La Historia Official is a well-made film about awakening from passive complicity in evil, in this case, forced adoption. The Grandmothers of the Plaza de Mayo were and are an inspiration to those who struggle to uncover and resist abuses in adoption practices, be they the enslaved Irish women of the Magdalen laundries or the many indigenous peoples who had children forcibly removed from homes to be adopted by whites. Most of adoption does not involve abduction, but to turn a blind eye to the fact that it does exist, is to be passively complicit, as was the protagonist in this film.

The scene in which the teacher realizes that tremendous evil has indeed been perpetrated, and that she may very well be the beneficiary of such evil, is staggering. Norma Aleandro is a talented enough actress that we believe her initial rejection of this revelation, and her gradual evolution from passive cohort to courageous seeker of the truth.