Sara Gruen - at The Water's Edge (Extract)
Sara Gruen - at The Water's Edge (Extract)
The trio find themselves amid the devastation of World War II, in a
remote village in the Scottish Highlands, where the locals have nothing
but contempt for the privileged interlopers. As the men go out looking for
the monster, Maddie is left on her own at the isolated inn, where food is
rationed, fuel is scarce, and a knock from the postman can bring tragic
news. Gradually the friendships she forms open her up to a larger world
than she knew existed. As she embraces a fuller sense of who she might
be, Maddie becomes aware not only of the dark forces around her, but the
beauty and surprising possibilities of life.
Sara Gruen
10 9 8 7 6 5 4 3 2 1
Angus and had Archie take it away again. Archie had wanted to wait
until the date of death was verified, but Màiri needed it done then, to
have a place to mourn them both at once, and Archie could not say no.
He chiseled Angus’s name beneath his daughter’s and left some room
to add the day of the month when they learned it. An addition for an
absence, because Angus—unlike the wee bairn—was not beneath it
and almost certainly never would be.
There were just the two of them in the churchyard when Archie
returned the headstone. He was a strong man, heaving a piece of
granite around like that.
A shadow flashed over her, and she looked up. A single crow circled
high above the graves, never seeming to move its wings.
One Crow for sorrow,
It was joined by another, and then two more.
Two Crows for mirth,
Three Crows for a wedding,
Four Crows for a birth
Archie removed his hat and twisted it in his hands.
“If there’s anything Morag and I can do, anything at all . . .”
Màiri tried to smile, and succeeded only in producing a half-
choked sob. She pulled a handkerchief from her pocket and pressed it
to her mouth.
Archie paused as though he wanted to say more. Eventually he
replaced his hat and said, “Well then. I’ll be off.” He nodded firmly
and trudged back to his van.
It was Willie the Postie who had delivered the telegram, on Valen-
tine’s Day no less, a month to the day after the birth. Màiri had been
pulling a pint behind the bar when Anna came, ashen-faced, whisper-
ing that Willie was on the doorstep, and would not come inside. Wil-
lie was a regular, so Màiri knew from that very moment, before she
even approached the door and saw his face. His hooded eyes stared
into hers, and then drifted down to the envelope in his hands. He
She took in only three things: Angus, killed, the date. And they
were enough.
“I’m sorry, Màiri,” Willie said in a near whisper. “Especially so
soon after . . .” His voice trailed off. He blinked, and his eyes drifted
down, pausing briefly on her belly before coming to rest again on his
hands.
She could not reply. She closed the door quietly, walked past the
hushed locals and into the kitchen. There she leaned against the wall,
clutching her empty womb with one hand and the piece of paper that
had brought Angus’s death in the other. For it did seem as though it
was the paper that brought his death rather than simply the news of
it. He had been dead for more than six weeks, and she hadn’t known.
In the time between the arrival of the telegram and the return of
the headstone with Angus’s name on it, Màiri had begun to blame
Willie. Why had he chosen to hand her the telegram? She had seen
his hesitation. He would have been complicit in what, at worst, would
have been a lie of omission, especially if it meant she could believe
that Angus was still out there somewhere. Even if he was doing things
she couldn’t comprehend, things that might change him in the terri-
ble ways the men who had already been sent home had been changed,
she could believe he was alive and therefore fixable, for surely there
was nothing she couldn’t love him through once he came home.
They had lied to her about the baby, and she had let them.
Since she had first felt the baby quicken, she was keenly aware of
its every movement. For months, she had watched in wonderment as
little braes poked up from her belly, pushing their way across—an
elbow, or perhaps a knee—a subterranean force that constantly re-
arranged the landscape of her flesh. Was it a boy, or a wee girl? Which-
ever it was, it already had strong opinions. She remembered the
moment it occurred to her that it had been hours since she felt it
move, on Hogmanay, of all days. At midnight, precisely when Ian
Mackintosh struck in his pipes to form the first chord of “Auld Lang
Syne” and seconds before corresponding shots rang out from the
doorway of Donnie Maclean, Màiri began poking her belly, trying to
wake it, for they said that unborn babes slept. She yelled at it, screamed
at it, and finally, realizing, wrapped her arms around it and wept.
Thirteen days later, her pains started.
