ADAGIO VIOLINS VOL. 1.

PRODUCED BY TROELS FOLMANN & COLIN OMALLEY

 WARNING!

All 8DIO libraries are watermarked with your

personal data and IP address using proprietary
watermarking techniques developed by 8DIO.
Do not distribute, resell or torrent.
WHATS NEW IN ADAGIO 1.1?
1. All legatos have been polished, refining the level of the intervals and their associated
grafted dynamic bows/post sustains.

2. An entirely new "CLOSE" mic mix has been created for the legato patches. Previously the
CLOSE mix for legatos was not drastically different from the MIX. The new CLOSE mix
provides great clarity and focus in the interval transitions. Essentially you have the detail of a
stage recording coupled with the lush sound of a church environment. It's the best of both
worlds in our view.

3. A "Violins 2" button has been incorporated into all Adagio patches. This button simulates
the slightly darker tone of a violins 2 section.

4. Lite patches (patches using direct from disk streaming) are available across the library. In
most cases these lite patches are nearly identical to the full versions, but have much smaller
memory footprints. As an example, Adagio Instinct Legato full version = 500mb. The Light
version = 22mb. Adagio is NOT a resource hungry library.

5. Vibrato "character" control is now incorporated into many of the legato patches, with all
new sustain recordings. The control goes beyond simply adding more vibrato. You can
actually alter the character, allowing for more solo-istic detail to shine through when
appropriate.

6. Adagio now includes MULTI LEGATO patches. These patches allow you to switch fluidly
between up to 3 legato types within a single connected phrase. You can switch legato types
based on velocity or midi CC.

7. Short notes have been reprogrammed and mixed to capture more ambience of the natural
church environment. They are MUCH lusher in tone. They have also been balanced allowing
for smoother articulation switching.

8. There are now host tempo synced patches available for all loures and phrase patches.
There are versions for both Kontakt 4 and Kontakt 5 users.

9. 40 Bonus Ambiences have been crafted from our lush Adagio source material.

10. Output mapping has been expanded, allowing routing of different mic positions to
different outputs. This is an essential addition for surround mixing.

11. Every patch in the library has been smoothed, polished, buffed and spanked.
DOWNLOADING ADAGIO 1.1
INTRODUCTION

The 1.1 update is a COMPLETE download of the entire Adagio Violins Volume 1
product. It contains all the sample content and programs for the library. If you
have previously downloaded Adagio Violins 1.0 you may safely delete it from your
hard drive. However, we do recommend keeping both 1.0 and 1.1 if you have
legacy projects using 1.0. Programming has been polished and improved a great
deal in 1.1, and midi CC data may not translate completely across the two versions.

DOWNLOADING ADAGIO 1.1:

1. Download and install our download utility (found in the email you received from us). We
offer both PC and MAC versions of the download tool.

2. Enter the ENTIRE serial code (found in the email you received from us)

3. The download utility will automatically download and install your library.

4. The library can be found through the regular browser in Kontakt.

TROUBLESHOOTING DOWNLOADS:

The download utility should generally work for all download purposes, however please use
our manual download links if you encounter any issues. The manual download links are
generally slower downloads, but allows you to download the compressed library files (.rar
compression) through your browser. You can access the manual download links here:

http://8dio.net/manuallink

Please use your purchasing email address and enter ENTIRE serial code.

TROUBLESHOOTING KONTAKT:

This library does NOT use the add library function in Kontakt and all files must be access
through the regular Kontakt browser (upper left side of Kontakt). Please use the file browser
in Kontakt and locate the program (.nki) files in the library to use it.

Please contact us at support@8dio.com - if you encounter any other unforeseen issues.

INSTALLING ADAGIO 1.1 MULTIS
When you have successfully downloaded Adagio 1.1 you must also run an additional
installer, which contains a specific installer for our Adagio Multis.

Adagio 1.1 also contains a series of

sophisticated multi patches for Kontakt that
allows for more sophisticated controls. Please
notice you need to use a separate installation
utility to get access to the multis.

Please make sure you run the installer for

either PC/MAC before using the library. We
recommend running this installer before you
start your DAW/sequencer, since DAWs can
remember previous settings of libraries.

If you encounter further issues dont hesitate

contacting us at support@8dio.com
ADAGIO INTRODUCTION
Imagine samples with true emotion where every note matters.

