This is a fictional crime story based on the exploits of the infamous "Banda Della Magliana", which terrorized the city of Rome for two entire decades. The movie is OK and it features an all-star cast and a famous director, but if you really want to see the same story brought to a much much higher level (not to mention going way deeper into the details), I strongly recommend you watch Romanzo Criminale The Series (two seasons of 12 episodes each), which is now available on Netflix, from other online sources and on DVD's.

The "condensed" story line of the movie is at times confusing and fails to successfully put the story into its historical context. Really, two hours aren't nearly enough to explain the back story and the historical references, especially to someone who didn't grow up in Italy --and particularly in Rome-- in the 1970's and 80's. So, I watched the movie years ago when it was released, and I was left with so many open questions that were only answered to my complete satisfaction once I watched the series (and yes, there are some continuity issues between the two productions, so don't think of the series as complimentary to the movie but rather as a complete retell.) I know that I'm actually ending up reviewing the series here more than the movie, but really if you watch the series, then you will find that the movie is just a brief summary of the story without much character development, despite the more famous cast and director (incidentally, Mr.Placido is credited as a creative consultant in the series.) The series, on the other hand, is one of the best small-screen productions I've ever seen, really quite up to the level of outstanding crime dramas like the Sopranos or Breaking Bad.

I would rate the movie 6/10 and the series 10/10.

It's not that "Romanzo criminale" is a bad movie. It's only a movie we've seen so many times (from the Godfather to Once Upon a Time in America) done so much better.

Storywise, although it is of Italian origin, "Romanzo" is as bland as any new mafia movie, dealing with revenge, honor and family. The script is rather tedious too, with very few moments of sparkle, and even though the movie looks good, it only starts to feel like a watchable movie in its last quarter. And as if it weren't enough that the film is mediocre, it also bears resemblance to an odyssey if we are to consider its playing time and the way I, as a viewer, interpreted it.

The one interesting aspect is related to the political facet of the mafia, and especially to the situation before the fall of the communist regimes. But this definitely doesn't make up for the weak plot. All there is...is a series of events, linked to one another, sprinkled with love but far too hollow to transcend. Sadly.

Romanzo Criminale is a strange movie. I'm most of the time quite critical about what I see, but about this particular movie, I can't quite seem to make up my mind. I can find a thousand faults to it : the limited storyline doesn't really develop the historical and political context, the actions is sometimes quite difficult to follow, the characters are totally cliché (the-bad-gangster-guyswho falls in love with the-beautiful-virgin-mary-reincarnation, the repented hooker, the good policeman, the really bad godfathers with all their money, the villa by the sea and the twenty-five year old wife. And yet I enjoyed it. It's not the movie of the year but there's a certain something that makes it different, that saves it from being a total mess and a failure, and turns it into a mysterious movie.

As the history of modern (1970-95) Italy plays out - the kidnapping of Aldo Mora, the Bologna bombing etc. - a ruthless gang of outsiders are successfully muscling in on Rome's lucrative drug and gambling rackets. Meanwhile, a hard-nosed detective is tracking their activities, seeking evidence to put them away. And lurking even deeper in the background are State black ops figures who may or may not be manipulating both the criminals and the events themselves.

I was expecting the sort of cheap crime exploitation movie that proliferated in Italian cinema back in the 70s, but this is a different, much more ambitious and better type of movie. Crime Novel is structured very much like an Italian version of American Gangster. It has the same intimate yet gritty feel, the same long slow story arc, playing out over years against a background of world events; the dedicated cop who seems like the only police official who sees his duty as catching criminals rather than taking bribes; and drug dealers who see themselves as businessmen providing a service rather than villains, and most of time they are.

The focus is clearly on the gang. They grew up together in the streets. Crime and friendship are what holds them together. They have strong loyalties to those closest to them but can be ruthless to those who oppose them. Individually, they have frailties, but together they are formidable. The script is structured to provide each of the central characters with plenty of screen time, and its strong dialogue and intimate tone create very multi-dimensional and mostly sympathetic portraits.

The resulting movie is very watchable and a worthy companion piece to movies like Carlito's Way, Scarface and American Gangster. Recommended.

