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3.4/10
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History is only slightly rewritten: instead of experienced sailors, there are only convicts whose last and only meeting with H2O was their prison diet of bread and water. And Columbus doesn'... Read allHistory is only slightly rewritten: instead of experienced sailors, there are only convicts whose last and only meeting with H2O was their prison diet of bread and water. And Columbus doesn't have his own map.History is only slightly rewritten: instead of experienced sailors, there are only convicts whose last and only meeting with H2O was their prison diet of bread and water. And Columbus doesn't have his own map.
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Did you know
- TriviaThis is the only "Carry On" film not to feature any actors who appeared in Carry on Sergeant (1958), the first film in the series.
- GoofsAlthough the film is admittedly a parody and not meant to be historically accurate in any way, it completely eliminates the two other ships that were a part of Columbus's journey - the Nina and the Pinta.
- Quotes
Fatima: You mean, the sharks won't eat me whole?
Marco the Cereal Killer: Oh, no! I'm told they spit that bit out first!
- ConnectionsFeatured in What's Up Doc?: Episode #1.6 (1992)
- SoundtracksCARRY ON COLUMBUS
Written and Produced by Malcolm McLaren and Leigh Gorman (as Lee Gorman)
Performed by Jayne Collins and Debbie Holmes
Published by Chrysalis Music/Warner Chappell Music/Island World Music
Featured review
A Carry On For The Nineties
The 'Carry Ons' had been wound up - to very little fanfare - nearly fifteen years before Carry On Columbus was released back in 1992. I was in high school then and I remember it vaguely; along with most contemporary audiences at the time, I certainly made no effort to actually watch a Carry On film in the cinema. Followng a dismal run Carry On Columbus soon faded at the box office , and it's only thanks to ITV 4 that I've gotten the chance to occasionally watch it over recent years.
The storyline - a take on Christopher Columbus and The New World, in case you missed the hint - is stale and lifeless. Too many of the performances are forced, and the timing and delivery - always essentially in a Carry On film - just isn't there; if the 'magic' that existed between James, Jacques, Butterworth, Connor, Williams, Windsor, et al (despite whatever else was going on behind the scenes) was spent by 'Emmannuelle' then it was unlikely it was going to be rekindled in the early Nineties - particularly with a group of actors and comedians from a very different background.
This was at the heart of Columbus's failure - the Alternative Comedian of the 1980s was extremely critical (often with good justification) of their 'traditional', 'music hall' or 'old fashioned' predecessors; and when they got their own chance on the silver screen their big shot was yet another Carry On film...it was no wonder they struggled to adapt to the 'seaside postcard' style they'd spent nearly a decade disparaging. By trying to reinvent a sanitised version, and underestimating or misunderstanding the job in hand, the Alternatives surgically removed the essence of what made the series such a success in the first place - even if realities were a bit more hit and miss than the myth suggests. Peter Rogers takes his share of blame as well - if the same formula was well passed its sell by date in 1978 (or 1976 if count 'Dick' as the last decent entry) did he really expect a different result in 1992?
With one or two exemptions (notably Jim Dale and Sara Crowe) most of the cast look all at sea here - and not in the way Colombus would have liked. It says much about low expectations that people can say this is better than the last two or three entries is a plus point - I'd say it was a necessity! Not the worst but it's near the bottom of the league, and one for the completionists only.
The storyline - a take on Christopher Columbus and The New World, in case you missed the hint - is stale and lifeless. Too many of the performances are forced, and the timing and delivery - always essentially in a Carry On film - just isn't there; if the 'magic' that existed between James, Jacques, Butterworth, Connor, Williams, Windsor, et al (despite whatever else was going on behind the scenes) was spent by 'Emmannuelle' then it was unlikely it was going to be rekindled in the early Nineties - particularly with a group of actors and comedians from a very different background.
This was at the heart of Columbus's failure - the Alternative Comedian of the 1980s was extremely critical (often with good justification) of their 'traditional', 'music hall' or 'old fashioned' predecessors; and when they got their own chance on the silver screen their big shot was yet another Carry On film...it was no wonder they struggled to adapt to the 'seaside postcard' style they'd spent nearly a decade disparaging. By trying to reinvent a sanitised version, and underestimating or misunderstanding the job in hand, the Alternatives surgically removed the essence of what made the series such a success in the first place - even if realities were a bit more hit and miss than the myth suggests. Peter Rogers takes his share of blame as well - if the same formula was well passed its sell by date in 1978 (or 1976 if count 'Dick' as the last decent entry) did he really expect a different result in 1992?
With one or two exemptions (notably Jim Dale and Sara Crowe) most of the cast look all at sea here - and not in the way Colombus would have liked. It says much about low expectations that people can say this is better than the last two or three entries is a plus point - I'd say it was a necessity! Not the worst but it's near the bottom of the league, and one for the completionists only.
- wilsonstuart-32346
- May 22, 2018
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Details
- Release date
- Country of origin
- Language
- Also known as
- Carry on Christopher Columbus
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £2,250,000 (estimated)
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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