Banned for several years after being completed in 1979, this is one of the truly great Soviet films that was released during the perestroika policy. A Chekhovian tale of playwright's incompetence and lack of inspiration is mixed very skilfully with critical social comments. The movie resembles the ones of Ingmar Bergman, even though it's not as painstakingly open as the Swedish director's. Panfilov uses very long shots which don't actually resemble Tarkovsky's shots, because the mystical symbolism is completely missing. Panfilov also uses the stereotypical expression of Russian hospitality to a good comical effect. Vodka is being consumed all through the film.