Pepe le Moko marks a fundamental step in the aesthetic development of european cinema. It is also one of many great crime films of the thirties that is sadly overlooked in many critics top 100 lists.

Through it's lush sense of location and character Duvivier builds up a sweaty, exotic and complex picture of the underworld life of the Kasbah and the vast panorama of engagingly seedy characters especially Pepe le Moko, played with such effortlessly charismatic ease by Jean Gabin. But it is the rich claustrophobic atmosphere and the relentless pressure of the police that powers this film along to it's elegantly tragic conclusion. A masterpiece, and the clearest fore-runner to the whole film noir genre.