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2020
Chernin Entertainment
2020 in anime (Television series)
Ghost House Pictures
TSG Entertainment
2020 in anime (Films)
Paramount Pictures
Walt Disney Pictures
Reviews
Aliens Stole My Body (2020)
Feels more like a forgettable TV movie
Aliens Stole My Body falls so spectacularly short in the face of its potential by doling out a poor, uninspiring sequel that has lost its charm and wit from the original. A weak plot, unimaginative dialog, and a cast going through the motions rather than embracing the whimsy behind the story are all culprits in crippling the movie. Most especially the much-anticipated special effects, characteristic of the science fiction adventure genre, now appear a bit outdated and underwhelming in their visual appeal. While lightening its tone to make it more acceptable to a younger audience, it succeeded in losing that sense of wonder and excitement that truly made the original worthwhile. In the end, Aliens Stole My Body feels more like a forgettable TV movie than an epic worth continuing such a strong series.
Alabama Snake (2020)
A haunting exploration
Alabama Snake is a tight-if extremely unbalanced-documentary that gets to the root of the bizarre and unsettling tale of Pentecostal preacher Glenn Summerford, accused of attempting to murder his wife using a rattlesnake. It gets across an eerie atmosphere in rural Alabama and the dark undercurrents of religious fanaticism throughout the narrative. The documentary does, at times, feel a bit disjointed; its pacing suffers from a lack of focus and coherence. The reenactments, while quite evocative, sometimes veer into melodrama and become a distraction from the really compelling real-life drama at the core. Even with its flaws, Alabama Snake is a haunting exploration of faith, fear, and the thin line between them.
After We Collided (2020)
It was extremely boring
After We Collided is a shallowly aggravating sequel that really pours gasoline on the flames of deficiencies in its predecessor, offering no character development or plot advancement. Overly melodramatic and predictable, relying not on storyline twists but rather clichés, this movie has a central relationship at the heart of the film that feels toxic and tiring to the reader. The dialogue is cringy, and the pacing is everywhere-racing and dragging. All in all, *After We Collided* gave neither in emotional depth nor in entertainment value, so it was extremely boring to sit through, even for the genre's fans.
After Truth: Disinformation and the Cost of Fake News (2020)
Informative, engagingly done
After Truth: Disinformation and the Cost of Fake News is a very current, suspenseful documentary that holds up the dark mirror to the dangers of disinformation in today's digital society. With biting acuity and telling case studies, it reveals how fake news has been weaponized to manage public opinion, create division within democracies, and incite unrest. What really drives this documentary home is the incisive analysis and humanization needed to show tangible real-world effects on people and communities. Sobering in subject matter, it is informative, engagingly done, and incredibly important to any person who would like to understand the harmful power of disinformation in the digital age.
AK vs AK (2020)
A truly ambitious experiment
*AK vs AK* is a bold, uninhibited film that blurs real and reel lines to give a refreshingly meta take on the Bollywood industry. The very unique premise of the film-that of real-life filmmaker Anurag Kashyap and actor Anil Kapoor playing exaggerated versions of themselves-delivers moments of dark humor and incisive commentary on fame and the entertainment world. While most of the time, this self-referential style is interesting; it is, at the same time, self-indulgent and chaotic, which makes for a narrative that sometimes loses focus. The performances are solid, and the irreverent tone of the movie is engaging, but the execution may leave some viewers with a sense that the clever premise wasn't fleshed out. *AK vs AK* is a truly ambitious experiment that is at once entertaining and, in many ways, uneven; it appeals only to people who like its offbeat approach.
AI Houkai (2020)
An interestingly conceptualized movie
*AI Amok* is an interestingly conceptualized movie that capitalizes on the current concerns of our time, simply put, regarding artificial intelligence gone haywire. It promised so much but eventually fell short. In a very bold and quite admirable attempt at unraveling questions of morality and the dangers involved with unregulated technological progress, it had its intense, thought-provoking moments. Much of it, though, was disjointed; poor character development barred audiences from connecting. While many of the visual effects and action sequences are impressive, too often storytelling is compromised in an effort not to be overly confusing. Even with these flaws, though, *AI Amok* does raise important questions and provides enough suspense to keep sci-fi fans relatively entertained, even if it doesn't quite satisfy.
