KATHAKAR

Screenplay
 KATHAKAR

FADE IN-

SCENE 1- INT. SINGLE SCREEN THEATRE

CREDIT ROLLS- ZOOM IN

WHISTLING WOODS INTERNATIONAL

CUT TO

SCENE 2- INT. SINGLE SCREEN THEATRE- PROJECTOR ROOM

Projector operator ka hath projector ke circular wheel pe agle pal me chalne wali
film ka reel chadhate huey,zoom out.

55 varshiye Prakash dada usi puraane utsah se reel ko bade ullas se projector wheel
pe sawaar rahe hote hain.

Jiske baad wah projection room se jhakte hain aur theatre ki sabhi seetey bhari hui
dekhtey hi kehtey hain

PRAKASH

Housefull

CUT TO

SCENE 3- INT. SINGLE SCREEN THEATRE

Jis pal hi projector room ke us chaukor hisse se projector se roshni nikalti hai aur
jaisehi wah theatre ke parde pe ja takraati hai wahan baithe tamaam darhskaon ke
andar ka film ko leke jo intezar tha wah shor-gul me nikalta hai.

CUT TO
SCENE 3A- INT. SINGLE SCREEN THEATRE- PROJECTOR ROOM

Udhar prakash dada ke chehre par bhi khushi umad padti hai aur theatre se
darshkon ke utsaah ka sabot de rahi unki hasi ka bhi unhe aabhaas hota hai.

Jiske chalte wah bhi parde pe chal rahi filmke dialog ko apni khushi ke liye usi
dramatic andaaz me dohraatein hain.

CUT TO

SCENE 4- EXT. SINGLE SCREEN THEATRE- STAFF KIND OF AREA

Us din prakash dada ke hatho chalne wali saari filmo ka ant ho chuka tha, ghar ko
rawana hone se pehle yuhin kuch yuva staff prakash dada se zamaane me vartaman
samay ke hero aur beetey kal ke heroes ki baat chedh dete hain.

Us kamre ki halki aasmani rang ki roshni ke neeche ye baatein chal rahi thi. Maze
pe take lagaye do ladke the aur unke saamne the naak pe apne chasme ko aaram
dete praksh dada.

BOY 1-

SEETIYAN TAALIYAN TO AAJ BHI BHAUT BAJTI HAI SALMAN KE

FILMO PE

BOY 2-

TUDDHI PE HATH PHERTE HUEY AUR MUSKURATE HUEY PEHLE

LADKE KI BAAT PE APNE HAAW BHAAW SE SANTUSHTI ZAAHIR
KARTE HUEY

CUT TO
SCENE 5A - EXT. SINGLE SCREEN THEATRE- STAFF KIND OF AREA

PRAKASH DADA BHI HATH PE HATH RAKHE HUEY AUR EK HATH KO

APNI SAFED KHURDURE DAADHI PE PHERTEY HUEY HAS DETE HAIN
AUR KEHTE HAIIN

PRAKSH DADA-

HAHAHA

BHAI SEETIYAN TALIYAN TO MITHUN KE JULI JULI PE BHI BAJTEY

THEY AUR RAJESH SAHAB KE I HATE TEARS PUSHPA PE BHI BAJTE
THEY

(LITTLE PAUSE)

PRAKASH DADA

HUMNE SAB DEKHA HAI!

CUT TO

SCENE 5B- EXT. SINGLE SCREEN THEATRE- STAFF KIND OF AREA

PRAKSH DADA KE SAAMNE BAITHE DO LADKE SAADAGI SE

MUSKURAKE UNKI BAATON PE WAH AGREE KARTE HAIN AISA
PRATEET HOTE HUEY.

