A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.

"The Prowler" was directed by Joseph Zito, an incredibly nice guy and talented artist, probably better known for his installment in the "Friday the 13th" series. Also notable is that this film features special effects and makeup by Tom Savini, the undisputed horror master of the era. According to Wikipedia, the "film has been praised by gore fans for its brutal and realistic murder scenes." I am not sure about the realism, but the brutal aspect is certainly true, and if there is an uncut version floating around, it must be a bloodbath. Eli Roth also considers it one of his inspirations in the documentary "Fantastic Flesh" (which is a good film in its own right).

Writer Neal Barbera is the odd man out in the mix. While Zito and Savini are horror guys to the bone, Barbera is a member of the well-known cartoon family (you know, with Hanna-Barbera). His credit, going back to the 1960s, are writing dialogue and lyrics for Scooby-Doo, Yogi Bear and the Flintstones. How he came to write a slasher script is anyone's guess.

The movie landed in Zito's lap thanks to a man named Herb. (Exactly who this is I am not sure.) Herb was quite protective of the property; he was even offered a $700,000 advance for the distribution rights, but he feared the film would not make any more than the advance and chose to distribute it himself (which actually worked). And Zito hand-picked Savini based on his work in "Maniac". (It is perhaps no coincidence that Robert Lindsay, the cinematographer of "Maniac", was behind the camera on "The Prowler".)

"The Prowler" is in many ways like the 1981 slasher film "My Bloody Valentine", with the biggest difference being that "Prowler" is American and "Valentine" is Canadian. Both are excellent and both directors (the other being George Mihalka) are fine gentlemen, so I will not pick and choose between them here. Both films take place in a small town with the legend of a murder, where the killer has placed a so-called "curse" on the town where the residents cannot partake in a certain social gathering. Sure enough, the residents disobey the curse and are picked off in many brutal fashions. Must have been a 1981 thing.

I recommend "The Prowler" to any horror fan, and especially to those who love slashers of the 1980s. I think it has seen a bit of a resurgence in recent years, with shirts and posters becoming available. My friend and colleague Timm Horn talked high praise of this one, and was delighted to meet Zito with me. I wish I could have shared Timm's full enthusiasm at the time.

There are some slow moments, and some scenes that make little sense. Exactly why the deputy sheriff and his girlfriend are snooping around inside a house without consent or a warrant is a bit of a mystery. But it moves the plot forward.

This film is best seen on the version available from Blue Underground. The choice between DVD and BD probably matters little, as the BD is rather grainy on larger screens (you can only clean up a film like this so much). The Blue Underground disc has audio commentary with Zito and Savini, which is priceless for their banter and tidbits about where they acquired coffins, and a nice ten minute behind-the-scenes featurette showing how the gore and kill scenes were done. Very interesting.

Added fun fact: Peter Giuliano, who more or less started his career with "The Prowler" as assistant director and playing the man in the mask, went on to produce dozens of successful films and TV shows, as well as working as assistant director on such notable works as "Ghost Busters". Although not a well-known name, he may be the most successful person to have worked on this film.

The Prowler is an overlooked horror film from that golden age of slasher films of the late 70s and early 80s. The film is directed by Joseph Zito who has special effects wizard Tom Savini to thank for the film's best scenes. The two also teamed up for Friday the 13th: The Final Chapter (part 4), and that film is a superior effort to this one.

The Plot of this film is very similar to My Bloody Valentine. We have a brutal act of violence taking place many years ago. We have the first big social event scheduled in several years on the very grounds where the trouble took place. And we have a spooky killer chopping up victims left and right. Only instead of full mining gear, our Prowler is dressed in WWII era military fatigues.

The gore is by far the best thing this film has going for it. There are some DISGUSTING killings which look very much like they could be the real thing. Our killer loves to use his bayonet, a pitchfork, and a sawed-off double barrel shotgun on his victims. Most of the killings in the version I have are not mere snippets of knives piercing flesh. You see the killer slice and penetrate these victims until they aren't breathing any more. There is a tidal wave of blood spilled in this film. They saved the best for last, when we see just what a blast from a shotgun at point blank range can do to someone's face. (I would not dream of revealing the victim's identity here!) The film has some glaring dead spots, too. Lawrence Tierney who is billed pretty highly makes such a short appearance you wouldn't believe it. Character development is nearly non-existent, and the motivation behind the carnage is not defined by any logical means. Let me put it this way; I have absolutely NO IDEA why the killer committed these murders. I wonder if the writers even knew.

