Johnny Knoxville and company return for the third installment of their TV show spin-off, where dangerous stunts and explicit public displays rule.Johnny Knoxville and company return for the third installment of their TV show spin-off, where dangerous stunts and explicit public displays rule.Johnny Knoxville and company return for the third installment of their TV show spin-off, where dangerous stunts and explicit public displays rule.
- Awards
- 1 win & 4 nominations
Jason 'Wee Man' Acuña
- Self
- (as Jason "Wee Man" Acuna)
Ehren McGhehey
- Self
- (as "Danger Ehren" McGhehey)
Storyline
Did you know
- TriviaJohnny Knoxville had one of his teeth knocked out by a flying dildo.
- GoofsIn the final 'explosive' scene, before the plunger is pushed, the corner of the room that Bam Margera is sitting in is relatively empty. However, when the Johnny Knoxville orders everyone to put on their goggles and proceeds to push the plunger, a bookcase appears in the corner.
- Alternate versionsThere's an unrated version of Jackass 3 released on DVD and Blu-Ray.
- It has an extended version of the "Super Mighty Glue" scene were Dunn has his ass glued to Phil's back, then Bam glues his hand to Dunn's face.
- An extended version of "Will The Farter" were Bam smokes a cigarette that was in Will's butt, throws up and see's something in a cup and throws up again.
- Another extended scene, during the "Duck Hunting" scene, Parks Bonifay has to act as a target as well.
- There's also an additional scene, in another part of the Rocky bit, Rick Kosick gets smacked in the head.
- There's another extended scene, during the "Lamborghini Tooth Pull", Pontius brushes his teeth with an electric toothbrush and says: "If you wanna walk the walk you gotta talk the talk. Or no one will take you serious.".
- During the ending credits, there's alternative footage. The theatrical version shows Dunn sitting on Phil's back while Bam glues his hand to Dunn's face. Because this has already been shown in the Unrated, this version shows a conclusion to Ehren's tooth removal.
- SoundtracksCorona
(Jackass Opera Mix)
Written by D. Boon
Produced and Performed by Sam Spiegel (as Squeak E. Clean)
Featured review
Jackass 3D is the latest from the group and as the title suggests, it's in 3D. Stunning 3D if I dare say so. No matter how old I get I don't think I'll ever get tired of watching these brave men launch various objects at their genitalia and ignite a wide variety of explosives while standing far too close for comfort.
I'm sure most of you have seen the trailer so I don't have to go into the stunts and pranks performed in the film, but what I will talk about is how amazing the film looks. 3D has been reserved for large scale action films and animated features. Here is essentially a documentary being shot in 3D, the first of its kind (though Werner Herzog's upcoming documentary Caves utilizes 3D technology as well).
The compositions on screen are so bizarre yet so simple. They make the most immature acts a work of art. Rather than finding out the harmful effects of being stunned by a stun gun or cattle prod, they turn it into an event whereby several members of the group run through a hallways with various types of these devices hanging in the air.
These daredevils or "trained professionals," as they disclaim in opening credits, have gone from punk rebels to cultural icons. Their outlandish pranks and inconceivable stunts are a testament to our society's consumption of the obscene and the absurd. We watch these hooligans abuse themselves for our enjoyment. We laugh at their pain. The only reason we laugh is because we aren't the ones feeling their pain.
What really makes this film funny is the groups approach to their work. I can imagine how many takes of each segment introduction their must be. The men are either dying from laughter at what is about to unfold, or they can hardly keep their composure for fear that this next stunt will be their last. Regardless, we get a sense that what we are seeing on camera is what these people are really like. They laugh, scream, and gasp for air like we would, though perhaps with a little more courage.
This carefree approach comes through in the production as well. The melding of the crew with the cast is like watching a dysfunctional family's home videos. The cameras capture the action both with the cast and behind the scenes with the crew. It's a fun, slightly off atmosphere. To help create this atmosphere, we are fortunate enough to listen to a great selection of songs, my favorite being Roger Miller's "You Can't Roller Skate in a Buffalo Herd," played over Johnny Knoxville being chased after by a herd of buffalo. Oh yeah, he's also wearing roller skates. How fitting.
I don't think I need to tell you all this, but this film isn't for everyone. I can think of several scenes which some will find offensive, others will find revolting, and maybe a few of you will deem as unfit for human eyes. Still, those who are fans of the show or if you're looking for something new, look no further. This film is a raunchy, laugh riot.
I'm sure most of you have seen the trailer so I don't have to go into the stunts and pranks performed in the film, but what I will talk about is how amazing the film looks. 3D has been reserved for large scale action films and animated features. Here is essentially a documentary being shot in 3D, the first of its kind (though Werner Herzog's upcoming documentary Caves utilizes 3D technology as well).
The compositions on screen are so bizarre yet so simple. They make the most immature acts a work of art. Rather than finding out the harmful effects of being stunned by a stun gun or cattle prod, they turn it into an event whereby several members of the group run through a hallways with various types of these devices hanging in the air.
These daredevils or "trained professionals," as they disclaim in opening credits, have gone from punk rebels to cultural icons. Their outlandish pranks and inconceivable stunts are a testament to our society's consumption of the obscene and the absurd. We watch these hooligans abuse themselves for our enjoyment. We laugh at their pain. The only reason we laugh is because we aren't the ones feeling their pain.
What really makes this film funny is the groups approach to their work. I can imagine how many takes of each segment introduction their must be. The men are either dying from laughter at what is about to unfold, or they can hardly keep their composure for fear that this next stunt will be their last. Regardless, we get a sense that what we are seeing on camera is what these people are really like. They laugh, scream, and gasp for air like we would, though perhaps with a little more courage.
This carefree approach comes through in the production as well. The melding of the crew with the cast is like watching a dysfunctional family's home videos. The cameras capture the action both with the cast and behind the scenes with the crew. It's a fun, slightly off atmosphere. To help create this atmosphere, we are fortunate enough to listen to a great selection of songs, my favorite being Roger Miller's "You Can't Roller Skate in a Buffalo Herd," played over Johnny Knoxville being chased after by a herd of buffalo. Oh yeah, he's also wearing roller skates. How fitting.
I don't think I need to tell you all this, but this film isn't for everyone. I can think of several scenes which some will find offensive, others will find revolting, and maybe a few of you will deem as unfit for human eyes. Still, those who are fans of the show or if you're looking for something new, look no further. This film is a raunchy, laugh riot.
- moviemanMA
- Nov 18, 2010
- Permalink
Details
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $117,229,692
- Opening weekend US & Canada
- $50,353,641
- Oct 17, 2010
- Gross worldwide
- $171,685,792
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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