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October 3, 2007
Volume 1, Issue 11
Lacanian Compass
Contents:
Editorial
Beacon
Log
Chart
Sentinel
Resources
Editorial Committee
Scientific Advisor:
Pierre-Gilles Gueguen
Editor:
Maria Cristina Aguirre
Co-Editor:
Gary Marshall
Secretary:
Liliana Kruszel
Distribution:
J uan Felipe Arango
Display:
Patricio Aguirre
Psychoanalytic Newsletter of Lacanian Orientation
To subscribe: lacaniancompass@yahoo.com
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Editorial
La rentre
Thomas Svolos
There is a wonderful word in French that does not have a direct translation in
Englishla rentre. This word denotes that period in the year, in September,
when kids go back to school, but also, more generally, the return to active life for
society as a whole, after the summer break, especially the long August vacation
that is a significant part of French life.
I think that one reason that we do not have a word such as this in English is that
we do not have an event such as this in American culture. While there were
certainly families in the past that would live such a culturethe wife and kids
leaving their homes for a few months in the summer to go to a vacation home,
with the father joining for weekends periodicallythis was largely limited to a
small wealthy group here in the US, and is largely a thing of the past with more
diverse and complicated family structures and fewer parents without jobs.
The attachment to a certain set of natural rhythms such as thisorganized
around laws, in this case those organized around a seasonal calendarin the
organization of social life is changed, and in the first essay in this latest issue of
the Lacanian Compass, we present Marie-Hlne Brousses reflections on this
changewhich she has organized around the term of postmodernity, taken from
the most recent Clinical Study Days held in J anuary in Miami. In her essay,
Marie-Hlne Brousse describes a shift from the prior world of the universal and
exception to the postmodern world of the multiple, of the possible. But, this is not
a world without limits, only a world with new forms of limits, which we see
reflected in the different ways in which suffering presents to us in our offices and
clinics, a world where paternal injunction is replaced by anxiety, symptoms, and
anxiety as the focal points for todays subjects.
With this issue, we also bring for you Marie-Hlne Brousses lecture prior to the
Study Days on the relationship of art and psychoanalysis, in whichwith some
very precise references to artshe carefully presents an argument for art as a
discourse, in Lacans sense of the termas a form of social bond. She argues
that art, like psychoanalysis, interprets. It is the analyst of the unconscious of
today and through its created objects, we can learn about today. But, in
distinction to the discourse of psychoanalysis, where the object a is related to the
suffering subject, in art, the object is directly related to knowledge itself.

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We also present a special text in this issuethe Testimony of the Pass
presented in New York in September of 2007 by Mauricio Tarrab. This
presentation, which was also given in Miami that same weekend, marks a first
moment in the United States, the first moment when an Analyst of the School has
presented a Testimony of an analysis in the United States. His presentations
were extremely moving, in both cities, and we are very honored to present here
his presentation from New York in English. As we are here in the United States
far away from any School of the AMP, it is especially welcome to have had
Mauricio Tarrab travel here, as the Pass represents both Lacans most definitive
answer to how we might formulate the end of an analysis, but is also the most
authentic public evidence of our work in psychoanalysis, so demanded in our
current moment.
We are also glad to bring, in the Log, three reportsbringing to our readers
notice of the work of events from outside of the United States. Two are of the
most recent Congress of the New Lacanian School this past spring in Athens,
which featured the participation of a contingent from the United States, one of
whom delivered a paper. We also have a report from the J uly Encounter of the
Freudian Field in Belo Horizonte, also attended by an American contingent, with
a number of presentations from the United States.
These reflections and memories from last year are inspiring as we look forward
to the coming year at this moment of la rentre.
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Beacon
Art, the Avant-Garde and Psychoanalysis
Marie-Hlne Brousse
Miami, FL USA
January 11, 2007
Transcribed by Matthew Schneider
Text established by Gary S. Marshall
Published with the kind authorization of Marie-Hlne Brousse
The title of my presentation is Art, the Avant-Garde and Psychoanalysis. I will
develop three points in my talk: (1) the relationship between art and
psychoanalysis, (2) art as a discourse in the Lacanian sense of the term, and (3)
a conclusion that is grounded in these two core arguments.
First, let us take up the question of art and psychoanalysis. Right from the
beginning with Freud, these two spheres have been interwoven; sometimes in
conjunction with one another and at other times in contradiction to one another. I
will try to simplify the problem by saying that historically speaking, there are two
possible positions.
The first and most common position would be that psychoanalysis applies itself
to art. That is to say it interprets art and artists. The second position which
contradicts the first is that art interprets psychoanalysis. I suggest that both of
these positions are derived from Freud because of the degree to which he has
written about the relationship art and psychoanalysis. Freud for example, in his
essay Delusions and Dreams in J ensens Gradiva writes about the relationship
between art and psychoanalysis. In that essay, Freud discusses the dreams of
Norbert Hanold, the protagonist of J ensens novel. A key element of the story is
the unconscious connection between Gradiva and Hanolds childhood friend, Zoe
Bertgang. Freud uses the dynamics in this novel to confirm certain aspects of
psychoanalytic theory. Of course he does this with other aesthetic and literary
material: his book on Leonardo Da Vincis life and his essay about The Brothers
Karazamov Dostoyevsky and Parricide are but two examples.
Freuds stance, one which he articulated in his essay on J ensens Gradiva, is
that the artist preceded the psychoanalyst in understanding unconscious
processes. Freud showed that artists have long been aware of human dynamics
that have subsequently been articulated in psychoanalytic theory. The Oedipus
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complex is one good example. So too are the comedy and irony of Shakespeare
whose work revealed so much about the human condition long before a theory
of psychoanalysis ever existed.
After Freud, many Freudian analysts sought to analyze art through the lens of
psychoanalysis. Psycho-biographies were written and psychoanalytic
interpretations of works of art were interpreted by analysts in the same way that
they might interpret a dream, a parapraxis or some other unconscious
manifestation. The logic of this approach is that it verifies existing psychoanalytic
theory.
Lacan, in my view, took the stance that art enables the development of
psychoanalytic theory. We can see this for example in his development of the
idea of the point de capiton: the way in which the signified and signifier are
knotted together. In Seminar III Lacan uses the example of Abners fear of God,
in J ean Racines play Athalie to explain they way in which the point de capiton
anchors (reorganizes in the case of Abner) ones network of signifiers. Another
example can be found in Seminar XI, where Lacans analysis of Holbeins
painting The Ambassadors leads to a richer development of the concept of the
object a. In both cases, art is not interpreted by psychoanalysis. Rather, art
produces insight into unconscious processes thereby helping the analyst develop
new ways of working.
Let me briefly return to the first perspective, that of psychoanalysis interpreting
art. In my view, such a stance tends to reduce works of art to fantasy on one
side or the symptom on the other. The approach symptomatizes art to an
articulation both of the artwork itself and the artist who produced it. Thus it
reduces the intangible that is at work when art is produced to fantasy and
symptom. I want to argue however, that it is the unconscious which matters and
in that sense the artist rather than the psychoanalyst is consistently the one who
opens the path. Lacan make this point well in his essay Hommage to
Marguerite Duras, on Le ravissement de Lol V. Stein. He suggests, and I am
paraphrasing here, that the psychoanalyst, following Freud, must remember that
the artist always precedes the psychoanalyst in insight related to the
unconscious. Hence the analyst must refrain from acting as an analyst in relation
to the artist and his/her work.
In what way does art function as an analyst? I submit that it functions as an
analyst of the unconscious in todays social experience. This implies the
historicist quality of the unconscious; that it changes over time. Such a view is
consistent with the comparative historical method applied by Lacan. One can
see this in his work on the relationship between the dramatic arts and
psychoanalysis. In his work on Greek tragedy Lacan emphasized the difference
between the tragedies of Greek antiquity with tragedy in the modern era. The
change produced is a change concerning the unconscious as knowledge.
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Why is the unconscious historically given? Because it has to do with language,
as language has a life and a death. At least, if not dying (not all languages are
dying), there are dead languages. But generally they are not dead. When they
are alive they are changing all the time. They are changing both at the level of
vocabulary and at the level of grammar. Therefore as the unconscious is an
effect of language indeed the unconscious is marked by history.
Art, as I said, is an analyst of the unconscious, an unconscious organized by the
life of language and historicist in the knowledge it produces. Therefore we can
assume two things. First, that art reveals the truth about the era that produced it.
Second, it shows something about the dominant relationship of jouissance as
organizing the discourse of that historical moment. What do I mean? I am
referring here to Lacans theory of the four discourses as outlined in Seminar
XVII. It is because art has a certain relation with the masters discourse that it
can, lets say, enact the function of the analyst. As such, I propose the following
hypothesis: Art is a discourse in itself, just as psychoanalysis is another one.
For the purposes of clarification, let me elaborate a bit on the four discourses
before trying to demonstrate why and how we can sustain that art is a discourse.
A discourse is defined by Lacan in two interconnected ways. First, within any
discourse is the structure of a social link, i.e., any social link is considered to be a
discourse. A social link produces speech which is structured in a particular way
and organizes the subject at a certain historical moment. Second, the result of a
discourse is a certain kind of formalization. In doing so, we formalize a certain
kind of mode of jouissance or satisfaction. Thus, any social link is organized by a
main mode of satisfaction. This primary discourse is what Lacan called the
Masters discourse where what organizes the entire structure of the discourse is
a master signifier. The core of my argument is that art provides insights into how
a master discourse is organized.
Lacans Seminar XVII, The Other Side of Psychoanalysis not only develops four
modes of discourse-- the masters discourse, the hysterics discourse, the
university discourse and the analytic discourse--but sustains the thesis that the
discourse of the analyst is the reverse, the other side, of the masters discourse.
That is, there is a relationship between the masters discourse which is the
discourse of the unconscious at a certain given historical moment and the
analysts discourse as the interpretation of what sustains that masters discourse
at that time.
My hypothesis would be therefore, that if we say that psychoanalysis interprets,
(including art), and if we say that art interprets just as psychoanalysis does,
therefore, art can function as a discourse. How is it organized? How does art as
a discourse function? First, before proposing a model for the discourse of art let
me refer to another point made by Lacan in his homage to Marguerite Duras. As
is well known Duras novels are powerful for the way in which the dialogue in
them communicates what is not said. For Lacan her work was a cogent example
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of discourse manifesting itself in relation to an object. For Lacan, this is what art
does. It gives existence to objects. Like the role of the analyst in the discourse
of the analyst, art stands in the places of the object a.
Let me now make an important distinction between the discourse of the analyst
and what I am calling the discourse of art. In the discourse of analyst, the
relationship between the object a and the divided subject is going to differ
slightly when we conceptualize this relationship in terms of the discourse of art.
In the former, the object a agent of discourse which in turn acts on the divided
subject. That is, the relationship between the divided subject and the object of
jouissance is absolutely veiled. It is veiled precisely by the functioning of the
master signifier and of the knowledge related to that master signifier. In the
latter, art as a discourse, the relationship of the object a is not to a divided
subject but to knowledge directly. What reveals art in general is a relationship
between an object of jouissance and knowledge. In the Masters discourse this
relationship is absolutely veiled.
To elaborate, let me talk about two paintings, Holbeins The Ambassadors and
Brueghels The Triumph of Death. The Ambassadors, which Lacan writes about
in Seminar XI, depicts two dignitaries of the era posing along side objects that
represent wealth, power and knowledge. If seen from a certain angle, a human
skull is also visible in the painting. For Lacan, this object is the agent of
discourse. I will not elaborate here however, on all the interpretations of this
famous painting.
Brueghels The Triumph of Death which can be found in the Museo del Prado in
Madrid similarly connotes the masters discourse at one level but simultaneously,
as in The Ambassadors, the effects of the Real. In fact, the effects of the Real
are much more central in this second example. We see a broad spectrum of
people, from the poor to the rich engaged in a variety of activities organized by
the triumph of deaththe representation of which is among others is a human
skeleton, riding the skeleton of a horse, pulling a cart full of human skulls. There
is a decolage between those in the painting and that precise representation of
death riding a skeleton horse. They are not at the same level, and one interprets
the other.
Art provides an interpretation of the masters discourse by means of what the
masters discourse veils. To reference The Ambassadors once again, if one is
wealthy, powerful and representing the king, the Real is veiled. Yet, Holbein
produces an object in order to make the Real present whereas it is generally
hidden behind reality which is a mixture of the Imaginary and Symbolic.
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I am going to write the structure of discourse I was mentioning. First, the
Masters Discourse:

Then Ill write the analysts discourse:

