Shakespeare's famous play is updated to the hip modern suburb of Verona still retaining its original dialogue.Shakespeare's famous play is updated to the hip modern suburb of Verona still retaining its original dialogue.Shakespeare's famous play is updated to the hip modern suburb of Verona still retaining its original dialogue.
- Nominated for 1 Oscar
- 15 wins & 30 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaKey hair stylist Aldo Signoretti was kidnapped by gang members and held for $300 ransom which Baz Luhrmann paid.
- GoofsAt the gas station showdown, a boom mic is reflected in a car window as the camera moves past it.
- Crazy creditsThe film opens and closes with the Chorus, appearing as an anchorwoman on a TV screen, narrating the prologue and the closing lines.
- ConnectionsEdited into Nothing Is Truer Than Truth (2018)
- Soundtracks#1 Crush
Performed, Written and Produced by Garbage
Garbage appears courtesy of Almo Sounds, Inc./Mushroom Records UK Ltd.
Shirley Manson appears courtesy of Radioactive Records
Featured review
Updating the plays of Shakespeare has occupied the minds of many filmmakers, but it is a good idea to try to occupy the minds of the audience as well. Baz Luhrmann's loud, brash and irritating adaptation is possibly the most pathetic attempt at updating the Bard I can remember. How do I hate thee? Let me count the ways...
The basic setting doesn't really work beyond the most surface level, although using a newscaster as a narrator is a good idea. The casting is utterly bizarre, with Danes displaying all the talent of a jar of water, Postlethwaite miscast as a priest, and Margolyes overacting horribly. The decision to make Mercutio a drag queen make so little sense that I wonder if I'm still watching a 16th century play, and the whole enterprise is horrendously overdirected. The cross motif gets so out of hand that by the end we have a gross of them in a single shot, the storm is an unoriginal device, and is badly matted, as are the shots of family names on the tops of buildings.
I can't begin to imagine why so many people like this film, although at least they are getting more out of it then I am. If you want a good Shakespeare update, try Richard III (1995). As for this, I wasted two hours of my life, which I'm not getting back, on a film that disappears up it's own backside faster than a jet-propelled enema.
The basic setting doesn't really work beyond the most surface level, although using a newscaster as a narrator is a good idea. The casting is utterly bizarre, with Danes displaying all the talent of a jar of water, Postlethwaite miscast as a priest, and Margolyes overacting horribly. The decision to make Mercutio a drag queen make so little sense that I wonder if I'm still watching a 16th century play, and the whole enterprise is horrendously overdirected. The cross motif gets so out of hand that by the end we have a gross of them in a single shot, the storm is an unoriginal device, and is badly matted, as are the shots of family names on the tops of buildings.
I can't begin to imagine why so many people like this film, although at least they are getting more out of it then I am. If you want a good Shakespeare update, try Richard III (1995). As for this, I wasted two hours of my life, which I'm not getting back, on a film that disappears up it's own backside faster than a jet-propelled enema.
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Romeo + Julieta
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,500,000 (estimated)
- Gross US & Canada
- $46,351,345
- Opening weekend US & Canada
- $11,133,231
- Nov 3, 1996
- Gross worldwide
- $147,554,998
- Runtime2 hours
- Color
- Aspect ratio
- 2.39 : 1
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