Spanish writer and director Claudia Costafreda is on a roll. “Cardo” and “Veneno” have both been selected as Variety’s best international TV shows in their respective years and went on to find great success domestically and internationally, the latter landing distribution deals with major streamers such as HBO Max. Costafreda’s latest collaboration with long-term creative partners Los Javis, “La Mesías,” premiered to great acclaim at the Sundance Film Festival last January, and the trio is already working on their next project together, Netflix’s “Superestar.”
A sequel to “Veneno,” “Dressed in Blue: Veneno Season 2” premiered last year and followed in the footsteps of its predecessor in terms of international success, with Atresmedia TV International Sales closing deals across Europe, Africa and the Americas. Costafreda is a writer and director on the show.
“Dressed in Blue” begins two years after “Veneno,” with Lola Rodríguez’s Valeria returning to Valencia...
A sequel to “Veneno,” “Dressed in Blue: Veneno Season 2” premiered last year and followed in the footsteps of its predecessor in terms of international success, with Atresmedia TV International Sales closing deals across Europe, Africa and the Americas. Costafreda is a writer and director on the show.
“Dressed in Blue” begins two years after “Veneno,” with Lola Rodríguez’s Valeria returning to Valencia...
- 5/14/2024
- by Rafa Sales Ross
- Variety Film + TV
“Veneno” writer-director-creators Javier Ambrossi and Javier Calvo – popularly known as Los Javis – have dropped an international trailer for its sequel, “Vestida de Azul” (“Veneno 2: Dressed in Blue”) sharing it in exclusivity with Variety.
Sold to HBO Max for the U.S., where it aired to acclaim, “Veneno” was picked as one of Variety’s best international series in 2020.
This time round, Los Javis produce through Suma Content, the Madrid-based label they launched in 2021, where they also serve as its creative directors. The series is its fourth production after “Una navidad con Samantha Hudson,” a Christmas special, “Cardo,” and “Cardo 2.” An Atresplayer original series, “Vestidas de Azul” is produced for Atresmedia Television in collaboration with Suma Content. Atresmedia TV International Sales handles international distribution.
The trailer begins two years after “Veneno” with Valeria, her figure inspired by the real-life Spanish journalist Valeria Vegas who penned La Veneno’s memoirs, returning...
Sold to HBO Max for the U.S., where it aired to acclaim, “Veneno” was picked as one of Variety’s best international series in 2020.
This time round, Los Javis produce through Suma Content, the Madrid-based label they launched in 2021, where they also serve as its creative directors. The series is its fourth production after “Una navidad con Samantha Hudson,” a Christmas special, “Cardo,” and “Cardo 2.” An Atresplayer original series, “Vestidas de Azul” is produced for Atresmedia Television in collaboration with Suma Content. Atresmedia TV International Sales handles international distribution.
The trailer begins two years after “Veneno” with Valeria, her figure inspired by the real-life Spanish journalist Valeria Vegas who penned La Veneno’s memoirs, returning...
- 6/21/2023
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
Just in time for Succession‘s end, let’s look at method acting. The Criterion Channel are highlighting the controversial practice in a 27-film series centered on Brando, Newman, Nicholson, and many other’s embodiment of “an intensely personal, internalized, and naturalistic approach to performance.” That series makes mention of Marilyn Monroe, who gets her own, 11-title highlight––the iconic commingling with deeper cuts.
Pride Month offers “Masc,” a consideration of “trans men, butch lesbians, and gender-nonconforming heroes” onscreen; the Michael Koresky-curated Queersighted returning with a study of the gay best friend; and the 20-film “LGBTQ+ Favorites.” Louis Garrel’s delightful The Innocent (about which I talked to him here), the director’s cut of Gregg Araki’s The Doom Generation, and Stanley Kwan’s hugely underseen Lan Yu make streaming premieres, while Araki’s Totally F***ed Up and Mysterious Skin also get a run. Criterion Editions include Five Easy Pieces,...
