A research vessel finds a missing ship, commanded by a mysterious scientist, on the edge of a black hole.A research vessel finds a missing ship, commanded by a mysterious scientist, on the edge of a black hole.A research vessel finds a missing ship, commanded by a mysterious scientist, on the edge of a black hole.
- Nominated for 2 Oscars
- 8 nominations total
Tom McLoughlin
- Captain S.T.A.R.
- (as Tommy McLoughlin)
Steven Banks
- Sentry Robot
- (uncredited)
Don Lewis
- Sentry Robot
- (uncredited)
Roddy McDowall
- V.I.N.CENT.
- (voice)
- (uncredited)
Gary Nelson
- Drone with Mask Removed
- (uncredited)
Slim Pickens
- B.O.B.
- (voice)
- (uncredited)
Storyline
Did you know
- TriviaThe film was originally supposed to take place in a completely weightless environment. The technical difficulties prompted a re-write of the script so that when the Palomino ties up the Cygnus gravity returned.
- GoofsAt the very start of the movie, when Vincent announces, "The largest black hole I have ever seen, Mr. Pizer," and Pizer replies, "Hmm. Let's look at it on the holograph," the viewer can see someone's hand turning Vincent by his left foot. The hand stays there for a moment before pulling back off-camera.
- Quotes
V.I.N.CENT: A wolf remains a wolf, even if it has not eaten your sheep.
- Alternate versionsThe Anchor Bay DVD includes a space background in the overture.
- ConnectionsEdited into The Devil and Max Devlin (1981)
Featured review
Like a scraggly mutant kitty!
I have actually gone in here and altered and added to my original comments to make them a little less one-sided.
Did you ever have one of those mutant pets, like a cat with six toes on its front paws, or an extra ear? Well I didn't either, but you can imagine what it must be like. You'd love the thing all the more because of its flaws, because it'll never be perfect, and because it needs someone to love it. And such is my love for "The Black Hole" (1979). It is an interesting story that is rendered and explored in a mechanical manner--although visually, in terms of its set design and special effects, it is really stunning.
It's a Disney product, and like "Star Trek: The Motion Picture," it was put on the slates mainly to cash in on the space opera craze that "Star Wars" had ignited. Movies are commercial art, they exist to make money (hopefully entertaining us at the same time); and the Disney people got their best film-making talent together, assembled a dynamite cast, and cranked this out, in a very lavish and polished way, production-wise. The money is slathered all over the screen, and everything is handled in the tried-and-true Disney Studios fashion of preplanning and choreographing everything down to the tiniest of details (actors don't even PAUSE IN THE MIDDLE OF A LINE unless it was dictated, planned and rehearsed that way)...this was very near the end of Disney's run as a major producer of live-action features, and "The Black Hole" is a fitting finish. It even features cute touches, like the way the nastiest demise is saved for Anthony Perkins. If you're gonna make a slow, mechanical movie, you can at least do it with style, and they did. It is an impressive production.
In a certain way you might say I love/hate the movie. The methodical way it's constructed seems lifeless. But at the same time, it is a strange joy to see its methodical construction. It takes tremendous energy to create something so controlled. It's certainly not a film made by accident or unconsciously.
"The Black Hole," manages to be strangely trance-inducing. Once I put it on, it's hard to turn it off.
Did you ever have one of those mutant pets, like a cat with six toes on its front paws, or an extra ear? Well I didn't either, but you can imagine what it must be like. You'd love the thing all the more because of its flaws, because it'll never be perfect, and because it needs someone to love it. And such is my love for "The Black Hole" (1979). It is an interesting story that is rendered and explored in a mechanical manner--although visually, in terms of its set design and special effects, it is really stunning.
It's a Disney product, and like "Star Trek: The Motion Picture," it was put on the slates mainly to cash in on the space opera craze that "Star Wars" had ignited. Movies are commercial art, they exist to make money (hopefully entertaining us at the same time); and the Disney people got their best film-making talent together, assembled a dynamite cast, and cranked this out, in a very lavish and polished way, production-wise. The money is slathered all over the screen, and everything is handled in the tried-and-true Disney Studios fashion of preplanning and choreographing everything down to the tiniest of details (actors don't even PAUSE IN THE MIDDLE OF A LINE unless it was dictated, planned and rehearsed that way)...this was very near the end of Disney's run as a major producer of live-action features, and "The Black Hole" is a fitting finish. It even features cute touches, like the way the nastiest demise is saved for Anthony Perkins. If you're gonna make a slow, mechanical movie, you can at least do it with style, and they did. It is an impressive production.
In a certain way you might say I love/hate the movie. The methodical way it's constructed seems lifeless. But at the same time, it is a strange joy to see its methodical construction. It takes tremendous energy to create something so controlled. It's certainly not a film made by accident or unconsciously.
"The Black Hole," manages to be strangely trance-inducing. Once I put it on, it's hard to turn it off.
- roddmatsui
- Aug 30, 2004
- Permalink
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Details
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $35,841,901
- Gross worldwide
- $35,841,901
- Runtime1 hour 38 minutes
- Aspect ratio
- 2.39 : 1
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