V/O

PRAKASH DADA, MANAGEMENT KA BULAWA AAYA HAI

PRAKASH DADA HAIRAT KI NAZAR SE DONO LADKO PE DEKHTEY

HUEY
SCENE 6- INT. SINGLE SCREEN THEATRE- OFFICE

KISI BAAT PE TANA-TANI CHIDH CHUKI HOTI HAI JISKO SPASHT

KARNE KE LIHAAZ SE PRAKASH DADA BOLTEY HAIN

PRAKASH DADA

HAN TO KYA HUA SAHAB MAI SEEKH LUNGA

HEAD MEMBER

DEKHIYE AAP MERI BAAT SAMAJE NAHI IS SINGLE SCREEN THEATRE

KO AB EK MULTIPLEX TAKE OVER KARNE WALI HAI AUR USME
DIGITAL PROJECTOR USE HONA HAI

PRKASAH DADA

CHEHRE PE THODI KHEENCH LAATE HUEY

HAN TO MAI SEEKH LUNGA NA

HEAD MEMBER

NAHI, HUME ISKE LIYE YOUNG AADMI KI ZARROAT HAI

YEH SAB SUNTE HI PRAKASH DADA KE CHEHRE NE BHAAW DENA HI

BAND KAR DIYA THA.

SCENE 7- INT. SINGLE SCREEN THEATRE- PROJECTOR ROOM

EK AAKHIRI BAAR PRAKASH DADA APNE THEATRE KE CHOTE SE

GHARUANDE ME AATE HAIN AUR NIRDESH ANUSAR WAH
PROJECTOR KE WHEEL SE APNI CHADHAYI HUI FILM KE ROLL KO
UDAASI SE UTARTE HUEY..

DISSOLVE TO
SCENE 7A- EXT.

CLOSE SHOT,CHALTI HUI BUS KE TYRE TEZZI SE GHUMTA HUA JO

DARSHA RAHA THA KI PRAKSH DADA K ZIINDAGI KA PAHIYE AAGE
BADH CHUKA HAI.

CUT TO

SCENE 8- INT. DAY, KISI GAANV ME PRAKASH DADA KA GHAR.

APNE GHAR KI KINWAAD KO BARSO BAAD KHOLTEY HAIN UNKI

PARCHAYI GHAR KE ANDAR PADI MAILI ZAMEEN PE BICH JAATI HAI.

DAHINI ORE MUD KE BAAHARKI ORE ZHAAKNE WALI CHOTI SI

KHIDKI KO KHOLTEY HAIN AUR UNKA SAAMNA UDATI HUI DHOOL
SE HOTI HAIN.

CUT TO

SCENE 8A- INT. EVE. KISI GAANV ME PRAKASH DADA KA GHAR.

LONG SHOT, ZHAADO SAAMNE AATA HUA JISKA ANT PRAKSH DADA
KE HATHON ME REHTA HAI ZHADOO KE HAR EK GHUMAAV KE SATH
ZAMEEN KI DHOOL SAAF HOTI JAATI HAIN.

DIN DHALTA HAI AUR PRAKASH DADA KA CHEHRA ABHI BHI UTARA
HI THA.

CUT TO.

SCENE 9- INT. NIGHT. KISI GAANV ME PRAKASH DADA KA GHAR

LAALTEIN KI ROSHNI KE SAAMNE PRAKASH DADA RAAT KE KHAANE

KI THAAL LIYE , NIWALA JA RAHA HAI MAGAR DADA KO UNKA
SWAAD NAHI AA RAHA. AANKHE WAHIN THEATRE KE SHOR
SHORABE KO DHOOND RAHI HAI.

SCENE 9A-INT. NIGHT, GAANV ME PRAKASH DADA KA GHAR

HATH SE PAKDI HUI THAALI KO ZAMEE PE HALKA SA PHEKTEY
HUEY. CHEHRA KHICHA-KHICHA SA, SHREER KAANPTI SI AUR
AANKH ME AANS BHARI HUI THI.

SCENE 10- INT, MID NIGHT, PRAKASH DADA KA GHAR

KAMRE ME AA RAHI HALKI CHAND KI ROSHNI KE SAAYE ME

PRAKASH DADA UTH KE APNI CHAARPAYI PE BAITHYE HUEY DO
MINUTE KO MAUN HI HOTE HAIN AUR ACHANAK SE APNE THEATRE
KO YAAD KARTE HUEY AANKHO SE AANSU UNKE PHOOT PADTE
HAIN JISE WAH APNE HATHO SE AANKHO KE PAAS LE JA KE ROKNE
KI POORI KOSISH KARNE LAGTE HAIN, DADA KA SAR JHUKA HUA HI
REHTA HAI.