Gore fans will definitely need to see the uncut version of this film at some point in their lives. It's like a golfer having to play a certain course he heard is interesting before he dies or a skier having to try a certain slope. That kind of thing. See this film out of a sense of duty, but don't expect a true classic.

6 of 10 stars from the Hound.

As for being your usual copy-and-paste slasher. "The Prowler" was a modest attempt, but its looming reputation makes it out better than it actually is. Don't get me wrong. Everyone talks about Tom Savini's magnificently creative gruesome FX work, and deservedly so. But other than the potently bloody gore, and overall nastiness of some memorable deaths. What really drags this one down is how it gets bogged down with a scratchy story, and inconsistent script which led the film to plod along. Director Zito does his best to in-store some life, but while effectively demonstrating a grim, cruel atmospheric wound. In between the death sequences is little in the way of suspense, or even interest since there are too many vaguely ambiguous and padded distractions that cement themselves in the second half and only go on to annoy. Figuring out whose behind that ominous masked solider in uniform figure, doesn't take much. Baffling though was the choice of weapon… no not the army bayonet, but that pitchfork. When did they issue those things out? Odd, but I like it. The stalk 'n' slash angle doesn't entirely wear its self out, since while the jolts are basically telegraphed (but genuine) and having a flimsy story being strung together by its set-pieces that don't tie together. Still it managed to get the heart-racing when needed, and there are few piercing visuals and positioning work by Zito. The shady camera-work luridly focus on the action at hand.

The performances are soundly delivered, but never did I feel anything for these rather one-dimensional characters. Vicky Dawson makes for a strong, likable heroine, but the rest of the cast don't have much affect. Stalwart actors Farley Granger looks embarrassed and there's rather an unusually pointless role for Lawrence Tierney (who also briefly appeared in Zito's 1979 film "Bloodrage") . Christopher Goutman as the local deputy sheriff just pines a lot, and looks clueless. Richard Einhorn's composed a forebodingly hummer music score that superbly complements the film.

There are no pretensions here, in what it wants to be. A middlingly gritty, shocking slasher fare.

I first saw this in the early 90s on a vhs. Revisited it recently. This one is another slasher with a lousy twist but the best part is the eerie settings of that of a sleepy town. Another best aspect is the special effects by Tom Savini.

The second kill is the most gruesome. This film has one of the best head exploding like a watermelon scene.

Ther is a scene where a man shoots the killer and he keeps on staring n smiling at a babe and the babe too keeps staring n smiling inspite of enduring trauma. The same killer survives the bullet shot n it is never shown how he survived.

I'll get this off my chest - the first 30 minutes of The Prowler are basically slasher heaven. I really mean that. The atmosphere is there, the characters aren't that bad, the killer is imposing, the kills are brutal and nasty...but then...(sigh) things just fall apart and don't get semi-exciting again until the last 10 minutes.

The Prowler might be so wonderful in its first act, because it starts off like most slasher flicks end. By the time its first act has wrapped up, it seems as if already a half-dozen people have been offed and our Final Girl to be has already had a fairly exciting chase sequence.

Sounds great, right? It is. But then she's saved and the rest of the film is spent with her and a policeman doing Scooby Doo-esque detective work in old houses with flashlights with brief interludes of death scenes during a graduation party. It just stops everything in its tracks.

This is not to say that The Prowler is a bad movie. Far from it. It just needed something more exciting and urgent in it's middle section to keep the audience interesting. One never feels like the two leads are in any danger and that drag it down. Still, the special effects steal the show and are wonderful.

By far my favourite of the early eighties dorm slashers, THE PROWLER is an excellent and exciting film brought to the screen with finesse by Joseph Zito. He also directed arguably the best of the FRIDAY THE 13th sequels - The Final Chapter. He shows us his love for the hack and slash cycle here, by renewing a few scenes from two of the genre's pioneers. You've got the 'murder in the shower' fresh out of Hitchcock's renowned classic PSYCHO. Here Zito makes it a lot more brutal, with some realistic and visually stunning gore effects from horror maestro Tom Savini. And then there are various references to Carpenter's HALLOWEEN, including the assassin digging up the grave of the victim he killed some 35 years earlier. Michael Myers steals his sister Judith's headstone from her grave when he escapes from his 15 year spell in Haddonfield's asylum. But although there are brief nods to his obvious influences, Zito also manages to supply some originality and some genuinely scary sequences. Back in the day it was thought that he was going to be the next Tobe Hooper after his flawless work within the horror genre. But sadly he went on to work with more action-orientated films such as Missing in Action, Red Scorpion and Invasion USA.