I confess I'm not Italian and don't really have a grasp on the historical significance of the 70's in Italy though I read Moravia's A Time of Innocence (I believe that was the English translation title) and liked it. The movie looked like it was made in contemporary times and the few references to the 70's were confusing as nobody looked like they did in that period. Given that, I loved the style, color, photography and editing and found the plot absorbing and the actors great for the parts. I haven't seen the extended version, don't know what it includes, but would like to, since I was never bored for a minute and it could have been longer as far as I was concerned. Kim Rossi Stuart was great, as were the other members of the 'band', though yes, he seemed out of his element playing a 'cold-blooded' killer. But his sensitivity and decline at the end worked for me. The other guys were great, as was Anna who played Patrizia. She was pretty stunning to look at and believable - when she was on the screen my eyes never wandered. The movie reminded me of Soavi's Uno Bianca in its hypersensitive style, which I loved, though Romanzo wasn't as tight or as suspenseful, I guess. And it wasn't scary either like Soavi's Ultima Pallottola. I don't know if it makes me shallow or what, but I liked the glossy, model feel of the movie a lot. Like I like Soavi's work. For my eyes it was a cinematic feast. Its apparent failings pointed out by other reviewers as a faithful adaptation of the material about the times didn't so much matter to me as I don't know that much about them anyway. I just enjoyed the movie as if it were taking place today and I think others like me might too.

I completely disagree with the last writer. I found this film to be a High speed roller-coaster following the path of Crime in the last century of Rome's history. The Brutal Violence and callous disregard for the people they prey on washes away any chance of redemption for the Protagonist Anti-hero or the group of people he moves with & the writer makes no attempt to forgive them. The film glamourises their way of life yet inevitably does not end happily with only the strongest surviving and even them eventually being cut loose by the people who pull their Machavellian strings..Sex, drugs and violence reign supreme in a film that, although not perfect, paints a vivid picture of the blood spattered underbelly of Roman society. The only faults that I could raise about it would possibly be it's length which at times drags and could perhaps have done with a slightly less flabby cut..

Very energetic, or rather frenetic movie, with big thematic ambitions. If only they had slowed down a bit, drawn more out of the scenes and set the characters up a bit more, then the film would have been so much better. It felt like the editor got the upper hand on the director in this one. The sinister subplot never really came to the boil either and the chap playing the Detective had the dodgiest facial hair I've seen in a movie for a very long time. You have to get the facial hair right man, it's really, really important. Funnily enough I had just watched The Consequences of Love the other night on DVD and the contrast between these two movies is pretty incredible. I'm afraid Romanzo suffers terribly in comparison and if you think about they are actually in the same genre. However I still enjoyed Romanzo and unlike the previous poster it did not drag for me which is always a good sign.

American movies have been chock a block with Italian mafia and gangster movie over the years, saturated with the usual clichés aping the genuine classics of the genre. This film, for me at least, is a novelty, an actual gangster movie by Italians based in Rome (Italy).

The film covers the sharp rise to the top by a small tight group of street gangsters, who become the top dogs of the Roman underground world of drugs, prostitution and hit-jobs. The group is really three friends going by their nicknames, and as ever they are surrounded by a large cast of fellow criminals and hoodlums. At the same time they are being hunted down by a dogged policeman who enters a romantic triangle with a beautiful and cunning prostitute who happens to also be the love interest of one of the gangsters. Tricky situation if ever there was one!

The film sweeps from the 70s up to the 90s and follows the characters, showing their self-serving and amoral attitude, but as time unfolds their loyalty is tested to the limit as is their commitment to not only their criminal world but to each other as well.

For me, this film was interesting and clever. The story maps out the main characters identities well, and seems to steer clear of general gangster clichés. I can only recall one mention of the Mafia by name, whilst most of the action took place at the street. The film adds the surprising element of govt/state collusion with the gangsters, but never places a heavy hand on this. The acting was superb especially by "Ice" and Patrizia, but the rest follow suit very well, and it is hard to knock anyone in that respect, whilst the Italian setting adds its beautiful character as the background setting.

On the other hand, the film does fall down on a couple of points. The story seems to move away from the gangster story to soap opera at points with vengeance the main game and plot. Business matters seems to disappear into thin air. Also, the large cast is great to have, but sometimes hard to keep up with who is who, and also what they are doing. More development of certain of the characters would have helped, although I don't want to criticise too much as the cast were excellent as it is.

Overall, a film that is a great interesting and intelligent film, but misses out on being the great modern Italian gangster film that it maybe was aiming for. As in the real world, it appears that the foreign equivalents (e.g. City of God for Brazil) have taken over from the old Italian masters, but a comeback is not out of the question, and hopefully this will be the first of a new burst of quality film making from the Italians.

