A U.S.O. singer poses as a Broadway star in order to attract a handsome war hero.A U.S.O. singer poses as a Broadway star in order to attract a handsome war hero.A U.S.O. singer poses as a Broadway star in order to attract a handsome war hero.
Nick Condos
- Specialty Dancer
- (as Condos Brothers)
Steve Condos
- Specialty Dancer
- (as Condos Brothers)
Charlie Spivak and His Orchestra
- Orchestra
- (as Charlie Spivak Orchestra)
Irving Bacon
- Janitor at Navy Dept.
- (uncredited)
Bonnie Bannon
- Girl at station
- (uncredited)
Jackie Barnett
- Specialty Dancer
- (uncredited)
Leon Belasco
- Mario
- (uncredited)
Angela Blue
- Apache Dancer
- (uncredited)
Roger Clark
- Marine Sgt. George Davis
- (uncredited)
Storyline
Did you know
- TriviaAs part of the finale, Betty Grable leads a WAC (Women's Army Corps) drill team in some intricate maneuvers. It was decided to use a real WAC drill team, rather than actresses for this sequence since they were already familiar with the routines.
- GoofsWhen the female soldiers march up the stairs, Laura stands at the bottom and barks out a command. However, no audio of her voice is heard although her mouth is moving.
- ConnectionsFeatured in The 67th Annual Academy Awards (1995)
- SoundtracksYou're My Little Pin Up Girl
(uncredited)
Music by James V. Monaco
Lyrics by Mack Gordon
Sung briefly by the chorus during opening credits
Sung by Betty Grable and chorus and
Danced by Nick Condos and Steve Condos
Featured review
A girl from the Midwest breaks into show biz, becoming the toast of returning servicemen, but has to disguise herself in the process.
Not one of Grable's better musicals, but still has its share of entertainment. Grable's sparkling, of course, and the Technicolor is great, along with the costuming. The trouble is the tunes are forgettable, while the curtain-closer of girls doing close-order drill goes on about 5-minutes too long. I must say, however, the girls manage a precision that would be the envy of a company of Marines.
Now no one takes the storyline of a musical as anything more than a rack to hang the musical hat on. Here, however, the storyline is kind of dumb when Lorry (Grable) fools everyone just by putting on eye-glasses! Now, I'm prepared to believe a lot for movie's sake, but not that the Grable figure or blonde tresses can be disguised just by putting on a pair of glasses. Then too, leading man Harvey is a nice guy, but a little short in the charisma department. On the other hand, there's the incomparable pairing of Martha Raye and Joe E. Brown, in a battle of comically over-sized mouths. Anyway, except for a couple flat dialog scenes, there's enough overall energy to lift the spirits of wartime audiences, while there's always the incomparable Grable for the rest of us.
Not one of Grable's better musicals, but still has its share of entertainment. Grable's sparkling, of course, and the Technicolor is great, along with the costuming. The trouble is the tunes are forgettable, while the curtain-closer of girls doing close-order drill goes on about 5-minutes too long. I must say, however, the girls manage a precision that would be the envy of a company of Marines.
Now no one takes the storyline of a musical as anything more than a rack to hang the musical hat on. Here, however, the storyline is kind of dumb when Lorry (Grable) fools everyone just by putting on eye-glasses! Now, I'm prepared to believe a lot for movie's sake, but not that the Grable figure or blonde tresses can be disguised just by putting on a pair of glasses. Then too, leading man Harvey is a nice guy, but a little short in the charisma department. On the other hand, there's the incomparable pairing of Martha Raye and Joe E. Brown, in a battle of comically over-sized mouths. Anyway, except for a couple flat dialog scenes, there's enough overall energy to lift the spirits of wartime audiences, while there's always the incomparable Grable for the rest of us.
- dougdoepke
- Mar 4, 2013
- Permalink
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Details
Box office
- Budget
- $1,615,000 (estimated)
- Runtime1 hour 24 minutes
- Aspect ratio
- 1.37 : 1
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