Simple Harmonic Motion by Tom Marsh
Simple Harmonic Motion by Tom Marsh
4.1 Oscillations
Sound waves, light waves, earthquakes, pendulums, bridges, buildings,
cars, musical instruments, mobile phones, radios and televisions are some
of many examples of the importance of oscillations in nature.
Oscillations occur when something is displaced and that displacement
results in a restoring force that opposes the displacement. Simple Har-
monic Motion (SHM) is the simplest example of such behaviour and is
of huge importance across all of physics.
x
m
k
a
x=0 NB a defined to
point to +x so
that
The key property of springs is that they produce a force F that is linear a = d2 x/dt2 .
in the displacement x from their natural length, i.e.
33
CHAPTER 4. SIMPLE HARMONIC MOTION (SHM) 34
F = kx,
where k is the spring constant that depends upon the strength of the
spring. The minus sign indicates that the force acts in the opposite
direction to the displacement.
Applying N2 , we have
F = ma = kx,
so
d2 x k
= x.
dt2 m
For reasons that will become clear, we will write this as
d2 x
2
+ 2 x = 0, (4.1)
dt
where we define
k
2 = .
m
: Greek
oh-may-gah,
Equation 4.1, the equation of SHM is one of the key equations of physics. not double-you
Also often see
x + 2 x = 0,
using Newtons dot notation for time derivatives (v = x, a = x).
1 2
T = = .
f
The motion is periodic because x(t + nT ) = x(t) for any integer n since:
x = A0 cos (t + ) ,
where A0 and are constants. In this case A0 is called the amplitude Be prepared to
while is called the phase angle. hear t +
referred to as
the phase.
CHAPTER 4. SIMPLE HARMONIC MOTION (SHM) 36
All forms of general solution of Eq. 4.1 involve two unknown constants.
This stems from the presence of the second derivative, leading to its
being termed a second order differential equation.
x = A cos t + B sin t,
x = A sin t + B cos t.
A = 2,
B = 6.
From earlier r r
k 8
= = = 2,
m 2
and so B = 3, leading to the final result:
1
hT i = hU i = kA2 .
4
Using this, the general solution of the SHM equation in the form
x = A0 cos (t + ) ,
can also be written as
0 i(t+)
x = Re A e ,
a = A0 ei ,
CHAPTER 4. SIMPLE HARMONIC MOTION (SHM) 39
we can write
x = Re aeit .
x=0
x
m
k
a
Figure: Mass attached to a spring and a viscous damper
mechanism
CHAPTER 4. SIMPLE HARMONIC MOTION (SHM) 40
b
= ,
m
we obtain the equation of damped SHM:
x + x + 2 x = 0.
sin and cos are not solutions to this equation. Instead, motivated by the
exponentials that we saw above, lets first swap x for z (in anticipation
of complex solutions):
z + z + 2 z = 0,
and then try
z = aept ,
where a and p are constants. The derivative of this is easy:
z = paept = pz,
and similarly
z = p2 z.
Substituting this into the equation for damped SHM we then find
p2 + p + 2 z = 0.
= 2: critical damping.
x = |a|et/2 cos ( 0 t + ) .
This solution describes the case of light damping.
This is the first pay-off for adopting complex exponentials: it is hugely
easier to deal with aept in the original substitution than it is to deal with
the expression above.
Damping reduces the oscillation frequency from to 0 , and adds an
exponential decay term, et/2 . Writing the latter as et/(2/) , shows
CHAPTER 4. SIMPLE HARMONIC MOTION (SHM) 42
that the amplitude decreases by 1/e in a time = 2/. The energy, which
scales as the square of the amplitude, drops by the same amount in time
= 1/.
x = aep1 t + bep2 t ,
where
r
2
p1 = 2,
2 r 2
2
p2 = + 2.
2 2
Both of these are negative, so these are decaying exponentials.
CHAPTER 4. SIMPLE HARMONIC MOTION (SHM) 43
Critical damping is the case of = 2, when there is only one solution for
p = /2. It is of practical importance because critical damping ensures
the most rapid return to zero. It is thus used in car shock absorbers and
in scientific instruments.
Mathematically it presents a small problem. Taking the heavy damping
solution
x = aep1 t + bep2 t ,
and setting p1 = p2 = /2, we end up with
x = (a + b)et/2 = a0 et/2 ,
x = (a + bt)et/2 ,
mx + bx + kx = F0 cos t.
F0 it
z + z + 02 z = e , (4.3)
m
if we set x = Re(z). A subscript 0 has been added to the natural
frequency of the oscillator 02 = k/m to distinguish it from the applied
angular frequency .
The system will oscillate at the applied frequency , so lets try NB: z = iaeit
is complex form
z = aeit , of velocity.
as a solution.
A bit of sleight of hand here: initially there will also be some damped
oscillations of the form discussed in the previous section (known as tran-
sients in electrical circuit theory), but they die away, leaving only a
CHAPTER 4. SIMPLE HARMONIC MOTION (SHM) 45
a = |a|ei ,
z = |a|ei(t+) ,
For = 0,
F0 F0
|a| = |a|0 = = ,
m02 k
(since 02 = k/m). This is just the response of a spring to a steadily
applied force. Scale overall response relative to this value:
|a| 02
=q .
|a|0 2 2 2 2
(0 ) + ()
1. The amplitude varies with , and peaks close to the natural fre-
quency 0 for lightly-damped systems. This is resonance.
2. The system responds in phase ( = 0) at very low frequencies
( 0 ). As increases, < 0, so x lags the applied force.
= 90 for = 0 , and 180 (anti-phase) as .
3. The width of the resonance peak at half its maximum height Full
Width at Half Maximum (FWHM) when plotted in terms of en-
ergy ( |a|2 ) is .
4. For strong resonances, the peak response |a|/|a|0 0 /. Ratio
of natural frequency to FWHM. Known as the quality- or Q-
factor: Q = 0 /.
CHAPTER 4. SIMPLE HARMONIC MOTION (SHM) 47
Examples: human voice, hairs of inner ear, radio and TV tuners, ocean
tides, earthquake damage, musical instruments, colours, lasers, . . . Ultra-high
Q = 1011 lasers
The phenomenon of resonance is important for tides. e.g. the tidal range
around the British Isles reaches 15 m compared to 0.6 m in the open
ocean.
It is also significant in earthquakes when sometimes short and tall build-
ings can be left standing while ones of intermediate height with unlucky
natural frequencies are destroyed.
T
a
m
s
mg
F = ma = mg sin .
This is one of the most well-known equations in physics. Its an easy one
to test yourself: tie a heavy object to some string, time its oscillation
period for different l, plot T 2 versus l which should be a straight line of
gradient 4 2 /g. Keep the amplitude small.