I read the book some years ago, and was really excited that a movie was going to be made out of it. The plot was just perfect and the characters strong enough to work well on screen. Well the movie is quite disappointing, and not because of the script, which in a way does work (except maybe for a foreign audience who will not catch all the political implications of the movie), but for Michele Placido's poor television style of directing and (mainly) for the choice of (most) the actors. These guys should be the worst criminals Rome had ever seen, people you would not have the guts to see in the eyes, but the actors chosen are all the cool and beautiful teenager idols of Italian cinema, surely good actors, but not in the right place this time. This movie could have been a great opportunity to finally export some good Italian cinema...i'm afraid we'll have to wait much more!

Very good, though the story is very dramatized (and I'm Italian, so I know the story of my country).

It takes a real gangster group, link it with neo-fascist and communist actions, real characters and fictional ones, creepy cospirative figures...

It's very far from the criminal stories seen up to now in our country: the cop-movies was a genre abandoned since the '70s (they flourished in the period portrayed in Romanzo Criminale, mostly as a consequence of the feelings of the people against the political and criminal acts of these years).

But it's a very good movie, with solid story and great musics, one of the best in Italian cinematography of the last years (with "Dopo Mezzanotte / After Midnight" and "Le conseguenze dell'amore")

You might have noticed it, but if not, be advised that this movie is over 2 and half hours long. You have to cope with that, if you want to watch this movie. But it is worth the time you spend and it also needs the time!

Because this is a movie that tells a story that goes over three decades. And who better to direct a (european point of view) mafia story than Michelle Placido? Known for his role in "La Piovra" (especially in Germany under the title "Allein gegen die Mafia", which would translate into "Alone against the mafia"), he now is behind the camera for this one!

Since you know about the running time, you know what genre this is, the only thing left to say is ... if you decide to watch this, you have to watch it carefully to get everything.

The best Italian movie in the last 20 years. The birth and the growing of a group a of criminals told by Placido quite differently from his big previous works as "Piovra" was. A perfect synchronization of events and soundtrack that accompanies the whole film intensifying the importance of all what's happening in the Italy of those years. Extracted by fully true story that had shocked Italians in the 80' it has no documentary tones but real artistic interpretation of the facts. It is a very brave movie for telling political realities of the opaque seen by a very critical point of view . Fantastic dialogs ( even they were sometimes in-comprehensive for often in Rome's dialect ). I enjoyed this film at list 5 times in a month and I invited people to watch it. Thanks to Placido for having given to these young ( and not ) actors the possibility to demonstrate they are able to play big roles. great movie , it's a seen it's not so well distributed all over world.

Romanzo Criminale, or Crime Novel in English, reminded me of recent Scorsese film The Departed; a film that's fast, smooth, slick and glamorous but knows where it stands on the line that on one side actually contains glamorisation. I may not be overly familiar with the bulk of the cannon that is Italian crime cinema, but Crime Novel seems to want to appeal to the broadest possible audience; there is a showy sense of colour and energy, a feeling of the broad and of the epic when, in personal terms, low-grade and gritty content always works best for me. I think Crime Novel has the necessary characters to tell a 'proper' crime story what with prostitutes, petty thugs, drug dealers and kidnappers but it remembers all too often to 'have fun' with its subject matter. Had the characters been slightly less-believable and more akin to something from a Guy Ritchie attempt, the 'clash' I felt was there might not have been.

Regardless, and despite this wavering sense in relation to content, the film feels good enough to warrant a pretty strong recommendation; and film that doesn't necessarily know its foundations but knows exactly where it wants to go when it's off and running. The film covers a number of petty Italian criminals throughout the 1970s and briefly onwards from there. They are Ice, Lebanese and Dandy; three kids that come of age in the 1960s when they steal a car, briefly avoid the police and then see their fourth friend die as one of them is arrested and jailed. The film gets across the direction the makers will take it down very early on and in some style, introducing the leads in a flashy and sexy manner; many will have issues with young 'gangsters' inhabiting the screen with their 'cool' nick-names such as 'Ice' and so forth. Crime Novel carries the same tone as, and certainly takes inspiration from, pieces like City of God and any Guy Ritiche venture into this genre, but it does fall short of those examples.

It's oddly symbolic that a kidnapping of a certain someone would act as the launching of the soon to be enlarged group; it signifies a taking of something for personal gain, a swiping of a person that gives them the opportunity to swipe the city for themselves. These guys party hard by night in a carefree and obnoxious manner, they stab people by day; something the film wants us to understand very early on when that sense of juxtaposition is apparent as is a feeling of low-level crime, a sense that these people are not afraid of what they do and may well inhabit public spaces, continue with whatever it is they enjoy and might well be never more than a few yards away from you.

