A U.S.O. singer poses as a Broadway star in order to attract a handsome war hero.A U.S.O. singer poses as a Broadway star in order to attract a handsome war hero.A U.S.O. singer poses as a Broadway star in order to attract a handsome war hero.
Nick Condos
- Specialty Dancer
- (as Condos Brothers)
Steve Condos
- Specialty Dancer
- (as Condos Brothers)
Charlie Spivak and His Orchestra
- Orchestra
- (as Charlie Spivak Orchestra)
Irving Bacon
- Janitor at Navy Dept.
- (uncredited)
Bonnie Bannon
- Girl at station
- (uncredited)
Jackie Barnett
- Specialty Dancer
- (uncredited)
Leon Belasco
- Mario
- (uncredited)
Angela Blue
- Apache Dancer
- (uncredited)
Roger Clark
- Marine Sgt. George Davis
- (uncredited)
Storyline
Did you know
- TriviaAs part of the finale, Betty Grable leads a WAC (Women's Army Corps) drill team in some intricate maneuvers. It was decided to use a real WAC drill team, rather than actresses for this sequence since they were already familiar with the routines.
- GoofsWhen the female soldiers march up the stairs, Laura stands at the bottom and barks out a command. However, no audio of her voice is heard although her mouth is moving.
- ConnectionsFeatured in The 67th Annual Academy Awards (1995)
- SoundtracksYou're My Little Pin Up Girl
(uncredited)
Music by James V. Monaco
Lyrics by Mack Gordon
Sung briefly by the chorus during opening credits
Sung by Betty Grable and chorus and
Danced by Nick Condos and Steve Condos
Featured review
Perhaps back then this was seen as a bright and bubbly tribute to the Armed Forces everywhere, but surely BETTY GRABLE deserved better material for a musical with a title like PIN UP GIRL. She's pretty and pert as a secretary whose romance with a soldier goes from Boy Meets Girl, Boy Loses Girl, Boy Wins Girl in timeworn Hollywood fashion.
No help is the fact that MARTHA RAYE and JOE E. BROWN can usually be counted on to add gags and merriment to any film they're in. Here, they open their big mouths and nothing funny comes out.
The songs are weak, lacking interest even for Grable fans--with one exception. A nifty little number called "Once Too Often" has Betty doing a slit-skirt, torrid dance number with Hermes Pan, the famous choreographer who worked with Astaire and Rogers on many of their most famous routines. It's the only musical number worth staying awake for.
The climactic military number is a hoot, with Betty doing a parade of arms military drill that reminded me of my boot camp days.
Summing up: This is one you can afford to miss.
No help is the fact that MARTHA RAYE and JOE E. BROWN can usually be counted on to add gags and merriment to any film they're in. Here, they open their big mouths and nothing funny comes out.
The songs are weak, lacking interest even for Grable fans--with one exception. A nifty little number called "Once Too Often" has Betty doing a slit-skirt, torrid dance number with Hermes Pan, the famous choreographer who worked with Astaire and Rogers on many of their most famous routines. It's the only musical number worth staying awake for.
The climactic military number is a hoot, with Betty doing a parade of arms military drill that reminded me of my boot camp days.
Summing up: This is one you can afford to miss.
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Details
Box office
- Budget
- $1,615,000 (estimated)
- Runtime1 hour 24 minutes
- Aspect ratio
- 1.37 : 1
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