Directed by
Ron Howard |
Writing Credits
Mark Monroe | ... | (written by) |
P.G. Morgan | ... | (story consultant) |
Cast (in credits order) complete, awaiting verification
Produced by
Marc Ambrose | ... | supervising producer |
Jonathan Clyde | ... | executive producer |
Guy East | ... | executive producer |
Nicholas Ferrall | ... | executive producer |
Jeanne Elfant Festa | ... | co-executive producer |
Brian Grazer | ... | producer |
Ron Halpern | ... | executive producer: Studiocanal |
Cassidy Hartmann | ... | co-executive producer |
Bruce Higham | ... | co-producer |
Ron Howard | ... | producer |
Jeff Jones | ... | executive producer |
Scott Pascucci | ... | producer |
John Rita | ... | associate producer |
Michael Rosenberg | ... | executive producer |
Stuart Samuels | ... | co-producer |
Nigel Sinclair | ... | producer |
Matthew White | ... | co-producer |
Music by
Ric Markmann | ... | (original music by) |
Dan Pinnella | ... | (original music by) |
Chris Wagner | ... | (original music by) |
Cinematography by
Caleb Deschanel | ||
Paul Lang | ||
Tim Suhrstedt | ||
Michael Wood | ||
Jessica Young |
Editing by
Paul Crowder |
Makeup Department
Ria Biggerstaff | ... | hair stylist / makeup artist |
Sophie Brown | ... | makeup artist |
Haley Coats | ... | makeup artist |
Gemma Kirk | ... | makeup artist |
Tracy Raffelson | ... | makeup artist |
Production Management
Mark McCune | ... | additional production supervisor |
John Rita | ... | production supervisor |
Sound Department
Robert Dehn | ... | sound studio manager |
Will Digby | ... | sound effects editor |
Nathan Evans | ... | sound mixer |
Cameron Frankley | ... | re-recording mixer / sound designer / supervising sound editor |
Darlene Gorzela | ... | additional sound |
Chris Jenkins | ... | re-recording mixer |
Dan Kenyon | ... | sound effects editor |
Evan Menak | ... | sound mixer: los angeles |
Harrison Meyle | ... | dialogue supervisor |
Jon Michaels | ... | co-supervising sound editor |
Ryan Murphy | ... | mix stage engineer |
Tony Pilkington | ... | mix stage engineer |
Mark Purcell | ... | mix technician |
Fred Stuben | ... | sound mixer (multiple segments) |
Ann Marie Wachel | ... | additional sound |
Visual Effects by
Inka Kendzia | ... | motion design |
Camera and Electrical Department
Marc Ambrose | ... | camera operator |
Victor Avila | ... | camera operator: Ringo Starr Interviews |
Ian Barwick | ... | gaffer |
Jamie Boulton | ... | digital imaging technician |
Matt Buchan | ... | electrician |
Joshua Callis-Smith | ... | digital imaging technician: additional photography |
Colin J. Campbell | ... | gaffer: Ringo Starr Interviews |
Brent Carpenter | ... | additional photography |
Simon Chubbock | ... | digital imaging technician: additional photography |
Michael Cooper | ... | photographer: Sgt Pepper Lonely Hearts Club Band |
Jerry C. Deats | ... | key grip: Ringo Star Interviews |
Cooper Donaldson | ... | gaffer: additional photography |
Robert Freeman | ... | photographer: Rubber Soul |
Paul Goodstein | ... | key grip: Ringo Starr Interviews |
Jason Juhl Gray | ... | grip |
Callum Just | ... | digital imaging technician |
Kiva Knight | ... | gaffer |
David Penfold | ... | first assistant camera |
Jonathan Petts | ... | digital imaging technician: UK |
Tommy Tieche | ... | camera operator: Ringo Starr Interviews |
Patrick Tittmar | ... | digital imaging technician: additional photography |
Mark Weinberg | ... | camera operator |
David J. White II | ... | first assistant camera: Ringo Starr Interviews |
Animation Department
Inka Kendzia | ... | animation director |
Editorial Department
Jamie Boulton | ... | additional editor / first assistant editor / post-production supervisor |
Juan Ignacio Cabrera | ... | colorist |
Carissa Clark | ... | in-house producer |
Alexandra De La Vega | ... | post production supervisor |
Lucy Donaldson | ... | assistant editor |
Rich Evirs | ... | assistant editor |
Melissa Goodall | ... | post-production assistant |
Caryl Deyn Korma | ... | additional colorist |
