Resource Notebook
Resource Notebook
Regina Go
1
1st Grade
Firefly...7
Here Comes a Bluebird8
Jim Along, Josie...9
Owlet..10
Sorida.........11
2nd Grade
Down Came a Lady.12
Great Big House in New Orleans13
Kye Kye Kule..14
Teddy Bear..15
Whos That?.................................................................................................................................16
3rd Grade
Chicka Hanka.17
Coffee Grows On White Oak Trees..18
Fire in the Mountain..19
No One in the House but Dinah.20
Old Brass Wagon...21
4th Grade
All Through the Night22
Buffalo Gals..23
The Noble Duke of York..24
5th Grade
The Ash Grove...25
De Colores.36
2
Jumpin in my garden (Yes Maam!), Cuttin down the cabbage, (Yes Maam!)
My fresh tomatoes (Yes Maam!), My sweet potatoes (Yes Maam!),
And if I live (Yes Maam!), to see next fall (Yes Maam!),
I aint gonna have (Yes Maam!) no cotton at all (Yes Maam!)!
Source: My Little Rooster and Other Folk Songs, Singing Games, & Play Parties by Jill Trinka.
3
Source: My Singing Bird: 150 Folk Songs by Ida Erei, Faith Knowles and Denise Bacon
4
Source: The Little Black Bull and Other Folk Songs, Singing Games, & Play Parties by Jill
Trinka.
5
One sailer walks around the outside of the circle of farmers who hold hands, sway, and sing
verse 1. The sailor then sings verse 2, stands before a farmer and holds out his hand saying
guess how many? The outcome determines whether the third or fourth verse then follows.
Source: My Singing Bird: 150 Folk Songs by Ida Erei, Faith Knowles and Denise Bacon
6
Thomas A Tattamus
Source: John, the Rabbit and Other Folk Songs, Singing Games, & Play Parties by Jill Trinka.
7
Firefly
Japanese Folk Song
Source: Bought Me a Cat and Other Folk Songs, Singing Games, & Play Parties by Jill Trinka
8
Source: My Little Rooster and Other Folk Songs, Singing Games, & Play Parties by Jill Trinka.
9
Source: My Little Rooster and Other Folk Songs, Singing Games, & Play Parties by Jill Trinka.
10
Owlet
Sorida
Ghanaian Hand-Game Song
A C A C B C B C R L C R L C B C B C A C A C B C B C
So-ri-da, So-ri-da, ri-da, ri-da. Da-da-da, Da-da-da, ri-da, ri-da. So-ri-da. So-ri-da, ri-da, ri-da.
Students begin facing each other (sitting or standing), making a Hand sandwich (one students
hands is within the others).
A Sweep hands apart in an upward circular motion
C Clap
B Hit backs of hands together
R Hit right palms across
L Hit left palms across
Source: Let Your Voice Be Heard! Songs from Ghana and Zimbabwe by Abraham Kobena
Adzenya, Dumisani Maraire, and Judith Cook Tucker.
12
Source: John, the Rabbit and Other Folk Songs, Singing Games, & Play Parties by Jill Trinka.
13
Source: The Little Black Bull and Other Folk Songs, Singing Games, & Play Parties by Jill
Trinka.
14
Source: Let Your Voice Be Heard! Songs from Ghana and Zimbabwe by Abraham Kobena
Adzenya, Dumisani Maraire, and Judith Cook Tucker.
15
Source: The Little Black Bull and Other Folk Songs, Singing Games, & Play Parties by Jill
Trinka.
16
Whos That?
Source: John, the Rabbit and Other Folk Songs, Singing Games, & Play Parties by Jill Trinka.
17
Chicka Hanka
Source: My Singing Bird: 150 Folk Songs edited by Ida Erdei, Faith Knowles, and Denise
Bacon.
19
Source: My Singing Bird: 150 Folk Songs edited by Ida Erdei, Faith Knowles, and Denise
Bacon.
20
As the ring sings, Dinah goes to anyone in the ring. At the end of the song, Dinah tries to
guess the identity of the player without removing the blindfold. If successful, the person
identified becomes the new Dinah and the old Dinah takes her place in the circle.
Source: My Singing Bird: 150 Folk Songs edited by Ida Erdei, Faith Knowles, and Denise
Bacon.
1
Activity: Have students mirror the lyrics with actions. i.e. Walk to the left on circle to the left,
skip in a circle on skippin all around, etc.
