A look at a few chapters in the life of Poppy, a cheery, colorful, North London schoolteacher whose optimism tends to exasperate those around her.A look at a few chapters in the life of Poppy, a cheery, colorful, North London schoolteacher whose optimism tends to exasperate those around her.A look at a few chapters in the life of Poppy, a cheery, colorful, North London schoolteacher whose optimism tends to exasperate those around her.
- Nominated for 1 Oscar
- 39 wins & 63 nominations total
Sinead Matthews
- Alice
- (as Sinéad Matthews)
Viss Elliot Safavi
- Flamenco Student
- (as Viss Elliot)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe role of Poppy was written specifically for Sally Hawkins.
- GoofsIn the scene after Poppy has aborted her lessons for good with Scott, she walks past the same row of shops twice.
- ConnectionsFeatured in Happy-Go-Lucky: Mike Leigh's Characters (2008)
- SoundtracksCommon People
Performed by Pulp
Written by Jarvis Cocker (as Cocker) / Nick Banks (as Banks) / Candida Doyle (as Doyle) / Steve Mackey (as Mackey) / Russell Senior (as Senior)
Published by Universal/Island Music Ltd
Courtesy of Universal-Island Records Ltd
Under licence from Universal Music Operations
Featured review
When this film came out my girlfriend said she wanted to see it because she'd heard good things. After much time waiting for her to be in the mood for it, I eventually queued it up when by myself and I am glad I did as she would have truly hated this film. The plot (as light as it is) is about a 30-year-old woman who is as cheerful and perky as the day is long. She hangs out with her friends, she meets a guy, she learns how to drive and in all these things we see her infectious sense of happiness. There isn't much more to this and I do not thing I have seen a film that depends so totally on whether or not you like the main character.
I said she is infectious but then so are many diseases and to be honest I found Poppy to be as enjoyable. Her character is the type to speak to strangers, to constantly have a zany remark, to be the one making a spectacle of herself and so on. Of course her being the polar opposite of me didn't help, but I found nothing to make me question myself here and on the contrary I spent much of the film wondering if Polly isn't suffering from some sort of mental illness. The majority of the film sees Poppy in full-on zany mood, mostly in collaboration with others but occasionally contrasting her with a dull married couple and her driving instructor, who carries all of his anger with him all the time. When the film is letting Poppy just be herself I found it tiresome. As a character she says nothing real and everything is a little joke or witty episode. It is only the contrast where she comes out and I think there is really only one or two moments in the film where I felt a real person had come out of Poppy.
The cast are mixed and not in a goo way. Hawkins got lots of praise of this performance but I thought it was terrible. In one or two scenes she lets the façade drop so we see her at her most real. I loved these moments but the downside of them was that we then know the rest is a façade and not her really. Her acting involves cheeky mockney dialogue and little else. Marsan is much better. His rage and anger is convincing and his performance works well next to the moments when Hawkins is not OTT cheerful. The supporting cast is OK but really it is Hawkins' film and this is something to keep in mind.
Whether you like this film or not depends very much on liking Poppy. You may find her freewheeling color to be charmingly quirky but for me she used it as a barrier to any real discussion or humanity and she struck me as disingenuous throughout the film. The moments where she drops the wisecracks and zaniness and lets something like empathy or concern for others come through are great, but they are few and far between.
I said she is infectious but then so are many diseases and to be honest I found Poppy to be as enjoyable. Her character is the type to speak to strangers, to constantly have a zany remark, to be the one making a spectacle of herself and so on. Of course her being the polar opposite of me didn't help, but I found nothing to make me question myself here and on the contrary I spent much of the film wondering if Polly isn't suffering from some sort of mental illness. The majority of the film sees Poppy in full-on zany mood, mostly in collaboration with others but occasionally contrasting her with a dull married couple and her driving instructor, who carries all of his anger with him all the time. When the film is letting Poppy just be herself I found it tiresome. As a character she says nothing real and everything is a little joke or witty episode. It is only the contrast where she comes out and I think there is really only one or two moments in the film where I felt a real person had come out of Poppy.
The cast are mixed and not in a goo way. Hawkins got lots of praise of this performance but I thought it was terrible. In one or two scenes she lets the façade drop so we see her at her most real. I loved these moments but the downside of them was that we then know the rest is a façade and not her really. Her acting involves cheeky mockney dialogue and little else. Marsan is much better. His rage and anger is convincing and his performance works well next to the moments when Hawkins is not OTT cheerful. The supporting cast is OK but really it is Hawkins' film and this is something to keep in mind.
Whether you like this film or not depends very much on liking Poppy. You may find her freewheeling color to be charmingly quirky but for me she used it as a barrier to any real discussion or humanity and she struck me as disingenuous throughout the film. The moments where she drops the wisecracks and zaniness and lets something like empathy or concern for others come through are great, but they are few and far between.
- bob the moo
- Aug 17, 2013
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Yêu Đời Lên Bạn Nhé
- Filming locations
- Tower Bridge School, Southwark, London, UK(school scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,512,016
- Opening weekend US & Canada
- $73,867
- Oct 12, 2008
- Gross worldwide
- $18,696,602
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content