Her memories of the birth were vague, for the midwife had given
her bitter tea mixed with white powder, and the doctor held ether
over her nose and mouth at regular intervals, putting her under com-
pletely at the end. They told her the baby had lived a few minutes,
long enough to be baptized. Their lie became her lie, and that was
what went on the headstone. In truth, she’d probably lost both child
and husband on the same date.
The promised letter never arrived. Where had he died? How had
he died? Without the dreaded details, she had only her imagination—
her terrible imagination—and while she wished she couldn’t fathom
what his last moments might have been, she could, with distinct and
agonizing precision, in a million different ways. Please God that they
were moments indeed, and not hours or days.
“O h God, make him pull over,” I said as the car slung around
yet another curve in almost total darkness.
It had been nearly four hours since we’d left the naval base at
Aultbea, and we’d been careening from checkpoint to checkpoint
since. I truly believe those were the only times the driver used the
brakes. At the last checkpoint, I was copiously sick, narrowly missing
the guard’s boots. He didn’t even bother checking our papers, just
lifted the red and white pole and waved us on with a look of disgust.
“Driver! Pull over,” said Ellis, who was sitting in the backseat be-
tween Hank and me.
“I’m afraid there is no ‘over,’ ” the driver said in a thick Highland
accent, his R’s rolling magnificently. He came to a stop in the middle
of the road.
It was true. If I stepped outside the car I would be ankle-deep in
thorny vegetation and mud, not that it would have done any more to
destroy my clothes and shoes. From head to toe I was steeped in sulfur
and cordite and the stench of fear. My stockings were mere cobwebs
stretched around my legs, and my scarlet nails were broken and peel-
ing. I hadn’t had my hair done since the day before we’d sailed from
the shipyard in Philadelphia. I had never been in such a state.
I leaned out the open door and gagged while Ellis rubbed my back.
Wet snow collected on the top of my head.
I sat up again and pulled the door shut. “I’m sorry. I’m finished.
Do you think you can take those things off the headlights? I think it
would be better if I could see what’s coming.” I was referring to the
slotted metal plates our one-eyed driver had clipped on before we’d
left the base. They limited visibility to about three feet ahead of us.
“Can’t,” he called back cheerfully. “It’s the Blackout.” As he
cranked up through the gears, my head lurched back and forth. I
leaned over and cradled my face in my hands.
Ellis patted my shoulder. “We should be nearly there. Do you
think fresh air would help?”
I sat up and let my head flop against the back of the torn leather
seat. Ellis reached across and rolled the window down a crack. I turned
toward the cold air and closed my eyes.
“Hank, can you please put out your cigarette?”
He didn’t answer, but a whoosh of frigid air let me know he had
tossed it out the window.
“Thank you,” I said weakly.
Twenty minutes later, when the car finally came to a stop and the
driver cut the engine, I was so desperate for solid ground I spilled out
before the driver could get his own door open, never mind mine. I
landed on my knees.
“Maddie!” Ellis said in alarm.
“I’m all right,” I said.
There was a fast-moving cloud cover under a nearly full moon,
and by its light I first laid eyes on our unlikely destination.
I climbed to my feet and reeled away from the car, thinking I
might be sick again. My legs propelled me toward the building, spin-
ning ever faster. I crashed into the wall, then slid down until I was
crouching against it.
In the distance, a sheep bleated.
. . .
was easily the most anticipated party of the year, bouncing outra-
geously like a bloated mushroom. A split second later a single crystal
the size of a quail’s egg fell from the sky and dropped smack into his
cocktail, all but emptying it. He stared, bemused and tipsy, then
calmly took out his handkerchief and dabbed his jacket.
As everyone burst into laughter, I noticed a footman in old-
fashioned knee breeches perched near the top of a stepladder, pallid,
motionless, struggling to contain the biggest bottle of champagne I’d
ever seen. On the marble table in front of him was a structure of
glasses arranged so that if someone poured continuously into the top
one, they would eventually all be filled. As a rush of bubbles cascaded
over the sides of the bottle and into the footman’s sleeves, he stared in
white-faced horror at Mrs. Pew.
Hank assessed the situation and apparently took pity on the fellow.
He raised his glass, as well as his other hand, and with the flair and
flourish of a ringmaster boomed, “One! Happy New Year!”
The orchestra struck up “Auld Lang Syne.” General Pew con-
ducted with his empty glass, and Mrs. Pew beamed at his side—not
only was her party a smashing success, but it now had a comic anec-
dote people would speak of for years.