Let us take another example, the work of the artist Francis Bacon and his famous
work entitled: Study After Velasquezs Portrait of Pope Innocent X. You know I
think he made seven or eight versions of that painting, all of them different, but at
different moments in his work. And in a way we can say that Bacon provides
here an object which would be a cry, a shouting which provides different
interpretation of the Pope Innocent than the one painted by Velasquez.
What art does it seems to me is successfully express unconscious knowledge
and as such we can clearly understand why it precedes psychoanalysis. The
artist and the analyst are, therefore, function in the same place in the discourse,
in the place of the object. Certainly there are differences between the artist and
the analyst. However, to begin with, let us establish some commonalities. First,
they know that discourse is not organized by signifiers that it is not signifiers and
especially not the master signifier that organize discourse as mode of
satisfaction. That it is not the master signifier (S 1) that organizes the knowledge
(S2). Secondly, and that is the difference between psychoanalysis and art. Art
does not operate from subjective division when psychoanalysis does. What
psychoanalysis does is to relate the object of satisfaction with the subject that
lost that object. That is to say, to explain subjective division by the relation with
the object that is lost since the beginning. I dont think art functions that way.
The fundamental link in art between the object is not with a subject, it is not with
a division, it is not with a wanting-to-be of the subject. It is my hypothesis, it has
to do with knowledge as such, as organized, that is to say with the other of
language in general.
If we consider what constitutes the masters discourse in general, what would
suggest that an artist does not operate from either his/her fantasy or from his/her
symptom? As I stated earlier in my comments about psychoanalysts who
interpret art, it is not very interesting to reduce a work of art to a fantasy or a
symptom. Although it might be true, but it doesnt produce any new knowledge
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because art does not function that way, an artist does not create with his fantasy,
with his symptom. Of course I am not saying that his fantasy counts for nothing,
nor am I saying that if he has symptoms that they do not enter his work, but what
I am saying is that the coherence or the condition to be produced has nothing to
do with fantasy or symptom.
Of course we could develop a counter example although it would be a little tricky.
But we can say that while everyone has fantasy, not everyone can create a work
of art. If it was enough to have a symptom and produce art, okay, everyone
would be an artist which is in my opinion not the case. So what is the
mechanism necessary which impels that direct relationship between the object
and knowledge? An artist provides knowledge to an object to unveil or unmask
the object or a certain kind of knowledge. Where does that object come from if it
doesnt come from fantasy or symptom?
I will go back to Freud who in writing about art and sublimationalbeit briefly
helps us make sense of this. Freud developed the concept of sublimation in
order to designate a mode of satisfaction, drive satisfaction, which manifests
itself without repression. The definition by Freud of sublimation is satisfaction
without repression. Next, in this line of argument, we have to differentiate
between sublimation and idealization. Typically, idealization is synonymous with
sublimation. In so far as psychoanalysis is concerned there is no relationship
between sublimation and idealization.
What is idealization? Idealization implies putting an object in the position of a
signifier. That is to say, to transform an object into an ideal, i.e., into a master
signifier. That is not what produces sublimation. Sublimation produces
satisfaction in a more perverse way. If we wanted a model for sublimation it
would be closer to perversion than to idealization; closer, in a way to psychosis.
For that reason I believe there is no relation between fantasy and art creation.
Art therefore is a mode of satisfaction if it is organized by sublimation because it
implies what Lacan calls, recoupment. This is the term we would use in English
to designate the regaining of something that was lost. In this case, it is the
recovery of the object. For the neurotic psychic structure, the mode of
functioning of the object is determined by the loss. The object functions as a lost
object. It therefore organizes desire after that, after what one might call the
primary loss. That is the definition of repression. In art and in sublimation the
object does not function as having been lost but functions as in having been
recovered. Therefore, that object, recovered, is what produces the loss on the
other side.
The objective or the intent of art is to find a way to recover an object and to get
rid of the loss. The only way to get rid of the loss is to put it in the Other.
Therefore, when in neurosis, for example, what the neurotic does is to put the
object in the Other and takes the loss on one side. In art it is just the opposite.
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You recover the object and put the loss in the Other of discourse, on the other
side. That of course is a very important mode of satisfaction for a drive.
I am going quote Lacan from his text on Duras. In this quote he is developing a
notion of what might be called language time. The key sentence is: The
thought by which I shall give her back her own knowledge. This is indeed what
an analyst does; give someone back his/her own knowledge. The analyst in the
place of the object a functions as the agent of discourse. To return to Lacan in
his text on Duras he writes and I am paraphrasing here: The thought by which I
shall her give back her own knowledge would not bother her at the level of the
unconscious to be the object a. That is absolutely what happens in analysis, it
bothers the analysand at the level of the unconscious to be an object for an
Other. To continue Lacan says: Because this object she has already recovered
it by her heart. So I find in that sentence lets say the point that allows me to
interpret what art does so far as division and loss are concerned, in the discourse
of art.
Now, what might we say are the consequences of taking this point of view? The
first it seems to me is a clinical consequence. As far as art is concerned there is
a neutralization of the structural difference between the structure of neurosis and
psychosis. For me, it is of no interest to know an artists psychic structure. It
does not help understand the work of art you have in front of you. I make this
point because it is often the case that people theorize about so-called genius
being linked to psychosis in relation to certain artists. Similarly neurotics are
often seen as capable of doing decorative art. This seems silly to me. I would
argue that because art can function as a discourse it neutralizes structural
difference. Emphasizing structural difference in my view is not a good way to
understand art. This is because art is precisely a way to produce truth by
canceling division on the artists side and putting it on the other side just as
putting the object in the place of the master signifier.
Let me develop two further points regarding the unconscious of our time as
revealed by art of art of our time. Or, stated another way, what does art teach us
about psychoanalysis? First, in our current social experience art and ideal are
divorced from one another. That was not the case in previous periods of art
where we can say that in many historical moments the object a was veiled or
seemingly was veiled by the master signifier. Nowadays, the object a is totally
separated from the master signifier. This has to do with the contemporary
evolution of the masters discourse and the rise of the object as Lacan and Miller
after him both suggest. Such a view implies that the Real becomes increasingly
important in the masters discourse. This is due to the strong influence science
in the masters discourse. That object therefore, the object a, is less and less
covered by the ego-ideal and the imaginary ideal ego. In art, both are
disconnected from the object which presents itself more and more as Real
without reference to a signifier or reference to shapes or to images. The object
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presents itself more and more as rubbish, especially rubbish from the body. I
think this is one of the lessons of contemporary art, to show the face or the
structure of rubbish as an object of satisfaction. My argument here is in itself is
an interpretation, absolutely the same interpretation as we discover in analytical
discourse.
Let us say that art and psychoanalysis coincide on that same point, the status of
rubbish of objects related to the body and organisms. The object is less and less
placed in a. Rather it increasingly drops out of any general framing. In Holbeins
The Ambassadors the object is still in the frame. In Francis Bacons work, it is
less present. In point of fact, Bacon is playing on framing. He is doing a frame
within the frame of the painting, which of course as the result of this double
framing there is no framing at all. Hence, one doesnt know where the proper
framing is. If we take this perspective to its logical end, the object is going to be
taken absolutely out of any possible framing, that is to say out of any organized
whole.
The second point I want to discuss here is the increased teaching and use of
installation art. I must say it took me a very long time to appreciate and accept
installations as art products which, for a long time I found unbearable. Of course
installation art has to do with what I was saying about the status of objects as
rubbish and as nonsense. The work of the French artist Christian Boltanski is an
example of this. One of his installations, of which I do not remember the title,
was in a place where there were some ordinary objects, common ordinary
objects which happen to have been collected in a studio. The objects belonged
to a young girl who had disappeared ten years earlier. All of them placed there,
a glass, a pair of tights, a pair of shoes, bits and pieces which were left in her
room the day she disappeared. Pure contingency but at the same time necessity
they were everyday objects, necessary objects. However, when they were put
like that, within a closed place and without any particular order, of course they
had no more order in the bedroom of the girl I suppose. It was the same
meaning. It was the same interpretation in a way, death, death and lack of
meaning of all those objects of life left lost. We know who was lost; the girl was
lost. The objects were lost too. Of course the effect on people who were
watching was precisely the effect I was mentioning, it was division. Subjective
division was on the side of those experiencing the installation who experienced it
as a kind of malaise or sadness.
In Bilbao, Spain. I saw a wonderful exhibition on Russian art. There were a few
installations, one of them being one box with a little puppet turning on itself right
in the middle of those works of very modern Russian art. The title of the
installation, I am paraphrasing here, was something like: Turning over in the
grave, which means to be very upset or to be shocked by something. I saw the
title of this installation as a witz in a way.
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What my discussion here shows is the increasingly prevalent role of the object
detached from signifiers and the serial way in which objects are presented in
installation art. That is, to one object and another one and another one, and so
on, without any signifying order. This implies that we are no longer in a world of
metaphor. We are at best in a world of metonymy, of frontier, of one at the side
or the other one at the side of the other one. In France this is the way we
understand the phenomenon of neighborhoods. This is very important for us in
psychoanalysis to know because I think it is exactly the representation of what
has become of the unconscious today.
Lacan, in his last seminars, interrogates himself and his audience, asking the
following question Is the unconscious Real or Imaginary? Of course, this
perplexed every trained Lacanian analyst and student. We all thought the
unconscious was symbolic because we thought it had to do with signifiers,
therefore, it is grounded in the Symbolic. However, the so-called later Lacans
answer to this question is not the Symbolic order but the Real. The status of Real
of the unconscious parallels the transition from modern art to installation art. In
the previous historical moment the unconscious was the treasure trove of
signifiers within the symbolic order. We are now in an unconscious which is no
longer organized in that way. If we take as axiomatic for example what J acques-
Alain Miller says about the fact that we have shifted from a discourse organized
by the of all to a world which is organized by the not-all. That is to say current
discourse operates by a mechanism that does not answer to the principle of
universality, nor, therefore to the principle of metaphor. It seems to me this is a
way that art and psychoanalysis are discovering at the same time the main
structure of that knowledge, that is to say, of the unconscious.
MHB, responding to a question about sublimation of the drives as it relates to
artists and their creative processes: Yes, you are right. I was wondering about
that myself. Both Freud and Lacan point out that not all drives can be
sublimated. Therefore, part of the drive sticks to, or remains, with the symptom.
Not everything in the drive can be sublimated, only a part of it can be. What is not
sublimated becomes a symptom for an artist as it is for anybody else. However,
in a way I am not sure that those symptoms are necessary although a lot of
artists think they are. I had an artist, a very famous one, in analysis. He agreed
to come to analysis because he was very frightened by death. This fear of death
was exacerbated by the death of one of his best friends who died of a cocaine
overdose. Of course my patient was doing a lot of cocaine as well. At the
beginning of the analysis he thought his creativity was linked to his use of
cocaine. However, at a moment in the treatment something related to his
analytical work transformed him in such a way that he quit using cocaine without
any problem. Also, it was as I thought. Cocaine had little to do with his artistic
creativity because he continued creating even better than before. However, for
such a long time, he thought it was the cocaine that had allowed him to be
creative. I think that many artists think that if they are taking cocaine or if they
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have this or that symptom or if they eat or if they dont eat they are going to be
more creative. It is not true.
To better address your question, I think we can answer with Freud that not all of
the drive can be transformed into sublimation, and this is very clear for any artist,
independent of psychic structure. As far as symptoms are concerned I should
say that artists are subjects like the rest of us and therefore they are not
particularly interesting. I mean they are not different from others. What is very
different is to produce or not to produce that kind of object.
In my talk today, I have sought to explain Freuds and even more so Lacans
thesis that art precedes the analyst as far as knowledge is concerned;
unconscious knowledge. Further, I sought to develop the notion that in the
Lacanian tradition that we do not apply psychoanalysis to art but let ourselves be
taught by art. It is something that was frequently said by Lacan. I am going to
give a discursive demonstration of why he said such a thing. To psychoanalyze
an author can be fun. As I stated earlier, it is common to do so in academia.
Such analyses often depend on biographical elements of the author, often
referring to family upbringing or particular life events. As we know, it is easier to
explain the past than it is to predict the future. So I think it can be fun but not very
interesting.
Having said that I think there are ways to talk about insights that artists can
provide to psychoanalysis. Lacans discussions of Gide and of J oyce are two
examples. In Lacans essay J eunesse d'Andr Gide he addresses the question
of the pervert psychic structure. The complexity of Gides case also helps Lacan
clarify the name of the father function. In doing so, Lacan used Gides personal
papers extensively as well as J ean Delays psychobiography of Gide. However,
Lacan was not interested in objectifying Gide, but rather using his case as a way
to advance certain ideas in psychoanalysis. This is also the case in Lacans
discussion of J ames J oyce in Seminar XXIII. He does not discuss J oyce in order
to demonstrate that J oyce was psychotic, although he happens to make that
hypothesis. What interested him in J oyce was to learn from him the way a
symptom can be defined in a different way from the classical definition of the
symptom in psychiatry and in psychoanalysis. That is to say, he uses J oyce to
invent a new definition and a new function of what the symptom is in
psychoanalysis. This is a prime example of the psychoanalyst being be taught
by the artist. J oyce taught by Lacan the meaning of a symptom at that moment
in the history of language.
Today, as in Lacans period of discovery, art can show us the way. These days
art is less and less related to metaphor, that is to say the production of meaning.
The same is true in psychoanalysis. Instead of the end of an analysis revealing a
kind of paternal or master meaning, it increasingly reveals its being without
meaning; pure contingency.
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Beacon
Psychic Suffering and the Treatment Challenges of the
Postmodern World
Marie-Hlne Brousse
Miami, FL USA
January 13, 2007
Transcribed by Matthew Schneider
Text established by Gary S. Marshall
Published with the kind authorization of Marie-Hlne Brousse
My remarks today represent a continuation of the dialogue we are having about
the theme of these Second Annual Clinical Study Days: Psychic Suffering and
the Treatment Challenges of the Postmodern World. I will address a series of
issues some of which are well known; others perhaps less well known. As is the
tradition within the World Association of Psychoanalysis (WAP), I will frame my
ideas in the context of the clinic.
Let me begin by making a point about the term postmodern. I am well aware that
there is a fully developed theory of postmodernism that is commonly discussed,
especially here in the United States. My aim here is not to address questions of
postmodern theory. Rather, I want to give meaning to the term.
What does it mean to talk about the postmodern world? I would argue that we
no longer see modernity as one continuous march toward progress. Nor do we
consider scientific innovation exclusively as an artifact of progress. We consider
and are increasingly fascinated with the effects of the discourse of science on the
way we live. Science has become more of a dialectical process. It no longer
solely signifies a continuous march toward a better world. It is true however, that
the master discourse these days is a discourse responding to and organized by
scientific rationality. It is manifest not only in its discursive forms but in its
ideological and political forms as well. This includes the discourse of economics
the form of which also models the logic of science.
How has the discourse of science affected the subject; the people living within its
framework? What has changed? What has not changed? One major change
has been the waning of the symbolic order. As both J acques-Alain Miller and
Eric Laurent have emphasized, signifiers have less power these days. This does
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not preclude however, attempts to restore the traditional master signifierGod.
However, even in such instances the scientific discourse becomes interwoven.
Im not sure if you are aware but the area of Miami where we are holding this
conference has a significant population of Orthodox J ews. A colleague who lives
in the area explained that the elevators in his apartment building are specially
programmed on the J ewish Sabbath to stop on every floor. This technological
intervention thus allows J ewish residents--who in following the Sabbath rule are
not allowed among other things to turn on electricity by themselves during the
Sabbathto use the elevator. So you see, religious discourse does not prevent
the discourse of science from organizing our actions and behaviors with our
body, our friends, with our general way of being and foremost, with our objects.
That is indeed what science changes; our objects.
With the waning power of the signifier and therefore of the symbolic order, the
Real surfaces more readily. This situation is evident in the clinical setting as well.
This is what I will try to demonstrate. Let me begin by pointing out that the
discourse of science reduces truth to a logical and operational dimension. Lacan
characterizes this as the power of the lettersthe lower case letters of scientific
formulae. As a result, truth is no longer linked to the broader symbolic system. It
is no longer linked with the Big Other and the master signifiers prevalent in other
eras where traditional authority held sway.
One consequence of this shift is the increasingly marked disjunction between
truth and authority. We now find ourselves in a world where the limit, that is to
say, the limit of jouissance, is no longer based on prohibition; the fundamental
no. Science replaces prohibition with possibility. The structural logic of social
life thus shifts from an axis in which something is either prohibited or allowed to
an axis where something is either possible or impossible.
Of course I am just developing the broad outline of an argument about the
changes in the function of authority in society. I want to call your attention to the
crucial essay written by Miller and Laurent entitled: The Other who does not
exist and his ethical committees. On this point, the establishment of an ethical
committee or better stated a moral committee, symbolizes the exact moment
when a social order based on an axis of what is either possible or impossible
supplants a social order grounded in traditional authority and prohibition.
Certainly one can find circumstances where there are attempts to reassert the
logic of prohibition. Nevertheless, what does it mean to argue that the social
order is no longer organized around the name-of-the-father; the paternal
function? Lacans discussion of sexuation in Seminar XX can provide some
insight. In Lacans famous diagram on sexuation, the two formulas of the
masculine side, organize the world of speaking beings in relation to the
exception, i.e., the father as well as the universal, i.e., the castration function. It
is important to note that the castration function for Lacan means that each
subject is inscribed in language. The castration is the lack experienced as a
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result of coming under the law of the signifier. In other words, one has to pass
through the signifier to express demand and to satisfy desire and jouissance. We
might say that this is the traditional way of formulating the discourse of the
master. We are no longer under that unique mode of organization.
We are now, and Miller makes this point very clearly in an article published in
Mental, in a world where the other side is the prevalent mode of organization.
Lacan referred to his discussion on this point as his fantasy logic because the
formulae he uses to delineate the so-called other side of psychoanalysis do not
obey the rules of formal logic as such. The two formula of the feminine side
which is now-a-days commonly dominant, lets say or at least in an everyday
neighborhood with the two others. In the first, , there is no x not subject to
the phallic function. This first line means that there is no first principle of
prohibition; there is no one unique name-of-the-father. There can be many; there
can be none. Based on this point Miller emphasizes that we live in an era where
the multiple is the central signifier around which things are organized.
Let me recount a tangible example. In France, if you are a homosexual man you
cannot by law get married to a same sex partner. So, okay, you and your partner
fly to Spain where gay marriage is legal. Neither is it possible in France for a gay
man and his same sex partner to have a child. Again, okay, one can go to the
U.S. and through a legal contract with a surrogate mother, produce a child. In
the society of the multiple there is always a solution. The internet, too, is a
reflection of the world of the multiple regardless of some countries attempts to
limit access to it.
With the second formula ,the negation is on the universal. Hence, we are
in an era of the multiple and an era in which there are also no universals. This
suggests, as Lacan asserts, a specific kind of diminishing of the name-of-the-
father. What becomes manifest instead is the multiplication of micro-symbolic
orders along side the multiplication of limits.
Therefore when I say we passed from the world of prohibition world to a world
based on the principle of the possible/impossible I am not saying that there are
no limits. I am saying that the limits will multiply. Borders are going to multiply
and interconnect in order to produce a very complicated world of provinces,
communities and of other kinds of social arrangements.
The world of the multiple yields less phallic value. If we again refer back to
Lacans diagram on sexuation, a social order based on prohibition is represented
by the formulae on the masculine side of the diagram, wherein the phallic
function is verified (There is an x.). In a social order based on the possible, the
phallic function is not verified and as a result there is an absence of subjective
division. In Seminar XX, Lacan confirms this point as he begins talking not about
the subject per se, but about the parltre the speaking being.
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This corresponds with an erasure of subjective division. While the role of
language remains paramount, the speaking being is differentiated from the
traditional divided subject who, rooted in the symbolic order, is a signifier for
another signifier. The speaking being in Lacans view is closer to a type of
object. The latter is increasingly evident in clinical settings. More and more
people come for treatment without any awareness that their symptom is in itself a
form of knowledge or stated another way constitutes an answer. Instead they
want to get rid of it.
Concomitantly, castration has shifted from a symbolic process to an event in the
Real. In a moment I will explore what this means. Also, I would argue that in our
practice of mental health today we are no longer dealing with one master signifier
but with what Lacan calls a swarm. In one we find others. Such a view fits with
the multiplication of limits and the decentralization of the name-of-the-father.
So what is the implication then of what I have been discussing? What is the
effect of these changes of the postmodern world on psychic suffering and
therefore on treatment? Let us use a classical Lacanian argument found in
Seminar XXII, R.S.I. In delineating the multiple names of the father, Lacan
provides three new names: anxiety, symptom, and inhibition. How should we
understand this? My way of understanding this is to think precisely in terms of
limits. The naming of the father was in itself a limit. Therefore the function, the
name-of-the-father, is a limit. What are the other ways to create limit when one
does not have traditional authority in the form of a signifier?
Well, symptom, anxiety and inhibition provide limits to the speaking being. When
you are inhibited, when you cant speak in public, for example, it constitutes a
limit. It protects you from something. When you feel anxiety, a phobia for
example, this too is a limit. You cant go in a place where there are certain kinds
of objects. You cant watch such-and-such a movie. Symptom, anxiety and
inhibition are new names-of-the-father because they provide limits without the
authority of a master. They provide limits in a way that is analogous to what I
was saying about science; in a Real way. They provide limits on the axis of what
is either possible or impossible. In direct terms they provide an I cant. In
other words, I have this symptom, and therefore, I cant. I have this anxiety I
cant go out in the street, I cant come and see you or I cant speak in public. So
these kinds of names-of-the-father provide limits in the way science accepts
limits, that is to say, by confrontation with the Real.
Education today is very much, at least in France, organized in that direction. It is
designed for example, to provide a child with situation where he/she does not
have to face the prohibition of an adult who says No, you dont have the right to
do that. Rather, the situation is organized in such a way that it is impossible for
the child to do it. Thus he or she learns of the limit though experience as
opposed to some formal interdiction. Hence, the idea in education is to confront
child with the Real. Its not that I forbid him; its just that hes going to discover
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that its impossible. So you erase authority as such and you put in the place of
the guarantee of authority, the Real. These new names-of-the-father obey the
same logic; the logic of impossibility. We are living in a world where the main
question is, is it possible or is it impossible? It is no longer a question of is it
authorized or unauthorized?
Of course it is not always readily apparent especially in the United States which
is such a litigious society. Nevertheless, the law comes generally after the Real,
in order to replace the Real. For example, I was amazed by a story in the U.S. of
a woman who put a kitten in her microwave oven and the poor animal exploded.
Apparently, she sued the microwave company and won the lawsuit because it
was not written anywhere in the instructions that live animals should not be
microwaved. How can we analyze this example in the light of what I am saying?
Well, microwave ovens are quick. I suppose she had washed her kitten and
wanted him to dry him quickly. Thus, the only limit to what is possible appears to
be the law in the form of cautionary claims. In other words, a rule as a warning
about a limit in the Real, rather than as law as something absolutely arbitrary the
power of which stems from a master signifier. It is a warning and it is for you.
French society is late in moving toward this orientation. In France, everywhere
you go there are signs that begin with: It is forbidden to: Then what follows will
be a list of prohibitions, e.g., it is forbidden to litter, etcetera. At the bottom of the
sign, in smaller letters, will be the number and the date of the law. How does this
distant French authority compare with say Great Britain? About ten years ago, I
was walking in Hyde Park and saw the British version of the sign I just described.
How was it formulated? The potential offenses were listed but there was no
prohibition per se. Rather there was a list of fines. So, in fact it was possible to
litter, etc., but it would cost you a certain price. In France one does not even
consider doing this. It is just forbidden. The Anglo-Saxon way of governing
replaces the law with the market. It is possible if you want to pay the price. It is
up to you.
The Anglo-Saxon world has been oriented toward the scientific management of
limits for a longer period of time than in France. We in France have followed a
different form of managing limits, the Napoleonic master. Napoleon, who
absolutely fascinates the British precisely because he is the master: Do that.
Why? Because I say so and shut up! It is more totalitarian in a way, more
French.
On this point there has been a great deal made these days of America as
empire. If it is the case, then I think the American empire will be finished quickly.
I am not saying the power of the United States is going to perish. Not at all, it is
getting bigger and bigger, but the idea of an empire: that is a model that cannot
hold. It has to do in my view with the shift away from a strong symbolic order
toward the surfacing of the Real in social life. Maybe Im wrong. An empire can
make the Real appear as well.
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What about these new names-of-the-father? Earlier, Maria-Christina Aguirre
developed the theme of anxiety and talked about a continuum from anxiety to
depression. What is anxiety? This may sound scandalous, but in a way anxiety
