Thirty years ago Bolshoi Orchestra conductor Andreï Filipov was fired for hiring Jewish musicians. Now a lowly janitor, an opportunity arises to gather his old musicians to go and pose as th... Read allThirty years ago Bolshoi Orchestra conductor Andreï Filipov was fired for hiring Jewish musicians. Now a lowly janitor, an opportunity arises to gather his old musicians to go and pose as the official Bolshoi orchestra in Paris.Thirty years ago Bolshoi Orchestra conductor Andreï Filipov was fired for hiring Jewish musicians. Now a lowly janitor, an opportunity arises to gather his old musicians to go and pose as the official Bolshoi orchestra in Paris.
- Awards
- 9 wins & 15 nominations
Aleksey Guskov
- Andrey Simonovich Filipov
- (as Aleksei Guskov)
Dmitriy Nazarov
- Aleksandr 'Sasha' Abramovich Grosman
- (as Dimitri Nazarov)
Miou-Miou
- Guylène de La Rivière
- (as Miou Miou)
Valeriy Barinov
- Ivan Gavrilov
- (as Valeri Barinov)
Anna Kamenkova
- Irina Filipova
- (as Anna Kamenkova Pavlova)
Anghel Gheorghe
- Vassili
- (as Anghel Gheorghe dit 'Caliu Din Clejani')
Aleksandr Komissarov
- Viktor Vikich
- (as Alexander Komissarov)
Guillaume Gallienne
- Laudeyrac
- (as Guillaume Gallienne de la Comédie Française)
Storyline
Did you know
- TriviaMelanie Laurent started learning to play the violin only a few months before production. For the concert scenes, she learned all the bow movements, so her bow would always be on the correct string and move convincingly. However, her left hand (and sometimes arm) were digitally added/replaced in post-production.
- GoofsWhen Filipov, Gavrilov, and Grossman are meeting with the man will provide them and the orchestra passports to Paris, he says that when it is evening in Moscow it is morning in Paris. This is impossible because there is only a two hour time difference between the two cities.
- Crazy creditsThe director's father, Ion Mihaileanu, is credited as "diligent and attentive spectator and supporter of the film"
- ConnectionsFeatures Candidate (2002)
- SoundtracksViolin Concerto in D Major op. 35
Composed by Pyotr Ilyich Tchaikovsky (1878)
Performed by The Budapest Symphony Orchestra
(P) 2010 Les Productions Du Tresor / Oi Oi Oi Productions Under Exclusive License To Milan Entertainment, Inc
Featured review
Greetings again from the darkness. Typically when a film is billed is a "French comedy", we can expect a farcical good time with self-centered characters who flitter their days away. Director Radhu Mihaileanu delivers something completely different and unexpected.
Two really fine performances drive this story. Aleksei Guskov plays Andrei Filipov, the one time conductor of the Bolshoi orchestra, who lost his beloved job because he employed Jewish musicians during the harshest of Communist days. Nearly three decades later he finds himself as the janitor in the same hall where he once conducted. Because of this, an opportunity presents itself that allows him to seek redemption in his own life, and that of another.
Melanie Laurent, who was so outstanding as the theatre manager with a nasty plan in Inglourious Basterds, plays Anne-Marie Jacquet - a violin virtuoso who Filipov demands to have in his orchestra for a show in Paris. Ms. Laurent displays tremendous screen presence with minimal dialogue. She is quite a talent and I hope she spends more time in the U.S. making movies! The comedy portion of the film occurs as Filipov frantically assembles his orchestra from all over the city. They have each gone their separate ways and some no longer even have their own instruments. Of course, none of the musical portion is believable, but as I said, this is a story of redemption.
The film climaxes with a wonderful onstage performance combined with a startling montage that really puts the details into the story that's been skirted for the first 90 minutes. It is a wonderful ending to a decent film that really had the potential to be amazing.
Two really fine performances drive this story. Aleksei Guskov plays Andrei Filipov, the one time conductor of the Bolshoi orchestra, who lost his beloved job because he employed Jewish musicians during the harshest of Communist days. Nearly three decades later he finds himself as the janitor in the same hall where he once conducted. Because of this, an opportunity presents itself that allows him to seek redemption in his own life, and that of another.
Melanie Laurent, who was so outstanding as the theatre manager with a nasty plan in Inglourious Basterds, plays Anne-Marie Jacquet - a violin virtuoso who Filipov demands to have in his orchestra for a show in Paris. Ms. Laurent displays tremendous screen presence with minimal dialogue. She is quite a talent and I hope she spends more time in the U.S. making movies! The comedy portion of the film occurs as Filipov frantically assembles his orchestra from all over the city. They have each gone their separate ways and some no longer even have their own instruments. Of course, none of the musical portion is believable, but as I said, this is a story of redemption.
The film climaxes with a wonderful onstage performance combined with a startling montage that really puts the details into the story that's been skirted for the first 90 minutes. It is a wonderful ending to a decent film that really had the potential to be amazing.
- ferguson-6
- Aug 7, 2010
- Permalink
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Details
Box office
- Gross US & Canada
- $657,986
- Opening weekend US & Canada
- $21,742
- Aug 1, 2010
- Gross worldwide
- $41,146,351
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
- 2.39 : 1
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