FADE OUT

SCENE 11- EXT. MORNING , VILLAGE, OUTSIDE OF PRAKASH HOUSE

FADE IN, GAANV KI AGLI SUBAH, CHARON TARAF, DOOR DOOR TAK
SIRF GHANE PADE-PAUDHO KA HI BASERA THA JISKE PEECHE SE
AHISTA AHISTA SOORAJ AUR USKI KIRANE NIKAL RAHI THI AUR
PRAKASH DADA KE GHAR KE SAAMNE THA TO HATH SE BANAYE
GAYE CHABUTARE KE UPAR TULSI KE PADE KA GAMLA, DAAHINI
ORE JISKE ZAMEEN PE PAIRA BIKHRA HUA THA AUR USI TULSI KE
PADE KE PEECHE ISTEMAL ME LAAYI HUI BAIL GAADI JAISA KUCH
GAANV KA WAAHAN.

V/O

GAANV ME SUBAH KO AAWAZ KARNE WALE JAANWARO KI DHEEMI

GATI ME AAWAZEIN.

CUT TO
SCENE 12- EXT. SAME MORNING, OUT OF PRAKASH HOUSE

THODI AUR SUBAH HO CHALI THI JISKE CHALTE DHOOP KI

ROSHNIYON SE PRAKASH DADA KA GHAR AUR BHI CHAMAK RAHA
THA. GHAR KE SAAMNE HI EK MEMYATI HUI BAKRI AUR GHAR KE
DAAHINI CHABUTARE KI ORE 60-65 SAAL KE BOODHE AADMI
AANKHO KO MEENJATYE HUEY BAITHEY THE AUR UNHI KE PEECHE
DOOR KAHIN EK PADE KE CHARON ORE GHUM GHUM KAR GAANV
KE BACHCHE- BACHCHIYAN KHEL RAHE THE AUR IDHAR PRAKASH
DADA DAAHINI ORE ME LOTA LIYE HUEY KULLA KARNE KE
MANODASHA SE BAAHAR NIKALTE HAIN DARWAZA KHOL KE. KUCH
KAAM HI UTARE THE UNKE SEEDHIYON SE KI PEECHE SE AAWAZEIN
SUNAYI DETI HAIN.

V/O

MOTHER

KHAYIBE?

CUT TO

SCENE 13- EXT. NEIGBOUR HOUSE

V/O

GOPAL

NA KHAYBE!

YEH KEHTEY HUEYGOPAL APNE GHAR KE MAIN DARWAZE SE

JHATKE SE BAAHAR AATA HAI JAISE PEECHE SE USE KISI NE
DHAKELA HO. AUR TABHI WO PHIR SE PEECHE GHUMTA HAI

MOTHER

KHAYIBE KI MAARI?

GOPAL

NA KHAIYBE
 ITNA KEHTEY HUEY GOPAL SEEDHIYON PE BAITH JATA HAI AUR
USKI MA EK AUR BAAR AAWAZ ME TAPISH LAATEY HUEY PUCHTI
HAIN?

MOTHER

KHANA KHAYIBE?

GOPAL KI BHI AAWAZE TEZZ HO JATI HAIN

GOPAL

NA KHAYIBE

CUT TO

SCENE 13A- EXT. FRONT OF PRAKASH DADA HOUSE

WIDE SHOT, SOORAJ KI ROSHNI KE NEECHE PRAKASH DADA ANAKHE

BHEENCH KAR DOOR SE HI YEH SAB DEKH RAHE THE

V/O

MOTHER

KHANA KHA?