A Secret Love (2020)
A tender and poignant documentary
*A Secret Love* is a tender and poignant documentary about two women, Terry Donahue and Pat Henschel, in their seventies who have been in love for almost seven decades and have kept it private from the world. It managed to find its way through the personal and historical without losing its balance while pursuing the challenges of a same-sex relationship when such love was private from public view. There's something palpable, riveting about the actual love between Terry and Pat, and their story is at once heartbreaking and heartwarming. *A Secret Love*, with its tender handling and intimate storytelling, portrays a deeply moving picture: love, resilience, and the courage to be true to oneself.
A Nice Girl Like You (2020)
A lighthearted, sometimes amusing
"A Nice Girl Like You" is a lighthearted, sometimes amusing take on sexual discovery and self-acceptance, though it does very little to find its comedic rhythm or emotional depth. Lucy Hale brings charm and energy to the lead, and there are moments of real humor, most notably in the awkward situations she gets into. The movie, however, falls into too many used clichés and predictable gags, becoming shallow and formulaic in its overall narrative. These quirky supporting characters are not worked out at all, and the attempts to pull on more serious themes are too superficial to really leave their mark. Even with its defects, "A Nice Girl Like You" exudes a breezy, feel-good quality that makes it an easy-albeit unremarkable-watch for those in the mood for a light rom-com.
Sejuta Sayang Untuknya (2020)
A sweet and honest romance drama
A sweet and honest romance drama that speaks to emotion and authenticity; the movie brings out the whole issue surrounding love and relationships through its well-drawn characters and poignant storytelling. The performances are strong, with the leads offering heartfelt and nuanced portrayals that anchor the emotional core of this film. It may be a story one has heard before, but it is retold here with such sincerity and sensitivity that even steps of the plot, weighted at times by familiarity, feel refreshed and engrossing. Cinematography and the soundtrack further enhance the film's mood of being intimate-visually, aurally pleasing. While this does not redefine the genre, "A Million of Loves for You" is a most touching and, in various ways, very relatable exposition of love in its different forms that makes it worth watching by anyone craving a true and tender love story.
Fangio: El hombre que domaba las máquinas (2020)
A very captivating film
"A Life of Speed: The Juan Manuel Fangio Story" is a very captivating film that properly pays homage to one of the greatest legends of Formula One. Archive footage combines in this documentary with expert testimony and comments from Fangio himself; readers can relish both the intensity and elegance of a racing career that has become the watermark generations later. While this documentary on the entire career of Juan Manuel Fangio is first and foremost oriented to appeal to racing fans, it makes his story accessible and inspiring to a larger audience by showing not only his extraordinary skill behind the wheel but also the humble and determined character that made him a champion. Though sometimes the documentary glides over some tricky areas in his life, it is still reverent toward Fangio's legacy and portrays old-school motorsport with a real sense of excitement-for this reason, it's an absolute must-see for any fan of sport and history.
A California Christmas (2020)
A charming, at times formulaic, holiday romance
"A California Christmas" is a charming, at times formulaic, holiday romance set against the sun-drenched backdrop of wine country. Sure, it works with familiar tropes, but its easy going tone and undeniable chemistry between Lauren Swickard and Josh Swickard give moments of authenticity in their warmth and sweetness. However, the plot is just a little too predictable and contains very little that will actually surprise one or keep the story interesting, and its dialogue often falls into trite country. The beautiful setting and festive atmosphere do much to carry the movie; however, "A California Christmas" is, on the whole, a merry, unremarkable seasonal rom-com addition: comforting, easy entertainment during the holidays, yet unlikely to stand out among the crowd.
A Babysitter's Guide to Monster Hunting (2020)
A visually colorful
"A Babysitter's Guide to Monster Hunting" is a visually colorful but ultimately forgettable adventure that fails to live up to its potential. It falters in tone, wavering awkwardly between the lighthearted family fun and clumsy attempts at suspense. This plot seems too familiar and predictable; flatly developed characters and lackluster dialogue don't involve viewers much. While the special effects are passable, the movie just cannot seem to rise higher than the ordinary premise with which it starts off. Here is a film that sets itself out to excite and imagination but ends up being flat, routine, and unlikely to leave any viewer of any age in lasting memory.
