A young Spanish aristocrat must masquerade as a fop in order to maintain his secret identity of Zorro as he restores justice to early California.A young Spanish aristocrat must masquerade as a fop in order to maintain his secret identity of Zorro as he restores justice to early California.A young Spanish aristocrat must masquerade as a fop in order to maintain his secret identity of Zorro as he restores justice to early California.
- Nominated for 1 Oscar
- 1 win & 1 nomination total
- Caballero
- (uncredited)
Storyline
Did you know
- TriviaThe famous duel was staged by Hollywood fencing master Fred Cavens. He specialized in staging duels that relied more on real swordplay rather than the jumping on furniture and leaping from balconies that many film duels incorporated up until that point. Cavens' son, Albert Cavens, doubled for Tyrone Power in the fancier parts of the duel (mostly with his back to camera), such as the extended exchange with Esteban ending with Don Diego's sword smashing into the bookcase. Basil Rathbone, a champion fencer in real life, did not care for the saber (the weapon of choice in this film), but nevertheless did all of his own fencing. Fast fencing shots were under-cranked to 18 or 20 frames per second (as opposed to the standard 24fps) and all the sound effects were post-synchronized.
- GoofsWhen Diego dines with the Quinteros, Inez asks him to show them the new dance steps. He and Lolita then dance together, but somehow the sheltered young Lolita knows the dance perfectly. This doesn't make sense if it contains new dance steps that even society-mad Inez doesn't know.
- Quotes
Don Diego Vega: I must please ask you to change the subject. His Excellency objects to talk of throat-cutting.
Captain Esteban Pasquale: Quiet, you Popinjay! I have no reason to letting you live either.
Don Diego Vega: What a pleasant coincidence. I feel exactly the same way about you Capitan.
Captain Esteban Pasquale: You wouldn't care to translate that feeling into action would you?
Don Diego Vega: I might be tempted. If I had a weapon.
Captain Esteban Pasquale: Would you.
- Crazy creditsOpening credits prologue: MADRID - when the Spanish Empire encompassed the globe, and young blades were taught the fine and fashionable art of killing ...
- Alternate versionsAlso available in a colorized version.
- ConnectionsEdited into Myra Breckinridge (1970)
"The Mark of Zorro" is the best Zorro of the cinema history in a time when the studios were concerned with the screenplay and acting and not CGI and sex scenes. The witty delightful story presents Tyrone Power as a fantastic the weak and fragile Don Diego Vega and the powerful Zorro, with totally different personalities. His ability as swordsman and rider is impressive in a perfect choreography of fights, recalling Errol Flynn in "The Adventures of Robin Hood" of two years before. Linda Darnell is so sweet and beautiful that seems to be the inspiration for the title of the novel of Vladimir Nabokov. J. Edward Bromberg and Basil Rathbone are the perfect villains, the first one coward and sleazy and the second arrogant and corrupt. My vote is ten.
Title (Brazil): "A Marca do Zorro" ("The Mark of Zorro")
- claudio_carvalho
- Jan 13, 2010
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- The Californian
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Gross worldwide
- $10,248
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.37 : 1