CUT TO

SCENE 13B EXT. NEIGHBOUR HOUSE

KHAANE KI THAALI GOPAL KE SAAMNE KARTEY HUEY. GOPAL

THAALI KO JHATKE SE PHENKTEY HUEY

GOPAL

NA KHAYIBE

CONTINUES TO

SCENE 13B- EXT. NEIGHBOUR HOUSE.DAY

LONG SHOT, GOPAL KE ITNA KEHTEY HI

MOTHER

NA KHAYIBEJA MAR

GOPAL

NAAHI-NAAHI-NAAHI

GOPAL PEECHE MUD KE APNE GHAR KE ANDAR DEKHTA HUA

MOTHER

V/O

NA PADHE NA KHAYE DIN BHAR BAS KHEL KOOD LAGAYE RAHE.

AUR UDHAR PRAKASH YEH SAB NAZARA DEKHTEY HUE. GOPAL

CONTINUES TO CRY AUR PRAKASH USE ROTA HUA DEKHTEY
REHTEY HAIN, SUDDENLY

PRAKASH

GOPAL

AND HE HIDES HIMSELF AND GOPAL ALSO STOPS CRYING AND

STARTED GUESSING FORM WHERE HIS NAMES GOT UTTERED. AND
GOES SLOWLY TO THE PLACE FROM WHERE HE FOUND THE
CHANCES WOULD BE.

SUDDENLY PRAKSH JUMPS FRONT OF HIM BY MAKING WEIRD NOISE.

GOPLA SHOCKED.

PRAKASH

DARNA NAHIDARNA NAHI HAI

SAAMNE AA RAHE KAPDON KO PRAKASH DONO TARAF SE HATA

DETE HAIN USE KISI RANGMANCH KA PARDA SAMAJH KAR
 PRAKASH

(HINDI FILM STORY)

PURE HAAW BHAAW SE GOPAL KO FILM KI KAHANI BATATEY HUEY

AUR GOPAL BHI HAIRAT SE SAB SUNTEY HUEY. THODI DERR BAAD
GOPAL HASNE LAGTA HAI PRAKASH KE FUNNY EXPRESSIONS DEKH
KAR. TABHI ACHANAK.

CONTINUES TO

SCENE 14- EXT. DAY. MID OF NEIGHBOUR AND PRAKASH HOUSE

V/O

MOTHER

GOPAALLL

TABHI ITNA SUNTE HI PRAKASH AUR GOPAL KE BEENCH CHAL RAHI

HASI THITHOLI KA ACHANAK SE ANT HO JATA HAI. GOPAL KA
CHEHRA SHANT PAD JATA HAI.

V/O

MOTHER

GOPAL BHEETAR AAO

CUT TO

SCENE 15- INT. NIGHT. PRAKASH HOUSE

RAAT KA ANDHERA PRAKASH KE GHAR BHI CHAYA REHTA HAI JAB

TAK WAH MAACHIS KI TILI SE LAALTEIN KA SEESHA UTH KAR USKE
ANDAR KI BAATI KO AAG NAI DE DETA.

CUT TO

SCENE 15A- INT. NIGHT. PRAKASH HOUSE

LAALTIEN KE NARANGI UJAALE SE PRAKASH KE CHAAR DIWARI ME
SE EK DIWAAR NARANGI RANG ME RANG CHUKI THI AUR US
DIWAAR PE THI TO PRAKASH KE BAITHE REHNE KI PARCHAYI JISME
UNKA SAR JHUKA REHTA HAI AUR HATHO KI UNGLIYAN AANKHO
KO MAL RAHI HOTI HAIN. AUR TABHI PRAKASH KI NAZAR BHI APNI
PARCHAYI PE JAATI HAI.

CONTINUES TO

SCENE 15B- INT. NIGHT. PRAKASH HOUSE

DAAHINI ORE SE PRAKASH UTHATE HUEY SAAMNE KI TARAF AATE

HAIN AUR PARCHAYI KI TARAF UNKE KADAM BADHNE LAGTE HAIN
AUR PHIR APNE DAAHINI ORE MUDTE HAIN JISSE DIWAR PE UNKI
PARCHAYI UNSE LAMBI AUR BILKUL BAGAL BAGAL DIKH RAHI THI.