The plot is believable and also extremely well written. It opens with black and white footage of GIs returning victoriously from WW2. Cut to a letter from a girl named Rosemary to an unseen receiver, stating how she 'does not want to hurt him, but could wait for him no longer...' In other words someone's been dumped and it looks as if a few people are going to have to suffer because of it! Again cut to Avalon Bay Graduation dance 1945 and we're shown the lady Rosemary for the first time with her new 'fella'. While the host merrily talks about Glenn Miller's death, Rose and her cocky boyfriend head out under the stars for a spot of good old harmless (or extremely harmful in these films!) huggin' and a kissin'! They choose a spot at the end of a brightly laminated pier and continue to smooch the night away under the stars, unaware that a somewhat unfriendly looking guy disguised in GI garb and brandishing a bowie knife is watching their every move! Suddenly the lights go out, and Rose and her partner are brought a little bit closer together...Both impaled on a pitchfork!

Skip 35 years and Avalon Bay is preparing for the first graduation dance since the fateful events that occurred before. While the young enthusiastic teens are shown getting ready to find romance at the dance, it looks as if a certain unknown someone is preparing for another bloody massacre. One girl unknowingly predicts the events that follow while she's getting dressed for the party by saying to her sulky looking friend "Hey you're not gonna mope about tonight are ya? Some of us will never see each other again..." Her remarks prove to be surprisingly accurate!

THE PROWLER is often pipped in the popularity stakes by the same year's similar slasher MY BLOODY VALENTINE. Many reviewers also find the latter to be the slightly better of the two. However I beg to differ, because even though MBV is a decent enough movie, I find this to be a scarier and for the most part more sinister attempt with a much stronger cast. Zito's spooky direction is superb and Savini's 'almost too realistic' gore touches just round it off perfectly. There are a few jumps to increase your heartbeat and I strongly wouldn't recommend any young femme fatale who's trying to grow her finger nails to watch this flick alone, because there are a couple of scenes when I guarantee you'll be biting them off!! One of my favorite ever murder scenes is also in this flick, the excellent swimming pool killing. A female teen who is bathing by herself under the moonlight paddles over to the ladder to climb out of the pool. She reaches the steps and begins to ascend them when all of a sudden she is brutally kicked in the face. She finally comes back to her senses and looks around to see who attacked her, but no one is anywhere to be seen! The silence is broken when the killer jumps out of the water behind her and gorily slices her throat in amazing detail. Watch for the blood that leaks out of her wound as her lifeless body sinks in to the murky depths of the cold water; it's Savini at his best...Excellent! The cast are also superb, which, must've helped the general production no end. Veteran actors Farley Granger and Lawrence Tierney have small roles, but the real 'round of applause' goes to fresh faced newcomers Goutman and Dawson who actually steal the show. It's only a shame they never went on to do much worth noting in the movies after this.

All in all THE PROWLER is everything a slasher should be dark, scary, gory while at the same time fun. It's incredibly underrated so I would most definitely recommend it, try and hunt down a copy if you can and I guarantee you will not be disappointed!

If it weren't for the insanely dull middle section of The Prowler, it'd probably be one of the most effective slashers of the early 80's. All the other ingredients are in place and are well utilized with Tom Savini's grisly makeup effects stopping the show every single time they make an appearance. As light weight as the story is already, it could have probably used a few trims to cut it down to something more like 70 minutes.

THE PROWLER maybe isn't a milestone in the slasher-genre, nor is it innovating in any way, but it certainly is one of the better teen-slasher-movies of the 80's. It has what it takes: Tension, a high body count, gore, nudity and a decent (though not really original) story. I'd say it even is almost on par with Friday THE 13TH PART I. Almost, I say, because Friday THE 13TH had an original twist in the end. In the case of THE PROWLER you'll probably guess the identity of the killer way before the final 'unmasking'-scene.

The plot is straightforward and easy to follow (like almost every slasher-flick). The prologue is a bit strange (black & white documentary footage of soldiers coming home from the World War II), but it's necessary to provide the killer's background-story. The first killing takes place in 1945 during a homecoming-party. It appears the killer had personal motives. He was never caught. Then, almost 40 years later, a new town's party is being organized and the killer picks up his old habits (and weapons).