is fear not linked to a signifier. It is a fear without a signifier. Anxiety, as Lacan
says, is not without an object. So let us hypothesize that anxiety is a fear
organized by an object and not by a signifier. It is linked therefore to the
appearance of jouissance under the form of an object. Anxiety is a limit, as far
as jouissance is concerned by the materialization of jouissance in the object a.
On this point, what is becoming commonplace in our clinic, in the public
imagination and in the DSM is the panic attack. A panic attack is anxiety in its
most powerful presentational form.
Thus, the work to be done is to always find the object, which is not an object of
fear, but the object included in that panic attack. There will be the subjects
answer to the anxiety. In a way, our treatment of anxiety is to make anxiety a
symptom. To reduce anxiety to a symptom is to build a link. This is paradoxical
because anxiety becomes manifest in order to erase the link between the
subjective reaction and the object that provokes that reaction.
Now, let us take up the question inhibition. I think in that context we can frame
some of the new forms of body-imaginary limits. Let me use an example from
my practice. I have an acquaintance. He is not an analyst and works in an
entirely different profession. He eats too much and is very obese. He has tried a
lot of solutions including psychoanalytic treatment. Nothing worked and in the
end he decided to have his stomach stapled. This is an increasingly common
procedure where bands and staples are used to reduce the size of a persons
stomach, thereby reducing the amount of food a person can ingest. The man is
happy, satisfied. He lost I dont know how many kilos. What kind of kind of
solution is that? It is a solution at the level of the Real. In terms of limits, it is a
body with a device. A device body we could say? There are a lot of bodily
strategies so to speak, the use of drugs being one also. In other words,
something that works for the subject at the level of the body. Addiction is that
way.
In a way, for that man, I am not saying it is the case for every person who is
obese. However, for that man it was an addiction, and he clearly said it. He was
addicted to drinking and eating all the time and he could not live without that. So
it was a food and drink addiction and the solution was a body solution, but
addiction itself is a body solution in a way. So I propose to frame this through the
lens of inhibition. Perhaps it seems a bit bizarre because this case seems to be
the opposite of inhibition. Framed another way, they both operate on the same
plane, inhibition on one side and addiction on the other.
So youve got drugs, prescribed medicines, youve got surgery and a few other
solutions provided on that same level. Let us talk about anorexia. I would put it in
the same group. It is more clearly on the side of inhibition. In that field of
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inhibition we know that the body both as image and as organism is going to be
the main place for the limit.
Participant: But we know that there could be death, e.g., the death of the
anorexic or the death of an addict.
MHB: Oh, yes, of course. But I dont think that they want to find death. I dont
think it is suicide, not at all. They happen to find it as a limit but they dont look
for it. That is why when you say to someone who has a drug addiction or is
anorexic: You are going to die, it does not register with them. When you
interpret for them on the side of death it is absolutely useless. They are not at all
afraid of that, not at all.
This topic makes me think of a patient presentation I did in Italy, in Turin. It was
the kind of institution that exists in Italy, out in the country, receiving patients from
everyday life. The patient was a young girl with a terrible story. Five overdoses
had more of less led her to the frontier of death. She led a very edgy life, had
taken many risks, had been in some very difficult and abusive relationships, had
her children taken from her due to neglect, etc.
In the course of the presentation as she was telling me her history, I said, But I
would be dead with fear if I were you. You dont know fear, do you? Oh yes
she said, I cant stand birds. So, she produced a little bird phobia in that
panorama of the chaos of her life. She had been a prostitute, she had been
beaten, she had been hospitalized and yet the only thing she was afraid of was
pigeons. All the assistants were amazed by her answer, and well, here she had
a limit. I started speaking about birds with her and also with the therapeutic team
in order to take, advantage of this small limit that emerged within her world of
totally unlimited jouissance. I dont know how it turned out. She was receiving
psychoanalytic treatment in that institution. I thought it was very important, in that
terrible world, still a limit could be found, by that young woman, not by me. It was
the last thing I was expecting her to tell me.
There are many examples of the use of our body in the everyday world. When I
went to London last week they told me about a case, I think it was happening in
the United States. It was a case of a father and a mother of a nine year old
mentally handicapped child. This was the case of the so-called Pillow Baby.
Doctors were providing a medical, surgical treatment to the child. They removed
her uterus and some other parts of her body in order to keep her more like a
child, more easy to manage, more easy to care for. So now we live in a world
where you can cut bits and pieces of the body. In a way that implies that the
body is no longer functioning as a limit but in a way it provides a multiplication of
limits by operating on the body. The body itself is no longer a limit as such but
there is a multiplication of limits using the body.
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Now, a third point about the clinic of today. As I said, the subject has become
less and less important with regard to its subjective division and the object gains
more and more importance. The rise of the object as both Lacan and Miller have
noted, has to do with precisely, the rise of scientific discourse and the
multiplication of objects in our market based social world. No doubt, it has
consequences for psychic suffering and therefore, treatment. Given this situation,
I want to propose an argument. If objects are more and more central these days,
more and more used against castration, against lets say the logics of language,
therefore perversion has become a new solution. Of course these days there are
a lot of claims about perversion in society. However, I cant say that I am seeing
more patients with perverted behavior nor with a pervert structure.
Rather, I think the meaning of perversion has changed. What we see is not an
increase in the pervert structure but the pervert style as a mode of jouissance. It
is what Lacan was calling at the end of his teaching, pre-version. That is to say
that those perversions, actions through the object now take the place where the
father function was previously. In that regard, it is not perversion but a certain
kind of fetishism. Fetishism for example in the way we might understand a
parents relationship to a child, e.g., the use of the object child as a condition for
satisfaction. This implies, and this is my last point on new symptoms, a new form
of family.
Let me share the following example which was brought to my attention during
supervision. What was in question in this case was the patients structure. The
patient in question was a stage actor who changed careers because he wanted
to make more money. Even though he was relatively successful as an actor, he
was not well off. So, he changed careers and became quite wealthy in his
second career. One of his goals as it turned out was to have a biological child.
He was gay but did not have a life partner. He came to the United States and
arranged a contractual relationship with two different women. The first woman
was the egg donor and the second was the surrogate mother who carried the
egg to term. During the pregnancy, the man visited from France several times.
When the child was born, he returned to France with the baby.
In short order, he discovered that raising the child would be a full-time job and so
he asked his own mother to move in and take care of the baby with him. A zest
of incest lets say! For him, this situation was perfectly normal. Scientifically
correct but subjectively a little less so. In fact he only began to consider that the
implications of his situation, when he felt a strong, terrible desire to have another
child. So he went to see an analyst, saying: I already have a child, he is very
nice and I want a second one. In the conversation, it came out that he wanted a
second child because he wanted a girl. In fact, he was concerned because he
had not been able to structure a contract for the second child that would
guarantee the sex of the child. His analyst asked him why he wanted a girl. He
wanted a girl in order to pass down his mothers engagement ring who herself
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had received it from the mother of her husband and etcetera, etcetera for
centuries. Although this man had a brother who was married, that brother had
sons and therefore the maternal lineage would not be maintained. So, he
wanted his daughter; his future daughter to have the ring.
The question as I said earlier was regarding this mans psychic structure. What
was it? No psychotic phenomenon was evident. The man was very well adapted
to life. He was a good father to his son. He didnt want to become woman
himself. He wanted a transmission as was discussed yesterday in this
conference. Was it a case of perversion? Fetishism, perhaps? This seems very
plausible because of the conditions around having this second child. The child
was an extension of the engagement ring. I argue that this is a kind of fetishism
because the child is totally separated from sexual desire and sexual difference.
So its not linked, by any means, to the concept of difference.
I would argue that one sees more and more of these kinds of relationship to
children. These are new forms of family, lets say.
These new forms of families, which Im not condemning in any way, are
characterized in my view by a new dynamic of difference. The difference is not
between function, i.e., mother and father, nor at the level of gender. So, where is
the difference? It is at the level of the system, a new family system. This is
where the difference is manifest because otherwise it wouldnt function as a
system. All systems require a differential element that allows a system to
function. Certainly it is an element of difference which is absolutely different from
the others, from the previous ones.
In my view, we are likely going to face a rise of behaviors and lifestyles organized
by the replacement of a master signifier with an object. We can qualify this as a
fetishist solution in life, wherein the solution of the transformation from jouissance
to desire is passed through an object.
What are the treatment possibilities? There is the behaviorist approach. What is
proposed to a subject when one is proposing behavioral therapy? I think the
axiom of behavior therapy is You will get used to it. Further, Once you are
used to it, you will like it! So what is the use? Lets make a joke evoking
Wittgenstein: Meaning is use, use is meaning. Behavioral therapy provides the
solution of meaning as use.
We psychoanalysts do not do this. Nor do we provide a medical solution, i.e., a
body solution. What is our method? I think our method is the symptom solution.
What is the symptom? The symptom is a kind of truth. So in a very strange way
we provide the truth solution. Our definition of truth has to do with material
matter of language. That is to say lalangue. Psychoanalytic treatment is a
material approach but it is not concerned with body transformation as in the
earlier case of the man who had his stomach stapled as the solution to the
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symptom of obesity. It is material because we are dealing with a knowledge
which is real. Its our version of limits. Lalangue, the language with double L is
in itself our limit. What stands in place of the position of prohibition in this version
of a limit? Prohibition was never the psychoanalytic solution. The analytical
discourse is not the masters discourse.
What are we proposing? I think we are proposing desire and love. This solution
implies our saying to the subject: desire has a price. The price the subject is
paying for his desire is reintroduced at the level of subjective division. Also as far
as the objective division is concerned our solution would be real love. I think this
is a more interesting solution than both body interventions and use.
Nevertheless, we must recognize that the cognitive-behavioral modality is the
most widely accepted approach in our society today. Again, use is certainly a
value that many prize highly.
Marie-Christina Aguirre: I think is fascinating because your talk today gives
another perspective to everything that we were saying yesterday. I have two
points. One of them was this question of the multiplication of the name-of-the-
father. Is it not from this perspective that we can understand what I mentioned
yesterday as the multiplication or the rise of new religions? Before, we were in
the world of one religion, i.e., one father, one God. That was the realm of the one
name-of-the-father. Nowadays, in this realm of the multiplication of the name of
the father, we also see the multiplication of the religions. My second point and
perhaps it is more of a comment is with regard to what you were saying about the
difference between the law of the Napoleonic order and the law in the Anglo-
Saxons. The French also say that not only is one not supposed to ignore the
law, everyone one is supposed to know it.
In the Anglo-Saxon world we have the common law, the laws are not written, the
laws are made as the infractions come. So theres nothing already written there
that we can refer to.
Thomas Svolos: A small question. Several of the speakers and those who
asked questions yesterday used the word transmission in reference to what
Lacan says in the essay entitled Two Notes on the Child. In other words, a
point about what gets transmitted between the generations. This was also
invoked by Manya and there was some discussion about that. So my question
is: In the families of today and in what we call postmodernity has anything
changed in what gets transmitted between the generations? In other words,
Manya talked about a shift from a transmission to a conversion within the church.
Has there been a shift within the family to something different in our time now?
MHB: Yes, let me first address this question of transmission. I think it is very
interesting question. What does Lacan say about family and transmission in the
family? We know it had been a preoccupation for him since his essay of 1938 on
the family. To be brief, in a family, generally at the social level what is being
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transmitted is name and wealth, or poverty which is the same dynamic. It just
depends on your family. So, wealth and a name. That is not what is central for
psychoanalysis. Psychoanalysis is not the mere transcription of anthropology or
sociology. What is important for psychoanalysts in transmission? Im going to
paraphrase Lacan who said that it is the transmission of a desire that is not
anonymous. That is what is important for a subject in a family as far as Lacan is
concerned. What does this mean?
For me it certainly doesnt mean the desire to have a child. It is not simply the
common sense discourse: I desire a child therefore everything is okay for my
child because he was desiredNo! A desire which is not anonymous is not only
the desire of that object a, i.e., a child. If the child is an object a, it is cause of
desire, it is not object desired, only. Beyond the child as object desired there is
another desire which is not anonymous and is caused by an object.
On this point Lacan notes that a woman is typically the object a for a man. If they
have a child together the child and the woman are both put into the position of
object a. Let me give you an example. A gay man and his partner decide to
have a child. A lesbian friend agrees to carry the child. She is forty years old
also wanted a child. The child is conceived through artificial insemination. The
baby will be born in a few months. This is an example of the new form of the
family. They are already working out a parenting plan to define who will have the
baby on different days of the week. It is true that they desire a child. That child
is going to be much desired, but its a desire that does not imply sexual
difference first. Its a desire absolutely (its not a criticism, its a description Im
making) without sexual interference they even didnt act to have that child.
So it is a desire that is absolutely separated from sexual difference. In the case
example we are talking about there are two characteristics. The first is having a
child through which one can transmit wealth and a name. The second
characteristic is that what we have here is desire without sex. There is no
sexuality. Is it a desire that is not anonymous. Another dynamic is that the gay
man in this particular example had been adopted as a child. He was adamant
about having a biological child. The desire which is not anonymous in this case
is narcissistic.
Of course this does not imply that in a very, lets say biological way, between a
man and a woman, a desire would not be narcissistic either. A lot of people have
children in a narcissistic way of desiring. That is not an absolutely anonymous
disposition. I think it is not anonymous because he wants to be the father of that
child. What I am frightened about, although I dont think its going to be like that.
It could be the desire of a masculine community; they wanted a boy lets say. I
would be more worried about the baby if he wanted only a boy. If he wants to
construct a relationship not of homosexuality in the sexual term, but of homo as
unique. So that is what I would say about transmission. For an analyst what is
important to be transmitted is a desire and a desire with a name.
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Now new religions coming on, its true. But I have to be careful in that matter
because I am French and we have a strong tradition of anticlericalism, so I have
to be cautious in that matter with my counter transference. Nevertheless, I think
that the world of religion in the future correlates to a strong identification with the
Lacanian imaginary. It will be a bit like the world of the Star Wars movies. It is a
world where some have a trunk, some have four hands, some have two heads,
etc. Well I think that is what religion is like now. Some are going to have hats,
some are going to have crosses, some are going to have turbans, and some are
going to have veils. What will be important is the identification with the image.
Of course its not only that, its a belief in certainty and so forth. I know all that.
But what has become increasingly important is showing these the external signs
of religion.
In the past in France, the custom was not to make ones religious affiliation overt.
The idea was that one could practice the religion of ones choice as long as it
was a private matter, not a public matter. These days, everywhere including in
France the reverse is true. People want to be recognized by through external
marks and signs. That is what made me think of the star wars world in a way.
We wont have trunks but we will have a veil. What we see then is imaginary
identification replacing symbolic recognition. As a result there will be many
Romeo & J uliet love stories, tragic love stories which will produce more and more
desire. If I have a certain kind of hat, who knows, I might perhaps be attracted to
someone with a veil. There we can find a new way to a link between desire and
prohibition.
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Beacon
TESTIMONY OF THE PASS IN NEW YORK
Mauricio Tarrab
One day as I was taking my daily walk near my house in Buenos Aires, I found
glued to a wall a small advertising that offered literature courses, with an
inscription of a beautiful verse by J .L.Borges. It read:
The story goes that in that time past
Where so many things happened
Real, imaginary and uncertain
I bring this to mind here to locate the perspective one should have when one has
concluded an analysis and is looking back, especially if one has to give a
testimony that may be conveyed to ones colleagues. One rebuilds a story with
all those real, imaginary and uncertain things with which one has built the
mortar of life. But we should also say that doing analysis and finishing it implies
not only reconstructing the past and making the experience of the unconscious; it
also implies the contingency, the novelty, the surprise and the unforeseen event.
I have to say that in my case, the act of speaking here in New York, in front of
you, is an unforeseen event in my life. I can assure you that nothing could have
led me to foresee it. The fact itself that I have to speak through this translation
shows how unprepared I was for this occasion, and how I will try to show you
towards the end of my speech something of my relationship as a subject of the
language.
To undergo analysis is in a certain way to find the footprints that have marked us,
and along this path we hope to reduce the weight of the pathos that affects our
body and mind. This pathos is what we call our symptoms.
The person who takes and follows this path does it because she suffers intensely
in the search for knowledge or truth. Or because too much knowledge has
confronted her with an unbearable truth, or because hiding the truth gives
knowledge a role as buffer that is the cause of the suffering.
The beginning of the road of analysis and the progress along it is marked either
by the certainty of anxiety, or by the invasion of a mortifying jouissance; or by the
excess work required by the need to support the neurotic symptom, or by the
unbearable modulation of the pain of being; or even by the weight of the moral
law.
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These footprints I am referring to are the footprints of the unconscious, the
footprints followed by Freud and those he taught us to follow after him. When we
try to have a subject follow the path of analysis, what we try to do is to make him
see in principle the footprints that his senses place in front of his eyes. These are
the traces of the sexual sense that we follow with Freud, as the surest clues to
mitigate the suffering of the symptom.
These are the footprints of the unconscious, which in the end lead us to the
footprint of trauma and its consequences. These are the footprints that lead us to
the edge of the unknown, to the navel of the Freudian dream, where all the
answers that can give us sense and meaning end.
Many of these footprints are erased in ones life, but there are also footprints that
never fade away.
There are indelible images, unforgettable words, long-lasting events, inerasable
memories, eternal feelings. In them, fiction and reality are subtly intertwined.
There are also the footprints of the symptom where that same limit, that same
intertwining, that same edge, are played.
In this littoral, as J . Lacan liked to say, we find in the life of each one of us the
imaginary, the symbolic and the real. These are the points where language and
satisfaction; where words and bodies are uniquely intertwined for each of us.
This leaves footprints.
In the Lacanian-oriented psychoanalysis we follow these footprints, because we
think that what each one of us does in our life, the thing that somehow directs
that for which we suffer, love and experience jouissance, that which is the basis
of what we are, has its foundations there.
For this reason, psychoanalysis is so antinomic with our times. And that justifies
talking of the path of analysis and of the end of analysis. I will illustrate this
antinomy with an example of the most common occurrences of everyday life:
reading a newspaper as a weekend starts in Buenos Aires.
Every Saturday morning we receive in our home, together with the usual daily
newspaper, a condensed edition of the New York Times. In last months issue
(August 18, 2007) we found an example of the direction followed by the world in
an area that interests us, that is, the survival of the subject and his dignity.
It is an article signed by a Benedict Carey, which describes with enthusiasm a
recent experiment made by psychologists at Yale University, who altered the
mind of people participating in the experiment by giving them a simple cup of
coffee. The subjects of this study had no idea how their social instincts were
being deliberately manipulated. On their way to the laboratory they had crossed
an assistant who was carrying several objects in his hands, as well as a cup of
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hot or frozen coffee, which he asked them to help him with. That was enough: the
students who held the cup of frozen coffee rated a hypothetical person about
whom they read later on during the experiment as colder, less social and more
selfish than the students who had held the cup of hot coffee just for a moment.
And he goes onNew studies reveal that people clean more thoroughly when
they can perceive in the air a subtle aroma of cleansing liquid and the
scientific findings continue...
This is not the time to discuss the ill-fated and broadly disseminated influence of
behavioral scientificisms in modern explanations of the thing that guides the lives
of people.
I just have to use this to put tension into the Freudian aspiration that we continue
to uphold: to enforce the particularity of each subject against the crushing
tendency of subjective differences derived from experimentations such as those
with coffee cups or cleaning liquids. Naive but promising for marketing experts.
Psychoanalysis, in this sense, is not hypermodern. Against the banalization and
the anonymity of the modern day subject, it defends this singular dimension of
each person, which makes each one incomparable, that is, this singularity that
cannot be taken by any experimental situation.
If undergoing analysis meant only following the footprints already laid, then it
would be just a new way of repetition. This has been the lost way of
psychoanalysis: the way of an analyst sleuth la Sherlock Holmes and a patient
that finally finds the moment of the trauma, which reproduces the current scene
and liberates the patientHollywood has not overcome the conception of a pre-
Freudian cathartic psychoanalysis. This is not what its all about, because
analysis itself leaves footprints, it leaves new and fresh footprints.
This means that we believe that undergoing psychoanalysis can change
something, lets not be excessively enthusiastic either, it can somewhat change
the subjection each one has to their identifications.
You know that Freud said, Destiny is the parents. This was his attempt at
extracting the individual destiny from the firmament and placing it among family
stars, the effect of which is the Oedipical identifications fixated in childhood.
With Lacan we say that identification is not destiny; which also implies certain
optimism, a rare thing in this day and age. It is to say that the weight of what
Lacan calls the Other, of the mark of the Other, can be twisted during
psychoanalysis.
There is then the determination of identifications, but also an unfathomable
decision of the subject implied in them, that has consolidated them and based on
which the whole existence has been plotted, and from which the subject draws
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sense and satisfaction. To say that identification is not destiny also implies a way
of understanding the direction of the healing that advances at the rhythm of the
fall of identifications. And it is for that reason that the end of analysis is defined
by Lacan as crossing the plane of identifications.
Each one of us has made during our lives an interpretation, a reading with which
we have built a destiny, and psychoanalysis taken to the end must sift through
these footprints that, written on the body and in the Other, have left our
encounters with the real, as well as the reading of what we have done with those
encounters.
This is what the testimony of the pass is all about. Of this reading that a subject
has made, of its oftentimes unbearable effects and of the way in which someone
has been able to twist, at least a little, that destiny.
In a few days, on October 9 it will be forty years since J . Lacan proposed to the
School, which then was the Freudian School of Paris, to create the Pass device.
In spite of the blows and crisis we all know, it is still alive.
I will give brief points to situate the fundamental steps of the analytical path.
1. Going through something of the Father
Analysis had revolved around the symptomatic suffering incarnated in a
sensation of menace and of being exposed to fatality, as well as certain
stoppings in professional life and immobility of the body. The origin of that
symptom was located only during the last analysis: paralysis -signifier of
childhood horror. Childhood neurosis explained this as an early and intense
phobia that had led the subject to see a psychologist at the age of 5. There he
would learn something that he would realize only many years later: that the
signifier marks the body and is the cause of jouissance. This encounter took
place in an institution where children victims of child paralysis were
rehabilitated. The phobia left vestiges in an interminable series of obsessive
symptoms and the menacing idea of catching a disabling disease; and he also
kept a long lasting interpretation of the mothers wish: she wants me sick.
The love for the Father and the jouissance of the Father are connected to the
symptom when menace and exposure to fatality become present in the
transference. We can then situate the multiple ways in which the subject had
taken charge both of the suffering of the Other and of the jouissance of the Other
during his life. The love for the Father seemed to include this sacrifice.
Taking care of the Other organized the position it had in the ideal, it gave new
meaning to the story of the efforts made and it had been quite effective in giving
me a place in professional life, which can be very useful but not recommended
for a psychoanalyst.
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When already near the end of the analysis the essential of the fantasy was
revealed, what I called in the Pass the altruistic tale, it would reveal itself
precisely as what it was: a tale, the tale of the love for the Other, which would
find its reverse in the most real of drives.
The name of the Father echoed the name of the analyst, but also the jouissance
of the ripper: I recognize then in analysis that my father in his collapse was a fool
who ruined his life with self-torture. He wasnt J ack the ripper, but the ripped.
The analyst ends the session and says as I leave: Bulls eye!. I go out moved
and stroll through the city for a long while, purposelessly, until I go for dinner at a
restaurant right across from the Pantheon. The Pantheon of the great dead men.
A sudden and brief episode of suffocation that anguishes and is accompanied by
pain in my chest leaves me the evidence that I have crossed some of the Father.
The two blows: S1 + a
A very early childhood memory situates the encounter between the body and the
word of the mother.
The memory takes place in elementary school and has sharp edges: there was a
hallway under the staircase, a dark tunnel through which the children had to
pass. I am certain that something sexual happened there something was seen,
heard, touched? The memory does not go so far. The boy exits the tunnel all
exited, climbs up the staircase at a run and when he reaches the top he
collapses. The essential of the memory is that the mother would later say that it
was a heart murmur (In Spanish soplo
1
al corazon; in English heart
murmur).
At the end of the tale during analysis I get an interpretation: the words of your
mother penetrated!!!
Sexual arousal, the collapse of the subject and the death threat are combined
with the traumatizing maternal words. The maternal words touch the body,
marking a destiny for any excess, excitement, or effort. It also marks certain
vulnerability of the body that will be confronted with all the resources of
overcompensation that obsession could offer. It leaves the footprint of this saying
and the signifier murmur [soplo] marking the body.
This first murmur is unequivocal in its effects of jouissance, although the child
could never know that it was a heart murmur. It would then have a destiny of
equivocation as a result of the interpretation made by the subject.