APNE SAR PE TABHI HATH PHERTEY HUEY

PRAKASH

(HINDI FILM DIALOGUE)

PURE HAAW BHAAW KE SATH PRAKASH APNI PARCHYAI KI ORE

DEKH DEKH KE DIALOGUE BOLTE HAIN AUR DIALOGUE KA EK HISSA
KHATAM KAR KE APNI PARCHAYI KA PEECHA KARTEY HUEY WAH
USI DEEWAR KE DUSRE SIDE AA JATE HAIN AUR

CUT TO

SCENE 16- INT. NIGHT. PRAKASH HOUSE

DEEWAR PE PRAKASH KAMAR KE UPAR KA HISSA PARCHAYI KE

ROOP ME DIKHTA HAI AUR HATHO KE HAAW BHAAW KA SAHARA
LETE HUEY KEHTEY HAIN

PRAKASH

GABBAR SINGH KA INTEZAR TO GYARAH MULKO KI POLICE KAR

RAHI HAI
 ARE WAH WAH WAH, ARE WAH WAH WAH

JAGAH BADLATEY HUEY PRAKASH DADA AB DEEWAR KE AAMNE

SAAMNE AAKE SHANT HO JATE HAIN ACHANAK SE AUR HATHO KO
PHIR SE HAWA ME UTHATE HAIN

PRAKASH

BABU MUSHAI ZINDAGI EK RANG MANCH HAI, JISKI HUM SAB

KATPUTLIYAN HAIN

CUT TO

SCENE 17- INT. NIGHT. PRAKASH HOUSE

WIDE SHOT, DEEWAR KI ORE PRAKASH DADA APNA MUH KIYE HUEY

PRAKASH

HUM KO BAS YAHAN NACHNA GAANA HAI AUR CHALE JANA

HAIHA HA HA

FADE OUT

SCENE 18-EXT. DAY.

PRAKASH DADA APNE GHAR KI CHOTI SI KHIDKI KE PEECHE SE GHAR

KE BAAHAR KUCH DOOR PE EK BADE SE PADE KE AAS PAAS
KHELTEYHUEY KUCH BACHCHE DIKHAYI DETE HAIN.

UN BACHCHON ME SE TEEN LADKE JAHAN AAPAS ME KANCHE KHEL

RAHE THE TO DO LADKYAN PADE KE CHARON ORE GOLAYI KE BANE
CHABUTARE PE CHADH KE GOLAYI ME GHUM-GHUM KHELNE LAGTE
HAIN

CUT TO

SCENE 19- EXT. DAY.

 SAFED KURTE-PAIJAAME ME DO HISSO KE DARWAZE KA PEHLA
HISSA ZORO SE KHOL KE BAAHAR KI ORE DEKHTEY HAIN AUR HALKI
SI NAZAR BAAHAR KI ORE LE JAANE WALI SEEDHIYON KI TARAF
DEKHTEY HAIN AUR CHAL PADTE HAIN.

CUT TO

SCENE 20- EXT. DAY. FRONT OF PRAKASH HOUSE

DO HISSO ME BAT KE KANCHE KHEL RAHE BACHCHO KE BAGAL SE

GUZARTEY HUEY PRAKASH DADA ACHANAK SE PEHLE TEEN
BACHCHO KE SAMOOH KE SAAMNE PAIJAAME KO UPAR KARTEY
HUEY BAITH JATE HAIN.

PRAKASH

AUR YEH MAARA

TEENO BACHCHO ME SE BEENCH ME BAITHE BACHCHE KI NAZAR

SABSE PEHLE PRAKASH PE PADTI HAI PHIR USKE DAAHINI ORE
BAITHE BACHCHE KI.

BEENCH ME BAITHE BACHCHE KE DAAHINI ORE BAITHE LADKE KI

TARAF DEKHTE HUEY

PRAKASH

KYA NAAM HAI TERA?

PHIR DONO KI TARAF DEKHTEY HUEY

PRAKASH

KAHANI SUNEGA?

ACHCHI WALI!

