The life of Marie, a French teacher, is completely upset by the arrival in her class of a hectic schoolboy.The life of Marie, a French teacher, is completely upset by the arrival in her class of a hectic schoolboy.The life of Marie, a French teacher, is completely upset by the arrival in her class of a hectic schoolboy.
- Awards
- 1 nomination
Photos
Marilyne Canto
- Lola
- (as Maryline Canto)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- ConnectionsReferenced in Parole de cinéaste: Yves Boisset: le cinéaste le plus censuré de France (2013)
- SoundtracksLa Clé Sur La Porte
Written and Performed by Philippe Sarde Et Ensemble
Featured review
The movie was released with a big media hype : "a great director,two great actors,a great writer";by and large ,it did not meet with with a favourable critical reception, even by the leftist ones ,but it did give Yves Boisset his highest commercial success ,whereas his former works, too political and too rebellious ("RAS " "Dupont-Lajoie" "un condé")could only bring censorship about. I have a strong tendency to like this turbulent Boisset best.
And it's sure easy to see why :it's harmless stuff , with cardboard characters , still living ,ten years after, the May 68 Zeitgeist . Annie Girardot resumes her well-known role of a lit teacher , and her character strongly recalls that of "mourir d'aimer " (André Cayatte , 1971),even though she does not fall in love with one of her students (and meets a tragical fate) but for a devoted doctor, fifteen years her junior.
If Boisset resumes his rebel stand,he goes through the motions,even though his sincerity cannot be called into question: to have one of the students write on the school ground "highschool= prison" is not particularly revolutionary, all the more harmless that these rebels do not come from poor milieus ; to be long-haired does not mean political generosity :never these spoilt kids talk about a square deal for the underprivileged ,the underdogs of the society they are not part of ; they complain for lack of tenderness, they put the blame on the parents (after Boisset quickly shows a caricature of the bourgeois folks ). The unemployment ,which had become the biggest problem of the seventies,is hardly skimmed over.
The arrival of a new problem student amounts to nothing ;the problems of this teacher ,estranged from her husband who lives in Canada ,with her daughter ,are insignificant ;the relationship with the principal is just what you expect (the generous teacher insists our work is to arm them for life ,but their life,not yours or mine: crystal clear,huh?)
Although at the top of the bill, Patrick Dewaere appears in about half of the movie; he and Girardot are so talented actors that the scenes between them are more endearing than the self-conscious teacher/students relationship ; all the good moments rest on their shoulders. A devoted doctor ,with Girardot in tow as an impromptu nurse ,they make an endearing couple. An extra star for them.
NB: Marie Cardinal , the writer of the book on which the movie is based ,thought it was rubbish.
And it's sure easy to see why :it's harmless stuff , with cardboard characters , still living ,ten years after, the May 68 Zeitgeist . Annie Girardot resumes her well-known role of a lit teacher , and her character strongly recalls that of "mourir d'aimer " (André Cayatte , 1971),even though she does not fall in love with one of her students (and meets a tragical fate) but for a devoted doctor, fifteen years her junior.
If Boisset resumes his rebel stand,he goes through the motions,even though his sincerity cannot be called into question: to have one of the students write on the school ground "highschool= prison" is not particularly revolutionary, all the more harmless that these rebels do not come from poor milieus ; to be long-haired does not mean political generosity :never these spoilt kids talk about a square deal for the underprivileged ,the underdogs of the society they are not part of ; they complain for lack of tenderness, they put the blame on the parents (after Boisset quickly shows a caricature of the bourgeois folks ). The unemployment ,which had become the biggest problem of the seventies,is hardly skimmed over.
The arrival of a new problem student amounts to nothing ;the problems of this teacher ,estranged from her husband who lives in Canada ,with her daughter ,are insignificant ;the relationship with the principal is just what you expect (the generous teacher insists our work is to arm them for life ,but their life,not yours or mine: crystal clear,huh?)
Although at the top of the bill, Patrick Dewaere appears in about half of the movie; he and Girardot are so talented actors that the scenes between them are more endearing than the self-conscious teacher/students relationship ; all the good moments rest on their shoulders. A devoted doctor ,with Girardot in tow as an impromptu nurse ,they make an endearing couple. An extra star for them.
NB: Marie Cardinal , the writer of the book on which the movie is based ,thought it was rubbish.
- ulicknormanowen
- Jun 25, 2021
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Die Klassenlehrerin
- Filming locations
- Lycée Voltaire, Paris 12e, France(interior and exterior locations)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 38 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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By what name was The Key Is in the Door (1978) officially released in Canada in English?
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