A young comic plays second-rate nightclubs and chintzy resorts in his struggle to break into the big time.A young comic plays second-rate nightclubs and chintzy resorts in his struggle to break into the big time.A young comic plays second-rate nightclubs and chintzy resorts in his struggle to break into the big time.
Ransom M. Sherman
- Henry 'Hank' Richards
- (as Ransom Sherman)
Richard Avonde
- Minor Role
- (uncredited)
Edward Biby
- Smoker
- (uncredited)
Storyline
Did you know
- TriviaThe "Fountain Pen Sketch" was taken from the hit musical "Make Mine Manhattan" that opened in New York on 15 January 1948 at the Broadhurst Theatre, 235 W. 44th St. and ran for 429 performances, and starred Sid Caesar. Max Showalter, who performs that specialty number in this movie, was also in that opening night cast playing the same role, as well as others.
- GoofsAfter Kip meets with Eagen, a brief clip is shown of a train heading to Boston, with a Southern Pacific locomotive. The Southern Pacific Railroad served California and the south west, and would not have gone to Boston or anywhere in the northeast.
- Quotes
Monte Wilson: [Checking out Kip's suit] Very conservative.
Kipling 'Kip' Cooper: Conservative? Why it could be elected on a Republican ticket without anyone in it.
- ConnectionsReferenced in The Milton Berle Show: Episode #2.11 (1949)
- SoundtracksAlways Leave Them Laughing
(1949) (uncredited)
Written by Sammy Cahn and Milton Berle
Sung during the opening credits and first scene by Lynn Davis, Lorinne Crawford,
Flo Farmer, Mary Castle, Alice Wallace and Nita Talbot
Reprised by them with Milton Berle at the end
Variations in the score throughout
Featured review
"Always Leave Them Laughing" is an interesting curio in many ways, but isn't a particularly good movie. Let me explain. When this film was made back in 1949, Milton Berle was the biggest name on television and much of his show's success was based on Berle doing t the sort of shtick he'd been doing for years in Vaudeville. So, here you get to see a semi-autobiographical film where Berle does a lot of the corny and over-the-top routines that made him famous. However, and this is VERY important, a lot of it just isn't funny. The jokes are so old and familiar that many viewers will recognize them and the rest fall pretty flat. Worst of all is the cop routine by Bert Lahr--that REALLY aged poorly. Yes, he was popular in the good old days but today this seemed very tired and cringe-worthy at times. Another thing that will make you cringe is seeing Berle do a third-rate Jolson routine--in black- face! Plus, Berle's character was, at times, really difficult to like.
Is it all bad? No. When Berle isn't trying to be funny he's pretty good. And, it's surprising to see how limber and graceful he is when he dances--and several of the dance numbers (particularly with Lahr) were nice. But this just isn't enough. The film is a window into a bygone era...one that just doesn't work or entertain in the 21st century.
Is it all bad? No. When Berle isn't trying to be funny he's pretty good. And, it's surprising to see how limber and graceful he is when he dances--and several of the dance numbers (particularly with Lahr) were nice. But this just isn't enough. The film is a window into a bygone era...one that just doesn't work or entertain in the 21st century.
- planktonrules
- Sep 18, 2015
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- The Thief of Broadway
- Filming locations
- 1655 Broadway, Manhattan, New York City, New York, USA(Lindy's Restaurant, exterior)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 56 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Always Leave Them Laughing (1949) officially released in India in English?
Answer