A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town she finds out that their support has a price.A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town she finds out that their support has a price.A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town she finds out that their support has a price.
- Awards
- 21 wins & 33 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPaul Bettany, who only took the part of Tom Edison after being convinced by friend Stellan Skarsgård, later called the making of this movie "hideous" and "a peculiarly unsatisfying experience, because Lars von Trier has no interest in you being any part of the cerebral process with him. You're absolutely his puppet." Despite still being a fan of von Trier's movies in general, Bettany has never watched this movie, and has no intention of ever doing so.
- GoofsJack refers to the steeple casting a shadow which touches the O of the store's open sign at exactly 5 PM each day. This would actually only occur on a few days each year, as the lengths and positions of shadows are constantly changing through the seasons.
- Crazy creditsClosing credits play over photographs depicting crime and poverty in the United States.
- Alternate versionsTo fit the needs of some local distributors, in Italy among others, assistant director Anders Refn cut a version of Dogville which is about 45 minutes shorter than the original. The version was accepted and approved by director Lars von Trier.
- ConnectionsFeatured in Trier, Kidman og Cannes (2003)
- SoundtracksYoung Americans
Written and Performed by David Bowie
Courtesy of RZO Music, Inc.
Published by Chrysalis Music Limited / EMI Music Publishing Limited / RZO Music Limited
[Played over end credits]
Featured review
Dogville is long, and if you don't have the patience for a slow ramp-up of tension, it'll turn you right off. There are a couple story devices Von Trier uses that really bugged me, and I almost shut it off once. I'm glad I stuck with him, though, because he really took it somewhere and I came away really enjoying the experience..
Critics who hated Dogville talk about it's hamhanded anti-American slant (Lars von Trier refuses ever to set foot in that country). I knew nothing about this film or Von Trier before seeing it and I have to say I entirely missed the anti-America thing until the backcredits. Don't get me wrong, there are several scenes that make commentary about rampant nationalism, prejudice towards immigrants and small town xenophobia, but those comments could be made about the zealous in ANY region of ANY nation at ANY time.
If we are to criticize 21-st Century America, and there are plenty of reasons to criticize it, we must also criticize other peoples and governments who are screwing up royally. I think if Dogville has a point to make to America, its not that it is uniquely problematic, but that it is as problematic as any other nation. Where on this planet can you NOT find a group of people who think:
THE WORLD WOULD BE A BETTER PLACE IF EVERYONE WAS JUST LIKE US.
That statement is the kernel of failure for every major conqueror and every major religion in history and it portends the long, inevitable swirl down the toilet and the people who want you toppled have only to sit back and watch you do it to yourself.
America is a great nation, with a lot of culture, history and art to be proud of, and maybe that's why modern artists feel the need to make pieces like Dogville. To remind America that, as great as it is, it's still a nation of crying, barfing, excreting, whining, greedy, worried, scared mouths to feed, just like the rest of us -- no better or worse.
That's all I think Dogville does as an anti-American piece. If Von Trier meant to just poo on America, he missed his mark and ended up making a point about all of us. Regardless, he among many others wants America to change it's mind about itself, and it doesn't matter if he hates it or loves it. Much more interesting to me is the blatantly obvious point Dogville makes -- to what point do you forgive the transgressions upon you by others who may be less fortunate but are nonetheless doing wrong? It sure made me take a look at my own pacifism.
Nicole Kidman was brilliant, as was Paul Bettany and the simpler townsfolk who will play so skillfully with your emotions. It seems I've been flooded with Kidman movies regularly for a couple weeks now and this is my favourite of her performances.
Good film, Dogville.
Critics who hated Dogville talk about it's hamhanded anti-American slant (Lars von Trier refuses ever to set foot in that country). I knew nothing about this film or Von Trier before seeing it and I have to say I entirely missed the anti-America thing until the backcredits. Don't get me wrong, there are several scenes that make commentary about rampant nationalism, prejudice towards immigrants and small town xenophobia, but those comments could be made about the zealous in ANY region of ANY nation at ANY time.
If we are to criticize 21-st Century America, and there are plenty of reasons to criticize it, we must also criticize other peoples and governments who are screwing up royally. I think if Dogville has a point to make to America, its not that it is uniquely problematic, but that it is as problematic as any other nation. Where on this planet can you NOT find a group of people who think:
THE WORLD WOULD BE A BETTER PLACE IF EVERYONE WAS JUST LIKE US.
That statement is the kernel of failure for every major conqueror and every major religion in history and it portends the long, inevitable swirl down the toilet and the people who want you toppled have only to sit back and watch you do it to yourself.
America is a great nation, with a lot of culture, history and art to be proud of, and maybe that's why modern artists feel the need to make pieces like Dogville. To remind America that, as great as it is, it's still a nation of crying, barfing, excreting, whining, greedy, worried, scared mouths to feed, just like the rest of us -- no better or worse.
That's all I think Dogville does as an anti-American piece. If Von Trier meant to just poo on America, he missed his mark and ended up making a point about all of us. Regardless, he among many others wants America to change it's mind about itself, and it doesn't matter if he hates it or loves it. Much more interesting to me is the blatantly obvious point Dogville makes -- to what point do you forgive the transgressions upon you by others who may be less fortunate but are nonetheless doing wrong? It sure made me take a look at my own pacifism.
Nicole Kidman was brilliant, as was Paul Bettany and the simpler townsfolk who will play so skillfully with your emotions. It seems I've been flooded with Kidman movies regularly for a couple weeks now and this is my favourite of her performances.
Good film, Dogville.
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- The Film 'Dogville' as Told in Nine Chapters and a Prologue
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $1,535,286
- Opening weekend US & Canada
- $88,855
- Mar 28, 2004
- Gross worldwide
- $16,690,617
- Runtime2 hours 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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