Should auld acquaintance be forgot, and never brought to mind
Should auld acquaintance be forgot, and old lang syne . . .
Those who knew the words sang along. I had refreshed my mem-
ory that afternoon in order to be ready for the big moment, but when
cork met crystal, the lyrics were knocked straight out of my brain. By
the time we got to running about slopes and picking daisies fine, I
gave up and joined Ellis and Hank in la-la-la’ing our way through the
rest.
They waved their glasses in solidarity with General Pew, their free
arms looped around my waist. At the end, Ellis leaned in to kiss me.
Hank looked to one side, then the other, and appeared baffled.
“Hmm. I seem to have misplaced my date. What have I done with
her?”
“What you haven’t done is marry her,” I said and then snorted,
top of the case and put it between his lips. A servant appeared from
nowhere to light it.
“Mm, thanks,” Hank said, inhaling. He leaned back and let smoke
drift from his mouth to his nose in a swirling white ribbon that he
re-inhaled. He called this maneuver the “Irish Waterfall.”
“If I do marry her, Ellis and I won’t have a hope, because you girls
will gang up on us.”
“We won’t be able to,” I said. “The distribution will be equal.”
“They’re never equal between the sexes. You already gang up on
Ellis and me all by yourself.”
“I do not!”
“You’re ganging up on me right now, at this very minute, single-
handedly baiting the marriage trap. I tell you, it’s the ultimate female
conspiracy. You’re all in on it. Personally, I can’t see what all the fuss
is about.”
Ellis returned, followed by a waiter who set steaming crystal
glasses with handles on the table in front of us. Ellis flopped into a
chair.
Hank set his cigarette in an ashtray and picked up his toddy. He
blew steam from the surface and took a cautious sip. “So, Ellis, our
darling girl here was just saying we should go on a trip,” he said.
“Find us a plesiosaur.”
“Sure she was,” said Ellis.
“She was. She has it all planned out,” said Hank. “Tell him, Mad-
die.”
“You’re drunk,” I said, laughing.
“That is true, I will admit,” said Hank, “but I still think we should
do it.” He ground the cigarette out so hard its snuffed end splayed like
a spent bullet. “We’ve been talking about it for years. Let’s do it. I’m
serious.”
“No you’re not,” I said.
Hank once again clasped his heart. “What’s happened to you,
Maddie? Don’t tell me you’ve lost your sense of adventure. Has Violet
been civilizing you in secret?”
“No, of course not. You haven’t given her the chance. But we can’t
go now. Liners haven’t run since the Athenia went down.”
I realized I’d made it sound like it had spontaneously sprung a
leak, when in reality it had been torpedoed by a German U-boat with
1,100 civilians on board.
“Where there’s a will, there’s a way,” said Hank, nodding sagely.
He sipped the toddy again, then peered into it accusingly. “Hmmmm.
Think I prefer whiskey after all. Back in a minute. Ellis, talk to your
wife. Clearly she’s picking up bad habits.”
He launched himself from his chair, and for a moment looked like
he might topple over. He clutched the back of Ellis’s chair while he
regained his balance and finally wafted off, drifting like a butterfly.
Ellis and I sat in relative silence, within a bubble created by the
chatter and laughter of other people.
He slid slowly down in his chair until it must have looked empty
from behind. His eyes were glassy, and he’d turned a bit gray.
My own ears buzzed from the champagne. I lifted both hands to
investigate my hair, and discovered the curls on one side had come
undone and were clinging to my neck. Reaching further around, I
realized that the diamond hair comb given to me by my mother-in-
law was missing. I felt a stab of panic. It had been a gift on our wed-
ding day, a rare moment of compassion shown me by a woman who
had made no secret of not wanting me to marry her son, but was
nonetheless moved to give it to me seconds before Hank walked me
down the aisle.
“I think we should do it,” Ellis said.
“Sure,” I said gaily. “We’ll just hop on the next—”
“I mean it,” he said sharply.
I looked up, startled by his tone. He was grinding his jaw. I wasn’t
sure exactly when it had happened, but his mood had shifted. We
were no longer playing a game.
He looked at me in irritation. “What? Why shouldn’t we?”
“Because of the war,” I said gently.
“Carpe diem, and all that crap. The war is part of the adventure.
