A pair of superb performances — from Suzanne Clément as a traumatized pregnant journalist and from Shelley Thompson as a suspiciously solicitous B&B proprietor — can’t overcome an excess of premise in “The Child Remains,” a well-made Canadian gothic horror film that just has too much on its mind.

The Child Remains strives to be a unique amalgamation of horror themes, however, it ultimately results in a confounded muddling through mismatched generic set pieces.

The too-obvious/too-slow “Remains” doesn’t frighten, doesn’t engross and doesn’t remain on the memory much past the closing credits.

Dementedly written, and directed as though it was under the influence of something stronger than cough syrup.