A closeted gay teen, unwittingly blackmailed with a secretly-recorded sex tape, is pressured into making child pornography as a participant and a recruiter of young boys. "For each kid you bring you'll get around a month of your dad's salary," the blackmailer tells his victim, "It's just a job, you see."

It's an important topic given the enormity of the multi-billion dollar child sex video industry and the lifelong trauma experienced by exploited kids.

"El Cazador," aka "Young Hunter" is not an exposé. Director Marco Berger focuses on one iconic story, that of 15-year-old Ezequiel, caught in a pornographer's trap, and 13-year-old Juan, the target victim who sees in Ezequiel a surrogate for the father he's lost. It's further complicated by Ezequiel's falling for Mono - his first boyfriend, he thinks - but also the dude who set him up.

Ezequiel, played beautifully by Juan Pablo Cestaro, wrestles with his dilemma in silence to a great degree - a confused kid, in over his head, with no one to turn or talk to. Free of explicit sex, the script is heavy with talk of shoot planning, gaming, texting, skating, and parental subterfuge. Meanwhile, Berger's shots are quietly coaxing the audience to identify with Ezequiel's angst, even while he grooms Juan as the filming date nears. The film's open-ended resolution is reminiscent of Japanese cinema, a moment in time for the audience to ponder, no Hollywood ending here.

Berger explores this challenging story with humanity and compassion for its innocent young victims, a cautionary tale for anyone unaware of child porn's workings. With fine direction and smart cinematography, "Young Hunter" is a courageous effort which won the support of Argentina's National Institute of Cinema and Audiovisual Arts. Some say the final cut needs a trim. Still, it's well worth watching.