As you leave the theatre, you'll be humming that immortal toe-tapping theme, penned and sung by heartthrob and top 1950's schlock horror star. Don Sullivan. A cut above your average cheapie, in that the quality of the acting, while not Shakespeare, is a bit better than most, and the shots of the monster are better integrated into the footage of the actors overall, except for the attack at the sock hop, but those beautiful models of classic '50's cars in the "parking lot" compensate for the splintered miniature balsa wood barn.with a gila monster's head through the wall.