Produced by Academy Award, TEC and G.A.N.G Award Winning Composer, Troels
Folmann and Emmy nominated composer and orchestrator, Colin OMalley, 8Dio Adagio
String Series marks the most expressive collection of deep-sampled emotional strings ever
created. Adagio contains a variety of advanced techniques that were specifically
developed for the library. The techniques allow you to create completely realistic string
sequences with true emotion and passion. You dont need to be a master orchestrator to
sound great.

Adagio Violins is our first release, which will be followed by Cellos, Violas and Basses.
Adagio Violins contain three main groups of violins. Full ensemble Violin (11), Small
Ensemble Violin (3) and Solo Violin (1). All groups have been extensively sampled and
recorded in a signature church environment with a hand-selected group of master violinists.
All groups were sampled with three different microphone positions (close, far, mixed). We
employed all current generation sampling techniques (ex. true legato, deep sampled
repetitions etc). New techniques were also developed to capture a higher level of emotion
and humanity in the performances. The result is a passionate virtual instrument which is
extremely agile to play.

We highly recommend you read this manual and watch our videos, since we have created
a variety of novel articulations that have never been deployed into libraries before.

Adagio is next-generation orchestral sampling. We recorded 10 different types of liquid

legato to cover the vast majority of natural flow techniques. The legato performances are
modeled around lyrical melodies, capturing some of the spirit of the composers we love.
The power of this approach cannot be over stated. Adagio captures great musicians
performing as they were born to.never a static moment. Legato intervals were sampled
up to 4 times round robin allowing for an even greater degree of realism. Loure or
floating notes are also a key part of Adagio, allowing composers to perform repeated
notes with connectivity. Weve also included unprecedented Loure Legato patches.
They have to be played to be believed.
ADAGIO INTRODUCTION
Adagio allows for traditional dynamic cross-fading of sustains to shape notes. In addition
to this, we deep-deep-deep sampled Dynamic Bowing articulations. These are notes that
weep and soar effortlessly. With our intuitive programming we believe this dynamic
approach is far superior to traditional cross-fading in the quest for a final degree of
musical realism.

Comprehensive short notes are another highlight of Adagio. With feathery spiccatos,
biting marcatos, lively pizzicatos and more, Adagio is both nuanced and acrobatic. Short
notes are sampled in up to 10 round robins. The attacks of the notes have an energy and
musical imperfection that will re-define your string template. Trills, tremolos and measured
tremolos are also sampled in great depth for an extra shimmer or relentless pulse in your
music. Adagio is an intuitive out-of-box tool. It works fluently without mangling. It also
offers tremendous control and flexibility.

Adagio is designed to meet the needs of both the traditional and modern composer.

We hope you will have a great time with the library.

Sincerely, Colin & Troels

CORE ARTICULATIONS
Adagio is designed with simplicity in mind and comes with an internal browser.
Adagio contains three separate string groups. Ensemble, Divisi and Solo, which each
have their own core articulation programs. All our core articulation programs contains
a set of sub-articulations (ex. spiccato, staccato, marcato in same patch). All the sub-
articulations are triggered on keyswitches on your keyboard starting at C0. You can
double click at any sub-articulation and assign it to another keyswitch if you want.

The core articulations are:

Solo Violin
Legato (1 type)
Shorts
Sustains
Dynamic Bowings
Bonus Phrases

Divisi Violin
General
Legato (2 types)
Dynamic Bowings

Ensemble Violin
Legato (7 types)
Shorts
Sustains
Dynamic Bowings
Measured Tremolo
Loure
Bonus Phrases
All core articulations have a several sub-articulation (ex. one legato patch can have
10-12 sub-articulations like sustains, dynamic bowings, loure etc).
HOW TO USE ADAGIO LEGATO
The tempo and character of a legato interval performance varies dramatically
depending upon the intention of the player(s). The phrasing possibilities are virtually
endless, but generally speaking a slow legato performance has a rounder shape in the
attack with a subsequent sustain which rolls into the vibrato. In contrast, a faster
aggressive legato performance typically has a pronounced transition that settles in
with more immediate vibrato.

Existing string libraries approximate some of these differences using volume envelopes
and various programming
methods. They require the user to
spend a lot of time and effort
massaging attacks and dynamics
with midi CC data. It can be a
mind numbing experience as
composers battle occasional
lumpiness or suction in their legato
performances. While good results
can certainly be achieved with
existing libraries, we feel very
strongly that there is a better way.