69: The Saga of Danny Hernandez (2020)
An interesting watch for one seeking a man
"69: The Saga of Danny Hernandez" is a fascinating up-and-down look at the rise and fall of the controversial rapper Tekashi 6ix9ine. Where the documentary really succeeds is in capturing the chaotic energy of his meteoric rise to fame, but at times it feels like sensationalized spectacle more than deep exploration into the complex persona behind the rainbow-haired provocateur. The film touches on serious topics relevant to the influence of social media and the implications of living life from controversy, which it lacks nuanced storytelling to unpack. Despite all its inadequacies, "69: The Saga of Danny Hernandez" remains an interesting watch for one seeking a man behind the headlines, although some deeper questions are left open.
537 Votes (2020)
An incisive documentary
"537 Votes" is an incisive documentary, vividly capturing the anarchy and rows that greeted the election in 2000 for the presidential post in the United States. Briskly helmed by director Billy Corben, this movie fuses archival footage with interviews and an intriguing narrative to give flesh to the political machinations and media frenzy that characterized the Florida recount. Razor-sharp editing, alongside pointed commentary, really helps transform it from a historical narration of events into the thrilling investigation of the tenuousness and strong interplay between politics, power, and media. Subtle humor, used by Corben, does much to lighten what could turn into an entertaining but intrinsically serious subject in "537 Votes.".
461 Lunch Boxes (2020)
A moving account of a relationship
A moving account of a father-daughter relationship following separation, in which every bento box prepared with love and care by that father represents his love and dedication. While the premise of the film is certainly moving, its execution often feels overly sentimental and repetitive, making the narrative drag. It could be that the charm is in the focal points of everyday routine and food-every meal memorably accounted for-but it is rather thin material to retain interest that searches for a more dynamic plot. Even with the pacing problems, the father's warmth in caring for his daughter does shine through, and, though rather uneven, it proves to be a touching exploration of family and devotion.
40 Years a Prisoner (2020)
A powerful, emotional documentary
"40 Years a Prisoner" is a powerful, emotional documentary that digs deep into the continuing legacy of the 1978 confrontation between black liberation group MOVE and the Philadelphia police. Weaving archival footage with present-day interviews, the director, Tommy Oliver, makes a finely wrought narrative that underscores the intersections of race, justice, and resilience. It is anchored by the relentless pursuit of justice by Mike Africa Jr., whose quest to free his parents-imprisoned for decades-brings a deep level of personal understanding to the greater political context. Heavy at times, the documentary never becomes inaccessible or alienating. It's an important watch for those who want to understand the complexities of American history and the ongoing struggle for civil rights.
4 Mantan (2020)
unfortunately fails to find the right balance
A thriller that tries to explore the complexities of relationships and moving on, but unfortunately fails to find the right balance. The story follows four women who reunite after a breakup, and together they try to solve the case that befell their exes. While the film offers moments of genuine emotion and friendship, the plot is often hampered by uneven pacing and a narrative that feels fragmented. The performances from the cast are solid enough, with good chemistry between them, but the script doesn't always provide enough character depth. The blend of horror and drama works at times, but the film also often relies too much on cliches, making it predictable.
2067 (2020)
Frustratingly inconclusive.
This is, in effect, a 2067 science fiction with a cool premise, but it misfires with execution that feels overly complicated and wastes some of its acting performances. Set in a dystopian future where Earth is ravaged by climate change, it places Ethan Whyte in a time-traveling quest to save humanity. Given a plausible premise for an engaging story, it is bogged down by overly complicated explanations and sluggish pacing-wherein it really does become a challenge to stay awake. The dialogue is often clunky, and the emotional moments seem forced and don't really resonate with the audience. There are some visually striking moments, but those can't help balance the movie's narrative flaws. While 2067 aspires to be thought-provoking, it ends up frustratingly inconclusive.
100% Wolf (2020)
Nowhere near exceptional
100% Wolf is an animated film with a quirky premise that manages to entertain, though it falls short of being a standout. The story follows Freddy Lupin, a young werewolf who, instead of transforming into a fearsome wolf, turns into a poodle. The film's humor is often lighthearted and appealing to younger audiences, but the predictable plot and somewhat shallow character development may leave older viewers wanting more. Visually, the animation is colorful and lively, yet it doesn't push any boundaries. While 100% Wolf offers some fun moments and positive messages about self-acceptance, it lacks the depth and originality needed to make it truly memorable.