God knows I’m not getting near it any other way. Neither is Hank, for
that matter.” He raked a hand through his hair, leaving a swath of it
standing on end. He leaned in closer and narrowed his eyes. “You do
know what they call us, don’t you?” he said. “ ‘FFers.’ ”
He and Hank were the only 4Fers in the room. I wondered if
someone had slighted him when he’d gone to find drinks.
Hank took his flat-footedness in stride, as he did most things, but
being given 4F status had devastated Ellis. His color blindness had
gone undetected until he tried to enlist and was rejected. He’d tried a
second time at a different location and was turned down again. Al-
though it was clearly not his fault, he was right that people judged,
and I knew how this chipped at him. It was relentless and unspoken,
so he couldn’t even defend himself. His own father, a veteran of the
Great War, had treated him with undisguised revulsion since hearing
the news. This injustice was made all the more painful because we
lived with my in-laws, who had perversely removed any chance at
escape. Two days after the attack on Pearl Harbor, they cut Ellis’s al-
lowance by two thirds. My mother-in-law broke it to us in the draw-
ing room before dinner, announcing with smug satisfaction that she
was sure we’d be pleased to know that until “this terrible business was
over” the money would be going toward war bonds. Strictly speaking,
that may have been where the money was going, but it was perfectly
clear that the real motive was punishing Ellis. His mother was exact-
ing revenge because he’d dared to marry me, and his father—well, we
weren’t exactly sure. Either he didn’t believe that Ellis was color-
blind, or he couldn’t forgive him for it. The nightmarish result was
that we were forced to live under the constant scrutiny of people we’d
come to think of as our captors.
“You know how hard it is,” he went on, “with everyone staring at
me, wondering why I’m not serving.”
“They don’t stare—”
“Don’t patronize me! You know perfectly well they do!”
His outburst caused everyone to turn and look.
Ellis waved an angry hand at them. “See?”
At seven thirty, we met at the top of the stairs. I had bathed and re-
paired my hair as best I could in the available time. I had also put on
a touch of lipstick and rouge, since my face was so devoid of color as
to be nearly transparent, and dabbed some eau de toilette behind my
ears. Ellis had nicked himself shaving, and there were comb marks in
his wet hair.
“Ready?” he said.
“Absolutely not. You?”
“Courage, my dear,” he said, offering his arm. I curled my icy fin-
gers in the crook of his elbow.
As Ellis and I entered the drawing room, my father-in-law, Colonel
Whitney Hyde, raised his face and aimed it at the grandfather clock.
He was leaning against the mantel, right next to a delicate cage hang-
ing from an elaborate floor stand. The canary within was the color of
orange sorbet, a plump, smooth ovoid with a short fan of a tail, choco-
late spots for eyes, and a sweet beak. He was almost too perfect to be
real, and not once had he sung during my four-year tenure in this
house, even as his quarters were reduced to help him concentrate.
My mother-in-law, Edith Stone Hyde, sat perched on the edge of
a silk jacquard chair the color of a robin’s egg, Louis XIV style. Her
gray eyes latched onto us the moment we entered the room.
Ellis crossed the carpet briskly and kissed her cheek. “Happy New
Year, Mother,” he said. “I hope you’re feeling better.”
“Yes, Happy New Year,” I added, stepping forward.
She turned her gaze on me and I stopped in my tracks. Her jaw
was set, her eyes unblinking. Over by the mantel, the ends of the
Colonel’s mustache twitched. The canary fluttered from its perch to
the side of the cage and clung there, its fleshless toes and translucent
claws wrapped around the bars.
Tick, tock went the clock. I thought my knees might go out from
under me.
“Better . . . Hmmm . . . Am I feeling better . . .” She spoke slowly,
clearly, mulling the words. Her brow furrowed ever so slightly. She
drummed her fingers on the arm of the chair, starting with her small-
est finger and going up, twice, and then reversing the order. The
rhythm was that of a horse cantering. The pause felt interminable.
She looked suddenly up at Ellis. “Are you referring to my mi-
graine?”
“Of course,” Ellis said emphatically. “We know how you suffer.”
“Do you? How kind of you. Both of you.”
Tick, tock.
Ellis straightened his spine and his tie and went to the sideboard
to pour drinks. Whiskeys for the men, sherries for the ladies. He deliv-
ered his mother’s, then his father’s, and then brought ours over.