1
T.N.: the word soplo in Spanish can be translated, depending on the context as murmur, blow, breath
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The interpretation of the analyst begins to draw from the body the pathos that the
word of the mother had introduced. This is were the position of jouissance from
which the subject did nothing but read the signs that announced its connection
with fatality stumbles, of what his anxiety with respect to the desire Other was an
unequivocal signal.
After murmur, a dream. In the dream: I show the analyst a written report of some
medical tests I have taken. The report contains a terrible announcement. The
analyst (in my dream) reads it and says: whats written there is not correct. End
of the dream.
When I recount it in the next session I say: -in my dream you tell me that whats
written there does not have the value I have given it. Or that whats written there
is not mine.
The analyst goes into one of his silences, he stops talking and after a little while
he whispers in such a small voice that I have to make an effort not to lose the
thread of his speech: - It isnot .... yours.
End of session
After that a decisive shift takes place concerning the symptom. The interpretation
shows the reading that the subject continued attributing a mortifying desire to the
Other. The conclusion is that if whats written is not mine, however the reading is,
and therefore I will have to take charge of this reading and of the jouissance
drawn from it.
The interpellation separates the fatality, both of the name and of whats written, in
the Other and supposedly destined to the subject, and indicates the place of the
jouissance included in the same reading. The consequences of this reading that
fixated both the pathos of the identification as well as the symptomatic jouissance
will remain entirely on my side.
The relief is striking. Something essential of the burden of the mortification has
been lifted.
The logical moment of the pass: the second murmur [soplo]
Although I am immediately asked how to end the analysis, two more years would
be necessary to allow me to move away from what I was holding on to and to
cross the shocking evidence that the Other is a hole, before finding, as J . Lacan
says: the good hole through which to come out.
At the end of the last session of a series and after telling my analyst that I
couldnt find a way out, and that he was going to have to listen to me a little bit
more, I bought a beautiful book of Chinese calligraphy. I had always felt attracted
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by this aesthetics that shows how letters are divorced from the senses, and I was
not indifferent to the fact that it was a book by Francois Cheng, for his
relationship with Lacan. I bought the book, I put it in my suitcase and I went on a
trip.
The title of the book contains a word whose translation I did not know, it was a
word in French that for me had only a culinary sound, and which remained
unknown until one day when, already in Buenos Aires, I looked it up in the
dictionary, and then the translation hit me. The title of the book was: Et le souffle
devient signe.
Souffle: breath.
Immediately a memory precipitates the construction of the fantasy. It is the
memory of an episode in the life of my Father, who in his childhood almost died
of a pulmonary disease and who, in order to recover the use of his lungs had to
blow into the chamber of a football.
To be the breath that the Father lacked. The formula identifies the being of the
subject and defines the object.
This second breath shows how the logic of the Name of the Father retook that
first breath, a footprint written in the body. To encourage the Other, to blow in
hole of the Other was the matrix of the fantasy that I could then build.
One memory almost showed it to the letter: when the father took a nap the child
would lie next to him, attentive to his breathing, in a game where he tried to
synchronize his breathing to that of his father, always vigilant that it did not stop.
To be the breath of the father is the side name of the father, of that which
penetrated in the body through the word of the mother.
Illuminating the fantasy would then situate the I am that in a blunt manner. But it
also showed that in addition to the determination of this identification, there had
been an unfathomable decision of the subject that became evident then. A
decision: to be that breath, had given consistency to this identification of which
meaning all the meaning possible- and satisfaction had been drawn. It became
then completely evident how an entire existence had been plotted from this
decision.
What I have just described is the logical moment of the pass. It is the moment
when, in a flash you catch the fantasy framework that had until then sustained all
the significations of one life. In that moment we perceive this construction of the
fantasy and at the same time this fantasy solution is eclipsed, loses its value,
falls.
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That where the subject, without knowing, affirmed his being falls and one is left in
a bind similar to the one described by Lacan that has a fish with an apple; it does
not know what to do with it.
To be the breath that the Other lackedon the one hand we have situated the
place where the being of the subject was sustained, but at the same time we can
see the dimension of the object that is now situated: breath.
We see then how the neurotic solution of the subject was built around of the
signifier breath that now is unfolded. The first breath footprint written in the body
by the word of the mother, corporization of the signifier that is the matrix of the
symptom and the background of the enigma of the desire of the Other and the
second breath articulated to the Father, which allowed the metaphorical
replacement of the DM.
A breath, to put it this way, on the side of the symptom, the other breath on the
side of the fantasy.
Breath 1 Breath 2
DM NP
Symptom fantasy
S1 +a
Its a limit point in the analytical experience. It is the limit point where a field that
is beyond the Oedipus begins. Breath 1 signifier enters the body through the
word of the mother and breath 2 linked to the Name-of-the-Father are the source
of the meaning and the signification. Now, after crossing this, the ties to the
Other, to knowledge, to the Other sex, to the partner and to the analyst will be
redefined. There, the subject is no longer represented and the Other is a hole
where the path of the drive will be articulated.
This path would reveal a circuit between keeping quiet and being heard and
certain proximity between the respiration (the breath) and the voice. The object
then slips from the breath and the word supported by the respiration that goes
through and on the other side the muting that closes the mouth in the jouissance
of the drive around the vacuum of which the voice resounds. This is how I can
situate today, very briefly, the statute of object a in my case, that is found in this
limit between the body and the Other, between the sonority and the sense.
2. A pass symptom and a dream
This logical moment of the pass ends with a pass symptom and a dream.
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The symptom was fleeting, but quite worrisome. It was an acute difficulty in
understanding what I was hearing, a sort of sensitive or receptive aphasia. I
could hear, but sometimes I could not understand. You can imagine the
repercussions of such a deficit. The exaggerated worry caused at that moment
by the fact that a small and very close child could not completely master the
language, led me to decipher this symptom and contributed to its dilution much
more than consultations with specialists. It wasnt a loss of hearing but of the
critical limit between the sense and the absence of sense, between the sonority
and the sense, which presented itself symptomatically. It had its problematic and
disquieting side, but it was also funny, when I perceived that I did not understand
well especially when the person speaking was a woman.
In turn, the dream was a dream that alludes to logic, to language and to the job of
reduction of the unconscious:
I have to take a Latin test. the words can be clearly seen written in a page, but I
dont know what they mean or what I am expected to do with them. It is a
disconcerting dream because I never learned Latin and however I am compelled
to take this test.
It was only recently with the device of the pass that I could better understand the
question. Indeed, the Latin test is the analysis, but the analysis insofar as it
reduces the fundamental signifier of the subject to a senseless registry. And on
the other hand it shows the position of disconcert in which I found myself, on the
edge of the end, against those senseless signifiers already reduced by the work
of the unconscious.
In another part of this dream, as the symptom I recently mentioned, shows the
ultimate resistance, or in other words the primary and autoerotic rejection of the
Other, the language of the Other, the heterogeneity which dissolves in the
kingdom of object a.
This also shows the limit of what can be drawn from the signifier. And what is
drawn from there is the object: breath, voice which will no longer be left in the
hands of the Other, that the subject will rather take with it without sacrificing the
cause of its desire to the Other.
It is the limit of the Freudian unconscious, of the deciphering and of the history.
During the stretch that goes from the end of the analysis to the Pass, a stretch
that I will not mention today, we confirm the installation of a new regimen of
satisfaction, already outside the fantasy where otherwise the object of the drive
and the real that is isolated would become entwined, as well as the Other and the
partner.
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The final reduction of the symptom to a sign introduced there a certain
displacement that implies not being left at the mercy of the hole that opens in
front of the inexistence of the Other. This implies recovering and using the object
and the symptom in another way and to keep a certain distance from the
symptom reduced to a sign, which is left at the end. What is left is the writing of
those fragments of real and another use of the blow. Which I could write as
follows:
Blow =symptom
The pass and the unforeseen
As I said at the beginning about that research regarding the influence of the
temperature of a cup of coffee on human destiniesI would like to conclude by
telling you one dream that has to do with math and which I had shortly before I
had to show up for Pass, that is, shortly before I met those who would be the
passers, that is, those two colleagues that heard my testimony and then passed
it to the jury of the pass.
The pass is an evaluation device, but it also introduces an incalculable element
and cannot be subjected to rules. On the contrary, the pass introduces a testing
element not on the side of the rule but on the side of the exception.
I was saying recently that with the pass one can never be sure of what will
happen or what we can expect from it. A dear Catalonian colleague, Miquel
Bassols
12
has demonstrated it very lucidly by comparing the pass with the
number Pi. Pi, reminded Bassols, is the real number 3,1416 which is burdened
-as we know- by the most terrible uncertainties.
It is an example of what in intuitivist logic is known as a lawless series because
one cannot predict which number will follow the last number calculated. It is a
structurally unpredictable series, whose law is not given beforehand.
If indeed at the end of the analysis and the Pass we touch a fragment of real, its
new inscription will always be an unforeseen event. The experience of the pass
opens up this lawless series into the post analytic.
I will now use this reference to the pass and math to situate what my position
was as passer at the time of making the pass.
As I waited for the date to travel and was trying to put some order into what I was
trying to convey, I had a dream.