Adagio includes 10 distinct legato

performances. Each of them has a
very different musical intention. By
simply choosing the legato performance that matches the tempo and style of your
composition you can achieve a high degree of emotional realism without slaving over
each note. Each legato patch contains a custom articulation list of up to 12 different
performances on key switches. CC 1(Modwheel) and CC11(Volume Expression) are
available to sculpt each of these articulations. Natural - This the raw interval
performance untouched. Including this was the subject of some debate between Troels
and I. While it is not as flexible as the other articulations, there is a certain magic
when you perform within the tempo threshold of the recorded performance. The full
ring out of the interval is heard in the rich church environment. It also has an inherent
natural musicality and raw imperfection that works great in certain phrases.
HOW TO USE ADAGIO LEGATO
Sus XFade

This is very similar to the implementation in existing sample libraries. You can shape attacks
and arcs for notes using CC1 (Modwheel) to cross fade between several dynamic layers.

Dynamic Bowings (aka Arc / Bow)

These are natural dynamic performances recorded specifically to

match the intention of each legato. They vary greatly from legato
to legato. While "E.T." features a variety of sweeping arcs with
higher degrees of vibrato, "Dolce Legato" contains softer rolling
arcs with soft and sweet vibrato.We feel confident that after a
short time with Adagio you'll become as addicted to natural
dynamic performances as we have. Outside of intangible things
like "emotion" and "soul" there is a clarity and flow to the vibrato
that you simply can't get any other way. We intend for composers
to use the "Sus Xfade" key switch as a bridge to move between
our dynamic performances. Embracing this intention will yield a
more emotional result to your music. Remember, you can also shape dynamic
performances with CC1 (Modwheel). Adagio also has both long and short dynamic
performances. The short bows can be used for a true legato "Detache" feel. This is an area
that is often neglected in existing libraries.

Loure Repetition

These are flowing repetition performances. Legato patches typically contain 3-5 different
alternatives of varying meters. Their lyrical connectivity simply cannot be achieved any
other way. They give a musical phrase a sense of "traveling forward" even when the first
repetition is triggered. Combined with our legato performances the line between real and
sampled is blurred even further. Loure with legato marks the beginning of our larger plan
to implement phrases in a much more dynamic and playable fashion.
HOW TO USE ADAGIO LEGATO
Vibrato Control

Vibrato Character Control is created from an entirely new set of

sustain recordings and is controlled by CC 12. At the highest
setting you'll hear more solo-istic vibrato detail in your phrases.
This control can be used in a variety of ways. Riding CC 1 (Dynamics) and CC 12 (Vibrato
Character) together you can flow in and out of light to heavy vibrato. In many cases, Colin
prefers to keep CC 12 (Vibrato Character) at the highest setting, riding CC1 (Dynamics)
and CC 11 (Expression) to make things breathe. Both of these approaches will yield a
very different sound. Setting CC 12 Vibrato control to a value of 60 will essentially mimic
the performance available in our 1.0 release.The following legato patches have vibrato
character control: Instinct, Village, Emo Slur, Soft Emo Slur, Dolce, Lost 1, Lost 2.

Starting notes of legato phrases:

Regardless of the post articulation selected by key switch in the articulation list, the starting
note of the legato instruments is ALWAYS a sustain crossfade. This allows you to shape the
entrances of your phrases using CC1 (Dynamics), CC 11 (Expression) and CC12 (Vibrato
Character). The SECOND note you play will be the highlighted articulation you've selected
via key switch. We have had a number of requests to make the dynamic bowings and
loures available as starting notes, and it is under serious consideration. Initially, we found
this to be problematic as the attacks of many dynamic bowings are longer in duration. This
lead to intervals potentially jumping out unnaturally in some cases. Having a sustain
crossfade is the most flexible solution. The only limitation currently is not being able to start
a legato phrase with a loure repetition.
ADAGIO LEGATO TYPES
Dolce Legato (ensemble) - When it comes to soft and slow legato samples, there are two
common pitfalls. The first is simply a lack of expression on soft dynamics. A certain
deadness occurs with static sampling methods. The second potential issue: things can get a
bit lumpy on the transitions when a legato interval is being programmed beyond the
intention of the musicians (i.e a faster transition used on a slower phrase). Dolce Legato is
a perfect antidote to both of these problems. The attacks and dynamic bowings roll and
flow forward, allowing expressive performances at both soft and moderate dynamic
ranges. Additionally, speed control allows this legato to work equally well at very slow to
moderate tempos.