The film lays its goals down in a pretty clear cut fashion when the leader of this rising group makes reference to the Roman empire, he wants something large; powerful and something to be feared as the result of all this. The notion is in debt more toward American crime films of old, Scarface and The Godfather in particular as this study of the hierarchy is set up. But Crime Novel doesn't want to be about one man as much as it does rather a few. Throughout the duration of the picture, characters will fall in love; speak of eloping; aid in the taking over of entire drug empires and go on journeys of psychological paranoia while law enforcers around them go on an ever-escalating pursuit of these criminals, that see themselves dice with temptation and death mere scenes apart. The film even takes time to incorporate Italy's 1982 World Cup win.

So you've got a lot going on. The film doesn't hang about, and I don't think it really cares whether we connect with all of the characters in the piece, just so long as our attention is drawn to one or two. What acts as an interesting element to all of this is the character of Patrizia (Mouglalis), the prostitute and lone female figure amidst this male dominated world and genre. The sexual tension between her and leading law-enforcer Scialoja (Accorsi), which is displayed in certain scenes, comes across as something out of another film entirely – the odd thing is, most of these scenes are more interesting than most others as a sort of side-show of lust and temptation, always drawing you into the criminal world. The character of Patrizia, I suppose, acts as a bridge between them; those being 'right' and 'wrong'.

If most scenes in the film are raw and enjoy the 'in-your-face' delivery, then the scenes Scialoja and Patrizia share carry a certain amount of slow burning energy that the others lack. If the performances of Mouglalis and Accorsi are impressive, it's because they have something raw enough to work with, which is slightly more than the rest of the cast can really lay claim to. Importantly, Crime Novel isn't a glorification. By the end, the film has gone so far that it thinks it can branch off into a revenge tale, and given its sheer energy and ruthlessness in telling a sprawling crime piece, it sort of earns the right if the priorities are correct – which they are. Made with energy and a fair amount of efficiency, Romanzo Criminale delivers without romancing criminals, too much.

this movie is great. It is the best Italian movies made for a very long time. Movies industry in that country slept for a long time, but now it wakes up!! Some in Europe compare it to Scorsese or Coppola movies and that's true. The actors are all very good, most particularly Kim Rossi Stuart and Stefano Accorsi. Michele Placido, director, did a very good job. The movie is 2h20, but you don't see the time passes through. It give a good picture of Italia in the 70's, bad time for the country, good time for the mafia. Sometimes, you might think that you're looking something close to "Godfather". It's not far away, but different. It's not about family link, but friendship. If you haven't seen that movie yet, you must!

A warning to all, as i review the Italian language version of the movie - which i also assume to be the long cut; Just bare with me, it will all make sense soon.

Romanzo Criminal (RC) is a made-for-TV film, almost three hours long, a "serialized" film as we like to call them. This is the faithful screen adaptation of a book by the same name, that much in the style of James Ellroy, purports to be a work of fiction, while actually telling a real story with a few mysterious holes filled in by fiction.

In the 80's the Italian capitol, Roma, was ruled by the Banda Della Magliana, a group of ruthless criminals who wiped out the old "ruling class" by using modern methods and extreme ..well, ruthlessness; Broad daylight murders, holding corporations, organized dealings, and a desire for power that ignored all consequences. The film deals with their supposed origins, ascension to power, and fall at the hands of a determined - and lucky - marshall.

Now, generally i wouldn't touch Italian film with the proverbial ten foot pole, especially a modern film and one made for TV most of all, but RC does away with most Italian modern film conventions and delivers a realistic, well paced, and altogether meaningful package. The characters are well developed(and they certainly are nothing like you will get in any other film), the acting is good (not really a great effort, since the actors were basically asked to not act, but there still is a great commitment and good final product), and the story is just fantastic.

While great in the first half, the film suffers near the end, perhaps because while the first half of the film is a smaller period of time, the second is a longer period and more compressed, and while the "setting up the organization" is where most of the action and daring is, the rest is slower and more complex sub-plots are weaved in, making the storyline a bit murky.

Now, i expect italians to watch this, but for a foreigner to catch this film, translated, it is still worth a shot; I personally can't vouch for the translation (and many films do suffer when translated, especially one as based on characters as this one is), but if you have the chance, try it, if translators made any effort at all you will be very pleasantly surprised.