PRAKASH KE MUH SE ITNA SUNTE HI TEENO BACHCHE BHAAG

KHADE HOTE HAIN AUR PRAKASH UN BAAKI PAANCH BACHCHO PE
NAZAR DAALTEY HAIN JO ABHIBHI KANCHE KHELNE ME KHOYE
REHTE HAIN..
 CUT TO

SCENE 21- EXT. EXT. DAY. FRONT OF PRAKASH HOUSE

PEHLE UN TEEN BACHCHO DWARA REJECT KAR DIYE JAANEKE BAAD

PRAKASH UMEED LIYE BAAKI KE KHEL RAHE 5 BACHCHO KE
NAZDEEK AA KE DONO PAIRO KE SAHARE ZHUKTE HUEY UMEED
BHARI AAWAZ SE PUCHTEY HAIN

PRAKASH

KAHANI SUNEGA?

ITNA SUNTE HI WAH BACHCHE BHI BHAAG JATE HAIN BINA KUCH
BOLE YAHAN TAK KI UNME SE WAH BACHCHA BHI JO UNGLI PE
KAANCHE KO TAANE BAITHA THA, NISHANA LAGANE KI FIRAAQ
ME

PRAKASH WAHAN PHIR AKELE REH JAATE HAIN AUR REH JAATA HAI
TO PEECHE PADA KISI VYAPARI KA THELA AUR USKE IRD GIRD JAATI
HATHO DAURI LIYE HUEY EK MAHILA AUR EK AADMI

AUR PRAKASH PHIR AFSOS AUR CHEHRE PE SHIKAND LIYE UTH KE

USI PADE KE CHABUTARE PE AA BAITHEY HAIN JISPE PEHLE WAH DO
LADKIYAN KHELNE KE WAASTE CHADHTI HAIN.

CUT TO

SCENE 22- EXT. DAY. ON THE PLATFORM OF SAME TREE

EK KALA BOARD JISKE UPARI HISSE ME AAJ SHAM PAANCH BAJE

LIKHA THA AUR BEENCH ME THA FILM SHOLAY KA POSTER AUR ANT
ME SHOLAY KI KAHANI- KATHAKAR PRAKASH KI ZUBANI PHIR
THODA SPACE DEKE YEH BHI LIKHA THA KI MANORANJAN KI
GUARANTEE

AUR INHI SAB KE PEECHE SE KAHIN DOOR KISI CYCLE KI GHANTI KI

AAWAZE AATI HAIN TO KISI KE DWARA KISI KO PUKARNE KI
AAWAZEIN
 CUT TO

SCENE 23. INT. DAY. INSIDE THE PRAKSH HOUSE

PADE KE PAAS CHHOD AAYE APNE US SHOLAY K POSTER KO

PRAKASH APNE GHAR KI EK LAUTI KHIDKI SE JHAANK RAHE HOTE
HAIN CHEHRE PE UMEED THI, POSTER KE IRD-GIRD WAH DARSHAK
TALASH RAHE THE.

CUT TO

SCENE 24- EXT. DAY. OUTSIDE OF THE PRAKASH HOUSE

KAMRE KI EK LAUTI KHIDKI/JAALI SE DEKHNE PAR PADE KE PAAS

RAKHE US POSTER KE AAS PAAS KOI DARSHAK NAZAR NAHI AATA
SIRF ROZ MARRA KI HONE WALI AAWAZEIN HI SUNAYI DETI HAIN.

CUT TO

SCENE 24A- INT. DAY. INSIDE PRAKASH HOUSE

CLOSE SHOT, BAAHAR KOYI DARSHAK NA PAA KE PRAKASH BHI

HATASH HOKE USI DIWAR KE SAHARE NEECHE DHALNE LAGTE
HAIN.

GOPAL

CHACHA!

HAAFTI HUI AAWAZ ME KISI KE MUH SE CHACHA SUNTE HI PRAKASH

PHIR UTH KHADE HOTE HAIN AUR KHIDKI PE HATH RAKHTEY HUEY
BAAHAR US AAWAZ KE MAALIK KO DHUNDANE LAGTE HAIN.