Soft Emo Slur Legato (ensemble) - This legato features a natural slur or portamento. It is
very effortless and unforced sounding. It can be used on its own for a more exaggerated
emotional feel. With some of the wider vibrato dynamic bowings this can sound reminiscent
of classic Mancini. It can also serve as an accent for extra juice in a phrase when used in
conjunction with our other legatos.

Perdition Legato (ensemble) - We received a lot of inspiration during the production of

Adagio from the work of Thomas Newman. This legato is our attempt to capture some of
the spirit of his work. Perdition features a sweet flowing sordino performance and feathery
interval attacks. The dynamic bowings have subtle arcs with varying degrees of lyrical
vibrato. Perdition works well at both slow and moderate tempos.

Extra Terrestrial Legato (ensemble) - This is a more aggressive dynamic legato

performance. It works well at moderate to faster tempos. The legato transitions themselves
have a lot of gusto, with wonderful imperfection as the musicians settle into their pitches.
These characteristics help this legato soar above the orchestra. Dynamic bowings feature
varying intensities of vibrato, including ff expressivo for epic moments.

Emo Slur Legato (ensemble) - This is another natural slur or portamento legato. The
performance is over the top with emotion. It serves as a great sweeping transition for E.T
and our other more dramatic legatos. It also stands on its own for an epic sound.
ADAGIO LEGATO TYPES
Instinct Legato (ensemble) - 4 way round robin legato. This is one of our proudest
achievements in Adagio. Round robin intervals have incredible realism for repeated legato
figures (notes rocking back and forth etc). The character of the intervals themselves is also
very different from our other legatos. The length of the performance allows the musicians
to settle in and shape things in a very flowing manner. It is perhaps our most versatile
legato performance and a homage to one of our favorite composers: Jerry Goldsmith.

Village Legato (ensemble) - 3 way round robin legato. This performance expands upon
what we loved about Instinct. We asked the musicians to play slower and with a touch
more dynamic restraint. The result is a silkier tone overall, a nod to the wonderful tones
achieved by James Newton Howard in many of his scores. Try using Instinct as violins 1
and Village as violins 2. The differences in overall tone and expression will bring your
harmonies to life and get around that sense of "sameness" you can run into with static
samples.

Lost Legato 1 & 2 (divisi). Our divisi recordings were some of the biggest surprises in post
production. We found the end result to be a lot bigger and more expressive than a
stereotypical small section. Don't limit yourself to thinking of them as "small." They have a
wonderful level of soloistic detail and can work wonders in harmony with any of our other
legatos. Lost 1 features a relatively clean transition transition. Lost 2 is faster with more
expression and slur.

Schindler 1 (solo) - This performance features a true virtuoso violinist unleashed. The
intervals were performed 3 way round robin. Dynamic bowings offer a variety of note
shapes and vibrato intensities ranging from lyrical to aggressive. This instrument also
features "marcato legato."

Lite Patches - Lite versions are available for nearly all of the patches in Adagio Violins.
These patches use DFD (Direct from Disk Streaming) in Kontakt and have a much smaller
memory footprint. If you are not using speed control or tempo synced loure (TM) patches,
we highly recommend using the lite versions, as there are no other compromises in quality
or performance. You do not need a monster setup to run Adagio effectively. As an
example the lite version of one of our premiere legato patches "Instinct" only requires
22mb of RAM.
MULTI LEGATO

Please make sure you have installed the multi-legato before using them (see page 4).

Multi legato patches allow you to switch fluidly between up to 3 legato types within a
single connected phrase. You can switch legato types based on velocity or midi CC. When
the "auto" button is illuminated the patch will switch based on velocity. There are both
"lite" and full versions of the multis. As mentioned previously, unless you are using speed
control and tempo synced loures, we recommend using the lite multis. They contain the
same sample depth as the full versions but are shockingly light on resources.

Important:Multi-Legato is controlled on CC13.

The following multis are included in 1.1.