Andy Lichtstein | ... | digital intermediate colorist |
Robert A. Martinez | ... | post-production coordinator (as Robert Martinez) / second assistant editor (as Robert Martinez) |
Sierra Neal | ... | assistant editor |
Caite Ni'Ceileachair | ... | music and stock footage coordinator: Studiocanal |
Mike J. Nichols | ... | assistant editor |
Manuel Reveles | ... | assistant editor |
Lauren Saffa | ... | associate editor |
Karen Sim | ... | additional editor |
Matthew Strattman | ... | assistant editor |
Charles R. Uy | ... | additional editor |
Ciaran Michael Vejby | ... | assistant editor |
Faroukh Virani | ... | assistant editor |
Richard Wiseman | ... | archival department |
Music Department
Yvette Gonzalez-Nacer | ... | composer: additional music |
Giles Martin | ... | music producer |
Melissa Muik | ... | music editor |
Sam Okell | ... | music mixer: songs |
Alastair Sirkett | ... | sound design |
David Torn | ... | original song written and performed by: "One More Chance" |
Additional Crew
Alexander Ayer | ... | production assistant |
Emad Barakat | ... | production intern |
Jim Berkenstadt | ... | researcher |
Jessica Berman Bogdan | ... | archival clearances |
Mélodie Boileau | ... | laboratories coordinator: laboratories coordinator |
Blake Brown | ... | production coordinator: new york |
Robert Burke | ... | marketing |
Francesca Canducci | ... | blu ray/dvd author |
Cathy Carapella | ... | music & media licensing |
Dean Cheley | ... | clearance counsel |
Adrienne Collatos | ... | archival researcher |
Alexandra De La Vega | ... | researcher |
Melissa Goodall | ... | archival research / licensing coordinator / production assistant: ringo starr interviews |
Jacob Gutman | ... | clearance coordinator / production assistant |
Naomi J. Hall | ... | archive researcher |
Renee Hines | ... | asst production accountant |
Theron Kabrich | ... | consultant: photographers |
Kristian Kobe | ... | publicist: Germany |
Pearl Lieberman | ... | archival research |
Mark McCune | ... | clearance supervisor |
Jim McDonnell | ... | additional archive researcher |
Sean Mears | ... | researcher |
Nicolas Andrew Motte | ... | production assistant |
Emily Precious | ... | production coordinator |
Emily Rice | ... | production accountant |
John Rita | ... | licensing manager |
Chris Robertson | ... | archival clearances |
Tony Rosenthal | ... | production coordinator |
Kate Serfoss | ... | clearance counsel |
Bomber Hurley Smith | ... | researcher (as Bomber Hurley-Smith) |
Michele Spitz | ... | Audio Description Co-Producer/Narrator/Sponsor |
Dan Stutz | ... | production legal |
Mireia Vilanova | ... | production intern |
Bob Wasserman | ... | archival research assistant |
Windsor Wong | ... | licensing coordinator |
Bruce Wrigley | ... | post-production payroll accountant |
Liberty Yanaga | ... | production assistant |
Thanks
Marc Ambrose | ... | special thanks |
Peter Asher | ... | very special thanks |
Neil Aspinall | ... | with special thanks in the memory of |
Eden Boulton | ... | thanks |
Mal Evans | ... | with special thanks in the memory of |
Joe Flannery | ... | very special thanks |
Terry Gilliam | ... | very special thanks |
Paul Greengrass | ... | very special thanks |
Tigre Hill | ... | the producers wish to thank |
Freda Kelly | ... | very special thanks |
Trinity Laurino | ... | special thanks |
Jill Lukk | ... | thanks |
Beryl Marsden | ... | very special thanks |
George Martin | ... | This film is dedicated to the memory of |
Albert Maysles | ... | very special thanks |
Simon Napier-Bell | ... | very special thanks |
Jessica Napoli | ... | phase one research |
Richard Radford | ... | the producers wish to thank |
Ed Sheeran | ... | very special thanks |
Peter Shukat | ... | in loving memory of |
Bomber Hurley Smith | ... | special thanks (as Bomber Hurley-Smith) / thanks (as Bomber Hurley-Smith) |
Ronnie Spector | ... | very special thanks |
Derek Taylor | ... | with special thanks in the memory of |
Nick Valner | ... | in loving memory of |
Leslie Woodhead | ... | very special thanks |