Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.
- Awards
- 1 win
- Chorus Girl
- (uncredited)
- Chorus Girl
- (uncredited)
Storyline
Did you know
- TriviaThis film was selected to the National Film Registry, Library of Congress, in 1992.
- GoofsAfter the "By A Waterfall" prologue ends, the film cuts to the audience giving an animated and thunderous applause, but in the balcony there is no applause or reaction. In fact, there is no movement whatsoever. They are perfectly still which indicates that a photo or painting was used for the balcony audience and then merged with the live theatre audience. The same photo/painting was also used for the "Shanghai Lil" balcony audience.
- Quotes
Nan Prescott: You scram, before I wrap a chair around your neck!
Vivian Rich: [Angrily] It's three o'clock in the morning - where do you want me to go?
[Nan starts to speak, but Vivian immediately cuts her off]
Vivian Rich: You cheap stenographer...
Nan Prescott: Outside, countess. As long as they've got sidewalks YOU'VE got a job.
[Shoves her out, gives her a swift kick in the rump, and slams the door behind her]
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA srl, "VIVA LE DONNE! (1933) + AMORE IN OTTO LEZIONI (1936)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsEdited into Busby Berkeley and the Gold Diggers (1969)
- SoundtracksShanghai Lil
(1933) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played during the opening credits and often in the score
Performed by James Cagney, Ruby Keeler and Chorus
The realistic, satirical treatment gives a fresh edge to the material and its pace and line delivery are breathtaking. To think that they only started making feature talking pictures 7 years before this! The brilliance of the dialogue cannot be matched anywhere today, especially considering that "realism" has taken over and engulfed contemporary cinema.
This film was made at a time when the Hayes code restricting content was being ignored and the result is a fresh, self-referential, critical and living cinema that spoke directly to contemporary audiences suffering through the depression and the general angst of the age. I'd recommend watching any film from this period, that is 1930-1935, for a vision of what popular cinema can potentially be.
Details
Box office
- Budget
- $703,000 (estimated)
- Runtime1 hour 44 minutes
- Color
- Aspect ratio
- 1.37 : 1