Exclusive: Stephanie Vogt is set as a lead in Glória, Netflix’s upcoming historical spy thriller drama series from SPi productions and Rtp.
Written by Pedro Lopes and directed by Tiago Guedes, Glória takes place in the 1960s, at the height of the Cold War, in the small village of Glória do Ribatejo, where Raret is located, an American broadcasting center that broadcasts Western propaganda to the Eastern Bloc. João Vidal, an engineer from families linked to the Estado Novo, but recruited by the Kgb, will take on several high-risk espionage missions that could change the course of Portuguese and world history.
Vogt will play Anne. The wife of James, Anne comes from a wealthy and liberal family. She is a Harvard grad in International Relations, recruited by the CIA.
The ensemble cast includes Portuguese and international actors, including Miguel Nunes, Carolina Amaral, Victoria Guerra, Afonso Pimentel, Adriano Luz, Joana Ribeiro,...
Written by Pedro Lopes and directed by Tiago Guedes, Glória takes place in the 1960s, at the height of the Cold War, in the small village of Glória do Ribatejo, where Raret is located, an American broadcasting center that broadcasts Western propaganda to the Eastern Bloc. João Vidal, an engineer from families linked to the Estado Novo, but recruited by the Kgb, will take on several high-risk espionage missions that could change the course of Portuguese and world history.
Vogt will play Anne. The wife of James, Anne comes from a wealthy and liberal family. She is a Harvard grad in International Relations, recruited by the CIA.
The ensemble cast includes Portuguese and international actors, including Miguel Nunes, Carolina Amaral, Victoria Guerra, Afonso Pimentel, Adriano Luz, Joana Ribeiro,...
- 2/15/2021
- by Denise Petski
- Deadline Film + TV
The opening of “The Domain” is a classic mid-length widescreen shot of a solitary tree silhouetted against the sky. The camera slowly pans left to reveal a second tree, with a man hanging from a branch. This too feels fairly familiar, if disturbing, and one watches imagining that director Tiago Guedes is using such archetypal images to then play with the form, or do something unusual with the subsequent nearly three-hour running time. Instead, his sprawling family epic spanning from 1946 to 1991 largely shifts from the derivative to the banal. Designed like a meaty novel in which Portugal’s political fortunes impact a privileged family of landowners,
Guedes (“Noise”) points to Westerns and some melodramas like Vincente Minnelli’s “Home From the Hill” as major influences, which demonstrably act as templates with added political overtones. Certainly the way the tug-of-war between dictatorship, revolution and capitalism batters the independent-minded Fernandes family does...
Guedes (“Noise”) points to Westerns and some melodramas like Vincente Minnelli’s “Home From the Hill” as major influences, which demonstrably act as templates with added political overtones. Certainly the way the tug-of-war between dictatorship, revolution and capitalism batters the independent-minded Fernandes family does...
- 9/5/2019
- by Jay Weissberg
- Variety Film + TV
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