Village-Instinct-Emo Slur
Instinct-Emo Slur
Village-Soft Emo Slur
Dolce-Soft Slur
Lost 1-Lost 2
TEMPO-SYNCED LOURE
Adagio has a number of patches which take advantage of Kontakt's Time Machine engine,
allowing the loure phrases to follow the tempo of your host DAW. These patches are
denoted with a "TM" in their name. We've included Kontakt 4 patches, but strongly
recommend using the Kontakt 5 versions. Time Machine Pro in Kontakt 5 is vastly superior to
the Kontakt 4 equivalent. Here is a complete list of the original Loure tempos within each
legato patch. Kontakt 5 will grant the user a lot more latitude in terms of useful tempos.

LOURE LEGATO TEMPOS

INSTINCT DOLCE
1. Loure f f f - BPM 70 1. Loure mp mp mp - BPM 70
2. Loure f f mp - BPM 70 2. Loure f p alt x 5- BPM 60
3. Loure f mp p - BPM 70 3. Loure pfp x5 - BPM 60
4. Loure f ff - BPM 75
4. Loure pfp 8ths - BPM 60
VILLAGE
LOST 1/2
1. Loure mp mp mp BPM 70
2. Loure mp mf f BPM 70 1. pfp quarters x 8 - BPM 98
3. Loure mp x 5 BPM 60 2. pfp half x 4 - BPM 98
4. Loure mf x 9 BPM 70

ET
1. Loure f f f - BPM 70
2. Loure f f mp - BPM 70
3. Loure f mp p - BPM 70
4. Loure f ff - BPM 75

EMO SLUR
1. Loure f f f - BPM 70
2. Loure f f mp - BPM 70
3. Loure f mp p - BPM 70
4. Loure f ff - BPM 75

SOFT EMO SLUR

1. Loure p p p - BPM 70
2. Loure p mf alt x 5- BPM 60
3. Loure pfp x5 - BPM 60
4. Loure pfp 8ths - BPM 60
CONTROLS
ADAGIO VIOLINS contains a variety of different controls, including speed, dynamics,
expression and vibrato control.

Speed Control (CC 16)

Speed Control is default this is assigned to CC 16. Speed control alters a variety of
parameters in the intervals and accompanying articulations, allowing the patch to cover a
wider range in tempo.
Speed control is implemented in a way that only allows users to
change the tempo of the intervals within a threshold that is natural for
the particular performance. Pushing things too far can lead to a very
"keyboardy" or synthetic sounding result. We were very careful to
preserve the natural lyrical attack of each legato performance. By
default each legato loads at its slowest setting. We intend for speed
control be used sparingly. The interval performances work as they
were intended out of the box.

Dynamics (CC1)
CC1 (modwheel) controls the overall dynamics level of the
instrument, as well as subtle varations of gain. A great variety of
patches have modwheel functionality (ex. sustains) allowing you to
do dynamic shifts by crossfading through different layers,

Expression (CC11)
CC11 controls the overall volume. Allowing you to shape the
dynamics and sound as you wish. It can be quite powerful to ride
the CC1 and CC11 at the same time, since you often want to shape
both the dynamics (CC1) by crossfading, but also control the volume
within the given layer you are triggering.

Vibrato Control (CC12/82)

Vibrato Character Control is created from an entirely new set of sustain
recordings and is controlled by CC 12. At the highest setting you'll hear
more solo-istic vibrato detail in your phrases. This control can be used in a
variety of ways. Riding CC 1 (Dynamics) and CC 12 (Vibrato Character)
together you can flow in and out of light to heavy vibrato. In many cases,
Colin prefers to keep CC 12 (Vibrato Character) at the highest setting,
riding CC1 (Dynamics) and CC 11 (Expression) to make things breathe. Both of these
approaches will yield a very different sound. Setting CC 12 Vibrato control to a value of 60
will essentially mimic the performance available in our 1.0 release.These legato patches have
vibrato character control: Instinct, Village, Emo Slur, Soft Emo Slur, Dolce, Lost 1/2.
INSTRUMENT BROWSER & MICS
Adagio comes with a self-contained instrument browser, which displays all the sub-
articulation within the given patch. The idea is to have as many things contained in one
module as possible and give you the flexibility of accessing the articulations with a simple
keyswitch.