On the bright site, THE PROWLER has a lot of killings, and therefore lots of bloodshed. All the make-up & blood-effects are masterfully executed by Tom Savini (with the ultimate high-light being an exploding-head shot). The killer is pretty creepy with his military outfit (including a German-like war-helmet) and uses various weapons (a pitchfork, a big army-knife, a shotgun,...). The fact that he doesn't speak one word during his attacks adds to the scariness. What also raises THE PROWLER to an effective and above-average slasher-level, is Joseph Zito's directing, the acting and the over-all atmosphere. Thankfully this movie doesn't include teenagers playing stupid jokes on each-other, a phenomenon slasher-movies too often suffer from. At a few moments Joseph Zito's directing even reaches levels of tension like in Carpenter's HALLOWEEN (no, it's not as good as HALLOWEEN but it has its moments). It's also nice to see that when leading girl Vicky Dawnson for the first time sees the masked killer, she doesn't ask obvious things like "Who are you? What are you doing here?". No, see looks at him, and when the killer stares back at her, silent and motionless, she immediately senses the danger and starts running. Further more, there are at least two jump-scenes that really work (always a good thing in a horror movie, but you might wanna turn up the volume) and I thought the roses were a nice touch.

It was also a nice surprise to see a slasher-movie that knows the rules of the genre and dares to break a few too (you figure out which ones yourself). I applaud Joseph Zito and Tom Savini for a job well done, and I feel sad about the fact that THE PROWLER seems to be a bit under-appreciated. So, come on all you slasher-fans, seek out this movie and boost its rating here on IMDb to a higher level.

During a college graduation dance, a WWII veteran comes home and finds his ex-girlfriend kissing her boyfriend in a pagoda and kills them using a pitchfork and a bayonet. He goes around in full WWII combat gear with a mask over his face.

Jump 35 years later and at the new graduation dance (the 1st one since 1945), the killing begins again with various college students having their throats slit, pitchforks in their bellies and being chased all around Cape May, New Jersey. And that's pretty much the plot.

Except for Farley Granger (who must've sunk pretty far career-wise in order to do this) and an unspeaking cameo by Lawrence Tierney sitting in a wheelchair, I've never heard of the rest of the cast. They're all unknowns to me.

The only thing saving this otherwise mediocre HALLOWEEN clone is the great special effects by Tom Savini. The throat slittings and the pitchfork piercings look particularly realistic and gruesome, some of the best I've ever seen. And with no lame CGI anywhere in sight. It's all done the good old-fashioned way. With latex and blood bags.

Blue Underground gives this one the class treatment with a nice wide-screen print that looks about as well as can be expected for a medium grade 80s horror film. However the real jewel of this DVD is Savini's 12 minute videotape from late 1980 showing the behind the scenes special effects set-up, including the leading antagonist's head being blown off by a shotgun. That in and of itself is worth more than the whole movie put together.

Without the special effects, I'd give it a much lower rating.

5 out of 10

Rosemary sends a "Dear John" letter to her boyfriend while he is serving in WWII then is mysteriously slaughtered with her new beau at a graduation dance. Flash-forward to 1981 and the current class of graduating collegiates are throwing the first dance in many moons and a killer pops up looking like a storntrooper from hell and dropping roses everywhere. 80's slashing is in the house.

This rather predictable and slow slasher is saved by the gore set-pieces by effects maestro Tom Savini. That really is the only saving grace and highlight of "Prowler". Everything else on display is a bit bland and rather standard.

Rosemary's Killer (aka The Prowler) has a central theme similar to the same year's My Blood Valentine - a killer who's psychosis is re-triggered by the reawakening of a long dead tradition, in both cases a dance. The Prowler is not a great little slasher flick, there are a few redeeming features; highish production values, some suspenseful chase sequences, gruesomely effective gore effects courtesy of Tom Savini. The film tries to set itself up as a bit of a mystery and much is made of the snooping couple looking for clues, I factor that I always finds interesting in these movies, the killer's identity is a surprise, It could have been anyone.

