Flute Modes 7 TH Chords
Flute Modes 7 TH Chords
for flute
F Major
1 = Ionian
Play all-slurred for the first few days of learning any scale, then add metronome.
Listen for TONE, finger evenness, clarity, musicality and free expression.
2 = Dorian
4 = Lydian
3 = Phrygian
6 = Aeolian
5 = Mixolydian
7 = Locrian
Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com
Extended scale
1 = Ionian
Remember to play with excellent flute TONE quality at all times. Add pauses as needed.
2 = Dorian
3 = Phrygian
4 = Lydian
5 = Mixolydian
6 = Aeolian
slide RH4
7 = Locrian
Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com
Extended scale
1 = Ionian
Dotted-eighth followed by sixteenth (and its reverse) are good rhythms to create even fingerings
2 = Dorian
pause opt.
3 = Phrygian
4 = Lydian
5 = Mixolydian
6 = Aeolian
7 = Locrian
Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com
Extended scale
1 = Ionian
2 = Dorian
3 = Phrygian
4 = Lydian
6 = Aeolian
5 = Mixolydian
D Major scale with turnaround.
7 = Locrian
Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com
Extended scale
1 = Ionian
Unfamiliar scales can be practised slowly, in small groupings, with many pauses added for breathing
2 = Dorian
3 = Phrygian
4 = Lydian
5 = Mixolydian
6 = Aeolian
7 = Locrian
Db Major scale with turnaround.
Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com
Extended scale
1 = Ionian
Easy scales can be performed with faster tempi than more difficult scales
2 = Dorian
3 = Phrygian
4 = Lydian
5 = Mixolydian
6 = Aeolian
7 = Locrian
*High C trill fingering: Play high B natural and open thumb key for fast passage work.
copyright J. Cluff 2009
www.jennifercluff.com
1 = Ionian
Extended scale
Once you know a scale very very well, play it by memory and listen very closely as you improvise.
2 = Dorian
3 = Phrygian
4 = Lydian
5 = Mixolydian
6 = Aeolian
7 = Locrian
G Major scale with turnaround.
Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com
1 = Ionian
Extended scale
Play highest or lowest notes with pauses added over them to perfect TONE quality.
2 = Dorian
3 = Phrygian
4 = Lydian
5 = Mixolydian
6 = Aeolian
7 = Locrian
Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com
1 = Ionian
Extended scale
2 = Dorian
3 = Phrygian
4 = Lydian
5 = Mixolydian
6 = Aeolian
7 = Locrian
Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com
10
1 = Ionian
Extended scale
3 = Phrygian
2 = Dorian
4 = Lydian
5 = Mixolydian
6 = Aeolian
7 = Locrian
Bb Major scale
Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com
11
1 = Ionian
Extended scale
Uneven finger swtiches can be visually anaylzed to match the action of pairs of fingers.
2 = Dorian
3 = Phrygian
4 = Lydian
5 = Mixolydian
6 = Aeolian
7 = Locrian
B Major scale.
Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com
12
Extended scale
1 = Ionian
Practise the highest and lowest point of the scale more often.
You can create beauitful fragments out of scale tops and tails.
2 = Dorian
3 = Phrygian
4 = Lydian
5 = Mixolydian
6 = Aeolian
7 = Locrian
Alternate all-slurred even scales with improvised new rhythm versions, adding articulations as you go.
copyright J. Cluff 2009
www.jennifercluff.com
G Major - G minor
Maj7
same pitches as
major scale; 1, 3, 5, 7
lower 7th by
a semi-tone
V7
lower 5th by
a semi-tone
halfdim7
Maj7
F# Major - F# minor
Next line,
lower 3rd by
a semi-tone
min7
lower 5th by
a semi-tone
halfdim7
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Next line:
lower 7th by
a semi-tone
V7
lower 3rd by
a semi-tone
min7
Maj7
V7
lower 7th by
a semi-tone
lower 3rd by
a semi-tone
min7
lower 5th by
a semi-tone
halfdim7
E Major - Eminor
lower 7th by
a semi-tone
Maj7
V7
lower 3rd by
a semi-tone
min7
halfdim7
lower 5th by
a semi-tone
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Eb Major - Eb minor
Maj7
lower 7th by
a semi-tone
V7
lower 3rd by
a semi-tone
lower 5th by
a semi-tone
min7
halfdim7
D Major - D minor
Maj7
lower 7th by
a semi-tone
V7
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lower 5th by
a semi-tone
min7
halfdim7
lower 3rd by
a semi-tone
C# Major - C# minor
lower 7th by
a semi-tone
Maj7
V7
lower 3rd by
a semi-tone
min7
halfdim7
lower 5th by
a semi-tone
C Major - C minor
Maj7
V7
lower 3rd by
a semi-tone
lower 5th by
a semi-tone
min7
halfdim7
Maj7
min7
V7
halfdim7
lower 7th by
a semi-tone
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Maj7
same pitches as
major scale; 1, 3, 5, 7
lower 7th by
a semi-tone
V7
lower 3rd by
a semi-tone
min7
lower 5th by
a semi-tone
halfdim7
A Major - A minor
Maj7
V7
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halfdim7
min7
Maj7
V7
min7
halfdim7
B Major - B minor
Maj7
V7
min7
halfdim7
www.jennifercluff.com