An example of the inept use of a three-part structure. This is an example of a montage that is a disorderly juggling of the past and the present. The very idea of investigating economic crimes and the disappearance of a key informant is intriguing, but it is implemented and written in the worst traditions of the detective genre: not prescribed characters and, as a result, lackluster roles with superficial dialogues; stupid plot decisions justifying circumstances. The screenwriter "turns off" smartphones and forgets about the compass to justify lost tourists; tourists quarrel over the map like children, and as a result, the map floats downstream, and a girl from the group tries to fish it out of the water, flounders in the water and bruises her head. In the stream! The stream is knee deep! Just think, the girl went with the flow for a few seconds and got a head injury... how? The director did not bother to show it, just put the viewer in front of the fact.
The stupidest thing is how the group navigated on the map - without a compass, visually looking around. Are you serious? Only a schoolboy can come up with such nonsense, but the director seriously continues to confuse with the absurdity of what is happening, straining with alarming notes. I am simply amazed at how much human and material resources have been invested in this ridiculous theater of "forced losses" with empty chatter and women's screams. "Women's screams" is a directorial technique that is used wherever possible and where it is not necessary. I don't like the slang definition of "stuffy", but in this characteristic designation it corresponds to the content - it's shrill, stuffy, boring constructive junk. The director is unable to organize the acting, he does not see falsehood, does not know how to place accents, does not understand the material, and this misunderstanding is reflected in the viewer. It's a pity for Eric Ban, he has the image of an intelligent man, but in this film his virtues have dissolved into directorial incompetence.
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