A prime example of the slasher genre that gleefully touches all the familiar bases before sliding home (home being an exploding head courtesy of living legend Tom Savini). The bloodbath begins at a graduation party, when a returning G.I. responds to a Dear John letter with a firmly inserted pitchfork through it's author and her new beau. Rather than focusing on capturing the crazed madman with the pointy tool, the town of Avalon Bay decides graduation dances are the problem and bans them indefinitely. This policy works well for 36 years. Then in 1981, having never seen My Bloody Valentine or even Footloose for that matter, the town makes the sudden decision to throw another party. The resulting mayhem is an atmospheric and deliciously gory jolter that, like it's lead heroine, stumbles a bit, but ultimately gets the job done.

All in all The Prowler is definitely up there as one of the best 80's Slasher definitely worth seeing.

"The Prowler" is worth all the viewing that any horror fan can muster up the time for. It is a decent little viewed slasher that has some good story qualities but will mostly be remembered for its extremely graphic gore (especially for the time period of which it was made). Aside from the gore, one of the things that was actually enjoyable about "The Prowler" was that it did offer a little bit of suspense and tension, and the direction by Joseph Zito is perfect while he creates a scary atmosphere and uses the camera to make his killer all the more terrifying. It is rare that people nowadays can cringe at slasher films from this era, but "The Prolwer" certainly will add a little bit of suspense.

The acting isn't as bad as one might think, and its shocking that most of these stars were never heard of again. The musical score is very well done, and keeps the audience tuned into the film. However, as mentioned, it is the director Joseph Zito and the make-up artist Tom Savini (of the "Friday the 13th" and "Dawn of the Dead" fame) who really make "The Prowler" worth your time. Zito knows how to create a scary and ominous villain and he knows how to pace the storyline so that it isn't at all boring. Savini adds a lot of blood to some truly gross death scenes. Knives going through heads, through throats, head explosions, throat slashes, pitchfork killings... its all due to Savini's brilliance. I must say that these effects are the best I've seen in a horror film from the time period, and they surpass "The Burning", "Friday the 13th: The Final Chapter", and "Sleepaway Camp".

"The Prolwer" is available on DVD, from the Blue Underground Company completely uncut, uncensored, and relentless. It also includes a commentary by Zito and Savini, a brief featurette featuring Savini, a theatrical trailer (which will remind anyone of the "Thanksgiving" trailer in the film "Grindhouse"), as well as a poster gallery. Its a nice package for such a rarely seen little gem.

I only rented this because IMDb patrons raved about how great it was. I was very disappointed. I fell asleep several times during the course of the movie (admittedly, it was after midnight when I watched it). I never cared about anyone in the film. The lead actress was not attractive. I never really knew why the killer was killing. There was nothing erotic about this movie. Yes, the gore was realistic, but that is not nearly enough to make me enjoy a movie. There were very many slow moving parts in this movie (and I think I fell asleep during every one of them). Maybe my expectations were way too high, but I felt this was soulless, by the numbers, slasher. Wake me when it's over.

On 28 June 1945, along the night of the Graduation Ball in Avalon Bay, the youths Roy (Timothy Wahrer) and his girlfriend Francis Rosemary Chatham (Joy Glaccum) are murdered penetrated by a rake and the killer is not found. On 28 June 1980, a new Graduation Dance is organized by the student Pam MacDonald (Vicky Dawson) since Major Chatham (Lawrence Tierney), who is very sick and in a wheelchair, has prohibited any celebration for thirty-five years. The local Sheriff George Fraser (Farley Granger) is traveling for fishing and Deputy Mark London (Christopher Goutman) is in charge of the security of the location. When a serial killer attacks the students, Mark and Pam seek his hidden place.

I bought the DVD "The Prowler" with great expectations based on the good reviews in IMDb. Unfortunately I found a senseless, boring and dated low-budget slasher movie with awful screenplay and lines. The flawed story does not give any explanations to many points, such as the motives and why the serial killer kills his victims? What happened with Major Chatham? Did he die? What happened with the body of Miss Allison? How could Carl, who had the brain and throat stabbed by a long knife, have any sort of movement? How the killer could be so omnipresent? What happened with the couple in the basement? Why Mark did not die? I could list many other holes in this story, but I believe the previous examples are enough to show how bad this movie is. The beauty of Vicky Dawson and the good effects, showing very real deaths, are the good parts of this forgettable flick. My vote is three.

Title (Brazil): "Quem Matou Rosemary?" ("Who Killed Rosemary?")

Note: On 13 October 2022, I saw this film again.