Source: The Little Black Bull and Other Folk Songs, Singing Games, & Play Parties by Jill
Trinka.
2
2. Sleep, my child, and peace attend thee, All thro the night;
Guardian angels God will send thee, All throo the night.
Soft the drowsey hours are creeping,
Hill and vale in slumber steeping,
I my loving watch am keeping, All thro the night.
Source: My Singing Bird: 150 Folk Songs by Ida Erei, Faith Knowles and Denise Bacon
3
Buffalo Gals
2. I asked her if shed stop and talk, stop and talk, stop and talk
Her feet took up the whole sidewalk and left no room for me.
Source: My Little Rooster and Other Folk Songs, Singing Games, & Play Parties by Jill Trinka.
4
2. Oh, and when they were up they were up, and when they were down they were down, and
when they were only half-way there they were neither up nor down.
3. Oh, a-hunting we will go, a-hunting we will go, well catch a fox and put him in a box and
never let him go.
Source: My Little Rooster and Other Folk Songs, Singing Games, & Play Parties by Jill Trinka.
5
Source: My Singing Bird: 150 Folk Songs by Ida Erei, Faith Knowles and Denise Bacon
6
De Colores
Spanish Folk Song
Source: My Little Rooster and Other Folk Songs, Singing Games, & Play Parties by Jill Trinka
7
Kindergarten
Comparative Lesson Examples.28
- Listening Activity
We Are Dancing In the Forest..29
- Singing Game
1st Grade
bo Asi Me Nsa...30
- Stone-Passing game
Whos That?...................................................................................................................................31
- Orff Instrument Arrangement
2nd Grade
Ugros..32
- Movement Activity
Skating33
- Listening/Movement Activity
3rd Grade
Pata Pata34
- Movement Activity
4th Grade
Hist Wist36
- Exploration Activity
5th Grade
Jambo.37
- Movement Activity
Other instruments
(high) Rhapsody in Blue by George Gershwin
(low) In the Hall of the Mountain King by Edvard Grieg
bo Asi Me Nsa
Akan Stone-Passing Game
Form: AA1
Instructional Uses: Stone Passing Game
The stones can be passed in 2 different patterns: a 2-beat pattern or a 3-beat pattern (the 3-beat
pattern being more difficult over the simple meter). In the 2-beat pattern, the student simply
grabs the stone/stick on the first beat then passes it on the second beat. In the 3-beat pattern, the
student grabs on beat 1, taps or switches to the other hand on beat 2, then passes on beat 3.
Source: Let Your Voice Be Heard! Songs from Ghana and Zimbabwe by Abraham Kobena
Adzenya, Dumisani Maraire, and Judith Cook Tucker.
11
Whos That?
Orff Instrument Arrangement
12
Urgos
Hungarian Leaping or Jumping Dance
Section I
- Bend knees on beat 1, straighten on beat 2.
- Repeat 7 more times (beats 3-16)
- Repeat for the following four measures, angling knees apart.
Section II
- Step rightward with the right foot on beat 1.
- Touch L foot to R foot on beat 2.
- Step leftward with the left foot on beat 3.
- Touch R foot to L foot on beat 4.
- Repeat 7 more times
Section III
- Step rightward with R foot on beat 1.
- Step L foot next to R foot on beat 2.
- Step rightward again with L foot on beat 3.
- Step L foot to R foot on beat 4.
- Repeat for beats 5-8, but moving leftward.
- Repeat all of the above (in Section III) 3 more times
Section IV
- Step rightward with R foot on beat 1.
- Lift L foot on beat 2.
- Step leftward with L foot on beat 3.
- Lift R foot on beat 4.
- Repeat seven times
Section V
- Step rightward with R foot on beat 1.
- Stamp L foot next to R on beat 2.
- Step leftward with L foot on beat 3.
- Stamp R foot next to L on beat 4.
- Repeat seven more times.
The teacher may teach form with Skating by assigning motions for the students to each section.
The duration of each section is as follows:
Intro: 4 bars
A: 16 bars: Four 4-bar phrases
B: 8 bars: Two 4-bar phrases
A: 16 bars: 4 bars of A material, transition
C: 26-bars: 24 bars of piano solo, 2 bars transition
B: 8 bars: Two 4-bar phrases
A: 12 bars: 8 bars of A material, 4 bars of outro using transition material
Intro: no motion
A: Hands are above head and float down to the beat with every big pulse, and float back up on
the ascending chords.
B: Student could move around the room to the big pulses.