2
Miquel Bassols, El Porvenir del Pase
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I have to take a test. Worried, I look at my notes. These are texts that I read once
but I have no recollection of their contents. However, I make up my mind: I go
and present myself, I tell myself, Ill manage somehow. I go take the test and
halfway there I realize with a start that the test I have to take is a math test. I
wake up startled.
One quickly understands that this startled waking places some of my own -not
very happy- story with math, which appeared at that special edge. It also shows
that the next encounter with the passers and the subsequent intervention of the
cartel took the place of the test for which I had to prepare myself, study, retain,
repeat, etc. etc. Some of this uncertainty caused the dream. This is one side of
the question; lets say the easiest to understand, given the circumstances.
However, the dream shows something more structural. It shows the position of
the passer who is going to present its PI number, to which it has arrived by
reducing his symptom to a sign.
The math test of the dream is then the Pass itself, but it is also the position in
which the subject is left against a senseless reality with which it has to do
something.
The decision of presenting oneself for the pass gives the dream a justified testing
scenario.
In a math test one has to use knowledge, a knowledge that gives no effect of
sense but which gives a result. And for me, this result had always been wrong. I
mean that I could never master math with the assurance with which I have been
able to face other tests of knowledge and sense. Math was always something of
a chance for me, and that is the height of the sense.
And for that reason math served in my dream as precious and paradoxical
metaphor of the situation in which I was about to put myself by going to the Pass.
J ust like with the math test, nothing could guarantee the result.
Translated by Isabel Aguirre
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Log
Reflections on The Fifth Congress of the NLS
Births of the Transference
Pam Jespersen 7/16/2007
The New Lacanian School of Psychoanalysis held its Fifth Congress, Births of
the Transference in Athens, Greece, May 19 and 20, 2007. This Congress was
a remarkably well orchestrated event. The Hellenic Society functioned like a
community of conductors whose batons interwove a rhythm of enlivened
presentations. It has been very difficult to write and somehow put into words the
artistic effect of this event.
The reception the evening before the Congress was held in an older part of
Athens. Plaka is a series of open air markets and restaurants whose streets
intermingled beneath the towering heights of The Acropolis. This luminous
structure rose lit above the terrace where we had gathered. Below were
excavations of ancient baths and the Tower of the Four Winds.
The Fifth Congress was held at The Megaron, the Athens concert hall built in
white marble matching the white buildings and homes on the horizon as far as
the eye could see. Athens is truly a city dressed in white.
The Congress was well organized and ran smoothly from the beginning address
by Reginald Blancet to the conclusion with Gil Caroz. Pierre-Gilles Gueguens
Paradoxes of the Transference, opened the clinical material with a delineation
of the conceptual changes in Lacan. He outlined Lacans initial return to Freud
with the concept of transference as the love of the father. Lacan pursued many
avenues later in his work including the Subject Supposed to Know to the
deception inherent in spoken words. Reginald Blancet discussed the
Transitional Space of the Psychoanalytic Transference, which allows the shift
from the desire of the Other to the analysands own desire with illumination by
the unconscious. Daniel Roys Venus is Born Everyday illuminated how love is
born when the Real escapes into the deception of knowledge with a clear case
example.
The afternoon was a series of four simultaneous round table presentations of
clinical cases carefully distilled through the excellent experience of the inter-
cartels where colleagues could exchange ideas and questions through a series
of dialogues. Daniel Roy and Pierre-Gilles Gueguen took on this phenomenal
task with great success in the final quality of cases presented. Each case could
have been an afternoon discussion in and of itself.
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The dinner and dance Saturday evening began with the prolific and beautiful
display of well prepared Greek delicacies. The ambience was unique and of
course the room was dressed white, luminous in its purity. The dancing went on
into the early hours of the morning.
The second day began promptly with the bell for the concert to begin. Again case
material was the focus with discussions led by J ean-Pierre Klotz and Alexandre
Stevens. Eric Laurent, General Delegate of the World Association of
Psychoanalysis, delivered a concise, passionate summary of the multiple forms
of the transference. He introduced the Object a as the space, empty as such, that
the analyst occupies which allows access through the transference to the real.
Whenever I have heard this man speak, I am struck by his dedication to deliver
something beyond words. Captivated by his presentation, listening to him is
always a delight.
The afternoon began with the presence of J udith Miller and Dominique Holvoet
chairing two case examples of the transference in the clinics of the CPCT. J udith
Miller emphasized that the clinic must reflect the social environment we live in
and work to receive people in the moment. Philippe Stasse then chaired a
discussion of several cases of shorter treatments within the CPCT. These cases
illustrated that the analysand must want to know something of their own desire.
To conclude, the next Congress will occur in Ghent Belgium under the direction
of Anne Lysy, March 15-16, 2008, with the work centering on the The Body and
the Objects in the Psychoanalytic Clinic. It is a logical extension of the
experience in Athens on the Births of the Transference. Something
unspeakable is produced in an analysis. The body with its inherent division can
only be approached through speech. Literally how does one speak of a birth?
How does one speak of the thing produced, the Object a? We shall hear, see
and all of us experience Ghent, Belgium in or own unique way. My transference
to Athens will always be the city dressed in white, whose passionate dance was
felt throughout this eloquent Congress. Thank you to the Hellenic Society.
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Log
Births of Transference
Tracy Favre and Dinorah Otero
The Fifth Congress of the New Lacanian School took place in Athens at its magnificent Music Hall,
the Megaron, on May 19-20, 2007. Births of transference and more precisely the installation and the
handling of the Psychoanalytic transference oriented the work during those two days but also
during the year among Cartels. As new attendees of the NLS, this gave us the opportunity to grasp
Freuds birth of transference -as related to knowledge and love- and how Lacan later articulated
transference in the analytic experience pointing at knowledge and Jouissance. In his reformulation
of transference Lacan sets the real- an impossible to say- at its core.
Freuds Birth of transference. Knowledge and love.
Pierre-Gilles Gueguen, in the opening remarks, discussed the plurality and
multiplicity implied in the births of transference, reminding the paradoxes in these
births as well as the concept in itself. He described transference as a deception
here and now. It is in 1895, in Studies on Hysteria, that Freud introduced
transference as a false connection and described it as deceitful. Anna O.s
treatment by Breuer surprised Freud by the intensity of her affective reaction onto
the doctor. Thus love transference emerged as a spontaneous phenomenon that
intrigued Freud and Doras case gave him the opportunity to emphasize the
emergence of transference as a necessity during the cure.
In Doras treatment, Freud defines transferences as new editions or facsimiles of
the tendencies and fantasies which are aroused and made conscious during the
progress of the analysis; but they have this peculiarity, (), that they replace
some earlier person by the person of the physician.
1
Initially transference
emerged as an obstacle in the cure: it appeared as a resistance, a defense for
the free association. Paradoxically, Freud later saw transference as a necessary
tool in the cure: on the one hand an instrument of irreplaceable value and on the
other hand a source of serious dangers.
2

