A young girl stows away aboard a luxury liner which is full of musical stars--and which her father just happens to be the captain.A young girl stows away aboard a luxury liner which is full of musical stars--and which her father just happens to be the captain.A young girl stows away aboard a luxury liner which is full of musical stars--and which her father just happens to be the captain.
- Awards
- 1 nomination
John Ridgely
- Chief Officer Carver
- (as John Ridgeley)
Aladdin
- Member of Cugat's Orchestra
- (uncredited)
Mary Bayless
- Ship Passenger
- (uncredited)
Margaret Bert
- Maid
- (uncredited)
Betty Blythe
- Miss Fenmoor
- (uncredited)
Lulu Mae Bohrman
- Ship Passenger
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis film was a success at the box office, earning MGM a profit of $428,000 according to studio records.
- GoofsIn the opening credits, the funnels of the inbound luxury liner Mayflower sport the white, green and red of the Italian Line. Once docked, the camera pan across the Mayflower's superstructure shows the forward funnel painted completely in red. On departure, the ship's livery is back to that of the Italian Line, and the Mayflower's bow bears the real-life name of a crack pre-war Italian liner, the Conte di Savoia.
- Quotes
Pierre: Don't look so unhappy, little girl. Things could be worse.
Polly Bradford: [Peeling potatoes in the ship's galley] How?
Pierre: Those might be onions.
- ConnectionsFeatured in Private Screenings: Jane Powell (1996)
- SoundtracksSpring Came Back to Vienna
(uncredited)
Written by Janice Torre, Fred Spielman and Fritz Rotter
Sung by Jane Powell and Chorus
Featured review
This movie is pap, but it's pleasant enough pap and offers some wonderful musical moments. The plot is a sit-com all about a girl (Jane Powell) who stows away on the luxury ocean liner her daddy (George Brent, in his second outing in a film with this title!) just happens to captain. Havoc ensues, of course -- the details are beside the point. The real point is that Xavier Cugat is on board with his orchestra -- and lots of surprise musical guests. Audiences in the 40s knew quite well what to expect from this sort of thing -- The Xavier Cugat/Jose Iturbi Musical -- lots of "Latin-style" fun, eye-dazzling Technicolor, and tunes galore. This one is no worse than any of them, and for a few reasons may actually be a bit better. Here's the really great thing about this pic: One of the musical "surprises" on the ship turns out to be operatic tenor Lauritz Melchior! Melchior's voice was one of the finest of his era, and his Wagnerian outing here ("Winter Storms," from Die Walküre) gives a hint of just what a pleasure he was in his prime. His performs duets with Powell from the Viennese repertoire, but she's no match for his power and finesse. Also, Marina Koshetz sings a FAAAAAABulous rendition of Cole Porter's "I've Got You Under My Skin."
All in all, worth the time it takes to watch.
All in all, worth the time it takes to watch.
- jcochran-1
- Mar 14, 2004
- Permalink
Details
Box office
- Budget
- $2,178,000 (estimated)
- Runtime1 hour 38 minutes
- Aspect ratio
- 1.37 : 1
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