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Flute Modes 7 TH Chords

This document provides notation and instructions for playing major scales and their corresponding modes on the flute. It includes the F major, E major, Eb major, and D major scales with their Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian modes shown through musical notation. Brief instructions encourage playing scales smoothly and with an even tone.

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0% found this document useful (0 votes)
182 views18 pages

Flute Modes 7 TH Chords

This document provides notation and instructions for playing major scales and their corresponding modes on the flute. It includes the F major, E major, Eb major, and D major scales with their Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian modes shown through musical notation. Brief instructions encourage playing scales smoothly and with an even tone.

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Care
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Major Scales & Modes

for flute

F Major

Jennifer Cluff 2009

Note: Extended scales:


Up to high B or Bb
down to low C or C#



1 = Ionian

Play all-slurred for the first few days of learning any scale, then add metronome.
Listen for TONE, finger evenness, clarity, musicality and free expression.



2 = Dorian


4 = Lydian

3 = Phrygian

6 = Aeolian





5 = Mixolydian



7 = Locrian

F Major scale with turnaround.

Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com

extended scales & their modes


E Major

Extended scale

1 = Ionian

Remember to play with excellent flute TONE quality at all times. Add pauses as needed.


2 = Dorian


3 = Phrygian

4 = Lydian

5 = Mixolydian

6 = Aeolian

slide RH4
7 = Locrian

E Major scale with turnaround.

Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com

extended scales & their modes


Eb Major


Extended scale



1 = Ionian

Dotted-eighth followed by sixteenth (and its reverse) are good rhythms to create even fingerings


2 = Dorian

pause opt.


3 = Phrygian


4 = Lydian


5 = Mixolydian

6 = Aeolian




7 = Locrian

Eb Major scale with turnaround.

Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com

extended scales & their modes


D Major

Extended scale

1 = Ionian

Changing to triplet rhythms or dotted rhythms and changing starting notes


can really help evenness of fingers. Do this whenever you hear a "blip".

2 = Dorian

3 = Phrygian


4 = Lydian



6 = Aeolian

5 = Mixolydian


D Major scale with turnaround.

7 = Locrian

Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com

extended scales & their modes


Db Major


Extended scale

1 = Ionian

Unfamiliar scales can be practised slowly, in small groupings, with many pauses added for breathing

2 = Dorian




3 = Phrygian


4 = Lydian


5 = Mixolydian


6 = Aeolian

7 = Locrian



Db Major scale with turnaround.

Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com

extended scales & their modes


C Major

Extended scale

1 = Ionian

Easy scales can be performed with faster tempi than more difficult scales

2 = Dorian





3 = Phrygian



4 = Lydian


5 = Mixolydian


6 = Aeolian

C Major high octave

7 = Locrian

*High C trill fingering: Play high B natural and open thumb key for fast passage work.
copyright J. Cluff 2009
www.jennifercluff.com

extended scales & their modes


G Major




1 = Ionian


Extended scale

Once you know a scale very very well, play it by memory and listen very closely as you improvise.





2 = Dorian

3 = Phrygian

4 = Lydian





5 = Mixolydian

6 = Aeolian


7 = Locrian


G Major scale with turnaround.

Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com

extended scales & their modes


Ab Major

1 = Ionian


Extended scale

Play highest or lowest notes with pauses added over them to perfect TONE quality.


2 = Dorian

3 = Phrygian

4 = Lydian

5 = Mixolydian




6 = Aeolian

7 = Locrian

Ab Major scale with turnaround.

Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com

extended scales & their modes


A Major

1 = Ionian


Extended scale

If tone is lowest register is weak, take time to make it powerful in TONE.





2 = Dorian

3 = Phrygian

4 = Lydian

5 = Mixolydian

6 = Aeolian


7 = Locrian

A Major scale with turnaround.

Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com

10

extended scales & their modes


Bb Major

1 = Ionian



Extended scale

Use dotted rhythms and triplets to perfect un-evenness in scales


3 = Phrygian




2 = Dorian

4 = Lydian

5 = Mixolydian

6 = Aeolian


7 = Locrian

Bb Major scale

Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com

extended scales & their modes


B Major

11

1 = Ionian





Extended scale

Uneven finger swtiches can be visually anaylzed to match the action of pairs of fingers.

2 = Dorian

3 = Phrygian

4 = Lydian


5 = Mixolydian

6 = Aeolian


7 = Locrian

B Major scale.

Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com

12

extended scales & their modes


F# Major

Extended scale

1 = Ionian

Practise the highest and lowest point of the scale more often.
You can create beauitful fragments out of scale tops and tails.


2 = Dorian




3 = Phrygian


4 = Lydian

5 = Mixolydian

6 = Aeolian

7 = Locrian

F# Major scale with turnaround.

Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com

Seventh Chords for Flute

by Jennifer Cluff 2009

G Major - G minor

Maj7

same pitches as
major scale; 1, 3, 5, 7

lower 7th by
a semi-tone

V7

lower 5th by
a semi-tone

halfdim7


Maj7

F# Major - F# minor

Next line,
lower 3rd by
a semi-tone

min7

lower 5th by
a semi-tone

halfdim7

www.jennifercluff.com

Next line:
lower 7th by
a semi-tone

V7

lower 3rd by
a semi-tone

min7

Seventh Chords for Flute


F Major - F minor

Maj7

V7

lower 7th by
a semi-tone

lower 3rd by
a semi-tone

min7

lower 5th by
a semi-tone

halfdim7

E Major - Eminor

lower 7th by
a semi-tone

Maj7


V7

lower 3rd by
a semi-tone

min7

halfdim7

lower 5th by
a semi-tone

www.jennifercluff.com

Seventh Chords for Flute

Eb Major - Eb minor

Maj7

lower 7th by
a semi-tone




V7

lower 3rd by
a semi-tone

lower 5th by
a semi-tone

min7




halfdim7

D Major - D minor

Maj7

lower 7th by
a semi-tone

V7




www.jennifercluff.com

lower 5th by
a semi-tone

min7

halfdim7

lower 3rd by
a semi-tone

C# Major - C# minor

Seventh Chords for Flute

lower 7th by
a semi-tone

Maj7




V7

lower 3rd by
a semi-tone



min7

halfdim7

lower 5th by
a semi-tone

C Major - C minor




Maj7

V7

lower 3rd by
a semi-tone

lower 5th by
a semi-tone

min7

halfdim7

G Major - G minor REVIEW

Maj7

min7

V7

halfdim7

lower 7th by
a semi-tone

www.jennifercluff.com

Seventh Chords for Flute


Ab Major - G# minor


Maj7

same pitches as
major scale; 1, 3, 5, 7

lower 7th by
a semi-tone

V7

lower 3rd by
a semi-tone

min7

lower 5th by
a semi-tone

halfdim7


A Major - A minor

Maj7


V7

www.jennifercluff.com

halfdim7

min7

Seventh Chords for Flute


Bb Major - Bb minor

Maj7

V7

min7

halfdim7

B Major - B minor


Maj7

V7

min7

halfdim7

www.jennifercluff.com

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