“Tell me, how was the party?” his mother said, gazing at the deli-
cate crystal glass she held in her lap. Her voice was completely with-
out inflection.
“It was quite an event,” Ellis said, too loudly, too enthusiastically.
“The Pews certainly do things right. An orchestra, endless cham-
The Colonel and Ellis closed in on each other across the enormous
silk carpet, pointing fingers and trying to outshout each other. The
Colonel accused us of going out of our way to try to embarrass him,
as well as being loathsome degenerates and generally useless mem-
bers of society, and Ellis argued that there was nothing he could do,
and for that matter the Colonel did nothing either. What exactly did
his father expect him to do? Take up a trade?
My mother-in-law sat silently, serenely, with a queerly calm look
on her face. Her knees and ankles were pressed together in ladylike
fashion, tilted slightly to the side. She held her unsipped sherry by the
stem, her eyes widening with delight at particularly good tilts. Then,
without warning, she snapped.
The Colonel had just accused Ellis of conveniently coming down
with color blindness the moment his country needed him, the cow-
ardice of which had caused him—his father and a veteran—the great-
est personal shame of his life, when Edith Stone Hyde swiveled to
face her husband, bug-eyed with fury.
“How dare you speak of my son like that!”
To my knowledge, she had never raised her voice before in her life,
and it was shocking. She continued in a strained but shrill tone that
quavered with righteous indignation—Ellis could no more help being
color-blind than other unfortunates could help having clubfeet, didn’t
he realize, and the color blindness, by the way, hadn’t come from her
side of the family. And speaking of genetics, she blamed her (and
here she actually flung out an arm and pointed at me) for Ellis’s
downfall. An unbalanced harlot just like her mother.
“Now see here! That’s my wife you’re talking about!” Ellis shouted.
“She was no harlot!” the Colonel boomed.
For two, maybe three seconds, there wasn’t a sound in the room
but the ticking of the clock and the flapping of the canary, which had
been driven to outright panic. It was a haze of pale orange, banging
against the sides of its cage and sending out bursts of tiny, downy
feathers.
Ellis and I looked at each other, aghast.
made from the foot of a hippo—a hippo that the Colonel himself had
taken down in Rhodesia.
Reporters and their impudent questions were no longer welcome.
The Colonel gave up his tweeds and his accent. The sketches and
newspaper clippings, so carefully glued into Moroccan leather scrap-
books, disappeared. By the time I came into Ellis’s life, the subject was
taboo, and preserving the Colonel’s dignity paramount.
Of course, what was taboo to the rest of the world was anything
but to our little trio, especially when the Colonel was acting particu-
larly accusatory about Ellis’s inability to serve.
It was Hank who came up with the idea of us finding the monster
ourselves. It was a brilliant mechanism for blowing off steam that al-
lowed Ellis to poke merciless fun at the Colonel, imagine himself
triumphing where his father had failed, while simultaneously prov-
ing that he was as red-blooded as any man at the Front. It was a harm-
less fantasy, a whimsy we trotted out and embellished regularly,
usually at the end of a long night of drinking, but never within any-
one else’s earshot—at least, not before the New Year’s Eve party.
‘I devoured this book. Once again Sara Gruen has proven herself
to be one of America’s most compelling storytellers. You might be
tempted to rush to get to the answers at the end—but don’t, or you’ll
miss the delectable journey that is Gruen’s prose.’ Kathryn Stockett,
New York Times bestselling author of The Help
‘At the Water’s Edge is a rich, beautiful novel. Elegantly written and
compulsively readable, it is at once a gripping love story, a profound
examination of the effects of war on ordinary women, and a compel-
ling portrait of female friendship. While delving into powerful
themes, Sara Gruen never loses sight of what matters: her charac-
ters. This story of one privileged young woman, coming of age in
a time of impossible upheaval and terrible choices, will keep you
riveted until the very last page.’ Kristin Hannah, New York Times
bestselling author of The Nightingale
‘Intoxicating . . . Sara Gruen has an exquisite eye for detail, and she
evokes the haunted—and haunting—Scottish landscape with her
signature passion, freshness, and scope. Atmospheric and gritty, the
compelling tale of Madeline’s struggle to redefine herself in a world
gone mad will linger long after you turn the final page. I love this
marvellous, marvellous book.” Joshilyn Jackson, New York Times
bestselling author of Someone Else’s Love Story
www.saragruen.com
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