According to Freud, transference allows one to have access to repressed
material. The analytic situation with the support of transference supposes a
subject of the unconscious and it is through interpretation that the patient can
know about it. Gil Caroz emphasizes that for Freud the love of transference only
has a sense inasmuch as it is articulated, in one way or another, to the
elaboration of an unconscious knowledge.
3


1
S. Freud, Dora: An Analysis of a case of Hysteria, Macmillan Publishing Co., p.138.
2
S. Freud, An Outline of Psychoanalysis, Norton and Co., p.52.
3
G Caroz, Knowledge and presence in psychoanalytic transference, Bulletin of the NLS, Number 1, 2007, p. 17.
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Guy Trobas in his lecture on Freuds discovery of transference referred to it as a
contingency and opened the question to Doras non-answered demand of love:
should Freud have answered her demand? For Freud two aspects of
transference are linked: love and knowledge. Freuds desire in the cure, as Lieve
Billiet underscores, is the desire of the father.
4
Freud believes that the love of
the father is the condition of the psychoanalytical treatment: because of love,
knowledge cures.
From Freud to Lacan
The first time that Lacan writes about transference is in Intervention on
transference in 1951 where he discusses Doras case and Freuds struggle in
handling the transference. Lacan is interested in Doras case because of what it
stands for in the experience of transference when this experience was still new,
this being the first case in which Freud recognized that the analyst played his
part
5
. He examines in dialectic terms- transference and the operation of the
analyst who interprets it, and discusses Freuds resistance counter-
transference- that is described as the prejudices, passions, and difficulties of the
analyst.
6
An example of his resistance is with the Oedipal Complex, in which he
defines the predominance of the paternal figure as natural rather than normative.
Lacan states that even after the interruption of the treatment, Freud continues
insisting on the triumph of love. Thus Lacan reformulated the concept of
transference going beyond the semblant of love: transference does not arise
from any mysterious property of affectivity, and even when it reveals an emotive
aspect, this only has meaning as a function of the dialectical moment in which it
occurs.
Francois Leguil talked about two loves: one love that arises with the Other of
knowledge and one love that holds its value only from the real that escapes him.
Lacan, in Seminar VIII, relates transference to a metaphor of love. Through the
Banquet, Lacan gave birth to his concept of agalma with Socrates refusal in
reciprocating Alcibiades love. This object appears as a transformation of the lack
in being, its essence is from the order of the void, the nothingness. For Lacan
there is no reciprocity of love in the analytic experience, which makes the analyst
agalmatic. As Eric Laurent pointed out, the analyst will face the analysands
identifications and it is by not answering that the analyst becomes the empty
point, an undifferentiated object that will provide a place for the text to be written.
Lacan mentions the deceiving aspect of transference: interpreting the
transference is nothing other that a ruse to fill in the emptiness of this deadlock.

