This was a big studio attempt to tap into the counter-culture movement. It attempts to be satiric, ironic, quirky, and off-beat. And it succeeds much of the time. The direction, editing, and sound can be witty, playing with the subject matter, situations, and setting. The comedy doesn't always work, the pace drags in places, and the characters get tedious at times riding their respective hobby-horses. But there's a lot of fun on the way, and a decent love story between antipathies, played by Suzanne Pleshette, and Ian McShane. You'll also see a lot of faces more familiar to you from TV of the era and succeeding decades. In the end, the movie does manage not to be bound by conventions of Hollywood storytelling. To know what I mean, you'll have to watch it all the way through yourself. Just know some of these 60s counter-culture films worked and some didn't. Those that didn't usually had one foot in the production code era and one foot in the cultural revolution that had not yet hit the suburbs yet, with a script seeming to be at war with itself. This is one film that worked and did not have these problems.