The film has an original tone in keeping with its setting in the Congo, as well as with its theme of beliefs and superstitions, which are a mixture of Christian superstitions and local tribal beliefs and superstitions. As usual, superstitions only impress those who believe, and the film seems artificially dramatized. Even if our character suffers greatly from it. But it has to be said that the script integrates all these elements perfectly. One regret as a viewer is that Marc Zinga's wife has no place in the second half of the film.

Nonetheless, the film has its original features, in particular the atmosphere, the settings of the places where it takes place in the Congo, and the various cultural elements it brings to the fore. It's worth noting that it's not an advertisement at all, but rather a repudiation of this country, where people don't seem to have any free will and, above all, are caught up in the shackles of superstition.

Nonetheless, the film has a real signature and hysteresis.