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Note: Audio, Video, and Other Interactive Examples Are Only Available Online

This document provides examples from MTO 23.1 that examine the French path of tonality in the 17th century. It includes tables and figures showing church-key listings from the 17th century, Mattheson's 24 major and minor keys, Rousseau and Nivers' discussions of note naming, key signatures for major and minor keys, and French orderings of tonalities from sources such as Rousseau and Delair.

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0% found this document useful (0 votes)
72 views10 pages

Note: Audio, Video, and Other Interactive Examples Are Only Available Online

This document provides examples from MTO 23.1 that examine the French path of tonality in the 17th century. It includes tables and figures showing church-key listings from the 17th century, Mattheson's 24 major and minor keys, Rousseau and Nivers' discussions of note naming, key signatures for major and minor keys, and French orderings of tonalities from sources such as Rousseau and Delair.

Uploaded by

Charlie Pinedo
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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MTO 23.

1 Examples: Pedneault-Deslauriers, The French Path

(Note: audio, video, and other interactive examples are only available online)
http://www.mtosmt.org/issues/mto.17.23.1/mto.17.23.1.pedneault-deslauriers.php

Table 1. 17th-century church-key listings and Matthesons 24 major/minor keys


Figure 1. Rousseau, De la nomination des Notes (Mthode claire, 3); Nivers, 7 voix(Mthode facile,
6)
Figure 2. Rousseaus Two ways (Mthode claire, 5; cf. Nivers, Mthode facile, 18)
Table 2. Rousseaus Mthode claire: 13 major and minor keys
Table 3. Major-key signatures
Table 4. Minor-key signatures
Figure 3. Delairs principles of the flats or sharps that are put at the beginning of the clefs
Figure 4a. Rousseaus first series (Trait de la viole, 1687)
Figure 4b. Rousseaus second series (Trait de la viole, 1687)
Table 5. French orderings of tonalities

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