L'Eclisse (1962)***1/2

Third film in Antonioni's trilogy of alienation following L'Avventura (1960) and La Notte (1961) about a young woman (Monica Vitti) and her brief affair with handsome Alain Delon.

Like in his other movies, Antonioni uses specific techniques not to tell the story but rather to express the lack of communication among the characters, their alienation and incapableness to make a strong and meaningful relation. May this be because of their shallow characters or as a result of living in a modern society marked with the superficial values like prestigious and run-for-the-money – it's up to the viewer to decide. Anyway, long cadres, real time events, visual metaphors and visual contrasts between the characters on the one side and landscapes and/or modern day creations like buildings, streets (usually empty) on the other is what makes this rather experience than a plot-movie (intentionally) but nevertheless effective in their purpose (which is to express and transmit this same feelings of alienation to the viewer). So, if you're looking for an entertainment, you better skip this one. Final scene is great in concluding the movie. A bit weaker of great L'Avventura.