C: Students could do a creative movement activity, either by themselves or as a creative partner
activity.
14
Pata Pata
Movement Activity- Sample Lesson Plan
Grade Level: 3rd-4th Grade
Area(s) of Focus: Movement
National Standards Addressed:
Anchor Standard #1. Generate and conceptualize artistic ideas and work.
Anchor Standard #2. Organize and develop artistic ideas and work.
Anchor Standard #3. Refine and complete artistic work.
Anchor Standard #4. Analyze, interpret, and select artistic work for presentation.
Anchor Standard #5. Develop and refine artistic work for presentation.
Anchor Standard #10. Synthesize and relate knowledge and personal experiences to make
art.
Anchor Standard #11. Relate artistic ideas and works with societal, cultural and historical
context to deepen understanding.
Lesson Objectives (Behavioral):
Students will learn and perform two movement sections to Pata Pata by Miriam
Makeba. (k.o.)
If time allows, students will pick their own movements for the interlude sections. (a.s.o.)
Vocabulary and Academic Language
Students will analyze the form as ABA C ABA C ABA.
Prior Learning:
At fifth grade, students should be able to keep a steady beat with various parts of their
body/motions. Students should also have fundamental coordination in their hands and feet.
Materials Needed:
Source to play Pata Pata from (i.e. computer/speaker)
Board to display form Visual Aid
Procedures:
Students will form a circle.
(Students will perform warm up/stretching activities if lesson takes place at the beginning of
class.)
I want to share a song with you! Listen to Pata Pata while keeping the beat. Snap at some
point. (3 min.)
Ask students where they think the music is from. Give background/context to Miriam Makeba.
Have students sit in their circle and keep a beat as teacher(s) model the ABA section.
Begin to teach first part of movement (A). Students and teacher will perform together while the
teachers say the actions at a slow tempo. (1 min.)
4 counts in, 2 counts snaps, 2 counts claps.
4 counts out, 2 counts snaps, 2 counts claps.
Do this twice.
Repeat the procedure to teach the second part of the movement (B). (1 min.)
R touches 3 times, then back to middle. L taps 3 times, then back to middle. Repeat.
R leg Up 1, down 1, then repeat (4 counts total). Repeat with L leg. Repeat.
Increase tempo to that of Pata Pata. Do the movements to the first chorus. Remember that
the first section repeats after the second. (1.5 min.)
Allow students to suggest movements for the third part (C). Pick a movement for eight
measures and add this to the form. (5.5 min.)
15
Show students the full form of the song, and perform it with chosen actions with the music.
(Or ABA C ABA if time does not permit for the whole song.) (3 min.)
Methods of Assessment
Informal: Students will be assessed by teachers watching and giving feedback for
improvement.
Written Assessment: Teachers will do a written reflection post-lesson.
16
with scuttling
eyes rustle and run and
hidehidehide
green
dancing
devil
devil
devil
devil
wheeEEE
17
Jambo
(Jambo is a type of greeting from Ghana, West Africa)
Introduction
- Lunge rightward on beat 1.
- Nod to the person across to the right on beat 3.
- Lunge leftward on beat 5.
- Nod to the person across to the left on beat 7.
- Repeat these steps for beats 1-8 three more times.
Section I
- Step rightward on beat 1.
- Step L foot to R (close feet) on beat 3.
- Repeat two more times for beats 5-12.
- Step rightward on beat 13.
- Close feet on beat 14.
- Step rightward on beat 15.
- Close feet on beat 16.
- Repeat all of the above (in Section II) for beats 17-32.
Section II
- Raise R knee on beat 1.
- Touch R foot to L on beat 2.
- Raise R knee on beat 3.
- Touch R knee on beat 4.
- Repeat for beats 5-8, with L knee.
- Repeat for beats 9-12, with R knee.
- Jump on beat 13. Land and stand for beats 14-16.
- Repeat above, with opposite footwork (start with L knee).
Section III
- Two-step LRL for 1 + 2. Clap on second beat.
- Two step RLR for beats 3 + 4. Clap on second beat.
- Repeat for beats 5-8.
- Each circle two-steps past the other circle, clapping on beat 2 of each two step, for beats
9-12.
- Step L foot IN on beat 13.
- Pivot L and Kick R foot out and around counterclockwise, spinning the dancer 180 on
beat 14.
- Jump with feet apart on beat 15; land on 16.
- Repeat all of the above, moving OUT and returning to place.