Instrument Browser
The instrument browser shows you the individual sub-
articulations. You can access the individual articulations
by using keyswitches, which starts at C0 on your
keyboard. The screenshot (see right) shows one of our
legato patches. You will note that it each sub-articulation
has a different name (ex. natural, sus Xfade, medium arc)
followed by a keyswitch number. So when you click C#0
on your keyboard you will trigger the Sus XFade sub-
articulation or if you click E0 it will switch to heavy
vibrato. You can also change the keyswitches by double
clicking the value (ex. C0) and reassign it another place
on the keyboard. However we recommend you keep them
as is, since all our future volumes of Adagio will use a
similar system.

Microphones

Adagio comes with three set of microphone positions:

Close, Far and Mix(ed). The close microphone was as
close as possible to the strings to give you a clear and
defined sound. This can be important if you want clarity
and definition in your mix. The far microphone is a mix of
several microphones played towards middle/end of hall
and gives you a more ambient perspective. The Mix
microphone is a sweetspot mix of all the microphones in
Adagio. It has the clarity of the close microphones, while
retaining some of the more ambient qualities of the far
microphones. The combination of microphones also
allows you to do surround mixing (5.1) or quadrophonic
mixes. Output mapping allows routing of different mic
positions to discrete outputs in Kontakt. This is essential
for surround mixing and other stem preparation. To change the output, click on "C,F,
or M" and then click on the "Output" text immediately to the left in the interface. A
popup window will reveal the available Kontakt outputs.
ADDITIONAL 1.1 FEATURES
OUTPUT MAPPING

Output mapping allows routing of different mic positions to discrete outputs

in Kontakt. This is essential for surround mixing and other stem preparation.
To change the output, click on "C,F, or M" and then click on the "Output"
text immediately to the left in the interface. A popup window will reveal the
available Kontakt outputs.

2ND VIOLIN BUTTON

Many of the patches in Adagio Violins

contain a "2nd Violins" Button. This button
processes the samples to simulate the
slightly darker tone and imaging of a
Violins 2 section. The processing is done in
such a way to avoid phasing (i.e. a 2nd Violins enabled patch can be layered with an
unprocessed version of itself).

This Violins 2 simulation coupled with our various legato types, dynamic bowings and divisi
section provide a wealth of options for composers to create realistic Violin 1 and Violins 2
sections. We also recommend using different legato types and dynamic bowings spread
across harmonic lines. For example Instinct as Violins 1, and Village as Violins 2.
SCORING TIPS
Adagio is based around the concept of advanced complexity - in a simple, unified interface
allowing maximum playability and direct access to the sounds. However the approach is
somewhat different from existing orchestral products and can take a little time getting used
to.

The legato patches are very complex in the sense that you have change (via keyswitch)
between different types of playing styles (ex. loure, dynamic bowings/arcs). This essentially
allows you to do repeated notes in legato and/or have natural dynamic variations without
using modwheel. Note that ALL legato patches starts with normal sustains and the
keyswitched transition happens AFTER you have played the first legato transition.

Adagio contains over 10000 short note samples, which represents a notable part of the
library. The different types of spiccato, staccato, marcato are all designed to be used
together. A really powerful combination is to play faster lines with on-bow spiccato (D0#),
then partial slower ones with staccato (E0#) and then go from staccato to marcato (F0#).
You can create completely realistic short notes by using this combination and all of the
articulations (including marcato) have round robin variations.

The separate dynamic bowing and loure articulations are incredibly useful for easy string
scoring - even without legato articulations involved.
8DIO
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Thank you so much for purchasing the 8DIO ADAGIO VIOLINS

The production of ADAGIO VIOLINS is not only a product of my own

vision, but also a product of patience from friends and family - and a
product of countless discussions with a ADAGIO VIOLINS of great
composers, producers and so forth.

Thanks to everybody involved in this project from our wonderful

conductor(s) to all the great and patient players - from everybody on
our BETA team to all the people that have helped us with editing,
programming/scripting, UI design and so forth - too many to mention.

Special thanks to Thomas Newman and Hans Zimmer.

If you have any questions, concerns, love-letters or hate mail feel free to
send it to: support@8dio.com

Troels Folmann & Colin OMalley

All programming, samples, images and text 8DIO 2012. All Rights Reserved.
8DIO is a registered trademark of 8DIO Productions, LLC.