4
L. Billiet, Transference at the time of Freud and today: the deadlocks of love and the logic of the market, Bulletin of
the NLS, Number 1, 2007, p. 31.
5
J . Lacan, Intervention on Transference, Femenine Sexuality, Norton &Co., p. 64.
6
Ibid, p.71.
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But while it may be deceptive, this ruse serves a purpose by setting off the whole
process again.
8

For J ean-Pierre Klotz the Subject supposed to Know marks the denunciation of
the semblants. In transference it is a rapport between love and drive, a
dimension of pacification of the father, which opens the dimension of jouissance.
Lacans Birth of Transference: Knowledge and Jouissance.
Beginning of transference is the subjects supposition that there is something to
know: transference is unthinkable unless one sets out from the subject who is
supposed to know.
9
The patients suffering becomes an analytic symptom when
it represents an enigmatic knowledge for the analysand, who supposes the
analyst to know how to decipher it. Transference is no longer reduced to love-its
imaginary aspect- but the Subject supposed to Know implies a new
conceptualization of transference: its symbolic dimension.
Transference is described as a phenomenon bound up with a nodal desire: it is
the patients desire in its meeting with the analysts desire. Transference is not a
relation between subjects but a relation between signifiers. It is in the Proposition
of October 1967 that Lacan presents the algorithm of transference as a relation
between signifiers: the first one being the signifier of the symptom, (), the
second one being the place where the analyst is situated.
10
Eric Laurent
explained that the signifier that represents the analyst becomes undetermined
and can be invented.
Lacan also refers to transference as related to the object a. In Seminar VIII, the
analyst appears in the place of the agalma. According to Eric Laurent the analyst
comes to the place of the object that is always already lost. The analyst becomes
the partenaire or partner symptom of the subject. The symptom holds together
the chain that articulates itself and the operation of designation is the
fundamental baptism of the object: something comes to be named, it is a named
jouissance. Patrick Monribot examines the function of the symptom as a way of
treating the unbearable jouissance. Through the experience of analysis, the
subject must invent a new symptom that can assure the knotting of the real, the
symbolic and the imaginary. This will link language and body.
The presence of the analyst is necessary and is a manifestation of the
unconscious. There is an effect of surprise that emerges in the chain of signifiers.
Because the unconscious is the discourse of the Other, the analysts
interpretation can have an effect and help a subject to produce his text. In

8
Ibid, p.71.
9
J . Lacan, The Seminar of J acques Lacan, Book XI, The Four fundamental concepts of psychoanalysis, p. 253.
10
L. Billiet, Transference at the time of Freud and today: the deadlocks of love and the logic of the market, Bulletin of
the NLS, Number 1, 2007, p.33
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Seminar XI Lacans definition of transference implies a differentiation between
repetition and transference, raising it on its real dimension: the enactment of the
reality of the unconscious
11
. Transference gives us access to the reality of the
unconscious, which is sexual reality: love is the denial of this real
12
. Therefore,
what is at stake in the analytic experience is what escapes knowledge, the real.
Transference is a paradoxical concept that is either an obstacle or a possibility
appears as a deceived love but it enables the access to the sexual reality of the
unconscious. This Congress- through both the theoretical aspect and the case
presentations- made us question this crucial phenomenon in our own experience
in the United States. Working in an Outpatient Clinic or a Continuing Day
Treatment Program, we are driven by the medical model which goal, through
efficiency and cost-efficacy, is to eliminate symptoms with a treatment plan pre-
establishing the steps and objectives in a pre-determined time. Where one
suppresses symptoms Lacan reminds us that putting the symptom to work in
the case by case- allows the emergence of the subject. We wonder what is the
place of the transference within this model? What is the therapists desire, who
seems to apply an empirical based method? This leaves open questions
regarding our own responsibility within this context and our awareness to create
a demand of treatment for our patients. This handling of the transference is
opposed to Lacans teaching. Didnt Lacan situate the analyst in the position of
the object a?

11
J . Lacan, The Seminar of J acques Lacan, Book XI, The Four fundamental concepts of psychoanalysis, p. 149.
12
L. Billiet. Transference at the time of Freud and today: the deadlocks of love and the logic of the market, Bulletin of
the NLS, Number 1, 2007, p.33.

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Log
The Variety of the Practice.
Questions on Classification.
Dinorah Otero
The Third American Encounter, XV International Encounter of the Freudian Field,
held in Belo Horizonte on August 3, 4 and 5 was entitled The variety of the
practice, from the clinical type to the unique case in psychoanalysis. The
Encounter was characterized by an environment of intense work around topics
such as the unclassified cases, emergence of new symptoms, clinical types and
the singularity of each case, and the presence of the analyst in new mental
health centers. The contemporary clinical practice leads us to search for new
responses, many times inventing them.
From the variety of presentations and debates I will sketch only a few ideas
regarding questions on classification in the clinical practice nowadays: Why are
there so many cases that seem to resist the structural classification of neurosis
and psychosis? Does it continue to be useful the classification between
psychosis and neurosis? Does the class of the unclassifiable exist?
Why is there a proliferation of the unclassifiable cases? In answering his own
question, J uan F. Perez talked about the proliferation of the unclassifiable cases
from a historical perspective. He understands this proliferation as a trait of the
era of the Other who does not exist. J acques-Alain Miller states that the
inexistence of the Other, rivets the subject to the pursuit of surplus-jouissance.
3
.
In terms of E. Laurent, this era is characterized by the rise of object a to the
zenith of the social
4
. Silvia Tendlarz, in her article Lo inclasificable
5
, notices that
the modality of presentation of the clinical cases has changed as related to the
decline of the Ideal and the predominance of the object a over the Ideal that
leads to a pluralization of the S1. She also discusses on a proliferation of atypical
cases that may be related to subjects that seek to compensate a symbolic deficit
through imaginary identifications, which would work as a suppleance.
J . F. Perez warned us of the misunderstanding of situating as ordinary
psychosis to every unclassifiable case. Regarding this matter he opened up a

3
J .-A. Miller & E. Laurent, The Other who does not exist and his ethical committees, Almanac of
Psychoanalysis. Psychoanalytic stories after Freud and Lacan, p.26.
4
Ibid, p.30.
5
S. E. Tendlarz, Lo inclasificable, La variedad de la practica, del tipo clinico al caso unico en psicoanalisis, 2007,
p.31.
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debate generating an enriching dialogue with Eric Laurent who underscored that
the ordinary psychosis is a program of investigation.
Is the classification of neurosis and psychosis still useful? This question would
summarize the debates of some of the workshops in which doubts about the use
of the classification between neurosis and psychosis emerged. Alicia Arenas
6

reminds us the Conversation of Arcachon in which J .-A. Miller identifies two
moments in the clinic, a nominalist one, in which the patient is seen in his
singularity, and a structural moment related to types of symptoms and structure.
Throughout discussions in the workshops I attended I noticed a consensus in
thinking that the current challenges in diagnosing and the emphasis in
considering the singularity of each case do not prevent us from making a
diagnosis regarding the structure. The differentiation between neurosis and
psychosis allows us to orient the direction of the cure.
However it seems that the cases that resist all attempts of classification come to
question the clinic of structure, which is oriented by the Name of the Father and
belongs to the first period in Lacans teaching. The clinic of a second period
related to the sinthome would provide a useful compass in the practice. It is
based on the topology of the Borromean knot, which seeks to grasp the
singularity at stake in each subjects relation to language and jouissance.
7
It is
within the clinic of the sinthome that E. Laurent proposed the construction of
mathemes. P. Lacadee tells us that the Borromean clinic does not replace but is
supplementary to the clinic of the structure: it allows for the knotting of the
universal of structure and the singular trait of the subject.
8

I will finish with a question that came up during R. Barros presentation: does the
unclassifiable exist? He talked about the unclassified as the real impossible to be
named. Eric Laurent concluded that the real unclassified is the object a. With this
affirmation he provided an orientation of the intervention of the analyst. The
interpretation in analysis points at the object a in order to translate the more
singular of the subject that is his untranslatable jouissance.