CUT TO

SCENE 25B-EXT. DAY. OUTSIDE OF PRAKASH HOUSE

SAANSO KO KAABOO KARTE HUEY

GOPAL
 CHACHA! TU HIYAN HO?

CUT TO

SCENE 25C- INT. DAY. INSIDE PRAKSH HOUSE

PRAKASH GOPAL KO KHIDKI KE RASTEY HUEY DEKHTEY HUEY USKI

BAATON KO SUNTE HUEY

V/O

GOPAL

HUM HUAN ZHAADE KE NEECHE TOHAR INTEZAR KARATIYAN

YEH SUNTE HI PRAKASH EK NAZAR PADE KE TARF DEKHTEY HAIN

AUR PHIR GOPAL PE

CUT TO

SCENE25D- EXT. DAY. OUTISDE OF PRAKASH HOUSE

GOPAL THODI SAANS PE KAABOO KARTEY HUEY ZAMEEN PE DONO

PAIR BANDH KE BAITH JATA HAI

GOPAL

KAHANI NA SUNAIYA AAJ?

SCENE 25E- INT. DAY. INSIDE OF PRAKASH HOUSE

GOPAL KE MUH SE YEH SUNKE PRAKASH UTSAAH SE BHAR JAATE

HAIN AUR BOL BHI UTHATE HAIN

PRAKASH

HAN! SUNAUNGA NA

ITNA KEHTE HUEY BAAHAR KI ORE CHAL DETE HAIN

 CUT TO

SCENE 26- EXT. EVENING.OUTSIDE UNDER THE SAME BIG TREE

PRAKASH PEHLE DARSHAK KE SATH APNI KATAHKAARI SHURU

KARTE HAIN HATH AUR CHEHRE KE BHAAW MAIL KHA RAHE THE
AUR UNKE PEECHE RAHE PADE KE BAGAL SOORAJ KA KUCH HISSA
NAZAR AATA HAI AUR USKI KUCH TEZZ ROSHNIYAN JISE WAQT-
BEWAQT PRAKAHS US PLATFORM PE TEHAL TEHAL KE APNI
KATHAKARI KE DAURAAN DHAK DE RAHE THE.

PRAKASH

(TALE OF FIM SHOLAY)

CUT TO

SCENE 27-EXT. EVENING.FRONT OF THE TREE

V/O

PRAKASH

(TALE OF SHOLAY BY PRAKASH WAS KEPT GOING ON BACKGROUND)

GOPAL KEPT LISTENING THE TALE OF SHOLAY, SMILE WAS

CONTINUE TO BE FLASHED ON HIS FACE.

GOPAL SE KUCH DOORI PE KHEL RAHE BACHCHO KA BHI DHYAN AB

PRAKASH KI ORE AA JATA HAI. PRAKASH ABHI BHI LAGATAR
KAHANI BATANEIN ME KHOYE REHTE HAIN UDHAR GOPAL KE
PEECHE BACHCHO AUR PRAKASH KE DARSHAKO KI BHEED BHI
BADHTI JA RAHI THI

CONTINUES TO

SCENE 28- EXT. EVENING.FRONT OF THE TREE

PRAKASH

(ON THE WAY TO COMPLETE THE TALE OF SHOLAY)

 CUT TO

SCENE 29- EXT. EVENING.FRONT OF THE TREE

KAHANI KHATM HONE KO AAYI AUR SAARE BACHCHE/DARSHAK

TAALI BAJA KE PRAKASH KI KATHAKARI KO SARAHTEIN HAIN.

CUT TO

SCENE 29A- EXT. EVENING BELOW THE SAME BIG TREE

PRAKASH

KAL THEEK ISI SAMAY PHIR EK NAYI KAHANI SUNAUNGA...THEEK?!