7/10 (10/10 scaled with the usual Italian muck)

I just fell in completely and got absorbed by the rhythm and the story. I felt the movie was a whole, the music, the way the scenes were put together gave it pace and you couldn't stay outside. Also it made me want to know more about that time and I don't think I fell for the movie simply because of a couple a cute bad guys (though I must admit that the cast is really cute).I don't buy what others said about being persuaded that these guys were nicer than they really were I'm talking about the movie as a work of fiction.The actors were really convincing and the violence shown in the movie was measured there were no unnecessary violent scenes.

There is long tradition in Italian cinema in which the hero is a thief or a pathetic loser or a criminal or, like in "Romanzo Criminale" all three. Part of the tradition is to humanize the beasts, to give them feelings, to make us feel for them. Here we're giving an endless romance based on the real life Magliana band, a bunch of heartless, violent thugs that dominated the Roman gangland in the 70's. Michele Placido and his script writers concoct a confused and confusing document that is as annoying, tedious and opportunistic as it is long, endless really. There is, however, one big plus in its favor, the actors. They are given a sketchy draw of their perverse characters but they go for it with body and soul. Kim Rossi Stuart's tormented Freddo exudes a cutting pain that makes you think he has a conscience. Claudio Santamaria projects danger without even trying and the "Libanese" is played by an actor totally new to me, Pierfrancesco Favino, that gives the best performance by an Italian Actor in many, many moons. Riccardo Scamarcio has a face to launch a thousand ships but unfortunately no character and Stefano Accorsi is totally unbelievable in a character that is nothing short of absurd. Explosions, production values, American style editing, but very slow pacing, a brilliant dirty photography by the great Luca Bigazzi. What a pity that with all of this talent available the end result is so mediocre.

A great moment with a real truth in the way actors are playing. Without using any special effects, they succeed in making us enter one of the most cruel and violent part of Italian History. All the characters through their contradictions are touchy and very well psychologically described and built. I especially think of Mister Stefano Accorsi very famous in Italy but quite unknown for the moment in France. I discovered a great actor, really involved in his character... When I first met him, I would never have thought and guessed he could be so good at acting ! Life is strange but really amazing at times...Anyway, I spent a very great moment and also appreciated a lot the soundtrack I found really relevant and fun !!

Excellent movie!!! I didn't know what to expect of this film, but I was pleasantly surprised by this one as a whole. I didn't know any of the actors who carried their roles no worse than De Niro or Brando and made this movie so good. The music was brilliant: from "Nessun Dorma"(Puccini) to "I go to sleep" (Pretenders) and "Ballroom Blitz". The storyline is simple: a couple of street kids get thrown into jail. One of them, the Libanese, gets the idea to conquer Rome: to drugs, whores gambling, etc. They succeed in taking over the entire underworld, but it doesn't go as smoothly as it may sound. The movie lasts about two and a half hours, but there is never a dull moment. In the end, they can't keep it up. This movie is full of suspense, and may easily call itself the 21century-italian-godfather: a must-see film with top acting, superb music and great to watch.

The most famous criminal within Italy is easily the Mafia, but here is a film that shows a crime organisation that was not link them.

Set in the 70s and 80s Romanzo Criminale tells the story of three friends Ice (Kim Rossi Stuart), Lebanese (Riccardo Scamarcio) and Dandy (Claudio Santamaria) who in the 70s rise up the Rome underworld, forming a gang to kidnap wealthy people, drug dealing and murdering the heads of rival gangs. They quickly raise to the top, with Ice and Dandy finding love on the way, Ice with a pretty young tutor Roberta (Jasmine Trinca) and Dandy with an up-market escort Patrizia (Anna Mouglalis). The gang have to face a number of threats, from Communist Terrorists, the Italian government and the very demanded police commissioner Scialoja (Stefano Accorsi).

Romanzo Criminale is a very well acted film, with excellent performances across the board. Many of the actors in the film should have a good future ahead of them. There a good action set pieces, with Michele Placido being very skilled behind the camera. The film is violence but not OTT. He pacing can be a little slow at times, but he knew what he was doing, showing both the gangster side of the film with the more personal and tender moments. However, his opening credit scene felt too much like a Guy Ritchie film and should have avoided that. They is a strong script, with a lot of elements and subplots throughout the film. They is a quite a lot to follow so needs a few viewings. The soundtrack is also very notable.

A very worthy film.