6
A. Arenas, Tipo clinico y caso unico, conceptos que no se recubren, La variedad de la practica, del tipo clinico al
caso unico, pp. 64-65.
7
P. Dravers, Editorial, Psychoanalytical Notebooks, Issue 13, May 2005.
8
P. Lacadee, The singularity of a psychic reality. Psychoanalysis applied to a case of ordinary psychosis,
Psychoanalytical Notebooks, Issue 15, September 2006, p.171.
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CHART
Houston, TX
Adherent to the Freudian Field Library
http://www.wapol.org/en/campo/campo.asp
Library address: 12026 Canterhurst Way. Houston Tx.77065
SCHEDULE: Open Second and fourth Wednesday of each month,
Hours: 12:30-2:00 pm. by appointment. Information Telefax: +(281) 897 8295
Responsible:
Carmen Navarro Nio.
AP. Member of World Association of Psychoanalysis (WAP)
e-mail: CarmenNavarro11@hotmail.com
On-Going Activities: Fall 2007
1. 2007 Reading Circle: Carmen Navarro Nino, Marianela Bermudez.
Readings from J acques-Alain Miller 2004-2005, *Pieces detaches* (Detached pieces)
Activities on Wednesday. Frequency: weekly 12:30pm-2:00pm
Free admission. Address: 12026 Canterhurst Way HoustonTx.77065
2. Seminar "The Identification from Freud to Lacan":
Responsible: Mercedes Acua.
Previous lecture and discussion.
Free admission
Contact: TeL: 713-852-7721.
E-mail: mecheacuna@yahoo.com.ar
3. Lectures at the Diagonal. Fairbanks Center: Carmen Navarro Nino.
Selected readings. From J acques Lacan, J . A Miller, Eric Laurent, Robert and Rosine Lefort,
Sigmund Freud and others
The Lacanian Orientation Circle of Houston
Readings on Psychoanalysis with cultural and clinical connections. Every other Thursday,
from 5:30 to 6:45 p.m. Bilingual English Spanish meetings.
Discussant: Carmen Navarro Nino, Analyst AP. Member AMP World Association of
Psychoanalysis.
4. Cartels activities scheduled by groups agreement.
Information L Nino: Tel: 713 823 9375
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Academic Lecture coordinators: Marianela Bermudez and Luis F Nino.
Address: Fairbanks Center- Cy-Fair College. At Diagonal 290
14955 North freeway HOUSTON Texas 77040
Room 201 (the conference room) upstairs.
DATES:
August: 16th and 30th -September: 13th and 27th-.October: 11th and 25th.
November: 8th and 15th- December: 6th and 13th.
Bibliography:
1. 1901.Lacans Ecrits .: ECRITS originally published in French by Editions Seuil 1966.
Reading from The first complete Edition in English 2005, and
2. J acques Lacan Escritos 1 - 2 Spanish Edition. Mexico 1995
3. J -A Miller. -Recorrido de Lacan. Manantial. Argentina 199
4. AMP-WAP selection -Florilegios and unclassifiable. Argentina 1995
5. Eric Laurent. SIETE PROBLEMAS DE LOGICA COLECTIVAMadrid 1996. IMAGINARIO Y
LOGICA COLECTIVA. EOLIA.
Miami, Florida
The Lacanian School of Miami and the Florida Center for Teaching and Research
Fall activities:
Institute
Fundaments 2 : On Mondays starting on September, Reading Seminar XI, J .Lacan
Responsible: Faculty of the Institute
Research Seminar: How to Investigate in Psychoanalysis.
(First Conference dictated by Leonardo Gorostiza virtually from Buenos Aires).
Responsibles: Faculty of the Institute
Research Seminar: Autism.
Exploration of the relationship between body and language. Autism and the Other. Position of
the analyst in Autism
Responsible: Alicia Arenas, J uan Felipe Arango
Research Seminar: Adolescence, The Teen-agers
What is the relationship between post- modernism and adolescence. What is the relationship
between the Law, Technology, affects and adolescents.
Responsible: J uan Felipe Arango
Research Seminar: On Transference
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One of the fundamental concepts and tools of Psychoanalysis and its use in the direction of the
cure.
Responsible: Fernando Schutts
School Nights
Seminar: The objects of Psychoanalysis.
Tracing the concept of object from Freud and Lacans work
Responsible: Alicia Arenas
Special Events:
September 8, 2007 :Testimony of the pass by Mauricio Tarrab
September, 2007 : Clinical days with the presence of Ricardo Nepomiachi , Analyst from
Buenos Aires
Clinical cases will be presented and disscused by the Nel-Miami
November , 2007: Presentation by a Brazilian Psychoanalyst, Angelina Harari on Addictions
Contact:
NELFLORIDA@aol.com
Tel/fax: (305) 461-0999
New York, NY
Lacanian Ink
Responsible: J osefina Ayerza
These are the Lacanian Ink events related with the launching of LI 30 (Fall 2007) which continues
J acques-Alain Miller's reading on J acques Lacan's Seminar "From an Other to the other" (D'un
Autre l'autre).
Alain Badiou at Tilton Gallery - NYC - on Wednesday November 14 and at Miguel Abreu
Gallery - NYC - on Friday November 16 2007.
Slavoj Zizek at Tilton Gallery - NYC - on Tuesday November 27 2007.
All events start at 7 pm and the admission is free.
The writers included in the issue are:
J acques-Alain Miller, Alain Badiou, Simon Critchley, Massimo Recalcati, J ean-Luc Nancy, Slavoj
Zizek, J osefina Ayerza
New York Freud Lacan Analytic Group
Responsible: Maria Cristina Aguirre
Contact: nyflag@yahoo.ca
Reading Seminar:
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We will continue reading and studying Seminar XX by J acques Lacan. We will also refer to
the NLS London Seminar on Love and Knowledge and other texts by J acques-Alain Miller,
and others. Every other Wednesday, beginning September 12, 2007.
Clinical Seminar:
Research and discussion of Clinical cases. Every other Wednesday beginning September 19,
2007
Barnard College, Room 407, Broadway at 117th St. NYC
Special Events this Fall
Testimony of the Pass
For the first time in New York, we will have the opportunity to hear a recently nominated Analyst
of the School (A.E.) give a testimony of the Pass.
Mauricio Tarrab, Argentinean Psychoanalyst, is a member of the EOL and has been secretary of
the WAP (World Association of Psychoanalysis) from 2002 to 2006.
He received the nomination of A.E. in 2006.
You can read his first testimony in the web pages of the W.A.P.
September 5, 2007, 8 pm.
Barnard College, NYC
13th International Seminar of the Freudian Field
with J ean-Pierre Klotz, French Psychoanalyst, member of the Board of the Ecole de la Cause
Freudienne (E.C.F.), and also past-president of the ECF.
Dr. Klotz has come several times to the US to give Seminars in New York, Omaha, Miami, Kent,
and Columbia.
Lecture: About Transference: singularities in the world of globalization.
Friday October 26 2007, 8 pm.
Fordham College, NYC
Seminar: Uses of Transference in the Analytic Experience.
Saturday October 27 2007, 9 am to 7 pm.
Fordham College, NYC
Omaha, Nebraska
Circle for the Lacanian Orientation of Omaha
Seminar on " The Body as Object"
We take as a theme "The Body as Object." Within our work on this, we will explore the process
through which the body becomes--as we say in the United States--objectified, the process by
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which meaning and sense is made of the body, as the body--any body--is made an object by a
subject. The social determinations of this have changed dramatically through time, which we will
explore, as well as the effects of this process on the psyche and the ways in which the body--
through the object--is linked to a person's symptom and suffering.
As part of this work, we will take up the psychoanalytic notion of the drive (or instinctual) object,
as first formulated by Freud, and we will pay especially close attention to Lacan's object a, his
reformulation of the Freudian part objects (oral, anal, phallic)--extended as well to the voice and
the gaze, and beyond.
Beginning in the Fall, we will have presentations and discussions on a series of talks given by
Lacan in his Seminar X on "Anguish" in 1963, talks that introduce the object a and detail its
application in clinical practice. (Chapters 16 through 24 of Lacan's Seminar X will be suggested,
though not required, reading. An English translation is available at Karnac Books at
http://www.karnacbooks.com/.)
Monthly meetings on Fridays at 11:00-12:30. Contact Thomas Svolos for further information on
specific dates and location.
" The Forms of the Social Bond" --Reading Seminar XVII, The Other Side of Psychoanalysis
In addition to the Seminar on "The Body as Object," CLOO will be sponsoring a reading group
this year. We will be reading Seminar XVII of J acques Lacan, which has just been released in a
superb translation by Russell Grigg. The Seminar is titled The Other Side of Psychoanalysis,
published by Norton.
All are welcome to attend this Reading Group--no prior familiarity with psychoanalysis, prior
participation in the Reading Group, or reading is necessary to participate.
Monthly meetings on Fridays at 11:00-12:30. Contact Thomas Svolos for further information on
specific dates and location
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Sentinel
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Resources in Lacanian Psychoanalysis
The World Association of Psychoanalysis:
The aim of the World Association of Psychoanalysis is to promote the practice and the study of
psychoanalysis following the teachings of J acques Lacan. It was created by J acques-Alain Miller
in February 1992 and today has over a thousand members in Europe, America and Australia. The
WAP creates Schools that develop and transmit psychoanalysis, ensure the formation of
analysts, found their qualification and guarantee the quality of their practice. The World
Association of Psychoanalysis holds a Scientific Congress and an Assembly of members every
two years. It works in coordination with the Foundation of the Freudian Field and the Institute of
the Freudian Field, sharing the responsibility for submitting psychoanalysis to regular criticism of
its fundamentals and of its role in today's world. Information on the WAP--its activities and
publications--can be found on the WAP website:
http://www.wapol.org/en/index.html
New Lacanian School:
NLS is the English-language School of the WAP. Information on the constituent societies and
groups, as well as events and publications can be found at
http://www.amp-nls.org/
New York Freud Lacan Analytic Group:
NYFLAG sponsors regular activities in New York as well as Seminars and other special programs
with visiting psychoanalysts. For more information or to get on the mailing list, contact Maria
Cristina Aguirre at nyflag@yahoo.ca.
NEL-Miami:
These groups sponsor regular activities and special programs in Florida in English and Spanish.
For additional information, contact Nelflorida@aol.com.
Lacan.com:
Online resources on Lacanian psychoanalysis:
http://www.lacan.com/
Information Listserves--
Lacanian-Orientation-US: The Information Listserve for Clinical Study Days and other programs
of the World Association of Psychoanalysis in the United States.
http://groups.yahoo.com/group/Lacanian-Orientation-US/
English-Language Publications--
Mental (published by NLS; French print journal and English online journal):
http://www.mental-nls.com/
Psychoanalytical Notebooks (published by London Society of the NLS; print journal with selected
online papers):
http://www.londonsociety-nls.org.uk/Welcome.htm
Almanac of Psychoanalysis (published by the Israel Society of the NLS; print journal): information
available from Yotvat Oxman, Editor,yotvatt@zahav.net.il
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International Lacanian Review (online journal published by J acques-Alain Miller):
http://www.lacanianreview.com.br
Lacanian Compass (published by WAP; newsletter of Lacanian activities in the US):
http://www.wapol.org/es/lacanian/lacanian.asp
Lacanian Praxis: International Quarterly of Applied Psychoanalysis (online journal published by
the WAP):
http://www.mental-nls.com/
World Association for Psychoanalysis Letter for Europe (online newsletter of the WAP):
http://www.amp-europe-lettre.com/
J ournal for Lacanian Studies (paper journal published by Karnac Books; with select online
articles):
http://www.jlsjournal.com/
Lacanian Ink (paper journal published by J osefina Ayerza; online excerpts):
http://www.lacan.com/covers.htm
The Symptom (online journal published by J osefina Ayerza):
http://www.lacan.com/thesymptom.htm
(Re)-turn: A J ournal of Lacanian Studies:
http://www.missouri.edu/~raglande/Lacan/