Pride Month offers “Masc,” a consideration of “trans men, butch lesbians, and gender-nonconforming heroes” onscreen; the Michael Koresky-curated Queersighted returning with a study of the gay best friend; and the 20-film “LGBTQ+ Favorites.” Louis Garrel’s delightful The Innocent (about which I talked to him here), the director’s cut of Gregg Araki’s The Doom Generation, and Stanley Kwan’s hugely underseen Lan Yu make streaming premieres, while Araki’s Totally F***ed Up and Mysterious Skin also get a run. Criterion Editions include Five Easy Pieces,...
- 5/22/2023
- by Nick Newman
- The Film Stage
Each December, we invite Notebook contributors to pair a new release with an older film they watched for the first time that year, creating a “fantasy double feature.” In practice, this offers something like a collective viewing diary, speaking to the breadth of moving-image art and the imagination of our writers. Even a quick scroll through this year’s doubles—dreamed up and defended by over 60 Notebook contributors—reveals an inspired bounty. Where else would you find Ulrike Ottinger on a bill with Adam Curtis or Jackass Forever?Our annual poll, now in its fifteenth year, is less about anointing the best than it is about bottling the year’s energy. What unexpected resonances arise between the past and present?CONTRIBUTORSArun A.K. | Jennifer Lynde Barker | Juan Barquin | Margaret Barton-Fumo | Rafaela Bassili | Joshua Bogatin | Anna Bogutskaya | Danielle Burgos | Adrian Curry | Frank Falisi | The Ferroni Brigade | Soham Gadre | Lawrence Garcia | Sean...
- 1/6/2023
- MUBI
Few sights in the lush El Buen Retiro Park in Madrid are as stunning as that of the Palacio de Cristal. On languorous summer days, the iron and glass structure built in 1887 shimmers like an oversized diamond catching unsuspecting passersby by surprise, as if they’ve run into a hidden treasure. In the winter, the bald cypresses that spring from the artificial lake in front of the palace seem to stretch their roots and branches towards the majestic edifice, seeking a brief solace from the chill, craving to bask in the beauty housed within the transparent walls.
Sometime in 1983, six transgender women––Loren, Renée, Eva, Tamara, Nacha, and Josette––gathered within this fairytale-like enclosure to share stories of growing up, and surviving, in Francisco Franco’s dictatorship, as they dreamt of an accepting world that for some of them would never materialize (four of them died during the HIV/AIDS crisis). Fortunately,...
Sometime in 1983, six transgender women––Loren, Renée, Eva, Tamara, Nacha, and Josette––gathered within this fairytale-like enclosure to share stories of growing up, and surviving, in Francisco Franco’s dictatorship, as they dreamt of an accepting world that for some of them would never materialize (four of them died during the HIV/AIDS crisis). Fortunately,...
- 11/22/2022
- by Jose Solís
- The Film Stage
A restored version of Iván Zulueta’s ground-breaking 1979 film “Arrebato” (“Rapture”) is screening at the Lumière Festival’s International Classic Film Market (Mifc) in Lyon, France, thanks to Los Angeles distributor Altered Innocence and Madrid’s Mercury Films.
The cult film, considered a milestone in Spanish cinema from the post-Franco years, is seen as metaphor for how directors can be consumed by filmmaking. It centers on José, a frustrated low-budget horror movie director trying to complete a film while struggling with drug addiction. When he receives a package from past acquaintance Pedro — a Super-8 film reel and audiotape – José soon finds himself sucked back into the eccentric young man’s vampiric orbit.
“‘Arrebato’ has such a rich mix of horror influences, punk aesthetics, arthouse vibes, and queer cinema history that audiences can’t help being enraptured by this total gem of a film,” says Frank Jaffe, founder and head of Altered Innocence.
The cult film, considered a milestone in Spanish cinema from the post-Franco years, is seen as metaphor for how directors can be consumed by filmmaking. It centers on José, a frustrated low-budget horror movie director trying to complete a film while struggling with drug addiction. When he receives a package from past acquaintance Pedro — a Super-8 film reel and audiotape – José soon finds himself sucked back into the eccentric young man’s vampiric orbit.
“‘Arrebato’ has such a rich mix of horror influences, punk aesthetics, arthouse vibes, and queer cinema history that audiences can’t help being enraptured by this total gem of a film,” says Frank Jaffe, founder and head of Altered Innocence.
- 10/16/2022
- by Ed Meza
- Variety Film + TV
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