Mexican production about the three famous wrestlers and shot in Port Isabel, Texas, USA . The Bermudas Triangle disappearances are not the main issue of the movie at first . Instead , Santo, Blue Demon and Mil Máscaras are secret agents/wrestlers who have agreed to help protect a Karateka princess who is going incognito , the latter's attempted to be killed by a bunch of international criminals . She's a princess from Irania , a distant country whose king is trying to sign a nuclear treaty with Mexico, that's because nasty international killers are attempting to murder his daughter . Shot on natural locations i

A routine Santo movie and this time accompanied by Blue Demon and Mil Mascaras , packing noisy action , adventures , thrills , fights and a lot of wrestling at the usual scenarios with plenty of public . It is a simple and plain story that isn't too hard to follow , as our popular join forces to combat a band of killers and along the way saving the damsel in distress. Stars El Santo , Blue Demon and Mil Mascaras who face off a lot of villains while attempting to kill a princess . Standing out the ordinarily spectacular and usual combats among the hunk wrestlers and the most successful scenes were Santo , Blue Demon , Mil Mascaras against their contenders . The picture has little to do with the Bermudas Triangle . However , they aboard a ship along with the rescued princess and ending amongst the vanished boats within the Bermuda Triangle.

El Santo character is actually based on a true person : Rodolfo Guzmán Huerta (1917 -1984), known profesionally as El Santo , he was a masked professional wrestler, actor and folk hero. In 1952, the artist and editor José Cruz started a Santo comic book, turning Santo into the first and foremost character in Mexican popular literature, his popularity only rivalled in the 1960s by the legendary Kalimán character. The Santo comic book series ran continuously for 35 years, ending in 1987. Also in 1952, a superhero motion picture serial was made entitled The Man in the Silver Mask, which was supposed to star Santo, but he declined to appear in it, because he thought it would fail commercially. The film was made instead with well-known luchador El Médico Asesino in the lead role, wearing a white mask similar to Santo's silver one. A villain named "The Silver-Masked Man" was introduced into the plot at the last minute, thus the title of the film strangely became a reference to the villain, not the hero. In 1958, Fernando Osés, a wrestler and actor, invited Santo to work in movies, and although Santo was unwilling to give up his wrestling career, he accepted, planning to do both at the same time. Oses was planning on playing the hero in these two films, with Santo appearing as his costumed sidekick, "El Enmascarado". Fernando Osés and Enrique Zambrano wrote the scripts for the first two movies, The Evil Brain and The Infernal Men (1958), and directed by Joselito Rodríguez. Filming was done in Cuba, and ended just the day before Fidel Castro entered Havana and declared the victory of the revolution. Santo played a masked superhero-type sidekick to the main hero (who was called El Incognito) in these two films, and was not the main character . The films apparently could not find a distributor for several years. Santo's film career really took off in 1961 with his third movie "Santo vs The Zombies." Santo was given the starring role with this film, and was shown for the first time as a professional wrestler moonlighting as a superhero. When Santo's film career took off in 1961, the producers of the first two films slyly entered Santo's name into the titles and finally got them released. Santo eventually wound up appearing in 52 lucha libre films in all . The style of the movies was essentially the same throughout the series, with Santo as a superhero fighting supernatural creatures, evil scientists, various criminals/ secret agents and so on. The tones were reminiscent of U. S. B-movies and TV shows, perhaps most similar to the old Republic Pictures serials of the 1940s. Many of the later films depicted Santo in simulated sex scenes during which he continued to wear the mask. His best-known movie outside of Mexico is also considered one of his best, 1962's Santo vs. The Vampire Women, which was also featured in an episode of Mystery Science Theater 3000 .In this movie, the production values were better, and there was an attempt at creating more of a mythos and background for Santo, as the last of a long line of superheroes. It was an enormous success at the box office. Only four of the 52 Santo films were ever dubbed into English, the other 48 being only available in Spanish. The English-dubbed Mexican films of that time period were imported to the United States through the efforts of K. Gordon Murray who changed the name of Santo to "Samson" for some of his releases. Most of Murray's imported Mexi-films went directly to late-night American TV. Santo's most financially successful film was The Mummies of Guanajuato (1970), which co-starred Blue Demon and Mil Mascaras. The Santo film series inspired the production of similar series of movies starring other well-known luchadores such as Blue Demon, Mil Mascaras, Superzan, and the Wrestling Women , among others. Santo even co-starred with Blue Demon and Mil Mascaras in several of his movies. When Blue Demon invited Santo to co-star with him and Mil Mascaras in the "Champions of Justice" movie trilogy, however, Santo was too busy making other films to participate. By 1977, the masked wrestler film craze had practically died off, but Santo continued to appear in more films over the next few years. His last film was Fury of the Karate Experts, shot in Florida in 1982, the same year he retired from the ring. Seventeen years after Santo's death, his real-life son played the lead role in a brand new Santo movie called Infraterrestre (2001), which co-starred Mexican wrestler Blue Panther.

The motion picture was regularly directed by prolific director Gilberto Martinez Solares . He debuted as a cinematographer in Adiós Nicanor (1937) and as a director with El señor alcalde (1939) , and following : Los tres mosqueteros y medio (1957), Las Leandras (1961) ,El mundo del los muertos (1970) , Chanoc en el foso de las serpientes (1975) , Satanico Pandemonium: La Sexorcista (1975) . He has directed more than 140 films and has written approximately half that number . He has received a variety of awards , among them the "Festival of the Three Continents" in Nantes, France ; an award given at this festival for new directors bears his name , Prix Gilberto Martinez Solares .