CUT TO

SCENE 30- EXT. DAY , UNDER THE SAME TREE

PRAKASH

(TALE OF FILM ANAND)

CUT TO

SCENE 30A-EXT. DAY, UNDER THE SAME TREE

KISI AUR DIN

PRAKASH

(DILAOGUES OF ANOTHER FILM)

CUT TO

SCENE 30B- EXT. DAY. UNDER THE SAME BIG TREE

KISI AUR DIN

PRAKASH

(DIALOGUES OF ANOTHER HINDI FILM)

 AUR AB TO MANZAR KUCH AISA THA KI UN TAMAAM DARSHAKON
ME AB MAHILAYEIN, BADE- BOODHE SAB AAYA KARTE THE

LAUGH OF AUDIENCE

CUT TO

SCENE 31- INT. DAY. INSIDE PRAKASH HOUSE

CHICKEN KURTE JAISA PRATEET HOTA KURTA PEHNE DIWAAR KE

SAHARE ZAMEE PE PRAKASH KAHIN SE AA RAHI HALKI ROSHNI KE
SAAYEN ME BAITHE REHTE HAIN.

JIS DEEWAR KE SAHARE HAIN USKE PEECHE FILM MERA NAAM

JOKER KA POSTER LAGA REHTA HAI.

KUCH SECOND BAAD HI WAH KHIDKI SE AA RAHI ROSHNI KI ORE

MUH KARKE KHADE HOKE US TAK JAANE LAGTE HAIN. THODI DOOR
PAR HI REHTEY HAIN KHIDKI SE WAH AUR UN PAR PAD RAHI ROSHNI
DEKH KE UNKE MAN ME WAH AWAZEIN GOONJANE LAGI JO AKSAR
TABHI AAYA KARTI THI JAB AISI HI ROSHNI THEATRE KE
PROJECTION ROOM SE PARDE PE AA PADTI THI AUR DARSHAK
KHUSHI KE MAARE ZOOM UTHA KARTE THE..

V/O

(IN LOW FREQUENCY VOICE OF WHISTLE, EXCITEMENT START

TAKING RISE)

CUT TO

SCENE 32- INT. DAY. INSIDE PRAKASH HOUSE

CLOSE SHOT, FROM BEHIND PRAKASH

PRAKASH JAAKE US AADHI KHULI KHIDKI KE SAAMNE KHADE HO

JAATE HAINWAH UMEED BHARE KADAM KHIDKI KI ORE
BADHATEY HAIN.

CUT TO
SCENE 32A- EXT.DAY.

DONO HATHON SE JAISE HI KHIDKI KA PALANG KHOLTE HAIN SURAJ

KI BEMISAL DHOOP UNKE CHEHRE PE AA PADTI HAIN

CUT TO

SCENE 33- INT. DAY .INSIDE PRAKASH HOUSE

PRAKASH KHIDKI SE BAHAR KHADE HAR UMRA KETAMAAM

DARSHAKON KE JAMAWADE KO DKEHTEY HUEY..

CUT TO

SCENE 34-EXT. DAY.

CLOSE UP SHOT.

APNI KATHAKARI KE LIYE ITNE DARSHAKON KO DEKH KE UNKE

CHEHRE NE EK LAMBI MUSKAN CHHOD DI AUR KHIL-KHILA KE NAM
AANKHO SE KEHTEY HAIN

PRAKASH

HOUSEFULL

CUT TO

SCENE 35.EXT DAY. NEAR THE TREE

SABHI DARSHAK PRAKASH KE INTEZAR ME REHTEY HAIN, KUCH

AAPAS ME BAATEIN KARTEIN REHTE HAIN TO KUCH BACHCHE US
BADE PADE KE PALTFORM PE BAITHE REHTE HAIN. TABHI SAB APNI
BAATON KO ACHANAK ROK KE AA RAHE PRAKASH DADA PE DHYAN
DETE HAIN JO SEEDHA PLATFORM PE JAATE HAIN

(END CREDIT ROLLS)

AUR PEECHE SE UNKE LIYE ZOR DAAR TAALIYAN SAB BAJANE

LAGTE HAIN.
SABHI BAITHNE LAGTE HAIN AUR EK LAMBI SAANSEIN LETE HUEY
DRAMATIC ANDAZ ME PRAKASH DADA APNI KATHAKARI KI
SHURUWAT KARTE HAIN. FADE OUT.