Like a true horrorfreak, I get a kick out of hunting down all the films for which Tom Savini did the make-up. `Friday the 13th' and `Dawn of the Dead' are the obvious ones, but the real treats can be found in the overlooked early 80's slasher section. `Maniac' and `Nightmare in a Damaged Brain' are perfect examples and so is this little gruesome tale. The Prowler doesn't outshine the mainstream horror movies when it comes to plot, characters or twists…but it does show some nauseating and hard to digest sequences. The film also has a pretty atmospheric and mood-setting opening. We learn how young WWII soldiers return to the US after the war. One of them finds a letter of his high-school sweetheart upon his arrival in which she's dumping him. During the Graduation celebration of her school, the girl (Rosemary) and her new boyfriend are brutally slaughtered by pitchfork. 35 years later, the town finally decides to organize a new school-dance. Unfortunately, this event also causes the return of the army-uniformed madman. The characters aren't exactly intriguing and the climax is far from surprising, but the brutality of the killings is definitely worth it. We're even treated to lovely head-explosion that lives up to the one in Maniac. Thank you Tom Savini! Compared with the overload of polite and ethically correct (read = boring) slashers, the Prowler looks fresh and very entertaining. Director Joseph Zito also signed for one of the better F13 sequels as well as a few over-the-top Chuck Norris action flicks. I took me quite some time to finally find The Prowler and I feel no shame in recommending it to real horror fans. If you can't stand blood or in case you have a sensitive throat, this film will not leave a good impression behind. Otherwise…enjoy!

"The Prowler" is a shameless entry in the first wave of "Friday the 13th" imitators (even billed as such in its promotional materials), and also one of the most lazy. In a newsreel prologue, we are informed of troops returning from World War II, followed by a girl named Rosemary writing a "nice knowing you, I'm moving on" letter to her soldier boyfriend. After the uniformed man in question kills Rosemary and her lover, he goes back into action years later, on the eve of a collegiate dance. Since the prologue details the simple-minded plot, the rest of the running time is devoted to the requisite mild sexual encounters and graphic murders. Director Joseph Zito (as in "Friday the 13th–The Final Chapter") has no grasp of suspense whatsoever–we see brief flashes of the killer (who, by the way, looks really silly dragging a pitchfork around), but never given any context as to where he is in relation to the other characters on-screen. Not that suspense would have redeemed this slow-moving death march–the murders can be predicted miles in advance, but Tom Savini's meticulously detailed makeup FX at least give us something unpredictable to watch.

Released in 1981, The Prowler never got the recognition of its peers. Friday the 13th, My Bloody Valentine and Prom Night all went on to pop culture familiarity spanning countless sequels and eventual remakes. Yet the Joseph Zito classic about a masked World War II army gear wearing slasher remains nothing more than a footnote in the annals of horror history.

And that is unfortunate. For not only does The Prowler exhibit some of make-up effects artist Tom Savini's best work, but it also might just be the best slasher film released in the glory days of the early 1980's.

Opening after the conclusion of World War II where a couple is brutally murdered, the film forwards 35-years to present day (1981 present day) where a group of college kids are preparing for an annual spring dance. Mysteriously, the fatigue donning killer reappears and using his weapons of choice (a bayonet and a pitchfork) he begins his night of terror that will leave the small New Jersey town soaked in adolescent blood.

A slasher film is routinely graded on the graphicness or originality of its kills. And The Prowler delivers the bloody goods thanks to the aforementioned Tom Savini. A pitchfork puncturing shower scene, a pool throat slashing and the shotgun blow to the head were arguably three of the best kills of The Prowler's era – and era that included Friday the 13th sequels, A Nightmare on Elm Street and Halloween II.

The story itself is horror routine. But the execution by director Joseph Zito (Friday the 13th: The Final Chapter, Invasion U.S.A.) is brilliantly choreographed in a thrilling and exciting film that holds up as well today as it did over 30-years ago. The Prowler was produced for $1 million but was self-distributed by Zito therefore relegating the title to the background of VHS rental video stores. But now that it is available on DVD and blu-ray, the title should be sought out by anyone who wants to be considered an authoritative voice on the genre.

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In spite of featuring some of the most inspired effects of Tom Savini's career and a great premise, The Prowler goes too big too soon and leaves it with nowhere to go until the finale of the film. After the first 30 minutes, there's nothing to look forward to but the next death scene and you find yourself not even caring who the killer is. Joseph Zito directs the stalk/kill scenes with conviction and gets good performances out of his cast, but the script starts and stops to often to build any momentum.