called for her and then changed his mind. When she left Pathe in 1930 at the age of 18 she returned to FOX. She soon signed with Paramount for $300 a week but after 6 years was earning the sum of $35,000 a week! In October 1930 she met William Powell and then eight months later they were married on the day of June 26, 1931. Carole age 23 and William age 39 were married for 23 months but divorced in 1933. They stayed friends and film partners. In 1937 in My Man Godfrey (1936) (with Powell) earned her an Academy Award Nomination. There was a new person now, the crowned King of Hollywood" Clark Gable. They had made one movie together No Man of Her Own (1932) in 1932. They were married, in March 1939, after Gable was separated from his wife Rhea Langham. They bought and lived in a 20 acre ranch in San Fernando Valley. They weren't Hollywood Socialites; they weren't glamorous; they wanted a simple life out of Hollywood's bright lights. They nick named each other Ma and Pa and were role modeled as the ideal marriage. Tragedy struck on a war bond tour that Carole and her mother were on. The plane they were traveling in (TWA Flight #3) crashed. Her last words, in her home state of Indiana, to all the people were just before boarding the plane, "Before I say goodbye to you all - come on - join me in a big cheer- V for victory!" All 22 passengers died in the crash.- IMDb Mini Biography By: <goldengirl12@hotmail.com>
- SpousesClark Gable(March 29, 1939 - January 16, 1942) (her death)William Powell(June 26, 1931 - August 16, 1933) (divorced)
- ParentsFrederick C. PetersElizabeth Knight
- Sparkling blue eyes
- Often performed physical comedy
- The Jack Benny radio show that followed her death was cancelled because Benny, a good friend and admirer, was grief-stricken. The time was filled with music instead.
- She had a little dachshund named Commissioner that ignored Clark Gable completely. After her death in 1942, the dog would not leave his side.
- Her film To Be or Not to Be (1942) was in post-production when she died in a plane crash, and the producers decided to leave out a part that had her character ironically saying, "What can happen in a plane?".
- She and Clark Gable first met in late 1924 while working as extras on the set of Ben-Hur: A Tale of the Christ (1925). They would make three films together as extras--Ben-Hur, The Johnstown Flood (1926) and The Plastic Age (1925)--and star together in No Man of Her Own (1932), but not become romantically attached until 1936.
- She preferred the company of the grips, electricians and other off-camera workers to that of other actors. In her conversations with them, she could (and did) swear like a trooper.
- I've lived by a man's code designed to fit a man's world, yet at the same time, I never forget that a woman's first job is to choose the right shade of lipstick.
- [on why she would not work with Orson Welles] I can't win working with Welles. If the picture's a huge hit, he'll get the credit and, if it's a flop, I'll be blamed.
- [William Powell] is the only intelligent actor I've ever met.
- [on the concept of God] I don't seem to get solemn about it, and some people might not understand. That's why I never talk about it. I think it's all here--in the mountains and the desert. I don't think God is a softie, either. In the end, it's better if people are forced back into--well--into being right, before they're too far gone. I think your temple is your everyday living.
- I think marriage is dangerous. The idea of two people trying to possess each other is wrong. I don't think the flare of love lasts. Your mind rather than your emotions must answer for the success of matrimony. It must be friendship -- a calm companionship which can last through the years.
- They Knew What They Wanted (1940) - $150,000
- Vigil in the Night (1940) - $150,000 + % of gross
- In Name Only (1939) - $150,000 + % of gross
- Made for Each Other (1939) - $150,000
- Nothing Sacred (1937) - $18,750 /week
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