#HandoZenryoku (2020)
Offbeat, quirky movie
#HandoZenryoku is that offbeat, quirky movie that moves with some inimitable energy right from the start and serves a tale full of humor and heart. This wacky premise-about underdogs who want to achieve an impossible feat-finds itself coupled with equally lively performances and a spirited tone for keeping an audience engaged. Over-the-top style in the film often feels hectic and veers near to excess, at the cost of losing emotional depth. Entertaining narrative running on a meandering route through subplots is sometimes not focused on meaningfully adding to the overall story. Even with these flaws, #HandoZenryoku is an enjoyable, though somewhat uneven, ride that will appeal to fans of unconventional comedies.
#TemanTapiMenikah2 (2020)
An agreeable deconstruction of love and friendship
#FriendButMarried 2 offers an agreeable deconstruction of love and friendship, fixed into its leads' chemistry, with Adipati Dolken (reprising his role) and Mawar de Jongh (Vanesha Pricillia's replacement). Much-needed warmth and authenticity that it captures indeed are the bittersweet moments of making a transition from best friend to lover-these moments are so heartfelt and at the same time humorous. However, the sequel suffers from pacing issues and drags a bit while trying to negotiate the complexities of their evolving relationship. A few plot points felt like a repetition of what had happened in the first film, making it too predictable. Although this certainly has a lot of feel-good moments, #FriendButMarried 2 doesn't quite live up to its predecessor's charm, making it a little uneven.
#Saraitda (2020)
A refreshing and timely spin
#Alive puts a refreshing and timely spin on the zombie genre, crossing contemporary survivalism with a very relatable character who finds himself trapped in his apartment when the outbreak breaks out. The selling points come from the confined setting of the movie and Yoo Ah-in's performance, which effectively grasped isolation and desperation from such a situation. However, the movie starts out so well that it gets tiring by the middle, hanging on to the Zombie genre clichés and anticipated plot progressions. A tension that grips from the beginning starts to slump through the course of the movie, culminating in a final act bereft of innovation. On the whole, "#Alive" is an entertaining but uneven ride, shining in moments but falling short of becoming a standout in the genre.
Ofrenda a la tormenta (2020)
The closing chapter
Ofrenda a la tormenta is the closing chapter in the Baztán Trilogy, culminating in a dark and atmospheric conclusion that both satisfies and infuriates in equal measure. Taut atmosphere and high voltage performances-especially from Marta Etura as the tortured detective, more riveting and believable than ever-make this film stand out. On the downside, what dooms it is an excessively complicated plot, riddled with supernatural elements and dangling plot threads, leaving the audience scratching its head in an effort to put the pieces of the puzzle together. It has a very uneven pace, and although there are moments of very tight suspense, they are practically drowned out by the long parts of extremely slow and disconnected storytelling. Where "Ofrenda a la tormenta" does manage to sew up some of the remaining threads left behind by its predecessors, it does so at the cost of complete coherence, leaving the viewer with a conclusion that is little more than chaotic rather than climactic.
Fatal Affair (2020)
A cut-and-dried thriller
A cut-and-dried thriller offering absolutely nothing new or exciting. The plot belongs to an overwritten tale of obsession and betrayal with predictable turns while being laced with clichéd dialogue, which makes it hard to take the suspense seriously. The lead performers, who were good actors, get thudded by a script that forgot to build up depth or nuance. The tempo is uneven; at times, the film drags when it is supposed to build up tension. The direction is uninspired throughout. All in all, "Fatal Affair" is a forgettable, unoriginal entry into the psychological thriller genre that lacks the edge or originality needed to leave an impact on viewers' minds.
Gli infedeli (2020)
Brief bursts of witty commentary but often falling
*" 'Gli Infedeli' is a 2020 Italian anthology film that weaves stories of infidelity and male fragility, with moments of sharp wit but frequently falling into predictable patterns. It does well in some genres, notably in being very quick-witted with an odd streak of dark humor, though it falters on uneven pacing and character development.". The cast in ensemble-Riccardo Scamarcio, Valerio Mastandrea-are energetic performers, but the film banks a lot on stereotypes regarding love and relationships without contributing anything new to the genre. *Gli Infedeli* is, after all, watchable but basically uneven: there's laughter here, but it doesn't finally affect the viewer.